Hermeneutika

Authors/Szerzők: Ercsey-Ravasz Ferenc, Ercsey-Ravasz Mária, Fazakas Emese, Hatházi András, Bodó A. Ottó, Jankó Szép Yvette, Köllő Csongor, Gábor Csilla, Bóné Éva, Orbán Gyöngyi, Berszán István, Ferencz Orsolya, Serestély Zalán, Lázár Alpár Sándor, Püsök Sarolta, Kerekes Erzsébet, Lakatos Artur Loránd, M. Bodrogi Enikő, Tóth Szilárd, Veress Károly
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Veress Károly (ed.): Rhythm and Repetition. Interdisciplinary Dialogue 3 ‒ The volume contains the presentations held at the 3rd international interdisciplinary conference organized by the Bolyai Society at the Babeș-Bolyai University of Cluj-Napoca, held on 7-8 November 2014.
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A kötet a Bolyai Társaság és a kolozsvári Babeș-Bolyai Tudományegyetem közös szervezésében tartott III. nemzetközi interdiszciplináris konferencia (2014. november 7-8.) előadásait tartalmazza.

Revisions to the Greek NT in NA28 are restricted to the Catholic Epistles—the product of the Münster Institute’s ongoing work on the Editio critica maior. The text of the rest of the NT remains unaltered. The updated manuscript data, however, spans the apparatus of the entire NT and signals a new day for its textual history. The revised correctors of the Apocalypse in Codex Sinaiticus make the point. The proposed revisions have direct and far-reaching implications for the book’s textual history. Corrections once placed in the fourth through sixth centuries now occupy the seventh. The changes appear slight, even inconsequential—“touch ups” in support of the task of reconstruction. The clarification and re-dating of the correctors, though, represent a material shift with instant repercussions. The inclusion of new and additional witnesses—alongside of and in juxtaposition to the corrections—further portend altered textual alignments and disclose forgotten chapters in the history of textual criticism. The clarity of the new data also facilitates an examination of their limitations and unclutters the landscape for renewed textual research. The stage is set for a reappraisal of the Apocalypse’s textual history.

An overview of the variety of textual differences that exist between the Apocalypse in Codex Sinaiticus and the book in modern critical editions, thereby offering a window into the book's early readership. There is also a YouTube link to the lecture version of this paper, which was recently delivered at Samford University for their Holley Hull Lecture Series: https://vimeo.com/878444925/a35492dd8b?share=copy&fbclid=IwAR10Iu7HKuAjjcEcDdxgfT7XKqe2F6W6Bwb1cVHafNO0Yz6g4VhsIhXHMz4

Aliran hermeneutika lahir ketika pemikiran dari seseorang menjadi perhatian orang lain yang akhirnya resepsi pihak lain itu menjadi madzhab atau aliran tertentu. Munculnya suatu aliran itu dapat mengembangkan aliran-aliran sebelumnya. Dalam memahami hermeneutika sebagai interpretasi teks maka perlu memahami dua aliran yang berbeda, perbedaan ini muncul karena hermeneutika tidak menetapkan diri menjadi satu metode yang pasti sehingga setiap pandangan pemikir dapat mengungkapkan pandangannya dengan ekspresif dalam teks.

Segala sesuatu yang tertulis di atas teks memiliki makna-entah yang dititipkan padanya dari penulis teks maupun makna yang didapat oleh pembaca yang menginterpretasi teks. Atas dasar itu, muncul keraguan-keraguan akan makna yang sebenar-benarnya. Teks dapat menjelma menjadi apa saja, sehingga cukup sulit menerjemahkannya sesuai dengan makna aslinya. Terdapat banyak sekali faktor-faktor yang membarengi terbitnya teks; kondisi zaman, politik, budaya, bahkan kecenderungan penggunaan bahasa turut ada dalam setiap teks yang ditulis. Demikian, dalam membaca teks, seseorang membutuhkan konteks sebagai perangkat penyerta yang dapat memberikan masukan atau pengetahuan tambahan mengenai situasi dimana teks dibuat. Dimensi-dimensi di dalam teks tidak bisa dikesampingkan. Di dalam tulisan ini, penulis membedah pemaknaan atas cerpen Langit Makin Mendung yang pernah menghebohkan jagat sastra di Indonesia pada tahun 1960-an menggunakan metode hermeneutika Dilthey.

