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  • Jacqueline Siapno (Joy) is a language-based researcher, educator, translator, and writer with experience working in C... moreedit
1. Power, Hegemony, and Agency: The Ambiguity of Women's Political Subjectivity in Aceh 2. Women's Political Agency in a Region of Armed Conflict 3. Gender and the Problem of Power in History and Historiography 4.The Poetics of... more
1. Power, Hegemony, and Agency: The Ambiguity of Women's Political Subjectivity in Aceh 2. Women's Political Agency in a Region of Armed Conflict 3. Gender and the Problem of Power in History and Historiography 4.The Poetics of Space and Representation: Women in Traditional Manuscript Literature 5. Women in Oral Traditions and Indigenous Belief Systems 6. The Sacred and the Political: Piety and Militancy in Aceh 7. The Unhappy Marriage of Islam, Nation and State
Graffiti for a truer kind of politics: death, revenge, and building in East Timor/Timor Leste
This paper explores the concept of ‘speaking beyond trauma’ insocieties undergoing post-war reconstruction and recovery after decades ofcolonization and violence. It examines inequalities in the production ofknowledge and the... more
This paper explores the concept of ‘speaking beyond trauma’ insocieties undergoing post-war reconstruction and recovery after decades ofcolonization and violence. It examines inequalities in the production ofknowledge and the re-colonization of knowledge economies dominated by wellfunded ‘experts’. It draws contrasts with the precarious lives ofunderfunded local knowledge producers, especially musicians and artists, whosecompositions transcend methodological nationalisms. The focus of this paper ison the tactile aspect of practising and playing music: perceived by, connectedwith, appealing to the sense of touch, producing the effect of solidity. Thepaper examines how music can weave, repair, connect, disconnect and reconnectpeople and affective communities of belonging in a society shattered bycolonization, war and ongoing conflicts.
This paper is an ethnographic study of dance traditions and martial arts training in rural upland mountain communities and the urban capital, Dili, in Timor Leste, and how ‘speaking beyond trauma’ is articulated through body movements. It... more
This paper is an ethnographic study of dance traditions and martial arts training in rural upland mountain communities and the urban capital, Dili, in Timor Leste, and how ‘speaking beyond trauma’ is articulated through body movements. It explores the relationship between individual body movement and socio-political–ecological movements, both at the level of the local (rural villages) and the global (global governance outfits). It examines the intersection/s between indigenous traditional Timorese dances (such as soro tais, sau batar, foti raba, likurai, bidu, tebedai, tebe-tebe and other dances) and external ideational influences brought in by the presence of UN Peacekeeping and Police and international aid workers (including aikido martial arts). What do dance traditions tell us about the resilience of cultural identity in a post-war, post-revolutionary, post-conflict environment? What kinds of impact do external ideational influences, including martial arts forms, have on local communities? How are gender systems and gender relations in the community transformed? It suggests that embodiment and local knowledges formed through practices and regimens of bodily discipline, grace and physical training (such as in ritual, martial arts and performing arts, for example), can complement and/or challenge abstract theoretical writings on ‘embodying peace’ in post-war countries.
Rather than subordinating the author's lived experience and embodied knowledge of violence to a dialogue with a 'rule of experts', the essay considers how international and local... more
Rather than subordinating the author's lived experience and embodied knowledge of violence to a dialogue with a 'rule of experts', the essay considers how international and local responses to violence can be better integrated from the survivor's points of view. The essay traces ...
Book Review of "Rising from the ashes: UN peace building in Timor Leste" by Vijayalakshmi Menon. See:... more
Jacqueline Siapno is the author of "Gender, Islam, Nationalism and the State in Aceh: The Paradox of Power, Co-­optation, and Resistance (Routledge Curzon 2002). Co-­founder of: International Forum for Aceh with the late Jafar Siddiq... more
Jacqueline Siapno is the author of "Gender, Islam, Nationalism and the State in Aceh: The Paradox of Power, Co-­optation, and Resistance (Routledge Curzon 2002). Co-­founder of: International Forum for Aceh with the late Jafar Siddiq Hamzah from Lhokseumawe. Field researcher for the report: " Shock Therapy: Restoring Order in Aceh, 1989–1993. " (Amnesty International 1993) : "Alue Rambe, a rural village in Aceh, at the epicenter of one of the world's richest oil and gas fields, is the setting of Blood Moon over Aceh. This elegant, nuanced translation of a beautifully written, insightful, powerful novel on a horrific topic reflects on the lives of Acehnese who have been silenced. Nur writes about the loneliness, isolation, and grief. His work gives voice to the untold stories of kidnappings, normalized terror, and military atrocities designed to shock civilians into silenced fear. Breaking through a historical amnesia, Nur's work joins a growing chorus of poets, historians, filmmakers, scholars, and global environmental rights lawyers producing new knowledge about the same phenomena from different angles, all calling for justice. Blood Moon over Aceh shows what happens when private greed and multinational corporations go unchecked and work with public institutions in the Indonesian state and military to create public policies that destroy the environment and the lives of ordinary citizens." See: http://dalangpublishing.com/blood-­moon-­over-­aceh-­reviews
Asian Journal of Social Science, National University of Singapore
See: https://www.growkudos.com/publications/10.1163%25252F15685314-04603011/author
On Knowledge economies. Translated by Mica Barreto Soares. Bulletin of the Anti-Corruption Commission, Dili, Timor Leste, August-October 2012.
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This paper is an ethnographic study of dance traditions and martial arts training in rural upland mountain communities and the urban capital, Dili, in Timor Leste, and how ‘speaking beyond trauma’ is articulated through body movements. It... more
This paper is an ethnographic study of dance traditions and martial arts training in rural upland mountain communities and the urban capital, Dili, in Timor Leste, and how ‘speaking beyond trauma’ is articulated through body movements. It explores the relationship between individual body movement and socio-politicalecological movements, both at the level of the local (rural villages) and the global (global governance outfits). It examines the intersection/s between indigenous traditional Timorese dances (such as soro tais, sau batar, foti raba, likurai, bidu, tebedai, tebe-tebe and other dances) and external ideational influences brought in by the presence of UN Peacekeeping and Police and international aid workers (including aikido martial arts). What do dance traditions tell us about the resilience of cultural identity in a post-war, post-revolutionary, post-conflict environment? What kinds of impact do external ideational influences, including martial arts forms, have on local communities? How are gender systems and gender relations in the community transformed? It suggests that embodiment and local knowledges formed through practices and regimens of bodily 20 discipline, grace and physical training (such as in ritual, martial arts and performing arts, for example), can complement and/or challenge abstract theoretical writings on ‘embodying peace’ in post-war countries.
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Research Interests:
"This book sets out to open up the space for the interpretation of history and politics in Aceh, which is now in a state of armed rebellion against the Indonesian government. It lays out a groundwork for analysing how female agency is... more
"This book sets out to open up the space for the interpretation of history and politics in Aceh, which is now in a state of armed rebellion against the Indonesian government. It lays out a groundwork for analysing how female agency is constituted in Aceh, in a complex interplay of indigenous matrifocality, Islamic belief and practices, state terror, and political violence.

