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Following
Everton Grein
Classical philology, Early Medieval History, Visigothic Spain, Late Antique Religion, and 25 moreAntiquity and Late Antiquity, Hagiography, Medieval Historiography, Historia, Medieval History, Historiography, Teaching, Historia Medieval, Gisela Ripoll, História, Historiografía, Feudalism, Umberto Eco, Jean-Claude Schmitt, WALTER GOFFART, Carolingian Studies, Hispania, Antiguidade Tardia, Late Antiquity, Roman History, Visigodos, Early Middle Ages (History), Visigoths, Isidore of Seville, and Medieval Studies
Alyssa Aska
University of Music and Performing Arts Graz (Austria)
Graduate Student
Composition/computer music Department
Music, Sound and Music Computing, OpenCv or Computer Vision, Object Recognition (Computer Vision), and 14 moreNew Interfaces for Musical Expression, Computational Musicology, Composition of Electroacoustic Music, Computer Music, Chamber Music, Music Perception, Music and Gesture, Music + Electronics + Live + Interactive, Computer Vision, Interactive Arts, Electroacoustic Music, Musicology, Soundscape (Music), and Ecological Economics
Stefano A. E. Leoni
Philosophy of Music, Music Aesthetics, Sociology of Music, Deconstruction, Middle Eastern Studies, and 19 moreGayatri Spivak, Aesthetics (Music), Turkey, Islam, and the West, Cultural Musicology, Post Colonial Musicology, Imagination, Musicology, Music History, Letteratura Postcoloniale, Trattatistica musicale nel Cinquecento, History, Literature, Social and Cultural Anthropology, Comparative Literature, Aesthetics, Philosophy of Music, Vihuela music, Vihuela, and Vihuela De Mano
EDUARDO GIANESELLA
João Pedro d'Alvarenga
Faculdade de Ciências Sociais e Humanas - Universidade Nova de Lisboa
Principal Researcher
CESEM - Centre for the Study of the Sociology and Aesthetics of Music
Music, Musicology, Early Music, Music analysis, and 32 moreEighteenth-Century Music, Paleography and Codicology, Music Philology, Source studies, Liturgical Chant, Early Seventeenth-Century Music, Sixteenth Century Music, Liturgy, Iberian Studies, Notation (Music), Cultural Studies, Reception Studies, Medieval Music, Portugal, Repertory Studies, Seventeenth Century Music, Late-Sixteenth-Century Music, Paleography (Music), Music History, Authorial Identity, History of Death & Dying, Death and Dying, Mourning and Remembrance, Death (Anthropology), Liturgy, Sacred Music, Medieval Liturgy, Portuguese History, Medieval Iberian History, Music and Death, Motets, Renaissance music, Medieval musicology, and Fragments
Cathal Twomey
Music, Musicology, British Literature, 18th Century British Literature, and 418 more18th century British history and culture, Early Music, Music History, Poetry, Music and Language, British History, Eighteenth-Century Music, Vocal Music, George Frideric Handel, Early Modern History, Early Modern London, Early Modern London theatre, Baroque Music, English language, Oratorio, English oratorio, English Opera, Eighteenth-Century literature, Eighteenth Century Print Culture, Music Theory, History of Music Theory, Music Theory and Music Analysis, Analysis of poetic text, Prosody, Metrics and Prosody, Prosody And Poetics, Seventeenth-Century English Vocal Music, Seventeenth Century, Seventeenth Century Music, William Boyce, John Blow, Henry Purcell, Thomas Arne, French Baroque Music, French Baroque Opera, Claudio Monteverdi, Francesco Cavalli, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, John Eccles, Guillaume de Machaut, Guillaume DuFay, Medieval Music, Late medieval and Renaissance music, Medieval, Renaissance and Baroque Music, Renaissance music, Renaissance and Baroque Music, Barbara Strozzi, Geoffrey Chaucer, Alliterative verse, Middle English, Middle English literature and culture, John Dryden, Matthew Locke, Palestrina, Giovanni Pierluigi da, Josquin des Prez, Music of Josquin De Prez, Classics, The Greek and Latin Classics, Alexander Pope, The Poetry of Alexander Pope, Literary Linguistics, Stylistics; Literary Linguistics; Cognitive Poetics, Study musico-linguistics, Literature, Languages and Linguistics, Media Studies, English Literature, English, Research Methodology, Art History, Communication, Architecture, Cultural Studies, History, Textsetting, Anthropology, Education, Johannes Ockeghem, Musical Canon, 14th-16th Centuries Counterpoint, 16th Century Counterpoint, Ars nova, Motets, Medieval musicology, Philippe De Vitry, Manuscripts (Medieval Studies), Medieval