- Daniel Teruggi, 1952, Argentina Daniel Teruggi studied Physics, composition and piano in Argentina. In 1977 he came ... moreDaniel Teruggi, 1952, Argentina
Daniel Teruggi studied Physics, composition and piano in Argentina. In 1977 he came to France where he studied at the Paris National Conservatory. In 1981, he starts working at INA (National Audiovisual Institute), at the Groupe de Recherches Musicales (GRM). In 1997 he become Director of the Groupe de Recherches Musicales, position he kept until 2017. From October 2001 to 2016 he also directed the Research and Experimentation Department in INA.
He has been active in musical and audiovisual research and regularly composing new musical works. In recent years he has been actively working on the preservation of audiovisual collections and particularly the domain of electroacoustic music, where traditional models of conservation are not effective. He has been the coordinator of the FP6 European project PrestoSpace as well as the FP7 European project PrestoPRIME and participated in the Europeana project. He is a founding member of the Electroacoustic Musical Studies network (http://www.ems-network.org/), in charge of an annual conference on electroacoustic music analysis.
He has composed more than 80 works, mainly for the concert; using electroacoustic devices in acousmatic situations or with live instruments. He is the author of numerous research articles on the sound and perception of music or musical analysis. His music has been performed in more than 30 countries and published in various collections. He is a founding member of the EMS (Electroacoustic Musical Studies) network.
Doctor in Art and Technology at the University of Paris VIII, he developed an important educational activity at the Paris I University, around sound and the visual arts, Paris IV Sorbonne around the analysis of electroacoustic music and more recently with Paris Est University, Marne la Vallée, where he was responsible for the Acousmatic and Sound Arts Master. He has been visiting professor at the Universities of Hertfordshire (England), University TU Berlin, 3 of Febrero (Argentina), and SMUC of Barcelona. In 2016, he received the "SMPTE Archival Technology Medal Award" for his efforts in the preservation of audiovisual content, especially music.edit
Research Interests:
Research Interests:
Research Interests:
Research Interests:
The ambition of Europeana is to make European cultural content accessible through its portal, providing a unique access point where any kind of media is represented. It is oriented towards the general public but also to professionals and... more
The ambition of Europeana is to make European cultural content accessible through its portal, providing a unique access point where any kind of media is represented. It is oriented towards the general public but also to professionals and scholars. The user perspective is then essential for the success and acceptation of the project. How can this feedback be obtained; do users expect something specific? Are they really looking for something or just wandering around? Independently from traditional statistic and survey actions, it is important to obtain the perception users have of Europeana and to thus structure and orient a portal that represents a new way of accessing culture.
Research Interests:
Research Interests:
Research Interests:
... Teruggi describes the peril in which a very important aspect of our cultural legacy currently stands and PrestoSpace, the new FP6 integrated project, a major initiative seeking to improve radically the preservation and accessibility... more
... Teruggi describes the peril in which a very important aspect of our cultural legacy currently stands and PrestoSpace, the new FP6 integrated project, a major initiative seeking to improve radically the preservation and accessibility of our disappearing audio-visual heritage. ...
Research Interests:
Research Interests:
Research Interests:
Commande de l'Etat 2002. - 1re execution le 8 novembre 2003 a Forbach dans le cadre du estival Rendez-vous musique nouvelle
Research Interests:
The Ina-GRM is one of the oldest and most important Groups in electroacoustic music. As a research group concerned with creation, technological research and aesthetic problems, it has accumulated through its long history an important... more
The Ina-GRM is one of the oldest and most important Groups in electroacoustic music. As a research group concerned with creation, technological research and aesthetic problems, it has accumulated through its long history an important amount of works and documents, ...
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Research Interests: Computer Science and MIDI
Research Interests:
Research Interests:
Research Interests:
Research Interests:
Le systeme audionumerique de transformation du son en temps reel syter, developpe entre 1978 et 1985 par jean-francois allouis, represente l'aboutissement de presque 40 ans de recherche technologique au groupe de recherches musicales... more
Le systeme audionumerique de transformation du son en temps reel syter, developpe entre 1978 et 1985 par jean-francois allouis, represente l'aboutissement de presque 40 ans de recherche technologique au groupe de recherches musicales de l'ina. Ce travail explore le cheminement qui a conduit a son developpement dont les origines remontent a 1948 quand pierre schaeffer concevait les premieres machines a travailler le son, dont le premier phonogene. Differents generations technologiques se sont succedees jusqu'a aboutir au systeme syter, mettant en uvre a chaque changement de technologie, les concepts herites des experiences precedentes. L'etude aborde tous les points associes aux recherches technologiques, notamment leur rapport avec leur utilisation musicale dans le domaine de la composition electroacoustique. A partir de l'evolution technique sont etudies l'histoire des institutions, l'histoire des idees et des hommes, l'evolution des concepts et un panorama de l'evolution technologique associe a la musique principalement dans le domaine informatique. Une description detaillee est donne des appareils et des logiciels construits depuis les premiers jours, appuyes avec des documents photographiques. Une mise en perspective est donnee a la fin par rapport aux evolutions technologiques qui ont suivi jusqu'en 1998 et les changements conceptuels que l'utilisation musicale de syter a apporte a la pensee musicale.
Research Interests: Humanities and Art
The Ina-GRM i is one of the oldest and most important Groups in electroacoustic music. As a research group concerned with creation, technological research and aesthetic problems, it has accumulated through its long history an important... more
The Ina-GRM i is one of the oldest and most important Groups in electroacoustic music. As a research group concerned with creation, technological research and aesthetic problems, it has accumulated through its long history an important amount of works and documents, which have been brought together in a library called the "Acousmathèque". This conservation centre has been concerned with preservation and restoration problems since its first years, mainly due to the technology changes through time. A brief overview of the problems encountered and its future developments are studied here.