El 10 de julio de 2008 pudimos leer la noticia de que se había derrumbado el túnel del glaciar Perito Moreno (Patagonia, Argentina). En otro momento se hubiera tratado de una ordinaria experiencia catastrófica natural de los veranos australes, cada cierta cantidad de años. Esta vez se ha producido al medio del invierno, sin que medie regularidad alguna. Este mismo año se predijo que no habría hielo en el Ártico, y no son infrecuentes en estas fechas las historias de osos polares de Groenlandia que aparecen varados en un desprendido bloque de hielo en Islandia, donde son tristemente asesinados por los pobladores que los encuentran. El Gran Hermano ofrecía "pensamiento único" a cambio de un poco del hoy manifiestamente caro petróleo. Sin percatarnos, hemos pasado de la naturaleza a la política.

Hans-Georg Gadamer merupakan filsuf jerman yang memiliki kekhasan di dalam menelurkan pemikiran filsafatnya di bidang hermeneutika. Jika melacak latar belakang pemikirannya tentang hermeneutika, terdapat sosok Martin Heidegger yang tidak bisa dipisahkan dari keseluruhan bangunan pemikiran filosofisnya, terlebih dalam bidang hermeneutika. Ia merupakan murid Heidegger sekaligus penyempurna Heidegger. Maka tidak heran jika corak hermeneutika yang dibangun oleh Gadamer sangat kental dengan pembahasan ontologis serta berbeda dengan corak hermeneutika sebagai metode, seperti yang melekat pada hermeneutika yang ditawarkan oleh Dilthey (Khasri, 2019: 50).

Orthographic variation within the manuscripts of the Greek NT is seldom a cause célèbre beyond the ranks of diehard textual critics. Even among these most will concede that orthographic irregularities amount to little more than evidence of scribal incompetency or inconsistency in their spelling practices. To find the same word both spelled correctly and misspelled with a single manuscript b the same scribe is not uncommon. It approaches the  norm. The critical editions of our Greek NTs have therefore opted, on good grounds, to exclude textual variants displaying non-standardized spelling. To include them would make it impossible for anyone to use the critical apparatuses in a meaningful way. The deluge of senseless errors would drown out variants of demonstrable textual significance.

The publication of Josef Schmid's landmark work on the textual history of the Apocalypse seemingly established the Andreas Text Type as a fourth-century product. The primary evidence for Schmid's claim came from the fourth-century corrections of the Apocalypse in Codex Sinaiticus, corrections which bore a close resemblance to the Andreas text of the Apocalypse. Schmid's reconstruction, however, is flawed. The fourth-century corrections he identified are actually from the seventh-century. The data supporting a fourth-century Andreas text type does not exist. Schmid's widely influential error appears to have been based on a misreading of Milne and Skeat's "Scribes and Correctors of the Codex Sinaiticus."

A short article on the origin and development of the longer Trinitarian text of 1 John 5:7-8 as found in the Textus Receptus. The typos that are present in this draft will be corrected before the final version is submitted for publication. These include: Lachman > Lachmann; 1881 > 1831; Montifortianus > Montfortianus; [Ayuso] Ionneum > Ioanneum; [Bludau 1903-1] Bibeldruchen > Bibeldrucken; [Bludau 1919-1] den Glaubensbekenntnis > dem Glaubensbekenntnis; [Fischer] pseudo-autustinischen > pseudo-augustinischen; obiectarum. > obiectarum.’; [Rivière] es trois > des trois. Thanks to Jeff Cate, Peter Gurry, and especially Jan Krans for alerting me to these when it was originally posted on academia in 2015. The data of this DRAFT will also fully updated and footnoted in the 2020 peer-reviewed version in "Early Christianity."