Lyric Poetry, Old English, Middle English, and Old Norse Languages, Literature, and Culture, Old English, Middle English, Old Norse poetry and prose, Old English Literature, Old Norse Literature, Old English Language, Comparative medieval literature and culture (German, English, Old Norse & Old French), Late Medieval English Literature, Language, and Culture, The canterbury tales, Chaucer, The Wife of Bath, British Eighteenth-Century Literature and Culture, Medieval Culture, Rare Books And Manuscripts (Library Science), Latin Literature, Vergil, Ovid, Latin poetry, Virgil, Latin Epic, Horace, Catullus, Classical philology, Greek Tragedy, Greek Lyric Poetry, Sophocles, Aeschylus, Homer, Greek Comedy, Euripides, Ancient Greek and Roman Theatre, Homeric poetry, Ancient Greek Language, Homeric epic, Hesiodic Poetry, Greek Epic, Greek Literature, Musical Word Setting, Text-setting, Metrics (Languages and Linguistics), Prosody and Language Rhythm, Versification, Optimality Theory, Intonation, Speech Prosody, Speech Rhythm, Rhythm, Rhetorical Criticism, Prosody and Tones of Languages, Rhetoric, Rhetorical Theory, Visual Rhetoric, Rhetorical Theory and Criticism, Composition and Rhetoric, Communication Studies, Classical rhetoric, Ancient Greek Rhetoric, Cicero, Ancient Rhetoric and Poetics, Gregorian Chant, Medieval Music Theory, Medieval Studies, Chant research, Early Notations, Performance Practice, Historically Informed Performance (HIP), Italian Baroque Music, Alessandro Scarlatti, G F Handel, Handel, 17th Century Music, Renaissance Music Theory, Keyboard Fingerings, Music editing, Ornamentacion Baroque Music, 17th-18th century Italian cantata and serenata, History of music, Historical Musicology, Modality, Tonal theory, History of music theory (Music), Mood and Modality, Music analysis, Music Aesthetics, Music Cognition, Musical Analysis, Linguistic and Musical Analysis, Análise Musical, Rethoric, Music Perception and Cognition, Literature and Music, Prosodic phonology, Prosody and Its Interfaces, Emotional Speech, Fonologia, Verb classes, Rhetorical Figures, Music and Rhetoric, Musical retorical devices, Rhetoric and Film, Semiotics of Music, Retórica Musical, Literary Theory, Cultural Theory, Retórica musical, Doctrina de los afectos, figuras retóricas, Canons of Rhetoric, Rhetorical Analysis, Rhetoric (Languages and Linguistics), Digital Rhetorics, Philosophy and Rhetoric, Rhetorical History, Rhetorical style, Plain Language, Stylistics, Literary Stylistics, Cognitive Linguistics, Cognitive Poetics, Discourse Analysis, Linguistics, Corpus Linguistics, Linguistic stylistics, Narratology, Discourse Stylistics, Literary Criticism, Narrative Theory, Comparative Literature, Narrative, Cognitive Narratology, Film Studies, Film Theory, Television Studies, Style and Linguistics, Trope Theory, Tropes, Rhetorical delivery (actio-hypókrisis), Rhetorics in the Renaissance, Ciceronianism, Medieval Rhetoric, Rhetorical Pedagogy, Early Modern Rhetoric, Ars dictaminis, Classical and Modern Rhetorical and Poetic Theory, Rhetorical Canons, Pronuntiatio, Literary Theory and Poetics, Ancient Metrics, Spoken latin, Active Latin, Aegean Philology, Latin Prose, Rhetorical Invention, History of Rhetoric, Figurative language, Figurative Language Processing, Aspect, Pragmatics, Semantics, Conceptual Metaphor, Metaphor, Constructions, Adjectives, Tense and Aspect Systems, Lexical aspect, Deverbal Nouns, Nominalization, Rhetorical Memory, Paratextuality and Cinema, Digital rhetoric, Baroque opera, Libretti D'Opera Italiani Del '700, Italian Opera, French Opera, Lingua italiana e libretti d'opera, Opera Studies, Baroque Violin, Intellectual History of the Baroque Period, Violin performance practice, Baroque music theatre, Ornamentation (Baroque Music), German Baroque Music, Syntax, Syntax-Semantics Interface, Linguistic Typology, Morphology, Theoretical Linguistics, Morphosyntax, Language Typology, Opera, Theatre Studies, Musical Theatre, Music Theater, John Dowland, Counterpoint, Shakespeare, Early Modern English drama, Early Modern Literature, Early Modern Drama: Text and Performance, Early Modern theatre studies, Renaissance drama, Shakespearean Drama, Renaissance literature, Shakespearean performance history, Renaissance Studies, Theatre History, English Renaissance Literature, Shakespeare in Performance, Medieval Italy, Early Modern Europe, Manuscript Studies, Italian Studies, Early Modern Italy, Medieval History, Renaissance Humanism, Gregorian