Research Interests:
Research Interests:
A short report of the activities of the GR% (Groupe de Recherches Musicales) through the years with a focus on the activities of 2004
Research Interests:
From the outset, Dutch electronic music has found itself in between the two principal European trends in this field, namely the French musique concrète introduced at the French Radio in 1948, and the German elektronische Musik which... more
From the outset, Dutch electronic music has found itself in between the two principal European trends in this field, namely the French musique concrète introduced at the French Radio in 1948, and the German elektronische Musik which emerged from 1951 onwards at the Cologne broadcast station. Although electronic music had incidentally been made in Dutch radio studios since 1952, this was not yet in the context of a purpose-built studio as was the case in Germany and France. The first real Dutch studio for electronic music was created only in 1956, and then not by a broadcasting company but, remarkably enough, by the acoustics department of Philips Research Laboratories. Although electronic music played no more than a marginal role in the corporate history of Philips, the present research reveals, conversely, that Philips has been of great significance for the genesis of Dutch electronic music. The presentation of the research in this volume comprises three chapters. The first describ...
Research Interests:
Research Interests:
Ce volume 17 de Musique • Images • Instruments est le premier consacre a la musique du XXe siecle et a ses instruments. Marc Battier en a ete le concepteur a nos cotes. Il ouvre donc cette livraison par une introduction sur la lutherie... more
Ce volume 17 de Musique • Images • Instruments est le premier consacre a la musique du XXe siecle et a ses instruments. Marc Battier en a ete le concepteur a nos cotes. Il ouvre donc cette livraison par une introduction sur la lutherie electrique et electronique organisee selon plusieurs criteres : cinq periodes qui refletent l’evolution des technologies, une definition des termes « electrique » et « electronique » ; les systemes classificatoires ; les laboratoires de recherche et les studios de musique electro-acoustique, enfin l’evolution des synthetiseurs et des programmes de synthese du son dans le cadre de l’informatique musicale. La section des instruments electriques, propose tout d’abord une synthese de Steve Waksman sur les debuts de la guitare electrique en Amerique du Nord jusqu’a sa large commercialisation a la fin des annees 30. La seconde section, celle des instruments electroniques, s’interesse a la celebre Croix sonore qui fait l’objet d’une etude tres documentee par...
Research Interests:
Table of content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Editions of this work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 enregistrements (1) . . . . . . . . . . . . . . .... more
Table of content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Editions of this work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 enregistrements (1) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Pages in data.bnf.fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 This page in data.bnf.fr lab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Sources and references . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Link to the main catalogue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Sources
Research Interests:
Research Interests:
Research Interests:
... Teruggi describes the peril in which a very important aspect of our cultural legacy currently stands and PrestoSpace, the new FP6 integrated project, a major initiative seeking to improve radically the preservation and accessibility... more
... Teruggi describes the peril in which a very important aspect of our cultural legacy currently stands and PrestoSpace, the new FP6 integrated project, a major initiative seeking to improve radically the preservation and accessibility of our disappearing audio-visual heritage. ...
Research Interests:
Research Interests:
Research Interests:
Commande de l'Etat 2002. - 1re execution le 8 novembre 2003 a Forbach dans le cadre du estival Rendez-vous musique nouvelle
Research Interests:
Le Groupe de recherches musicales (GRM) de l’Ina 1 est un témoin et acteur majeur de l’histoire de la musique depuis la deuxième moitié du XX e siècle jusqu’à nos jours. Né en 1948 suite aux expériences de Pierre Schaeffer autour de la... more
Le Groupe de recherches musicales (GRM) de l’Ina 1 est un témoin et acteur majeur de l’histoire de la musique depuis la deuxième moitié du XX e siècle jusqu’à nos jours. Né en 1948 suite aux expériences de Pierre Schaeffer autour de la radio et de l’utilisation des outils radiophoniques pour la création musicale, la longue trajectoire du Groupe épouse l’histoire des technologies ainsi que l’évolution des courants et de la pensée musicale contemporaine. Intégré à l’Ina en 1975 lors de la création de l’Institut, le GRM fait aujour d’hui partie du département Recherche au sein d’Ina Expert, lieu qui réunit aussi formation, enseignement, expertise et conseil autour des problématiques de l’audiovisuel.
Le systeme audionumerique de transformation du son en temps reel syter, developpe entre 1978 et 1985 par jean-francois allouis, represente l'aboutissement de presque 40 ans de recherche technologique au groupe de recherches musicales... more
Le systeme audionumerique de transformation du son en temps reel syter, developpe entre 1978 et 1985 par jean-francois allouis, represente l'aboutissement de presque 40 ans de recherche technologique au groupe de recherches musicales de l'ina. Ce travail explore le cheminement qui a conduit a son developpement dont les origines remontent a 1948 quand pierre schaeffer concevait les premieres machines a travailler le son, dont le premier phonogene. Differents generations technologiques se sont succedees jusqu'a aboutir au systeme syter, mettant en uvre a chaque changement de technologie, les concepts herites des experiences precedentes. L'etude aborde tous les points associes aux recherches technologiques, notamment leur rapport avec leur utilisation musicale dans le domaine de la composition electroacoustique. A partir de l'evolution technique sont etudies l'histoire des institutions, l'histoire des idees et des hommes, l'evolution des concepts et un p...
Founded in 1948, the GRM – Groupe de Recherches Musicales has been the first and is still one of the major institutions active in the production and development of electroacoustic music. An overview of past and currently activities is... more
Founded in 1948, the GRM – Groupe de Recherches Musicales has been the first and is still one of the major institutions active in the production and development of electroacoustic music. An overview of past and currently activities is given, with a focus on new directions such as archives preservations and contents distribution.