- Departamento de Filosofia
Faculdade de Letras da Universidade de Lisboa
Alameda da Universidade
1600-214 Lisboa
Portugal - +351 21 7920050
Carlos Joao Correia
Universidade de Lisboa, Departamento de Filosofia, Faculty Member
- 1956- . Born in Azores. Associate Professor at the University of Lisbonedit
O presente ensaio analisa a relação entre a criação artística e a ideia de liberdade. Para esse efeito, esclarecem-se os conceitos de “liberdade” e de “arte”. No primeiro caso, o da liberdade, defende-se a autonomia da obra de arte em... more
O presente ensaio analisa a relação entre a criação artística e a ideia de liberdade. Para esse efeito, esclarecem-se os conceitos de “liberdade” e de “arte”. No primeiro caso, o da liberdade, defende-se a autonomia da obra de arte em relação aos contextos psicológicos e políticos que presidiram à sua criação. No segundo caso, o da arte, discute-se a tese de Morris Weitz de que não é possível pensar-se uma definição de obra de arte. Tendo em consideração as reflexões de Markus Gabriel sobre a arte, sustenta-se uma nova caracterização da natureza da obra artística a partir de uma definição robusta, mas não-rígida de arte.
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Resumo: A discussão em torno da universalidade da hermenêutica tem-se centrado na análise da importância da linguagem e da comunicação. Neste ensaio, procuramos mostrar que, na raiz deste problema, se encontra uma interrogação mais vasta,... more
Resumo: A discussão em torno da universalidade da hermenêutica tem-se centrado na análise da importância da linguagem e da comunicação. Neste ensaio, procuramos mostrar que, na raiz deste problema, se encontra uma interrogação mais vasta, a de saber se o gesto interpretativo é universal em todas as áreas do conhecimento humano. Enquanto a proposta de Dilthey consistiu em mostrar que a esfera das humanidades, das ciências do espírito, tinha uma lógica distinta daquela que encontramos nas ciências naturais, pelo contrário, Gadamer sustenta que o acto compreensivo inerente à interpretação da linguagem é universal, eliminando assim não só a dicotomia entre ciências exactas e humanas, mas, também, mostrando que não é possível qualquer acto significativo da linguagem sem a presença de uma compreensão interpretativa do mesmo.
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Após uma análise da concepção de arte em Arthur C. Danto, mostrando a tese que o torna próximo da filosofia da arte de Nelson Goodman, procura-se esboçar uma resposta inédita sobre o que devemos entender por arte.
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John Locke discusses the idea of a distinct self and the continuation of consciousness after death. The definition of a personal identity across time is provided. Insofar as it is feasible, such a criteria describes the requirements that... more
John Locke discusses the idea of a distinct self and the continuation of consciousness after death. The definition of a personal identity across time is provided. Insofar as it is feasible, such a criteria describes the requirements that must be met in order for people to survive. According to John Locke, psychological continuity determines one's personal identity. He believed that the foundation of one's personal identity, or "self," was awareness, namely recollection, rather than the substance of either the soul or the body. We sustain in this essay, that the criterion of personal identity for Locke is not memory but consciousness. Therefore, for Locke, memory is the power of knowledge of the same consciousness.
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Obituário
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The purpose of this paper is to analyze the pagan roots of Western Culture. Sumerian and Babylonian myths about the creation of the world and mortality will be studied, as well as Celtic narratives about travel to other worlds and Norse... more
The purpose of this paper is to analyze the pagan roots of Western Culture. Sumerian and Babylonian myths about the creation of the world and mortality will be studied, as well as Celtic narratives about travel to other worlds and Norse tales about the death of God.