The book provides a historical ethnographic, literary, and politico-economic analysis of the competing, contradictory, and paradoxical configurations of gendered struggles for power, Islamic identity, nationalism, militancy, activism, and piety in Aceh. Analysts of the current conflict in Aceh have tended to focus on present events. This book provides a historical analysis of power, co-optation, and resistance in Aceh and links it to broader comparative studies of gender, Islam, and the state in Muslim communities throughout the world." (2002)
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Abstract: This paper explores the concept of ‘speaking beyond trauma’ in societies undergoing post- war reconstruction and recovery after decades of colonization and violence. It examines inequalities in the production of knowledge and... more
Abstract: This paper explores the concept of ‘speaking beyond trauma’ in societies undergoing post- war reconstruction and recovery after decades of colonization and violence. It examines inequalities in the production of knowledge and the re-colonization of knowledge economies dominated by well funded ‘experts’. It draws contrasts with the precarious lives of underfunded local knowledge producers, especially musicians and artists, whose compositions transcend methodological nationalisms. The focus of this paper is on the tactile aspect of practising and playing music: perceived by, connected with, appealing to the sense of touch, producing the effect of solidity. The paper examines how music can weave, repair, connect, disconnect and reconnect people and affective communities of belonging in a society shattered by colonization, war and ongoing conflicts.
Abstract: What would happen if Thai, Cambodian, and Laotian scholars became the knowledge-producers, experts, and advisers `reading’ the political situation in Quebec? How, for example, would International Observers from Southeast Asia... more
Abstract:

