"Chiado, Carmo, Paris, Os Caminhos de Salgueiro Maia", org. José Quaresma. Lisboa: FBAUL, MNAC, MAC, Câmara Municipal de Santarém, Câmara Municipal de Castelo de Vide et al., 2024, pp.227-258, 2024
O presente ensaio analisa a relação entre a criação artística e a ideia de liberdade. Para esse e... more O presente ensaio analisa a relação entre a criação artística e a ideia de liberdade. Para esse efeito, esclarecem-se os conceitos de “liberdade” e de “arte”. No primeiro caso, o da liberdade, defende-se a autonomia da obra de arte em relação aos contextos psicológicos e políticos que presidiram à sua criação. No segundo caso, o da arte, discute-se a tese de Morris Weitz de que não é possível pensar-se uma definição de obra de arte. Tendo em consideração as reflexões de Markus Gabriel sobre a arte, sustenta-se uma nova caracterização da natureza da obra artística a partir de uma definição robusta, mas não-rígida de arte.
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Post-culture is associated with the loss of ties of cultural identity derived from globalization. The response of Western societies has been unfortunate, based on so-called multicultural policies. Instead of assuming its cosmopolitan dimension, already prefigured by Kant, communities are split into micro-communities that havetorn the western world apart. This was the result of the unresolved tension between Enlightenment and Romantic values.
www.duncker-humblot.de
This will be a comparative study of mythology about the origin of the world, pinpointing the philosophical principles guiding that knowledge. Usually, studies on cosmogony within anthropology and comparative mythology aren’t categorical – meaning to aim towards a universal model – and when they are, they fail, because they are too close to the visual representations they aim to explain.
d’Amour (1983), o mito fundador dessa mesma cultura, a saber, o mito de Narciso.
Defendemos neste ensaio que o mito clássico de Narciso, mais do que ser um apólogo moral de crítica ao egocentrismo, deve ser antes interpretado como a descrição mitológica do processo de autoconhecimento.
Post-culture is associated with the loss of ties of cultural identity derived from globalization. The response of Western societies has been unfortunate, based on so-called multicultural policies. Instead of assuming its cosmopolitan dimension, already prefigured by Kant, communities are split into micro-communities that havetorn the western world apart. This was the result of the unresolved tension between Enlightenment and Romantic values.
www.duncker-humblot.de
This will be a comparative study of mythology about the origin of the world, pinpointing the philosophical principles guiding that knowledge. Usually, studies on cosmogony within anthropology and comparative mythology aren’t categorical – meaning to aim towards a universal model – and when they are, they fail, because they are too close to the visual representations they aim to explain.
d’Amour (1983), o mito fundador dessa mesma cultura, a saber, o mito de Narciso.
Defendemos neste ensaio que o mito clássico de Narciso, mais do que ser um apólogo moral de crítica ao egocentrismo, deve ser antes interpretado como a descrição mitológica do processo de autoconhecimento.
Organised by the Centre of Philosophy of the University of Lisbon, CFUL, the Art History Institute of the Faculdade de Ciências Sociais e Humanas, (NOVA), and by the Sociedad Española de Estética y Teoría de las Artes (SEyTA), the call for papers invited researchers to address the main issues related to intimacy, both from the point of view of aesthetics and artistic creation.
In such context, the proposed theme of intimacy focused on two distinct but complementary directions. On the one hand, upstream, we aimed to address the public and private nature of aesthetic feelings and, on the other hand, downstream, we wished to analyse how artistic creation deals with intimacy in human relations. Reflecting on the role of aesthetics and art in the creation of a sense of belonging and identity, we set ourselves to address themes such as Aesthetics and Intimacy, Art and Intimacy, and Intimacy and Identity.
consciousness, Thomas Nagel (Mind and Cosmos. Why the Materialist Neo-
Darwinian Conception of Nature is Almost Certainly False, 2012). Although
the author points out to some intuitions sustained by Spinoza, Hegel and
Schelling, I’ll sustain that we must also rethink Leibniz’s project of a
monadology to understand the real purpose of Nagel’s thesis.
This paper is just a draft. Be free to criticise it.