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Manuscript Version - The final publication is available at: www.duncker-humblot.de (Soraya Nour Sckell (Hrsg.) - Damien Ehrhardt (Hrsg.) ) Post-culture is associated with the loss of ties of cultural identity derived from globalization.... more
Manuscript Version - The final publication is available at: www.duncker-humblot.de (Soraya Nour Sckell (Hrsg.) - Damien Ehrhardt (Hrsg.) )
Post-culture is associated with the loss of ties of cultural identity derived from globalization. The response of Western societies has been unfortunate, based on so-called multicultural policies. Instead of assuming its cosmopolitan dimension, already prefigured by Kant, communities are split into micro-communities that havetorn the western world apart. This was the result of the unresolved tension between Enlightenment and Romantic values.
Post-culture is associated with the loss of ties of cultural identity derived from globalization. The response of Western societies has been unfortunate, based on so-called multicultural policies. Instead of assuming its cosmopolitan dimension, already prefigured by Kant, communities are split into micro-communities that havetorn the western world apart. This was the result of the unresolved tension between Enlightenment and Romantic values.
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We sustain in this essay, that the criterion of personal identity for Locke is not memory but consciousness. Therefore, for Locke, memory is the power of knowledge of the same consciousness.
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Manuscript Version - »The final publication is available at: www.duncker-humblot.de This will be a comparative study of mythology about the origin of the world, pinpointing the philosophical principles guiding that knowledge. Usually,... more
Manuscript Version - »The final publication is available at:
www.duncker-humblot.de
This will be a comparative study of mythology about the origin of the world, pinpointing the philosophical principles guiding that knowledge. Usually, studies on cosmogony within anthropology and comparative mythology aren’t categorical – meaning to aim towards a universal model – and when they are, they fail, because they are too close to the visual representations they aim to explain.
www.duncker-humblot.de
This will be a comparative study of mythology about the origin of the world, pinpointing the philosophical principles guiding that knowledge. Usually, studies on cosmogony within anthropology and comparative mythology aren’t categorical – meaning to aim towards a universal model – and when they are, they fail, because they are too close to the visual representations they aim to explain.
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Este ensaio tem como seu objectivo analisar um dos mitos fundamentais da cultura ocidental ou, se se preferir, nas palavras de Julia Kristeva, na obra Histoires d’Amour (1983), o mito fundador dessa mesma cultura, a saber, o mito de... more
Este ensaio tem como seu objectivo analisar um dos mitos fundamentais da cultura ocidental ou, se se preferir, nas palavras de Julia Kristeva, na obra Histoires
d’Amour (1983), o mito fundador dessa mesma cultura, a saber, o mito de Narciso.
Defendemos neste ensaio que o mito clássico de Narciso, mais do que ser um apólogo moral de crítica ao egocentrismo, deve ser antes interpretado como a descrição mitológica do processo de autoconhecimento.
d’Amour (1983), o mito fundador dessa mesma cultura, a saber, o mito de Narciso.
Defendemos neste ensaio que o mito clássico de Narciso, mais do que ser um apólogo moral de crítica ao egocentrismo, deve ser antes interpretado como a descrição mitológica do processo de autoconhecimento.
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In this paper, we sustain the thesis that there is a violent aspect in the religious attitude. However, it is also true - as paradoxical as it might sound - that religion has been the privileged field to limit all kinds of violence in... more
In this paper, we sustain the thesis that there is a violent aspect in the religious attitude. However, it is also true - as paradoxical as it might sound - that religion has been the privileged field to limit all kinds of violence in human societies.
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According to Bataille, facing the same reality, we can have two completely different approaches. One of them, privileged by science, gives account of the objective and neutral side of reality. However, while not depreciating it, in this... more
According to Bataille, facing the same reality, we can have two completely different approaches. One of them, privileged by science, gives account of the objective and neutral side of reality. However, while not depreciating it, in this way it translates a third-person view, a view of nowhere, in which the experiential, not the experimental, is denied. On the contrary, the inner experience translates a mode of observation of the phenomena in which the concern is to translate the way they are lived. Inner experience is not to be confused with consciousness, although it is present in it. Now, according to Bataille, the most intense experience coincides with eroticism, not so much of bodies or souls, but of sacred eroticism. In strict terms, it is a pleonasm, insofar as eroticism and the sacred are the same.
