Articolul este o analiză a hidronimelor din comuna Ocna Șugatag, județul Maramureș, fiind parte a unei cercetări mai ample asupra toponimiei maramureșene. Amplasat într-o zonă deluroasă, la poalele munților Gutîi, pe cursul rîului Mara, hotarul celor patru localități componente ale comunei, Breb, Hoteni, Sat-Șugatag și Ocna Șugatag, se caracterizează printr-o vastă rețea hidronimică, văi și izvoare, afluenți ai Marei, dar și fîntîni, lacuri și mlaștini. Corpusul lucrării a fost extras din materialul toponimic cules prin anchete de teren, nepublicat pînă în prezent. Numele topice sînt tratate individual, pentru fiecare hidronim precizîndu-se răspunsurile informatorilor, formele diferite, dacă este cazul, precum și date suplimentare, cunoscute de noi, Ocna Șugatag fiind localitatea noastră natală. Scopul acestui demers este stabilirea etimologiei hidronimelor din arealul cercetat. Pentru o privire de ansamblu asupra hidronimiei și a antroponimiei care stă la baza ei, indicăm și ariile...

This article is a proposal to standardize a punctuation mark – the semicolon –, and describe the situations of use and the communication implications of the sign: prosodic, pragma-semantic and stylistic functions. The relationships between the semicolon and other punctuation marks, as well as recommendations for use in writing practice are also considered. Semicolon is less and less known and used nowadays; its use depends on the author’s preferences. Among the stylistic varieties, the semicolon is used most frequently in the scientific and argumentative style. It is recommended to use semicolon in enumerative series, especially vertically, in constructions containing parallelisms, or in long and complex statements that also contain other internal punctuation marks.

Реалии уголовно-процессуальной науки демонстрируют признаки одной из ее проблем, связанной с нечетким различием исследований уголовно-процессуального закона de lege lata, которые могут быть актуальны, например, для создания юрисдикционных технологий участников уголовного процесса, и исследований de lege ferenda - наиболее традиционных для большинства работ, поскольку их результатом является предложение об улучшении уголовно-процессуального закона. Последние, отражая закон системно и имею целью его совершенствование, должны ориентироваться на ядро системы, определяющее ее тип и связи с периферийными элементами системы (институтами, нормами), а так же элементами между собой.

Spiritual patron of the gymnasium from Obreja Veche, the folklorist Sergiu Moraru honors his mission ‒ in relation to the young generation ‒ through the model of his becoming and through the opera. The vocation folklorist needs vocation pedagogues, who can adjust the potential of the biography and the work in attractive projects for the pupils of the gymnasium that bears his name, but also for those from the Gymnasium no. 1 from Olacu commune, Giurgiu district (Romania). To motivating them to know more about the museums and libraries in the locality ‒ the patrimonial dimension of their existence, in which Sergiu Moraru’s destiny is a kind of guide. The attractive reason for becoming a folklorist is the reason for vocation, calling, crucial categories, generating controversy and lessons according to the age of the two institutions united in a project. The beneficial nuance, offered from Italy by the poet and pedagogue Iurie Bojoncă, refers to the importance of the family and the nati...

This paragraph examines the impact of Creangă' narrative modelon Paul Goma's prose. The relationship between the character and the author, the narrative figures, the stylistic dominants of the story "Amintiri din copilărie" by Ion Creangă and the novel "Din calidor"by Paul Goma are analysed. It examines the dialogical poetics of the novel, the dialectical relations of the bivoc word, the hybrid construction, plurilingvism, the instinctive genius sense of the language, the intrinsec elements of the narrative model in the line of the Creangă-Sadoveanu tradition.

Nicola Nicolau: an Intellectual with an Unfair Posterity: This is the first in a series of three articles discussing the life and work of Nicola Nicolau (1762-1837), a Romanian merchant and scholar from the Transylvanian town of Brașov (Kronstadt, in the Habsburg Empire). Its chapters deal with Nicolau’s family and life, the books published by him, the question of their authorship, their sources, their circulation, and, finally, with Nicolau’s teaching activity. While settling, on the basis of primary sources, a number of earlier hypotheses and debates, it proposes some new hypotheses, which should be checked against further primary evidence.

Volum antologic, ne-varietur, al poeziei publicate de Eugen Dorcescu între 1972 și 2015. Selecție, biobibliografie, ediție critică și eseu hermeneutic de Mirela-Ioana Borchin.

Market economy is characterized at a time, among others, by the existence of two partners, so that one has some money, a certain amount of capital, and one needs money. The first has money and wants to capitalize on them as possible, and the second wants to enter into possession of a capital base which is to put up a new business or develop an existing. We can say that in this context we are facing a certain demand and a supply of capital. Meeting supply and demand of the said capital shall be carried out in an organized framework, namely the capital market. Investors as owners of capital seeking to invest capital so advantageous that they must choose from several investment on the one that best suits his or her interests. In the choice between several investment options investor must thoroughly know the subject of its investment capital, form of revenue will occur when they occur, what time is immobilized the capital and the risks of its investment capital.

This paper aims at discussing some problems of the contemporary art through some of Arthur Danto’s theories. The concept of the end of art, the new way of making art, how to understand the contemporary art are some fundamental problems of nowadays art criticism. Comparisons among artistic techniques used by various avant-gardist movements, especially cubist, abstractionist and dadaist ones are intended to build a comprehensive image of the evolution in art creativity towards post-wars period represented by new contributions (Andy Warhol and Joseph Beuys). These examples prove that the contemporary art needs a more attentive interpretation and a better understanding of the material-form connection within the art work and the process of plastic creativity.