What would happen if Thai, Cambodian, and Laotian scholars became the knowledge-producers, experts, and advisers `reading’ the political situation in Quebec? How, for example, would International Observers from Southeast Asia observe and analyze the upcoming Canadian Elections on Oct. 19 -- from a comparative perspective?  How do East Timorese guerrillas `read’ and interpret Canadian foreign policy towards Indonesia during its occupation of East Timor? How would Odahwah Natives read being wiped-out of signification from `Ottawa’? How do Filipinos in Canada research and write about their `invisibility’ and citizenship? Does class, privilege, race, gender, positionality, and cultural background play a strong part in shaping our worldview and knowledge-production? How do we `know’ what we know? What are the `hidden forces’ (methodologies, paradigms, and sources) that shape our knowledge production? Twenty-six years ago, I became `almost Canadian’. Sometimes it takes people from the `outside’ to make you realize something new that has been under your nose for so long, something nobody living the everyday of a particular community ever questioned because it felt `so natural’. This paper examines the problem of power and inequalities in the production of knowledge between Canada (and the U.S., Europe, Australia more generally) and Southeast Asia, including the weakness of language-based research and the continuing domination of a `rule of experts’ and specific forms of knowledge-economies. The simple fact of reversing the gaze invites self-questioning and thinking about our own gaze and the people/societies we are `studying’, whatever our field, by suddenly having ourselves and our society be the `object of scrutiny’. What kinds of new methods of international cooperation and `engagement’ without domination can possibly emerge then?

Keynote speech, Canadian Council of Southeast Asian Studies Conference 2015, forthcoming. See: https://ccseas2015.wordpress.com/
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Academy of the Social Sciences of Australia, Canberra, "THINKING PEACE MAKING PEACE", Occasional Paper Series 1/2001, pp.45-55.
See:
http://www.assa.edu.au/publications/occasional/2001_No1_Thinking_peace_making_peace.pdf
Remembering August 30, 1999 and its aftermath. Some political parties appropriated the national symbols of the independence struggle. The CNRT umbrella mentioned in this article is not the same as the current CNRT political party.
Paper for Workshop on "Memory, Truth, and Reconciliation,  forthcoming, October 2015, University of Ottawa. See: https://ccseas2015.wordpress.com/
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Professor Siapno writes about the deliberate burning down of her family's house in East Timor and her subsequent flight to the mountains with her husband and son in 2006 as a wave of political violence swept the country.

And 20 more

Human Rights, Gender, and Sexuality. Zoom Online Recorded Lectures.
What are the most significant cultural, political, and economic effects of Islam on Afro-Eurasia from the 7th through the 12th century?
This was part of a talk given at the Access Asia Forum at University of California, Irvine on March 8, 2018, International Women's Day.
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A tribute to other youngest brother, Jay Siapno, by his two sisters.
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Syllabus for Teaching Global South Studies, GSS 20, Fall Quarter 2023, Spring Quarter 2024, University of California, San Diego.
Global South Studies Program, UC San Diego. Jacqueline Siapno and Matthew Vitz.
This course is an exploration of the concept and history of "wilderness" and its relationship to humans. We will begin by asking what "wild" and "wilderness" mean in different historical and comparative contexts globally, and amongst... more
This course is an exploration of the concept and history of "wilderness" and its relationship to humans. We will begin by asking what "wild" and "wilderness" mean in different historical and comparative contexts globally, and amongst different kinds of "humans" globally. Grounding ourselves in Indigenous belief systems and practices in different parts of the world, where for some, "wilderness" is "home", we will examine the entrenchment of imperialism and settler colonialism, "discoveries" of places, de-colonization, and the counter-narrative histories and rise of movements for environmental and climate justice in the global South. These themes will be introduced through primary sources, works of fiction, scholarly articles, and praxis (practice & theory). The course has a hiking, field trip, research, guest speakers, and writing/journaling
New Course on Southeast Asian History and Cultures, GSS 27, Winter 2023, UC San Diego This course is an introduction to the histories and cultures of Timor Leste (East Timor), the Philippines, Vietnam, Cambodia, Laos, Myanmar (Burma),... more
New Course on Southeast Asian History and Cultures, GSS 27, Winter 2023, UC San Diego

