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The aim of this study is to map and scrutinize developments within Swedish cultural journalism, with a particular focus on transformations in genres, text types and thematic repertoires. Drawing on a constructed week sample from press,... more
The aim of this study is to map and scrutinize developments within Swedish cultural journalism, with a particular focus on transformations in genres, text types and thematic repertoires. Drawing on a constructed week sample from press, television and radio during four decades (1985, 1995, 2005, 2015), we address three aspects of ‘the crisis discourse’ of cultural journalism: (1) the potential decline in cultural coverage due to economic cutbacks and downsized cultural desks; (2) cultural journalism’s perceived ‘quality crisis’ connected to transformations of thematic repertoires; and (3) the alleged decline of cultural expertise related to changes in cultural journalism’s generic structures. The study makes a unique contribution to cultural journalism scholarship by identifying media-specific differences and complementary relationships between media forms, building on media ecology and genre theory. In contrast to the crisis discourse, results show that cultural journalism has expanded significantly through popularization and thematic and generic diversification, but the transformations are different in press, radio and television due to differing role positions in the larger media ecosystem. In addition, some parts of the cultural journalism media ecology appear to be endangered.
Cultural journalism is a subfield of journalism that encompasses what is known as arts journalism. While arts journalism is characterized by reviews, critique, news, and essays about the arts and popular culture, cultural journalism has a... more
Cultural journalism is a subfield of journalism that encompasses what is known as arts journalism. While arts journalism is characterized by reviews, critique, news, and essays about the arts and popular culture, cultural journalism has a broader take on culture, including lifestyle issues, societal debate, and reflective ethical discussion by cultural personas or expressed in a literary style. Both arts and cultural journalists see their work as “journalism with a difference,” evoking different perspectives and worldviews from those dominating mainstream news reporting. At the same time, cultural journalism shares with journalism issues like boundary work, genre blurring, digitalization, globalization, professionalization, and “the crisis of journalism.” There are three main ways cultural journalism has been studied: one research strand defines cultural journalism as material produced by the cultural desks or material that is explicitly labelled cultural journalism; another defines it as journalism about culture, regardless of how it is labelled or produced; and a third strand includes only arts journalism, examining journalistic content on the fine arts and popular culture. Studies from all of these approaches are included in this article due to the effort to include a wide variety of countries at different time periods and an effort to track joint defining features and developments in cultural journalism. The emphasis is on the Nordic context, where the term “cultural journalism” is well established and where research is relatively comprehensive. The research is divided into three themes: the cultural public sphere and the contribution to democracy; cultural journalism’s professionalism and the challenges of digitalization; and transnational and global aspects of cultural journalism, including tendencies such as cultural homogenization and hybridization.
Cultural journalism is a unique and underresearched subfield of journalism. This article presents the first systematic study of Swedish cultural journalism, quantitatively mapping content from four decades, zooming in on the years 1985,... more
Cultural journalism is a unique and underresearched subfield of journalism. This article presents the first systematic study of Swedish cultural journalism, quantitatively mapping content from four decades, zooming in on the years 1985, 1995, 2005, and 2015. We study conceptions of the world outside Sweden during times marked by geopolitical turning points, globalization, and rapid structural transformations in the journalistic market. Employing content analysis of a representative sample from the press and public service radio, we explore geographical and scalar aspects, with a focus on political and global dimensions. Although we found evidence for Eurocentrism and domestication—staples of Western journalism overall—results show that Swedish cultural journalism was a steady conveyor of transnational narratives during all studied periods, which together with a primarily nonconflictual approach, sets cultural journalism apart from foreign news and decreases the risk of misframing in a globalized world. http://ijoc.org/index.php/ijoc/article/view/8228/2307
ABSTRACT
This article discusses meanings of people–place relationships, relating to ethnicity–class–gender intersections. The case examined concerns the ‘contested place-making’ of Irish Travellers at Dale Farm (UK), where the Travellers were... more
This article discusses meanings of people–place relationships, relating to ethnicity–class–gender intersections. The case examined concerns the ‘contested place-making’ of Irish Travellers at Dale Farm (UK), where the Travellers were eventually evicted from a place they owned. The material consists mainly of online slideshows in the Guardian. Visuals and place share the role of concretizing news, situating them and underlining their truth claims. Hence, news visuals are well suited for discussions of relationships between places and peoples. The study comprises theories of media, place and identity, relating to mobility, minorities and globalization. Methodologically, compositional analysis, discourse-theoretical method and an intersectional approach are combined. The place conflict is rarely understood in terms of justice. Instead, ethnicity–class–gender intersections appear as significant in the imagery, countering certain old stereotypes, but also connecting to discourses of ‘threatening minorities’, and ‘bad mobility’. Manifested through excessive imagery of barricades/fences/walls/gates, ‘identity management’ meets ‘place management’, detaching some identities from some places. The Travellers thus appear as anomalies, separated from others. This is partly connected to the slideshow format, where linguistic elaboration on motifs is very limited, partly to the selection of certain themes and motifs in the slideshows, and partly to the societal politics surrounding the issue.
