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In May 2019, A Night in the Forum videogame was published in the Sony PlayStation store, for PS VR. It was the final result of the REVEAL EU project, whose goal was to identify strategies, features, and tools to develop educational titles in a more efficient, cost-effective, and valuable way, exploiting their educational, cognitive, and engaging potential for schools and cultural tourism. Environmental Narrative videogames was chosen as a genre suited for this purposes. This article presents how known issues in the production of videogames have been faced, the solutions identified, and results obtained

Ever get the feeling that life's a game with changing rules and no clear sides, one you are compelled to play yet cannot win? Welcome to gamespace. Gamespace is where and how we live today. It is everywhere and nowhere: the main chance, the best shot, the big leagues, the only game in town. In a world thus configured, McKenzie Wark contends, digital computer games are the emergent cultural form of the times. Where others argue obsessively over violence in games, Wark approaches them as a utopian version of the world in which we actually live. Playing against the machine on a game console, we enjoy the only truly level playing field--where we get ahead on our strengths or not at all.

Gamer Theory uncovers the significance of games in the gap between the near-perfection of actual games and the highly imperfect gamespace of everyday life in the rat race of free-market society. The book depicts a world becoming an inescapable series of less and less perfect games. This world gives rise to a new persona. In place of the subject or citizen stands the gamer. As all previous such personae had their breviaries and manuals, Gamer Theory seeks to offer guidance for thinking within this new character. Neither a strategy guide nor a cheat sheet for improving one's score or skills, the book is instead a primer in thinking about a world made over as a gamespace, recast as an imperfect copy of the game.

The Resident Evil series is, as Capcom’s Yoshiaki Hirabayashi puts it, ‘central to the survival horror genre’ And I believe that analysing the first title of this seminal series will prove helpful in uncovering some of the reasons why the Survival Horror Genre has proven to be so successful.

Recently, content-based language teaching has emerged as a successful
response to the increasing challenges that language departments in higher education
face. This is a case study. The hybrid format enabled the creation of a content-based
intensive foreign language video game-based course. Flipping the classroom allowed
learners to spend more time and focus their attention on exploring the spoken language
through the digital gaming realia and communication. It also encouraged independent
language exploration. Pilot data show that students attained the desired level, autonomous
learning continued, and less stress was involved.

This short essay represent a philosophical and game studies effort to analize the masterpiece created by the californian software house thatgamecompany, Journey. In order to do that in a little space, this essay present the first part of itself as an introduction to the curriculum of the company and to the founder Jonova Chen, showing off all the skills this great indiependent developers already demons-trated with every other game title in their own past. In the second part the essay tries to underline the masterpiece technical features, all the innovation aspects and at the same time the aesthetic behind style choices and narration. The goal, on one hand, is to catch the essential meaning and the meta-phorical message that lies under the cover of an innovative, silent and colorful indie videogame for PlayStation; on the other hand the essay tries to put Journey in a critical relation between the past and the future of thatgamecompany, but also with other videogames that rassemble it, as well as with the established US and international critics.

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This dissertation concerns the role performed by ubiquitous soundware in music production, and situates a meta-theoretical critique of the musicological discipline from the position that standard analytical methods exhibit their limitations when assessing soundware. The terms upon which soundware can be considered musicologically are demonstrated through a discussion of three interrelated conceptual and theoretical paradigms: originality, postmodernism, and intertextuality. My case studies consist of music in which the use of soundware is audible, enabling critical engagement with respect to these paradigms. Stewart Copeland’s music for the video game Spyro 2: Gateway to Glimmer (1999), and the Copeland-inspired fan compositions by Zagir Fabarisov (MrModez), are shown to address notions of originality. James Ferraro’s Far Side Virtual (2011) and Oneohtrix Point Never’s R Plus Seven (2013) exhibit how soundware can be used critically through a postmodern gaze. Finally, connections can be drawn between these case study pairings that situate intertextuality as the theoretical means through which contrasting uses of soundware can be effectively considered in musicology.

Após mais de duas de décadas de tentativas sem sucesso comercial, a indústria de jogos digitais finalmente oferece experiências de realidade virtual de forma satisfatória e disponíveis para compra. Em menos de um ano após o seu lançamento, o PlayStation VR é líder no segmento, com aproximadamente 1,8 milhões de unidades vendidas. Frente a esse cenário, esta pesquisa faz um resgate histórico do seu desenvolvimento, apresenta uma análise da plataforma a partir de um conjunto de materiais empíricos, observa a adoção do equipamento, propõe alguns usos e aponta limitações e desafios para usuários e os desenvolvedores.