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Análise de duas teses paradigmáticas sobre o conceito de "identidade pessoal", a identidade inerente a se ser pessoa.
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The fragmentation of the self in Kafka's work
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The traditional interpretation of Schopenhauer's "The World as Will and Representation" sustains the antinomy between the World as Will, considered as blind desire, and the World as Representation, as a rational but illusory view of... more
The traditional interpretation of Schopenhauer's "The World as Will and Representation" sustains the antinomy between the World as Will, considered as blind desire, and the World as Representation, as a rational but illusory view of reality. We'll argue that the notion of representation beyond the principle of reason, and of the will beyond nihilist desire gives us a new view of reality beyond the World itself. To understand our thesis we must acknowledge the impact of Plato's philosophy on Schopenhauerian metaphysics. The World as Will and Representation seems fairly simple to describe, either in the1818's four books first edition, or in the 1844's second edition (containing a second supplementary book to each of the original four books). The first book shows us the world, as we perceive it, as plain representation, in which the term "representation" must be understood as appearance and not as reality. The second book argues reality is, essentially, will, considered prima facie as blind and inexorable desire bringing nothing but suffering to those who live it. The third book stands for art as a mental sublimation for pacifying suffering, as a palliative. Finally, the fourth book suggests compassion and mysticism as a way of freeing ourselves from that suffering as they are the expression of radical renunciation to will, that way allowing closeness to the much-aspired emptiness and nothingness, in this nihilist and pessimist view. We'll argue this interpretation, although generally supported, is superficial and doesn't take into consideration the relevance of platonic reasoning and the Upanishads in Schopenhauer's work. As the author himself highlights,
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Tradução em língua portuguesa do Discurso de Schelling sobre as Artes Plásticas - Sobre a relação das Artes Plásticas com a Natureza. Um discurso académico.
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This paper aims to show how the philosophy of the organism of Whitehead, particularly in his work Process and Reality, can be seen as a metaphysical transmutation of Locke’s philosophy of knowledge.
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We can find an undisputed thematic unity in the philosophical thought of Cristina Beckert, centred on a constant preoccupation with the foundations of the ethical attitude, as a privileged posture of being human. Even when the author... more
We can find an undisputed thematic unity in the philosophical thought of Cristina Beckert, centred on a constant preoccupation with the foundations of the ethical attitude, as a privileged posture of being human. Even when the author considered other questions such as the experience of time or the nature of the work of art, what motivated her was to unveil the underlying ethical principles.
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This paper argues that the specific trait of human nature can be found in the gap, as well as in the complementarity between the first person perspective and the view from nowhere (third person perspective). The human ability to conceive... more
This paper argues that the specific trait of human nature can be found in the gap, as well as in the complementarity between the first person perspective and the view from nowhere (third person perspective). The human ability to conceive of a view from nowhere, of a God‘s eye, in other words, the ability to grasp a question from a third person point of view without losing sight of the first person view, appears to be unique. But it also asserts that it is impossible to solve the problem of personal identity using the strategy of the third person view.
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This paper aims to analyze the conception of death of the meadieval Indian philosopher Adi Shankara, showing how coherent it is with his monistic philosophical system
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This paper aims to analyse how literary fiction deals with two real cases of philistine violence on cultural objects, one artistic and the other scientific. In this way, we will analyse Mishima's novel, The Temple of the Golden Pavilion,... more
This paper aims to analyse how literary fiction deals with two real cases of philistine violence on cultural objects, one artistic and the other scientific. In this way, we will analyse Mishima's novel, The Temple of the Golden Pavilion, which narrates the destruction of one of the "jewels of Kyoto," as well as Joseph Conrad's The Secret Agent, which novelised the attack against the meridian of Greenwich. In both cases, we are confronted with the same attitude, namely, the insane resentment against the reality principle.