Justice is a significant undercurrent in journalism and in international politics on climate change. Yet it is too seldom explicitly discussed or problematized in these contexts. This largely theoretical and explorative chapter heeds the... more
Justice is a significant undercurrent in journalism and in international politics on climate change. Yet it is too seldom explicitly discussed or problematized in these contexts. This largely theoretical and explorative chapter heeds the re-thinking of justice, responsibility and solidarity in a globalizing world, as expressed in political philosophy as well as in media studies. The international politics of climate change are most pertinently discussed and evaluated in editorials, which provide the research material for this chapter. In qualitatively examined example editorials from high-income countries, the discourse calls for global action while concurrently applying diverse versions of domestication. The editorials use strong obligation modality language (something “must” be done), refer to responsibility and justice, but do not specify the injustice or what should be done to amend it. The discourse does not (yet) reassess economic privilege or the dynamics of political representation. It is a solidaritarian discourse, but only vaguely so due to lack of specifications.
Rättvisa brukar definieras som rätten att delta på samma villkor som alla andra (Fraser, 2008). Deltagande är samtidigt centralt i diskussioner om journalistik och särskilt digital journalistik. Men att rättvisa krävs för att alla ska... more
Rättvisa brukar definieras som rätten att delta på samma villkor som alla
andra (Fraser, 2008). Deltagande är samtidigt centralt i diskussioner
om journalistik och särskilt digital journalistik. Men att rättvisa krävs
för att alla ska kunna delta på lika villkor lyfts sällan fram. Det krävs
ett rättvist samhälle för att rättigheter ska kunna utnyttjas. Därmed
krävs inom journalistiken en medvetenhet om rättvisedimensioner
och rättvisekonflikter samt dessas starka koppling till rättigheter.
I detta kapitel belyser jag hur ökad medvetenhet om relationer
mellan journalistik, rättvisa och rättigheter kan bidra till ett mer
hållbart demokratiskt samhälle, inte minst i en globaliserande tid.
Medborgares deltagande diskuteras i anslutning till detta utifrån en
uppdelning i: direkt deltagande, där medborgare kan göra sig hörda
utan journalistisk inramning (utanför journalisters artiklar/inslag)
och indirekt deltagande, genom representation av medborgare i journalistiska texter. Detta illustreras med exempel från två områden:
(diskussioner om) kommentarsfält på nyhetssajter samt rapportering
om minoriteter. I det senare fallet diskuteras hur ursprungsfolk och
klimaträttvisa, respektive romer skildras i pressen. Dessa empiriska
delar anknyter på olika sätt till centrala ämnen för en rättvis mediepolitik,
nämligen: minoriteters villkor och möjligheter, diskriminering,
mångfald, inomnationella såväl som transnationella dimensioner,
samt hur medborgare återges av och överlag har möjlighet att delta
i medier (se även Hulténs kapitel kring mångfald i journalistiken).
I det följande skisseras en bakgrund gällande lagar, konventioner
och deklarationer om diskriminering, mänskliga rättigheter, yttrandefrihet
och mångfald. Denna lägger grunden för den efterföljande
genomgången av teorier om och tidigare studier av rättvisa och ansvar
respektive rättigheter och demokrati, i relation till globalisering och
digitalisering. I avsnittet om rättigheter och demokrati anknyts kort
forskning kring kulturjournalistik i press och public service-medier
och särskilt pressdebattens betydelse för demokratin. De huvudsakliga
empiriska exemplen ges dock i två påföljande avsnitt vilka
söker svara på i vilken mån medborgare ur olika grupper kan delta i
medierna genom 1) att delta direkt i diskussioner på diskussionsforum,
såsom kommentarsfält i online-medier genom tillgång till a) tekniska
förutsättningar, samt b) sociala förutsättningar som demokratiska
säkra samtalsmiljöer och 2) att delta indirekt genom att få sina perspektiv erkända och röster hörda i berättelser om gruppen
(exemplifierat med forskning om ursprungsfolk och romer). Kapitlet
avslutas med en sammanställning av slutsatser och implikationer för
mediepolitiken, utifrån de perspektiv som här belyser ämnesområdet.
