2001: A Space Odyssey
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Recent papers in 2001: A Space Odyssey
Science-Fiction in Literatur und Film kann uns Impulse geben, eine post-humane Ethik zu entwickeln, sagt Johann Roduit. Zum 50. Geburtstag des Filmes «2001: A Space Odyssey» hat der UZH-Ethiker eine Veranstaltungsreihe lanciert.
Using perhaps the most famous science fiction film ever made, what does it mean that we are determined by space? That the human individual was created by controlling its spatial environment(s)? Complicating matters further, that same... more
Benson, Michael: Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece. New York 2018; Frinzi, Joe R.: Kubrick’s Monolith. The Art and Mystery of 2001: A Space Odyssey. Jefferson 2017.
Si parte da una contestualizzazione dell’opera dal punto di vista del periodo storico, culturale e cinematografico. Successivamente viene gettato uno sguardo sulla fase di lavorazione, partendo dalla pre-produzione e arrivando fino al... more
Mémoire de Master Cinéma Recherche à l'Université Paris 1 Panthéon-Sorbonne.
Sous la direction de M. Vincent Amiel.
Sous la direction de M. Vincent Amiel.
I film di Stanley Kubrick sono dei monumenti. A vent’anni dalla scomparsa del loro autore sono ancora al centro di ricerche e analisi che li caricano di significati e valori, e per altri versi continuano a circolare nella cultura popolare... more
The author tries to characterize still fresh and recent phenomenon of the postdigital aesthetics. He tries to answer the question: why postdigital artists most often take destruction actions, use imperfection, distortion and errors. He... more
Artificial Culture is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an... more
Mémoire de maîtrise en Études littéraires, UQAM, année 1999 À noter qu'il s'agit de la version 1, celle qui a été déposée à la fin de mes études, et qu'une version corrigée est en cours de préparation. (2022) Le simulacre, mettant... more
Praca licencjacka z kierunku Organizacja produkcji filmowej i telewizyjnej, PL 2014.
Hermeneutik, metodolojik bir problemden doğmuştur. Bu problem aynı zamanda anlama ve yorumlama sürecini içerir. Hermeneutik bu sürecin içerisinde ortaya çıkmıştır. Dolayısıyla hermeneutiğin doğuşu Antik Yunan dönemine kadar... more
Making Worlds: Art and Science Fiction is an anthology of new writings by artists, curators, art historians and writers who are self-confessed science fiction fans. The linking point is the idea of science fiction as a platform for the... more
Ce livre est né du désir d'explorer en quoi consistent les trois énigmes majeures de 2001 l'odyssée de l'espace (de Stanley Kubrick) : le monolithe et la naissance de l'humanité, le langage et la technique, les modifications des formes de... more
Now available in August 2018, the complete book. Inspired by 2001: A Space Odyssey, this book presents an entirely new space philosophy for the human species: based in science, aesthetics, ecology, and planetary cooperation. Blurb... more
study of millennial themes in UFO cults (Raelians), narratives (conspiracy theories, War of the World panic), movies (Day the Earth Stood Still, Body Snatchers, Close Encounters, ET, 2001).
My original undergraduate thesis, “What About Hal?”, is comprised of three core segments, titled “What,” “About,”and “Hal,” respectively. I used this question to structure my Queer phenomenological approach to 2001. In the first section,... more
This is an excerpt from “Specter of the Monolith: Nihilism, the Sublime, and Human Destiny in Space — From Apollo and Hubble to 2001, Star Trek, and Interstellar.” The book critiques the trajectories of civilization through technology,... more
Ethics of Cinematic Experience: Screens of Alterity deals with the relationship between cinema and ethics from a philosophical perspective , finding an intrinsic connection between film spectatorship and the possibility of being open to... more
Análisis e impacto sociocultural de "2001 Odisea al espacio - 2001 space odyssey 1968" de Stanley Kubrick.
O presente trabalho propõe uma análise do filme 2001 : Odisseia no Espaço de Stanley Kubrick (1968) quanto à sua função, efeito e significado. Entenda-se por função a posição do realizador perante o tema central do filme, por efeito as... more
This dissertation was executed, from proposal to defence, during a single semester (hope it doesn't show). 2004 Abstract: Abstracts are space-time hybrids: spatially first, temporally last. Anorexic monsters with a hybrid vocabulary of... more
In one of his lectures which Slavoj Zizek gave in the recent past, he modestly explained Lacan’s vision regarding how to deal with oneself. He asserted that the Freudian formula and obsession to know oneself is in itself pathology. Slavoj... more
Pramaggiore claimed that Barry Lyndon is slow, similarly Ciment suggested that 2001: A Space Odyssey and Eyes Wide Shut are slow films, too. Moving from the debate on slowness, especially from Jaffe's discussion, from the data collected... more
Der Aufsatz widmet sich dem Versuch des französischen Philosophen Quentin Meillassoux, die narrative Überschreitung der Grenzen der experimentell zugänglichen Welt innerhalb der Science-Fiction zu systematisieren und fragt, wie ernst... more
The topics of the great philosophers – the nature of reality, the limits to knowledge, the origin of good and evil – are also the themes of some great movies. This course explores philosophical ideas and problems as they arise in various... more
Wraz z wynalezieniem komputera (pierwszy superkomputer powstał w 1938 r.) i od tego czasu wzrastającym wykładniczo postępem technologicznym (The Law of Accelerating Returns), w wyobraźni (pop)kulturowej oraz w obszarze refleksji... more
David Bordwell wrote that “Narrative is a fundamental way that humans make sense of the world”, a very solid statement, an event without a story to it is unheard of, if we are not told the story then what is left for us to make sense of... more
This project examines the representation of anxiety about technology that humans feel when encountering artificial intelligences in four science fiction novels: Do Androids Dream of Electric Sheep?, Neuromancer, 2001: A Space Odyssey, and... more
Paper and handout for a presentation at Section #234, 8:30-10 a.m., Communitarianism and Utopianism: Configuring Utopia in Film, Literature, and Theory--Friday, 8 April 1994, 24th Annual Meeting of the Popular Culture Association,... more
Per commemorare i 50 anni di 2001: Odissea nello Spazio di Stanley Kubrick – uscito il 2 aprile 1968 negli Stati Uniti e l’11 dicembre nel nostro paese – ripercorriamo i quattro intricatissimi anni di lavorazione del film attraverso il... more
Il problema semiotico di Kubrik nella creazione del mondo alieno e nella traduzione cinematografica dell'inconoscibilità.
Embora muitos considerem desatualizada a contribuição de Barthes para a análise da significação do vestuário, acreditamos que situar sua perspectiva em relação ao contexto da linguística e operacionalizar algumas de suas propostas em... more
A 50 anni esatti dall’anteprima italiana, svoltasi l’11 dicembre 1968, Ca’ Foscari organizza un simposio su uno dei film che hanno cambiato la storia del cinema e, forse, la nostra stessa percezione del mondo. 2001: Odissea nello spazio... more
Dass in der umfangreich vorliegenden Literatur zu Kubrick dem Thema Licht in 2001: A SPACE ODYSSEY wenig Aufmerksamkeit zuteilwird, verwundert angesichts der zentralen Gewichtung dieses Sujets: Die basale Funktion des Filmlichts, eine... more