Dalam makalah ini, penulis akan mencoba menganalisis konteks dalam suatu bagian Firman Tuhan dan menggali makna sesungguhnya yang ingin dikatakanoleh Injil Markus 2:1-12.  Penulis akan memaparkan hasil analisisnya terhadap beberapa faktor dari teks tersebut.

Perkembangan filsafat sastra kontemporer menghadirkan suatu metode pembacaan radikal terhadap teks-teks sastra yang dikenal dengan dekonstruksi oleh Jacques Derrida. Pendekatan ini mengajukan suatu tesis kritis yang cenderung radikal karena bertolak dari pembongkaran terhadap stabilitas makna, konstruksi teks dan kemudian berpusat pada pembaca sebagai kontrol makna. Dengan pendekatan ini, setiap bentuk teks direduksi menjadi fragmentasi komponen linguistik semata sehingga setipa pembaca dapat menaruh gagasan dan makna apapun pada teks. Tak pelak lagi, makna teks menjadi plural, relatif dan subjektif. Ini merupakan bentuk pembacaan raadikal dekonstrksi sehingga jika diterapkan pada teks-teks Alkitab maka tidak ada makna maupun gagasan teologis yang dapat mempertahankan kebenaran objektifnya. Ini merupakan tantangan bagi hermenutika Kristen kontemporer yang dikaji secara ringkas dalam bahasan ini.

Tulisan ini merupakan bentuk laporan tertulis yang dipresentasikan penulis pada salah satu kegiatan rutin ASASI (Asosiasi Apologis Indonesia) Talk.

Palimpsest is an international journal for linguistic, literary and cultural research founded at the Faculty of Philology in Stip in 2016. It is published in printed form and electronically twice a year, the first issue in May and the second one in November.
The journal publishes papers in the area of linguistics, literary science, teaching methodology and culturology. In addition, there is a section reserved for reviews of books, monographs, and other publications in the sphere of philology and culturology. The international journal Palimpsest publishes papers in the following languages: Macedonian, English, Russian, German, Italian, French and Turkish.
All papers are double-blind peer-reviewed by two independent reviewers prior to being accepted for publication.
Papers for the sixth issue of Palimpsest should be submitted not later than 25 September 2018.

Authors/Szerzők: Ungvári Zrínyi Imre, Demeter M. Attila, Veress Károly, Zuh Deodáth, Schmidt Dániel, Czirják Árpád, Réti Kinga-Eszter, Bajusz Gábor, Nițu Johanna, Lippai Cecília, Soós Amália, Lurcza Zsuzsanna, Ferencz Enikő, Szőcs Krisztina, Egyed Péter, Gál László, Frigy Szabolcs, Barta Mónika
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Veress Károly (ed.): Interculturality – an Interdisciplinary Approach. Applied Philosophical Researches ‒ The volume contains the studies prepared under the joint research programme entitled Interculturality – a Philosophical and Interdisciplinary Approach, implemented between October 2007 and May 2008 and involving the teachers and graduate (PhD and BA) students from the Hungarian branch of the Philosophy Department Group of the Babeș-Bolyai University in Cluj-Napoca.
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A kötet Az interkulturalitás – filozófiai és interdiszciplináris megközelítésben témájú, a kolozsvári Babeş-Bolyai Tudományegyetem Filozófia Tanszékcsoportja magyar tagozatának oktatói, doktoranduszai és mesterképzős hallgatói által 2007. októbere és 2008. májusa között megvalósított közös kutatási projekt erdményeként létrejött tanulmányokat tartalmazza.