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“This paper analyses which are the great cultural cosmogonic models of creation in mythology; so it will be an essay of comparative mythology about the origin of the world, a study marked by the concern to detect philosophical principles... more
“This paper analyses which are the great cultural cosmogonic models of creation in mythology; so it will be an essay of comparative mythology about the origin of the world, a study marked by the concern to detect philosophical principles that guide this area of thought.”
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This essay aims to analyze the conception of a work of art in the thought of Susanne K. Langer. The author offers us a definition of art, grounded on the idea that art is the "creation of symbolic forms of human feeling". This thesis is,... more
This essay aims to analyze the conception of a work of art in the thought of Susanne K. Langer. The author offers us a definition of art, grounded on the idea that art is the "creation of symbolic forms of human feeling". This thesis is, in turn, constructed from a robust theory of the symbolic function of the human mind.
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Tornou-se consensual a afirmação de George Steiner, no seu livro de 1971, No Castelo do Barba-Azul, de que hoje já não vivemos numa cultura determinada, mas, antes, numa pós-cultura. Por vezes, em vez de se utilizar a expressão... more
Tornou-se consensual a afirmação de George Steiner, no seu livro de 1971, No Castelo do Barba-Azul, de que hoje já não vivemos numa cultura determinada, mas, antes, numa pós-cultura. Por vezes, em vez de se utilizar a expressão "pós-cultura" empregam-se outras denominações como sociedade "multicultural", "mundo globalizado", ideário "pós-modernista". Embora não sejam expressões sinónimas, todas elas indiciam que o
termo "cultura" se tornou demasiado curto para traduzir o ritmo e a sensibilidade das sociedades hodiernas.
termo "cultura" se tornou demasiado curto para traduzir o ritmo e a sensibilidade das sociedades hodiernas.
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This paper aims to analyze Richard L. Anderson’s proposal on the nature of the work of art. Through a comparative study of different “philosophies of art,” Anderson comes to the following conclusion: art is culturally significant,... more
This paper aims to analyze Richard L. Anderson’s proposal on the nature of the work of art. Through a comparative study of different “philosophies of art,” Anderson comes to the following conclusion: art is culturally significant, skillfully encoded in an affecting, sensuous medium.
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This essay aims to show the relevance of Leibnizian metaphysics to process philosophy in Whitehead. To that end, we will show how it is possible to construct a theory of the monads that transcends the traditional categories of substantial... more
This essay aims to show the relevance of Leibnizian metaphysics to process philosophy in Whitehead. To that end, we will show how it is possible to construct a theory of the monads that transcends the traditional categories of substantial thought.
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In this essay we study the nature of consciousness and its relation to personal identity. We argue that the best cognitive strategy to investigate the self implies the notion of narrative identity, though we find it wrong to identify... more
In this essay we study the nature of consciousness and its relation to personal identity. We argue that the best cognitive strategy to investigate the self implies the notion of narrative identity, though we find it wrong to identify self-consciousness with a narrative. In a narrative we can take the place of the other, imagine possible scenarios, teaching our sensibility in complex problem solving. Biographic, historical or fiction narrative is a
privileged instrument of knowledge, allowing us to explore people’s identity and nature without falling in the extremes of introspection, self-indulgent
on many occasions, or impersonal neutrality. Personal identity is, consequently, the questioning on the final unique particularity of each one of us and a privileged instrument of access to that experience.
http://journal.philosophy.ua/article/nid7763
privileged instrument of knowledge, allowing us to explore people’s identity and nature without falling in the extremes of introspection, self-indulgent
on many occasions, or impersonal neutrality. Personal identity is, consequently, the questioning on the final unique particularity of each one of us and a privileged instrument of access to that experience.
http://journal.philosophy.ua/article/nid7763
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FROM HEIDEGGER TO BADIOU 3 RD WORKSHOP OF THE PROJECT EXPERIMENTATION AND DISSIDENCE
(José Miranda Justo, Fernando Silva, Paulo Lima eds.)