Mass media and nationalism have been intertwined for as long as they have existed. In Europe the introduction of the printing press, together with increased use of folk languages, became essential for the emergence of mass media and... more
Mass media and nationalism have been intertwined for as long as they have existed. In Europe the introduction of the printing press, together with increased use of folk languages, became essential for the emergence of mass media and nationalism alike. Media development has subsequently repeatedly coincided with nationalistic tendencies, as when the peak of imperialism intersected with the emergence of the telegraph and of photography. Media and nationalism are perhaps most obviously entangled in times of war and conflict, when both regulation and language use may become more nationalistic. Moreover, the gendered nature of mediated nationalism tends to stand out most clearly in wartime too. Media and nationalism can furthermore be understood in terms of “hot” versus “banal” forms, spatial categorization, media ownership and laws, postcolonialism, consumerism, and methodological nationalism in journalistic methodology. Previous dichotomization of nationalism and globalization in research has recently been countered through terms such as “hybridity” and “trans-locality.”
Det här kapitlet fokuserar på förändringar i kultur- bevakningen i svenska medier med utgångspunkt i två nedslagsår: 2007 och 2014. Kultur, liksom kulturjournalistik, är komplexa fenomen att studera eftersom båda definierats och... more
Det här kapitlet fokuserar på förändringar i kultur- bevakningen i svenska medier med utgångspunkt i två nedslagsår: 2007 och 2014. Kultur, liksom kulturjournalistik, är komplexa fenomen att studera eftersom båda definierats och praktiseras på mycket olika sätt inom olika medieinstitutioner under olika historiska perioder (Roosvall, Riegert & Widholm, 2015). I den här studien inriktar vi oss på kultur som journalistiskt tema, d.v.s. kulturens roll i journalistiken i mer generell bemärkelse. På så vis begränsar vi oss inte till material som producerats av svenska kulturredaktioner, även om en betydande del av vårt material kan be- traktas som kulturjournalistik. Den här kapitlet har visat att kulturen utgör en stabil beståndsdel i den svenska journalistiken, även i ett allt mer digitaliserat medielandskap.Vad vi dock kan reflektera över är vilka tendenser som stärks respektive försvagas när journalistik om kultur publiceras på digitala plattformar, vilket i sig ofta ses som ett hot av kulturredaktörer, särskilt i pressen (Riegert, Roosvall & Widholm, 2015). Det visar sig att nöje växer mer än kultur på digitala plattformar. Vi ser också tendenser till att det journalistiska (generalistiska) paradigmet fått ett större inflytande i och med ökningen av deskriptiva snarare än tolkande perspektiv. Samtidigt har mer känslomässiga inslag som kanske kan kopplas till nöjesrapportering snarare än kulturanalyser också ökat. Därmed bekräftas delvis den oro kulturredaktörer i pressen uttryckt gällande bevarandet av kulturjournalistiken – den demokratiskt viktiga kulturjournalistiken – i sin traditionella form i ett digitaliserat medielandskap. Journalistik om kultur ser dock samtidigt ut att hävda sig väl när det gäller delningar i sociala medier då det handlar om ämnen som etnicitet och rasism och där texterna ger uttryck för tydliga åsikter i anslutning till pågående debatter. Dessa texter ger också uttryck för det ökade samhällsperspektivet (och den minskade individfokuseringen) inom kulturbevakningen på digitala plattformar. Resultaten vittnar om att vi befinner oss mitt i en förändringsprocess med tendenser som pekar åt lite olika håll och som därmed är svårtolkade. För en mer detaljerad analys av den svenska kulturbevakningen krävs också mer djupgående och systematiska studier av kulturjournalistiken specifikt. Detta gäller inte minst i Public Service där kulturjournalistiken får ett betydande utrymme främst utanför den traditionella nyhetsbevakningen (i special- och magasinsprogram etc.). Inom ett nyligen sjösatt forskningsprojekt, ”Kulturjournalistikens omvärldsbilder” (Kristina Riegert, Anna Roosvall, Andreas Widholm, 2016-2019), hoppas vi kunna bidra med precis detta, bl.a. genom en kartläggning av kulturjournalistikens utveckling i Sverige mellan 1985 till 2015.