This course is an introduction to the histories and cultures of Timor Leste (East Timor), the Philippines, Vietnam, Cambodia, Laos, Myanmar (Burma), Thailand, Indonesia, Malaysia, Singapore, and Brunei. Grounding ourselves in the classical matriarchal, matrilineal, matrifocal societies of Southeast Asia, we will pay particular attention to indigenous belief systems and practices, sexuality, the entrenchment of European and American imperialism, the rise of Southeast Asian nationalism, the Cold War, genocide, developments in movements for social change, including environmental and climate justice, workers' movements, and articulations of female power in Southeast Asian rituals, texts, art, textiles, food, music, dance, and performing arts.
We will analyze the important role of history, especially ideas of power and theories of change, and how they are contested in Southeast Asia and Global South diasporas today.
These themes will be introduced through primary sources, works of fiction, and scholarly articles. The course has a research component - methodologies for conducting original research, use of library collections, and primary sources.
Syllabus, Intro to Global South
Syllabus
Teaching Document
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Syllabus for Social Psychology Course
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Carlos Bulosan, "Life and Death of a Filipino in America" in On Becoming Filipino, edited by E. San Juan, Jr. Philadelphia, Temple University Press, 1995.
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This is a short story that I taught this past semester, Spring 2017, from the late Professor Jeff Hadler's class and syllabus on Southeast Asian History. I don't know how else to share this short story online, for the voices of Muslim... more
This is a short story that I taught this past semester, Spring 2017, from the late Professor Jeff Hadler's class and syllabus on Southeast Asian History. I don't know how else to share this short story online, for the voices of Muslim writers from Southern Philippines to be heard, so I am posting it here temporarily until I figure out how to share this another way for those who may be interested.
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Music Concert, June 27, 2015, Dili, East Timor. https://www.youtube.com/watch?v=u8jNCTD-5ww%20
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Abstract: This paper explores the concept of ‘speaking beyond trauma’ in so- cieties undergoing post-war reconstruction and recovery after decades of colonization and violence. It examines inequalities in the production of knowl- edge and... more
Abstract: This paper explores the concept of ‘speaking beyond trauma’ in so- cieties undergoing post-war reconstruction and recovery after decades of colonization and violence. It examines inequalities in the production of knowl- edge and the re-colonization of knowledge economies dominated by well funded ‘experts’. It draws contrasts with the precarious lives of underfunded local knowledge producers, especially musicians and artists, whose compositions transcend methodological nationalisms. The focus of this paper is on the tac- tile aspect of practising and playing music: perceived by, connected with, appealing to the sense of touch, producing the effect of solidity. The paper examines how music can weave, repair, connect, disconnect and reconnect people and affective communities of belonging in a society shattered by colonization, war and ongoing conflicts.
Keywords: musiceducationanddevelopment;knowledgeeconomies;tradition and innovation in music and performing arts; El Sistema
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See also youtube under "Making Music in Timor Leste", Joy Siapno.
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"Now you have the freedom to learn the music you want, when you want. Our creative team has developed a first of its kind method to experience the vibe of a true choir without the commitment of weekly rehearsals: Practice online. Perform... more
"Now you have the freedom to learn the music you want, when you want. Our creative team has developed a first of its kind method to experience the vibe of a true choir without the commitment of weekly rehearsals: Practice online. Perform live.

Music education is at the core of Hybrid Choir. Our mission is to provide a world class education in choral music to inspire the next generation of lifelong learners."
See: https://www.youtube.com/watch?v=0KAisJsXh1k