- Poesia, Literature, Languages and Linguistics, Call for Papers, History of Italian Language, Italian Literature, and 7 moreLetteratura italiana moderna e contemporanea, Italian Studies, 20th Century Italian Literature, Contemporary Poetry, Filologia Italiana, Storia Della Lingua Italiana, and Call for Papers, Cultural Studiesedit
- Research Fellow, University of Pavia
PhD in Philology and Italian Literature, University of Genoaedit
Research Interests:
con Samuele Fioravanti
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Le parti pris des choses. Through Ponge’s critical reception What does Le parti pris des choses exactly mean? To reach a decision by default, opting for trite, stereotypical logic? To stand for “things”, championing their cause? But how... more
Le parti pris des choses. Through Ponge’s critical reception
What does Le parti pris des choses exactly mean? To reach a decision by default, opting for trite, stereotypical logic? To stand for “things”, championing their cause? But how could we support the “party of things”? How did Francis Ponge do this, in 1942, with Le parti pris des choses, which suddenly made him prominent in France and Europe? Among misleading and reductive interpretations of Ponge’s poetics, and subsequent efforts to present drafts of Parti pris and elucidate the author’s beliefs, this paper discusses different approaches critics have taken in analyzing Ponge, thus offering significant reflections both about the writer and his readers
What does Le parti pris des choses exactly mean? To reach a decision by default, opting for trite, stereotypical logic? To stand for “things”, championing their cause? But how could we support the “party of things”? How did Francis Ponge do this, in 1942, with Le parti pris des choses, which suddenly made him prominent in France and Europe? Among misleading and reductive interpretations of Ponge’s poetics, and subsequent efforts to present drafts of Parti pris and elucidate the author’s beliefs, this paper discusses different approaches critics have taken in analyzing Ponge, thus offering significant reflections both about the writer and his readers
Research Interests:
Research Interests:
Different for size, style, focus, cultural background, and method, both La famiglia Manzoni, by Natalia Ginzburg, and Il Natale del 1833, by Mario Pomilio appeared in January 1983. Ginzburg interlaced a huge amount of documentary... more
Different for size, style, focus, cultural background, and method, both La famiglia Manzoni, by Natalia Ginzburg, and Il Natale del 1833, by Mario Pomilio appeared in January 1983. Ginzburg interlaced a huge amount of documentary evidences (above all letters from the Manzoni family) and created a choral novel, without fictional inventions; while Pomilio took two unaccomplished versions of a Manzoni poem – Il Natale del 1833, indeed, hinged on the death of his wife – as starting point for an intimate and painful meditation on God and his religious beliefs. Critics compared and align them differently, but only Sciascia stood out by supposing a link between a Catholic matrix of terrorism and this renewed attention on Manzoni’s figure. My paper aims to retrace this controversy, providing hypotheses about the reasons and choices of Ginzburg, Pomilio, and Sciascia.
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Campo culturale, stile e forma nella poesia italiana degli anni Sessanta
21-22 MARZO 2024 UNIVERSITÀ IULM – MILANO
21-22 MARZO 2024 UNIVERSITÀ IULM – MILANO
Research Interests:
Luciano Erba: il superamento di una visione miope
Research Interests:
"It's a slippery screen". Contemporary poetry and new media
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Tra Oriente e Meridione. Narrazioni positivistiche dell’Altro nella ‘Nuova Italia’ (1848-1915): L’altro da sé