Medierapportering spelar roll. Det har sällan varit så tydligt som när DN den 8 maj 2015 skriver på första- sidan: ”Polischefen ber romer om ursäkt. Eliasson lovar bättring efter DN:s avslöjande”. Rubriken refererar till DN:s egen... more
Medierapportering spelar roll. Det har sällan varit så tydligt som när DN den 8 maj 2015 skriver på första- sidan: ”Polischefen ber romer om ursäkt. Eliasson lovar bättring efter DN:s avslöjande”. Rubriken refererar till DN:s egen reportageserie om det så kallade rom-registret i september 2013, ett polisregister där romer och resande registrerades oavsett om de begått brott eller inte. Barn såväl som avlidna var medräknade. Rubriken från 2015 visar att DN:s avslöjande fått en tydlig effekt. Polischefens ursäkt får också sin så viktiga offentliga karaktär just genom att den rapporteras i medierna. På detta sätt kommer ursäkten till allmän kännedom.
På samma sätt har all annan medierapportering om romer betydelse för kunskap om och förståelse av romers situation. Den offentliga diskussionen om romer har varit särskilt påtaglig det senaste decenniet. De- battens vågor har gått höga inte bara kring romregistret, utan också kring främst rumänska romer som tigger och sover på gator och i tältläger i Sverige. Rapporteringen om romer berör rörligheten av arbetskraft inom EU-området, frågor om social och ekonomisk utslagning samt debatt om nationalism, ”främlingsfientlighet” och ren rasism. I en ny norsk surveystudie och forskningsrapport om tillresande fattiga från Rumänien i Oslo, Köpenhamn och Stock- holm pekas det på att migranterna – både romer och andra – i huvudsak kommer från grupper och lokal- samhällen som har upplevt ökande grad av social marginalisering och fattigdom i hemlandet (Djuve, Friberg, Tyldum & Zhang, 2015).
I vår studie undersöker vi medierapportering kring romer under de senaste 20 åren, från och med Sveriges EU-inträde 1995 till och med 2014 då rapporteringen om ”romer”, ”zigenare”, ”EU-migranter”, ”tiggare” och allt vad denna grupp kallas, med tiden blir mycket intensiv. När en grupp får många namn på detta sätt är det inte så säkert att det är ett ”kärt barn”; lingvisten Roger Fowler (1991) kallar det istället ”överlexikalisering”, ett fenomen som inträffar då något är omstritt och/eller definierat som onormalt.
Vi studerar artiklar från Aftonbladet och Dagens Nyheter, de två mest lästa tidningarna ur de gamla kategorierna kvällstidning respektive morgontidning. På detta sätt kommer vi åt både de artiklar som når ut allra bredast via Aftonbladet, och de som publiceras i det organ som brukar betraktas som allra mest avgörande för opinionsbildning i Sverige: DN.
Lately, possibilities of producing and spreading news pictures have increased explosively through online media. Concurrently, religion has become increasingly salient in politics and news. Both processes are connected to globalization.... more
Lately, possibilities of producing and spreading news pictures have increased explosively through online media. Concurrently, religion has become increasingly salient in politics and news. Both processes are connected to globalization. This study encompasses globalization, religion and online images and aims to convey how online world news slideshows represent religion, and more particularly how linguistic and visual parts of picture paragraphs are interrelated, as well as related to representations of different religions. Methodologically multimodal analysis and discourse analysis are combined, focusing on composition of images and (dis-)connection of images and texts. Theories on globalization and possibilities and particularities of online news (pictures) and slideshows, frame the analysis. Tendencies to templates for different religions are found. Many religions appear as aesthetic commodities in images, whereas Islam in texts “sells” images of violence/destruction. Image–text relations are thus crucial both in the creation of meaning and of commodities in online news image culture. Two main image–text types are identified: “Religion in text, (potential) violence/destruction/despair in picture” (Islam) and “Spirituality/worshipping/aestheticism” (other religions). The world news slideshows have crucial roles as containers for these polarized image–text types, where they are related to and defined by each other in the genre's (cl)aim to cover the whole world.