Chant and Renaissance Polyphony, Medieval Polyphony, Ambrosian chant, Cantus Fractus, Liturgical Polyphony, Canto Gregoriano, Liturgical tropes - liturgical chant, Gregorian Chant (Performing Arts), Early music and historically informed performance practice, Polyphony, Plainchant, Music Palaeography, Ars Antiqua Motet, Notre dame polyphony, Early Polyphony, Aesthetic Experience, Ars subtilior, Notation (Music), Johannes Ciconia, Trecento Music, Contrafactum, 15th Century Music, Lauda, 14th Century Music, 14th century Italy, 14th Century France, 15th Century Italian Art, Guillaume Du Fay, Motet, Antoine Busnoys, John Taverner, Phonetics, Phonology, Acoustic Phonetics, Speech perception, Speech Production, Phonetics and Phonology, Historical Linguistics, Typology, Comparative Linguistics, Diachronic Linguistics (Or Historical Linguistics), Etymology, Indo-European Linguistics, Ancient Indo-European Languages, Print Culture, Systemic Functional Grammar, Text Analysis, Parallelism, Skaldic Poetry, Genre, Linguistic Variation, Register Analysis, Eddic Poetry, Multimodal Literacy, Formulaic Language, Register Theory, Arcangelo Corelli, Antonio Vivaldi, Ancient Greek Novel, Analisi musicale, Violoncello, Heinrich Isaac, Libretto studies, Basso Continuo Early Unfigured Basses Rhetorical Musical Figures Dissonances, basso continuo Bach organ and harpsichord dual accompaniment, Partimento, Early Basso Continuo, Basso Continuo, Organ And Historical Keyboards (E.G., Harpsichord), Thorough Bass, Early Unfigured Basso Continuo Consonances Performance Practice, Early Music Theory, Medieval & Renaissance Keyboard Instruments, 18th Century Music, Figured Bass, Harmony, J.S. Bach, Fugue, 18th Century Music History, British Music, Johann Sebastian Bach, J S Bach, Harpsichord, Phonetic Transcription, Greco-Roman Mythology, Viola Da Gamba, Cello, Articulatory Phonetics, Violoncelo, Medieval Literature, Medieval English Literature, Medieval Romance, John Gower, Italian Music, Chamber Music, Performance Studies (Music), Form (Music Theory), Historically Informed Theory, Lord Dunsany, H.P. Lovecraft, Algernon Blackwood, Weird Fiction, Arthur Machen, Fantasy Literature, Lovecraft Studies, Angela Carter, Gothic Literature, Folk and Fairy Tales, Gothic Studies, Gothic Fiction, Arthurian Studies, Medieval Europe, Medieval Art, Medieval, Arthuriana, Arthurian Romances, and Arthurian Literature
Peter J Forshaw
University of Amsterdam
Faculty Member
Center for the History of Hermetic Philosophy & Related Currents (HHP)
Western Esotericism (History), Renaissance Philosophy, History of Religion, Intellectual History, and 82 moreHistory, Humanities, Religion, Classics, Medieval Studies, Philosophy, Renaissance Neoplatonists, Medieval Philosophy, Christian Kabbalah, History of Astrology, Natural Magic, Mysticism, Medieval Latin Literature, History of Science, Classical Mythology, Magic, History of Medicine, Ancient Greek Philosophy, Renaissance Studies, Renaissance magic and astrology, Alchemy, Astral Magic, Kabbalah, Art History, Medieval Magic, Abraham Von Frankenberg, Raphael Oder Artzt Engel, Trivium, Quadrivium, Reuchlin, De Verbo Mirifico, Ionic Mode, History of Philosophy, Heinrich Khunrath, John Dee, Paracelsus (Philippus Theophrastus Aureolus von Hohenheim), Henricus Cornelius Agrippa, Oswald Croll, Abraham abulafia, Robert Fludd (Robertus de Fluctibus), Athanasius Kircher, Hermes Trismegistus and Hermetica, Marsilio Ficino, Count Giovanni Pico della Mirandola, Picatrix, Cabala, Esotericism, History of Ideas, Chrysopoeia, Atalanta Fugiens, Hermetism, Hermeticism, Hermetic Corpus, Corpus Hermeticum, Paracelsianism, Theoalchemy, Emblem studies, Horapollo, Symbolism, Jungian psychology, James Hillman, Marie-Louise von Franz, Occulture, Emerald Tablet, Tabula Smaragdina, Tarot, Tarot History, Emblemática, Emblematic studies, Emblems and Alchemical Symbolism, Hieroglyphics, Latin Literature, Medieval Literature, Medieval Latin, Mythology And Folklore, Cultural History, Intellectual and cultural history, Rare Books and Manuscripts, Mythology, Renaissance, Western Esotericism, and Occultism
Carlos C. Iafelice
Musicology, History of Music Theory, 16th-Century Polyphony, Medieval Music, and 13 morePrimary Sources, Guillaume DuFay, Adrian Willaert, Josquin des Prez, Carlo Gesualdo, Musical Theory, Palestrina, Giovanni Pierluigi da, Musical Canon, Classical philology, Classical Latin, Italian Renaissance, Musical Analysis, and Historical Musicology