(José Miranda Justo, Fernando Silva, Paulo Lima eds.)
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Philosophica nº51 (2018)
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Questões centrais da filosofia da arte
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Resposta à questão central da filosofia da arte: o que é arte?
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This paper aims to analyse Heidegger’s idea of ipseity (Selbstheit) following the interpretation of Vincent Descombes’ work, Le Parler de Soi (2014).
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This paper's central purpose is to answer a simple question: to what extent cinema, considered within its narrative dimension, can elucidate the main dilemmas of personal identity. As we will see, although not consensual, it is at least... more
This paper's central purpose is to answer a simple question: to what extent cinema, considered within its narrative dimension, can elucidate the main dilemmas of personal identity. As we will see, although not consensual, it is at least recognized that literature isn't, in any aspect, indifferent to the way we think about ourselves. But can we sustain that cinematographic narrative adds to a better clarification of the concept in analysis or, on the contrary, the result of that inquiry will only restate, beneath a new approach, the same questions previously known? In simple terms, we are faced with the following dilemma: either cinema, as a narrative art form, brings new elements to resolving the problem or those given are common to all narrative forms (from comics to epic poems). Before we address this question, it is important firstly to clarify the meaning of some metaphysical and psychological concepts. The problem concerning personal identity was articulated by John Locke, late in the 17 th century, in his crucial work, An essay concerning Human Understanding, particularly when discussing the problem of unity and diversity. One can say it seeks to clarify what criteria are necessary and sufficient to state that one is the same person, at different moments in time, whether past or future. No one bathes twice in the waters of the same river, stated Heraclitus, but, as a more fearless disciple might say, not even once. Very often, the problem addressed by Locke is misunderstood in the way that it doesn't take into consideration the simplest concept of identity, that is, the logical notion of " numerical identity ". In fact, it is usual for people to sustain having become a different person or having different " selves " just because time went by in their lives. This is a legitimate statement if one is claiming that the essential or secondary properties of a being have changed, but it misses the target when questioning the identity of the subject of those properties. Take one simple example: the glass I
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Pontos de contacto e de diferença entre Filosofia e Literatura
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Análise da interpretação d'O Nome da Rosa de Umberto Eco
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Organização de Pedro Lapa.
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YA i Pustota [O Eu e o Vazio]", Filosofia Prática [Practisophy], 1: 168 - 178.
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"Cho Takoe Iskusstvo? [Is this Art?]", Al'manach «Ckiphia-2016-LITO», 2016 (1): 254 - 264.
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A influência de Nietzsche no romance de Thomas Mann, A Montanha Mágica
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Sobre a importância de João Paulo Cruz Mendes para a filosofia do cinema em Portugal
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Filosofia da Arte de Clive Bell: identidades e oscilações entre ética e estética
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Análise da interpretação de Gadamer da obra de Paul Celan
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Ensinar Filosofia? O que dizem os filósofos. Org. Maria José Vaz Pinto e Maria Luísa Ribeiro Ferreira. Schelling e a Ideia de Filosofia. Tradução para português da Introdução às Lições de Erlangen de Schelling
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Sobre os conceitos de "Si" (Self) e de "Atman" (Self) na história do pensamento filosófico.
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Ensaios de estética e filosofia de arte dedicados a Maria do Carmo d'Orey
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Between the 14th and 16th December 2017, the IV Iberian Aesthetic Meeting, aiming to encourage collaboration between Spanish and Portuguese researchers in the field of philosophical aesthetics, was held in Lisbon, at the Faculdade de... more
Between the 14th and 16th December 2017, the IV Iberian Aesthetic Meeting, aiming to encourage collaboration between Spanish and Portuguese researchers in the field of philosophical aesthetics, was held in Lisbon, at the Faculdade de Letras da Universidade de Lisboa (UL) and at the Faculdade de Ciências Socials e Humanas, Universidade Nova de Lisboa (NOVA).