[In Swe] I detta kapitel går vi igenom forskning på kulturjournalistikens område; undersökningar av kulturjournalistiken i stort såväl som studier av enskilda delområden som musikkritik och konstrecensioner. Vi börjar med en genomgång av... more
[In Swe] I detta kapitel går vi igenom forskning på kulturjournalistikens område; undersökningar av kulturjournalistiken i stort såväl som studier av enskilda delområden som musikkritik och konstrecensioner. Vi börjar med en genomgång av teoribildningar på orådet, med särskilt fokus på fältteori, teorier om (de)professionalisering, offentlighetsteori och globaliseringsteori. Vi fortsätter sedan med en redogörelse för den internationella forskningen, med fokus på Europa och de övriga nordiska länderna där flest studier genomförts, och landar i en diskussion av forskningen om svensk kulturjournalistik. Majoriteten av studierna är som vi kommer att visa koncentrerade kring tidningsjournalistik. Med utgångspunkt i detta oh med hänsyn till senare tids allmänna utveckling inom journalistiken belyser vi slutligen behovet av forskning som tar avstamp i multimediala sammanhang.
This article explores how nine Swedish cultural editors and managers in mainstream media institutions define cultural journalism and its political dimensions during times of increased digitization and media convergence. Swedish cultural... more
This article explores how nine Swedish cultural editors and managers in mainstream media institutions define cultural journalism and its political dimensions during times of increased digitization and media convergence. Swedish cultural journalism is aesthetic and political critique applied to subject areas (music, literature, etc.) and contemporary societal and ethical issues. Drawing on Zelizer we ask whether there is a common interpretive community of cultural journalists in different media regarding: (1) how they define their scope, (2) how they understand “the political” in cultural journalism and its implications for democracy, and (3) how they view media convergence and digitalization. We find that although editors/managers from different media share a basic understanding of cultural journalism as an alternative perspective to news, “the political” in cultural journalism is approached differently in the press and the public service broadcast media. Furthermore, due in part to structural conditions, they also see the effects of digitization differently, forming sub-communities on two counts. This study thus contributes new knowledge to a field previously focused almost exclusively on newspapers.
[In Swedish] Intersektionalitet är ett begrepp som alltmer kommit att influera genus- och feministisk forskning under senare år. Det har dock mer sällan applicerats i mediestudier. I det följande diskuterar och operationaliserar vi... more
[In Swedish] Intersektionalitet är ett begrepp som alltmer kommit att influera genus- och feministisk forskning under senare år. Det har dock mer sällan applicerats i mediestudier. I det följande diskuterar och operationaliserar vi intersektionella angreppssätt i relation till mediestudier. Vi utgår ifrån ett par exempelartiklar som vi inledningsvis analyserar med fokus på olika sociala kategorier såsom kön, klass, etnicitet och nationalitet, för att sedan övergå till en integrerad
intersektionell analys där kategorierna ”griper in i varandra” och smälter samman. Utifrån dessa exempel definierar vi intersektionalitetssstudier närmare och diskuterar fördelar såväl som svårigheter med intersektionalitet som metod.
För att ytterligare belysa hur intersektionella angrepssätt och mediestudier kan korsbefrukta varandra, redogör vi sedan för ett antal avgörande traditioner inom medie- och kulturforskningen och diskuterar betydelsen av hur man där förstår makt, sanningsanspråk, identitet och representation – vilka alla utgör centrala ingredienser också i intersektionella angreppssätt. Avslutningsvis argumenterar vi för en ökad användning av intersektionella perspektiv i mediestudier; för en
ökad uppmärksamhet kring komplexiteten i mänskliga identiteter och (makt-) relationer i medieutbudet såväl som i samhället.
This article aims to explore dialogic and solidaritarian modes of communication in relation to democracy that builds on communicational exchange in and with the media, and particularly in relation to online news communication. Departing... more
This article aims to explore dialogic and solidaritarian modes of communication in relation to democracy that builds on communicational exchange in and with the media, and particularly in relation to online news communication. Departing from the fraud dialogue concept, it defines and exemplifies solidaritarian modes of communication, which are argued to better meet the challenges of democracy and online journalism. This theoretical discussion draws on examples from a debate on the reconstruction of the comments sections in Swedish online newspapers. The debate concerned hate speech, freedom of speech/censorship, anonymity/openness, and moderation/registration policies. I argue that solidaritarian modes of communication include and exceed dialogue through their attitude (discursive mode of address) and practice (discursive or non-discursive mode of action) of reciprocal exchange, empathy, responsibility and restitution. A particular underlining of responsibility as journalistic/editorial/publicist indicates the importance of the communicative setting, online journalism, where ‘journalism’ turns out to be more crucial than ‘online’.