Authors/Szerzők: Szabó Gábor, Szabó György, Vukov Jeromos, Berszán István, Máthé Dénes, Veress Károly, G. Etényi Nóra, Bakó Edit, Csonta Réka, Molnár Dániel, Szuszámi Zsuzsanna, Rácz Éva Mária, Serestély Zalán, Orbán Gyöngyi, Homa Ildikó, Sógor Árpád, Demény Piroska, Stark Gabriella Mária, Bezsenyi Tamás, Lakatos Artur Loránd
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Veress Károly (ed.): Play and Science. Interdisciplinary Dialogue 2 ‒ The volume contains the presentations held at the 2nd international interdisciplinary conference organized by the Bolyai Society at the Babeș-Bolyai University of Cluj-Napoca, held on 18-19 October 2013.
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A kötet a Bolyai Társaság és a kolozsvári Babeș-Bolyai Tudományegyetem közös szervezésében tartott II. nemzetközi interdiszciplináris konferencia (2013. október 18-19.) előadásait tartalmazza.

The article analyses two ways in which the symbol of Jacob’s ladder is used for understanding a spiritual journey of a Christian, one from the Sinai desert, the other from the Communist Romania.

Článek zkoumá způsoby, jakými se symbol Jábobova žebříku objevuje ve výkladu dynamiky křesťanského života. Věnuje se dvěma příkladům,  Janu Klimakovi, sinajskému pouštnímu otci, a Petre Ţuţeovi, rumunskému pravoslavnému mysliteli, který prošel komunistickým vězením.

Historical method and narrative criticism are the two approaches that have become important tools in exegetical work of canonical Gospels. Both have given important contribution, however the two approaches have inadequacies. The historical approach depends on external data, and narrative criticism tends to treat the Gospel texts as modern narratives. In the subsequent development of studies on the canonical Gospels, it has been found some significant similarities between the Gospels and Greco-Roman biographical writings. This writing observes three similarities, namely the format of content, focus of story and purpose. The content of Greco-Roman biography, mostly narrates the public work or ministry of the main character. The same thing is found on the Gospels. Likewise, the focus of story that orients to one main character and the purpose of authorship that has rhetorical and persuasive element. The similarities indicate that the canonical Gospels may be categorized as Greco-Roman biographical genre. Certainly, it has hermeneutical implication. The Gospels should be read in accordance with its genre.

Mata kuliah ilmu filsafat yang materinya penuh istilah-istilah yang rumit, memerlukan seorang pengajar yang mampu menjelaskan secara sistematis dan cara penyampaian yang tidak bertele-tele. Tujuannya supaya mahasiswa bisa menyerap materi-materi perkuliahan dengan mudah.

„Das erste, womit das Verstehen beginnt, ist, dass etwas uns anspricht. Das ist die oberste aller hermeneutischen Bedingungen“, schreibt Gadamer in seiner Schrift Vom Zirkel des Verstehens. Was ist aber die geschichtliche Voraussetzung für die hermeneutische Bedingung eines solchen Anspruchs in der Philosophie?
Diese Frage steht in einem merkwürdigen Zusammenhang mit dem nicht selten an die philosophische Hermeneutik herangetragenen Vorwurf, ihre gegenwärtige Gestalt könne nicht mit ihren Anfängen in der griechischen Frühzeit der Philosophie in Verbindung gebracht werden. Das hermeneutische Problem umfasse daher lediglich die Philosophie in ihrer späten geschichtlichen Ausprägung, komme jedoch in ihrer Frühzeit nicht vor. Nimmt man diesen Vorwurf ernst, würde dies nicht nur bedeuten, dass die Kritik der interpretativen Vernunft als Charakteristik der gegenwärtigen philosophischen Hermeneutik nichts gemein hätte mit der Kunst der Interpretation, die den Namen Hermeneutik trägt. Es hieße auch, dass alle Versuche, Hermeneutik und hermeneia als ein vom Gott Hermes übereignetes Vermögen unmittelbar miteinander zu verbinden, im Voraus zum Scheitern verurteilt sind.