In May 2019, A Night in the Forum videogame was published in the Sony PlayStation store, for PS VR. It was the final result of the REVEAL EU project, whose goal was to identify strategies, features, and tools to develop educational titles in a more efficient, cost-effective, and valuable way, exploiting their educational, cognitive, and engaging potential for schools and cultural tourism. Environmental Narrative videogames was chosen as a genre suited for this purposes. This article presents how known issues in the production of videogames have been faced, the solutions identified, and results obtained

A franquia Silent Hill e uma potencia no mundo dos videogames, acumulando oito titulos, dois filmes e milhoes de dolares em lucro. O foco deste trabalho sera o enredo dos tres primeiros jogos da serie, repletos de referencias mitologicas e religiosas. A psicologia analitica vai ser a baliza teorica para abordar os temas arquetipicos usados pelos criadores de Silent Hill, a exemplo do renascimento, a jornada do heroi, a crianca divina e o feminino terrivel, tanto no seu aspecto materno quanto no de par intrapsiquico do homem, a anima. Esses temas perpassavam os conflitos dos protagonistas de Silent Hill, como o embate entre geracoes, a dor de perder alguem que se ama, os riscos da cegueira religiosa e a busca por si mesmo. Alem de referenciar a Obra Completa de C. G. Jung neste trabalho, os escritos Erich Neumann, Joseph Campbell e Robin Robertson, autores que trabalharam dentro da perspectiva Junguiana, serao citados.

Internet is a communication tool used in entertainment worldwide. The Internet is no longer a novelty for children and young people, but a necessity for them. For many children, today the distinction between online and daily activities is becoming smaller. Gradually, the computer game industry has become a lucrative business, increasing its production every day. The recent technology, depending on “PlayStation” slots, has begun to make significant impacts by creating a problem that needs to be addressed. On the other hand, there is little evidence that shows how social professionals are responding to new child protection challenges while navigating online. This paper focuses on describing, identifying, and assessing the perception and perspective of children aged 7-14 who are involved in playing computer games at PlayStation centers in Tirana. The method used in the study is qualitative research, which is specifically a case study research. The main instrument for data collection is the semi-structured interview with 20 children who are users of video games at PlayStation centers in the New Tirana neighborhood. The data analysis showed that children has a high attendance and dependence on computer games at PlayStation centers, leading to children's positive perceptions and attitudes towards electronic games. Children's attitudes towards playgrounds indicate the importance of these games in entertainment, leisure time, communication, and relationships with peers. It is important that everyone-parents and caretakers, teachers, institutions and government structures-should work together to create a safe environment for children regardless of where they are; at home, at school, or in public places such as internet centers.

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An analysis on the physical interfaces of video games controllers can show them as a kind of “art of the thumbs”. On the other hand, despite the diverse attempts in controlling these games with other parts of the body, show some success only with the arrival of the Wii console, from Nintendo, this situation starts to take new routes. To deal with these subject will be made an analysis of some concepts that it involves, and will be introduced the notion of intuitive interface, on the relation among cognition, body and gesture, with focus in the next game interfaces.

Keywords: controllers interfaces, video games,
cognition.

O artigo contextualiza e discute jogos digitais (Manovich, 2006) produzidos pelo setor educacional de museus de arte, enfocando o Museu Thyssen-Bornemisza. Aprofunda discussões anteriores (Bahia, 2008; 2014; 2015), apresenta as ações lúdico-digitais realizadas pelo EducaThyssen, desde 2002, e analisa os pressupostos artístico-educacionais desta ações. Destaca o programa público Nubla: um laboratório colaborativo de game design que, desde 2015, cria contextos narrativos e mecânicas de jogo a partir de relações visuais e semânticas estabelecidas entre as obras do acervo. Isso é feito com a participação do público interessado, do estúdio independente GammeraNest e do programa de desenvolvimento local PlayStation©Talents, e recentemente culminou no jogo Nubla 2 (2018), para PS4. Assim, discute-se em que medida tais ações realizam as noções de “visitante atuante” (Hooper-Greenhill, 1998), “museu plural” (Martín-Barbero, 2000) e “jogo de mediação cultural” (Martins e Picosque, 2012); potencializam a “leitura” das obras (Barthes, 2004); e provocam o “jogar crítico” (Flanagan, 2009).

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The past few weeks in this Boston summer have enjoyed the exceptional William Shakespeare play “Richard III”, conducted by the Commonwealth Shakespeare Company, and directed by Steven Maler. This led to an inspirational gathering of conversation with my academic and business colleagues across the world in theatre, global management, futurology, and history – the conversation having led to our creation of this piece’s title, albeit a play on not “Richard III”, but another Shakespeare play, “As You Like It”.