This chapter is about the journalistic genre termed foreign news and examines the development of the genre during a period that spans from the last years of the Cold War in the 1980s to the years after the new millenium after September... more
This chapter is about the journalistic genre termed foreign news and examines the development of the genre during a period that spans from the last years of the Cold War in the 1980s to the years after the new millenium after September 11, 2001. Articles from the Swedish press published in 1987, 1995 and 2002 are analyzed in relation to notions of globalization. I argue that throughout the time period surveyed, which coincides with the period when the concept of globalization entered academic as well as public discussion to become a generic paradigm, foreign news remained largely un-affected by de-nationalizing tendencies and moreover increased its use of exoticizing perspectives. This development in foreign news contradicts theories of globalization that stress de-nationalization and de-exoticization. In fact, in an age of alleged globalization, foreign news is still steered by the "will to nationhood", as Homi Bhabha terms it, and acts as a flagship of the nation.
This article aims to fill the media representation gap in identity politics research by exploring connections to different identity politics models in representations of people in world news and relating them to discourses on humanity and... more
This article aims to fill the media representation gap in identity politics research by exploring connections to different identity politics models in representations of people in world news and relating them to discourses on humanity and notions of globalization respectively. News picture slideshows from Swedish, UK and US web newspapers are studied with an analytics-of-mediation approach. Slideshows of May Day are the focus alongside everyday slideshows. Intersections of identity politics models and discourses on humanity/notions of globalization are in the end sketched in a schematic model. The analysis shows that the reifying identity model dominates, and appears as a shortcut to media attention. It also discloses various possibilities of employing universalism and a focus on people’s status. The key role of images in mediated identity politics is highlighted and it is argued that media studies is imperative for identity politics research, and vice versa.
This chapter discusses rationality/irrationality and how it relates to a set of either/or (rather than both/and) conceptualizations: the idea of a transition rather than transformations of the Soviet Union and Eastern Europe after... more
This chapter discusses rationality/irrationality and how it relates to a set of either/or (rather than both/and) conceptualizations: the idea of a transition rather than transformations of the Soviet Union and Eastern Europe after 1989/1991 into  something essentially different; the idea that Islam has replaced (Soviet) Communism as arch-enemy of the West; the idea of a clash of civilizations between the West and Muslim countries; the idea that religion and politics are separate entities that should not be mixed (like in political Islam). The aim is to explore Swedish media representations of Middle Eastern Islam and (post-)Communism and how they are related to the West over time. Foreign news articles from Swedish newspapers from the last years of the Cold war, via the post-cold-war period of the 1990s, to the post-September 11 period of the new millennium are analysed. In Middle East storylines, religion is recognized as political, while in (post)Communist storylines, politics appears as connected to religious behaviour. Concurrently, both Middle Eastern and (post)Communist countries are represented as connected to pretence, and represented as threats at all examined points in time – the former through an immediate religio-political threat, the latter through a less obvious threat connected to delusion, which might appear as more dangerous due to unpredictability. The continuity of both threats is, however, the factor that stands out the most. Thus there is no either Islam/Middle East or (post)Communism as enemy of the West discourse, but there is a persistent either Islamic/(post)Communist irrationality or Western rationality discourse.
"The nation is one of the most resilient concepts in our understanding of the world and its societies. Politics, sports and cultural events, in news as well as in fiction, are largely structured by the national logic. Internationalism –... more
"The nation is one of the most resilient concepts in our understanding of the world and its societies. Politics, sports and cultural events, in news as well as in fiction, are largely structured by the national logic. Internationalism – be it in representation, production or consumption – does not challenge the privileged position of the nation. Globalising processes do offer an alternative to the primacy of the nation, but have so far been unable to overcome its dominance. The nation’s resilience is, in part, due to its continuing relevance: ontologically, it offers a sense of territorial stability and security while epistemologically it can supply a sense of familiarity and order in the global landscape.