Özet Bireyler gündelik hayatta üretim ve tüketimin ikircikli yapısı içerisinde yer alır. Bu ikircikli yapı içerisinde biyolojik ihtiyaçlardan çok sosyal ihtiyaçlar öncelik kazanır. Popüler kültür bu ihtiyaçların doyuma ulaşmasında merkezi bir rol oynar. Popüler kültür ve tüketim gelişimini modernite ile gelen dönüşümlerle kazanır. Modernite ile beraber birey kendini artık bir tüketim nesnesine dönüştürür. Bu sebeple, popüler kültürün gelişimi tüketim toplumunun ortaya çıkışı ile paralellik gösterir. Postmodernizmde ise tüketime farklı bir anlam yüklenir. Tüketim, bireyi ve toplumu doğrudan şekillendiren ve etkileyen bir olgudur. Kültürel göstergeler, toplumda fetişleştirilerek tüketim nesnesi haline dönüştürülür ve bireyler birbirleriyle yarışarak kendi hayatlarını değiş-tokuş eder. Bu noktadan sonra tüketimin kültürel bir nitelik kazandığı söylenebilir. Günümüzün en önemli olgularından biri olan tüketim, sinemanın da sıklıkla değindiği/anlattığı konulardan biridir. Buradan hareketle çalışma, Darren Aronofsky'nin Requiem for a Dream (Bir Rüya İçin Ağıt), The Wrestler (Şampiyon) ve Mother! (Anne!) filmlerinde tüketim toplumuna yönelik geliştirdiği eleştirileri incelemeyi amaçlamaktadır. Çalışmada öncelikle postmodern yaklaşımların tüketim olgusuna yükledikleri anlam tartışılmakta ve filmlerde yer alan kodların tüketim kavramıyla olan ilişkisi göstergebilimsel ve hermeneutik okumalara tabi tutulmaktadır. İncelenen filmlerde tüketim ve ezoterizm arasındaki ilişkinin yan anlamlar üzerinden kurulduğu görülmektedir. Tüketimin bireyler üzerindeki etkisi "ön-yansıtıcı bedensel mekanizma" anlayışı çerçevesinde seyirciye sunulmaktadır. Filmlerde yer alan tüketim olgusu popüler kültür ve ezoterizm kavramları eşliğinde yorumlanmakta ve eleştirel bir perspektifle ele alınmaktadır. Abstract Individuals take part in the double structure of production and consumption in everyday life. Within this biologic structure, social needs take precedence over biological needs. Popular culture plays a central role in satisfying these needs. It gains the development of popular culture and consumption through the transformations that come with modernity. With modernity, the individual transforms himself into an object of consumption. For this reason, the development of popular culture parallels the emergence of consumer society. In postmodernism, a different meaning is attached to consumption. Consumption is a phenomenon that directly shapes and affects the individual and society. Cultural indicators are fetishized in society and transformed into objects of consumption, and individuals compete with each other to exchange their own lives. After this point, consumption can be said to have acquired a cultural quality. Consumption, which is one of the most important phenomena of today, is one of the subjects that cinema often talks about. Working from here, Darren Aronofsky's Requiem for a Dream, The Wrestler, and Mother! (Mom!) aims to examine the criticisms developed for the consumer society in his films. In the study, the meaning of postmodern approaches to consumption is discussed and the relationship of the codes in films with the concept of consumption is given semiotic and hermeneutic readings. In the films examined, it is observed that the relationship between consumption and esotericism is based on side meanings. The effect of consumption on individuals is presented to the audience within the framework of the understanding of "pre-reflective bodily mechanism". The consumption phenomenon in films is interpreted with the concepts of popular culture and esotericism and is dealt with a critical perspective.

A review of A Gospel Synopsis of the Greek Text of Matthew, Mark and Luke: A Comparison of Codex Bezae and Codex Vaticanus. Edited by Jenny Read-Heimerdinger and Josep Rius-Camp, in collaboration with Enric Muñarch. Leiden: Brill, 2014. Pp. xxi + 315. Cloth, $240.00.

hermeneutik eksistensial adalah salah satu aliran hermeneutik yang banyak digaungkan. Eksistensial adalah cara dimana seseorang 'mengada'. Berbagai cara yang ditawarkan untuk memahami hakikat teks. Diantaranya hermeneutik, seperti yang ditawarkan oleh heideger dan ata' al Said yang mengembangkan teori 'mengada.