Organised by the Centre of Philosophy of the University of Lisbon, CFUL, the Art History Institute of the Faculdade de Ciências Sociais e Humanas, (NOVA), and by the Sociedad Española de Estética y Teoría de las Artes (SEyTA), the call for papers invited researchers to address the main issues related to intimacy, both from the point of view of aesthetics and artistic creation.
In such context, the proposed theme of intimacy focused on two distinct but complementary directions. On the one hand, upstream, we aimed to address the public and private nature of aesthetic feelings and, on the other hand, downstream, we wished to analyse how artistic creation deals with intimacy in human relations. Reflecting on the role of aesthetics and art in the creation of a sense of belonging and identity, we set ourselves to address themes such as Aesthetics and Intimacy, Art and Intimacy, and Intimacy and Identity.
Organised by the Centre of Philosophy of the University of Lisbon, CFUL, the Art History Institute of the Faculdade de Ciências Sociais e Humanas, (NOVA), and by the Sociedad Española de Estética y Teoría de las Artes (SEyTA), the call for papers invited researchers to address the main issues related to intimacy, both from the point of view of aesthetics and artistic creation.
In such context, the proposed theme of intimacy focused on two distinct but complementary directions. On the one hand, upstream, we aimed to address the public and private nature of aesthetic feelings and, on the other hand, downstream, we wished to analyse how artistic creation deals with intimacy in human relations. Reflecting on the role of aesthetics and art in the creation of a sense of belonging and identity, we set ourselves to address themes such as Aesthetics and Intimacy, Art and Intimacy, and Intimacy and Identity.
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PREFÁCIO Esta obra póstuma de Cristina Beckert (1956-2014) corresponde a um antigo projecto da autora em reunir os seus principais textos sobre os problemas éticos associados à relação humana com os animais, assim como com o ambiente em... more
PREFÁCIO Esta obra póstuma de Cristina Beckert (1956-2014) corresponde a um antigo projecto da autora em reunir os seus principais textos sobre os problemas éticos associados à relação humana com os animais, assim como com o ambiente em que vivemos. Para Beckert, estes dois problemas são indissociáveis, mas não se confundem. Por um lado, existem as questões relacionadas com os princípios éticos que devem reger a nossa relação com os animais. Mas, por outro, existem dilemas que se prendem com a conservação do ambiente, cuja resolução é crucial para que possa existir um desenvolvimento económico e social sustentável. Em termos genéricos, pode-se dizer que a primeira questão se prende com o que habitualmente se designa por " direitos dos animais " , enquanto a segunda ordem de problemas se articula com as preocupações ecológicas e ambientais. Estes dois tipos de problemas são indissociáveis, na medida em que o respeito pelos princípios de conservação natural criam as condições para que a biodiversidade se mantenha e, nessa medida, as diferentes espécies animais possam florescer em vez de serem condenadas a uma extinção artificial. Por sua vez, o respeito ético pelos seres sencientes, na medida em que têm uma vida autónoma, capacidade de sofrimento e representação da realidade, devem, segundo Beckert, ser tidos em conta, o que implica a consideração humana pelo ambiente. Os animais possuem valor intrínseco, não tanto porque sejamos nós, seres humanos, a conferi-lo, mas porque, na sua autonomia, manifestam interesses que lhe são específicos, valorizando, a seu modo, a realidade circundante. São, pode-se assim dizer, sujeitos de valores. Poder-se-á dizer o mesmo da Natureza? Segundo Beckert, a Natureza traduz a realidade como um todo e, como tal, transcende qualquer plano axiológico. Tal não impede, antes exige, que o ambiente propício à vida seja motivo de cuidada atenção ética. Afinal, a conservação da esfera biótica constitui, como o próprio nome já, em si, indicia, o plano sine qua non da florescência das entidades vivas. Uma das preocupações centrais de Beckert consiste em reflectir sobre a existência, ou não, de graus de senciência distintos, de forma a que o princípio prudencial da acção se possa exercer com legitimidade. Por um lado, existem seres que não são dotados de um sistema nervoso central, mas que denotam sensibilidade. Tal facto deriva da situação orgânica de possuírem neurónios ao longo do seu corpo, permitindo-lhes registar quaisquer alterações sofridas, sejam elas externas e/ou internas. Mas a questão mais delicada, para Beckert, prende-se com o grau de senciência das diferentes entidades vivas nas quais é possível surpreender a centralização do sistema nervoso. O sistema nervoso central cria uma reduplicação da experiência, autorizando a hipótese de possuírem um plano representacional do mundo. Será que, no limite, todas as entidades se situam no mesmo nível ou, pelo contrário, a presença de faculdades como a memória, a inteligência, entre
Research Interests: Ethics and Applied Ethics
Livro sobre a música e o pensamento de Wagner
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Ensaios sobre o conceito de ipseidade no âmbito do problema da identidade pessoal.