This volume provides cutting edge analysis of old and new architectures of the nation and its mediated presence in everyday life. In an age of alleged globalisation, nations and nation-states have been claimed to be out-dated. However, the proclamation of the end of the nation (-state) has been premature. Eschewing fashionable obituaries for media, geography and the nation, leading media scholars explore the complex ideological and spatial changes in contemporary understandings of the nation. The nation can be seen as a nodal point of media discourse. Hence the power, the politics and the poetics of the nation will be the subject of this book. "
This chapter is a study of Swedish media reporting about COP15, the UN climate summit in Copenhagen 2009. It is contained in a book with studies of media reporting on the same issue from 17 other countries around the world. The study... more
This chapter is a study of Swedish media reporting about COP15, the UN climate summit in Copenhagen 2009. It is contained in a book with studies of media reporting on the same issue from 17 other countries around the world. The study comprises both quantitative and qualitative parts, including employment of genres, representations of actors, and employment of news frames. The main frames in the Swedish reporting are the Political Game Frame and the Issue Frame. The Political Game Frame is most salient in the examined elite morning paper, which incidentally had more reporters on location in Copenhagen, whereas the Issue Frame is most salient in the examined tabloid, which had a series of reports focusing on conditions for indigenous peoples, and small nations, in different parts of the world. The latter reports include understandings of climate change as a global phenomenon, and connect the fight against it to the spirituality of nature. Conversely, in the Political Game Frame (actors from) different nations are grouped into categories of competing camps, and those who are to blame are named: mainly China and the USA. An important subframe that also connects to a conflict paradigm is the Safety/Policing Frame. The seldom employed Global Action Frame adds another nuance, but generally stays within the conflict paradigm, because of the depicted conflict between this approach and the regular politics of the summit. Main findings include the observation that climate change frequently appears as separated from other subjects. It is for instance not discussed in the car supplements, and often appears in supplements of its own. The latter, of course indicates that it is simultaneously seen as an important subject. Domestication and glocalization are two competing tendencies in the material. Glocalization is most often connected to the Issue Frame and domestication to the Political Game Frame, which dominates the material. It is in the domestication parts that we find the few depicted heroes of the summit, thus domestication is also self celebratory.
This article sets out to explore charity and solidarity approaches in three cosmographic genres: aid galas, foreign news, and documentaries about foreign nations. I argue that their nation-based ratio together with the panoptic character,... more
This article sets out to explore charity and solidarity approaches in three cosmographic genres: aid galas, foreign news, and documentaries about foreign nations. I argue that their nation-based ratio together with the panoptic character, that allows the home nation a privileged invisibility as the rest of the world is being written, constitute predominantly charity approaches. Solidarity approaches towards global, inter- and intra-national divides do however appear when dialogic modes of writing (verbally and visually) are used. They also concur with political rather than culturalistic understandings of these divides, therefore oppose naturalization of differences and open up for possibilities of change. In the end I discuss possible ways of analyzing solidarity in relation to power in media studies, as well as ways of constituting solidaritarian media texts. A key feature in this project is the breakup of the opposition of genres that discuss the domestic respectively the foreign.
Media and Transnational Climate Justice captures the intriguing nexus of globalization, crisis, justice, activism and news communication, at a time when radical measures are increasingly demanded to address one of the most pressing global... more
Media and Transnational Climate Justice captures the intriguing nexus of globalization, crisis, justice, activism and news communication, at a time when radical measures are increasingly demanded to address one of the most pressing global issues: climate change. Anna Roosvall and Matthew Tegelberg take a unique approach to climate justice by focusing on transnational rather than international aspects, thereby contributing to the development of theories of justice for a global age, as well as in relation to media studies. The book specifically explores the roles, situations and activism of indigenous peoples who do not have full representation at UN climate summits despite being among those most exposed to injustices pertaining to climate change, as well as to injustices relating to politics and media coverage. This book thus scrutinizes political and ideological dimensions of the global phenomenon of climate change through interviews and observations with indigenous activists at UN climate summits, in combination with extensive empirical research conducted on legacy and social media coverage of climate change and indigenous peoples. The authors conclude by discussing transnational solidarity and suggest a solidarian mode of communication as a response to both the global crisis of climate change and the broader issues of injustice faced by indigenous peoples regarding redistribution, recognition and political representation.
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