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Análise filosófica da experiência religiosa tendo como referência os paradigmas culturais da humanidade.
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Análises das questões filosóficas em torno do ateísmo contemporâneo
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Texto introdutório do livro Arte, Metafísica e Mitologia (ed. de Carlos João Correia e Markus Gabriel)
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Colóquio Internacional. Janeiro de 2009
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A natureza da mente no pensamento filosófico budista
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1ºSimpósio Nacional de Estética e Filosofia das Artes
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O conceito de mente na tradição religiosa e no pensamento científico
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Seminário Ibérico de Filosofia
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Análise do conceito de símbolo na filosofia de Ricoeur.
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Livro que transcreve o encontro em Colares sobre a questão do sagrado no mundo contemporâneo.
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Tradução e apresentação do livro de Anita Kechikian. O livro contém uma série de entrevistas a diferentes filósofos, de Ricoeur a Lyotard sobre a natureza da educação.
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Number 13 (2022) - Philosophy@Lisbon
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Nº12 - philosophy@LISBON (2022) - print: 29.June.2022
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philosophy@LISBON online review 2th edition
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Philosophy of Music; Dossier Cristina Beckert
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Number 9 of the Journal "philosophy@LISBON"
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Number 8 of the Journal philosophy@LISBON with the proceeding of the Conference "Karl Marx: as misérias da filosofia"
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philosophy@LISBON 8 (Conference on Karl Marx)
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Issue nº 7 Philosophy@LISBON
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Philosophy@LISBON nº6
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philosophy@lisbon number 5
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philosophy@lisbon number 4
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philosophy@LISBON number 3
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philosophy@lisbon number 1
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Análise das implicações das novas tecnologias de informação no ensino da filosofia.
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Esboço de ensaio
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I’m writing now this paper about a dissident voice on the problem of consciousness, Thomas Nagel (Mind and Cosmos. Why the Materialist Neo- Darwinian Conception of Nature is Almost Certainly False, 2012). Although the author points out to... more
I’m writing now this paper about a dissident voice on the problem of
consciousness, Thomas Nagel (Mind and Cosmos. Why the Materialist Neo-
Darwinian Conception of Nature is Almost Certainly False, 2012). Although
the author points out to some intuitions sustained by Spinoza, Hegel and
Schelling, I’ll sustain that we must also rethink Leibniz’s project of a
monadology to understand the real purpose of Nagel’s thesis.
This paper is just a draft. Be free to criticise it.
consciousness, Thomas Nagel (Mind and Cosmos. Why the Materialist Neo-
Darwinian Conception of Nature is Almost Certainly False, 2012). Although
the author points out to some intuitions sustained by Spinoza, Hegel and
Schelling, I’ll sustain that we must also rethink Leibniz’s project of a
monadology to understand the real purpose of Nagel’s thesis.
This paper is just a draft. Be free to criticise it.