- Universidade Estadual do Ceara, Centro de Humanidades, Department MemberKaroli Gaspar University, Bölcsészettudományi Kar, Department Memberadd
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The article focuses on the critique of Modernity elaborated by three continental philosophers, Adorno, Foucault and Agamben. By locating a certain critical attitude towards the episteme of Modernity, present in all three of these... more
The article focuses on the critique of Modernity elaborated by three continental philosophers, Adorno, Foucault and Agamben. By locating a certain critical attitude towards the episteme of Modernity, present in all three of these thinkers, the study explores the ideas and the discursive steps that connect Adorno’s notion of Modernity to that of Foucault, and Foucault’s ideas to the political theory of Giorgio Agamben. What crystallises from this discursive chain connecting the oeuvres of the three thinkers, is a certain ideology of Modernity which could be called the “ideology of separation”.
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RESUMO: Partindo da crise e da crítica do pós-modernismo, presente estudo, depois de apresentar um panorama de propostas teóricas da reflexão contemporânea sobre a modernidade, pretende dar uma leitura da teoria da transmodernidade de... more
RESUMO: Partindo da crise e da crítica do pós-modernismo, presente estudo, depois de apresentar um panorama de propostas teóricas da reflexão contemporânea sobre a modernidade, pretende dar uma leitura da teoria da transmodernidade de Enrique Dussel. O filósofo argentino-mexicano elabora um modelo original da modernidade da perspectiva do Sul subalterno que além de desconstruir os princípios eurocêntricos da modernidade singular propõe uma reavaliação crítica da história européia e do colonialismo. Deste modo, a transmodernidade de Dussel, articula-se como um caso exemplar das modernidades alternativas cujo objectivo é criar um diálogo entre o pensamento ocidental e as epistemologias marginais.
ABSTRACT: Departing from the critic of post-modernism this study focuses on the theory of transmodernity elaborated by the Argentinian-Mexican philosopher, Enrique Dussel. In my opinion Dussel's approach on modernity can be understood from the perspective of alternate modernities and their critical stance towards the Eurocentric narrative of modernity. Transmodernity provides not only a complex ideology to deconstruct the singular-occidental character of modernity but also
ABSTRACT: Departing from the critic of post-modernism this study focuses on the theory of transmodernity elaborated by the Argentinian-Mexican philosopher, Enrique Dussel. In my opinion Dussel's approach on modernity can be understood from the perspective of alternate modernities and their critical stance towards the Eurocentric narrative of modernity. Transmodernity provides not only a complex ideology to deconstruct the singular-occidental character of modernity but also
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A narrativa de emancipação dos lavradores alentejanos constitui o principal eixo temático do romance de Saramago. Neste processo emancipatório, incorporado numa forma metafórica também no título do livro, emerge, da multidão oprimida e... more
A narrativa de emancipação dos lavradores alentejanos constitui o principal eixo temático do romance de Saramago. Neste processo emancipatório, incorporado numa forma metafórica também no título do livro, emerge, da multidão oprimida e silenciada, o sujeito político cujo objetivo é destabilizar e reescrever o sistema como estrutura firme e dominadora. Este artigo pretende traçar o processo de subjetivação durante o qual se cria e se legitima o agente político, do ponto de
vista da teoria político‑filosófica do pensador francês Jacques Rancière. O artigo demonstra como é que entram em jogo na narrativa saramaguiana as noções principais da teoria política de Rancière como o dissenso (dissensus), o desentendimento (mésentente), a partilha do sensível (le partage du sensible) e a subjetivação, tendo em conta as hipóteses políticas levantadas no romance.
vista da teoria político‑filosófica do pensador francês Jacques Rancière. O artigo demonstra como é que entram em jogo na narrativa saramaguiana as noções principais da teoria política de Rancière como o dissenso (dissensus), o desentendimento (mésentente), a partilha do sensível (le partage du sensible) e a subjetivação, tendo em conta as hipóteses políticas levantadas no romance.
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The article focuses on the critique of Modernity elaborated by three continental philosophers, Adorno, Foucault and Agamben. By locating a certain critical attitude towards the episteme of Modernity, present in all three of these... more
The article focuses on the critique of Modernity elaborated by three continental philosophers, Adorno, Foucault and Agamben. By locating a certain critical attitude towards the episteme of Modernity, present in all three of these thinkers, the study explores the ideas and the discursive steps that connect Adorno’s notion of Modernity to that of Foucault, and Foucault’s ideas to the political theory of Giorgio Agamben. What crystallises from this discursive chain connecting the oeuvres of the three thinkers, is a certain ideology of Modernity which could be called the “ideology of separation”.
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Az alábbi írás azt vizsgálja meg, hogy Clarice Lispector kérdéses szövegének horizontján hogyan rajzolja ki a fallogocentrikus rend a női szubjektum szexuálisan, nyelvileg és ontológiailag alávetett, szupplementáris jellegét a... more
Az alábbi írás azt vizsgálja meg, hogy Clarice Lispector kérdéses szövegének horizontján hogyan rajzolja ki a fallogocentrikus rend a női szubjektum szexuálisan, nyelvileg és ontológiailag alávetett, szupplementáris jellegét a patriarchális mátrixban, hogyan törik meg a nőiség, a női vágy koncepciója az uralkodó férfi diskurzussal való traumatikus találkozásban.
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Hévíz, 2018/4-5,
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Jelen írás a kortárs portugál drámairodalom feltérképezésére és a posztdramatikus színházi térben kirajzolódó fő tendenciák értelmezésére tesz kísérletet, végigkövetve a portugál színház XX. századi fejlődését
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The principal aim of this chapter is to trace the presence of the post-colonial trauma of Angolan history in the overwhelming novel of José Eduardo Agualusa, The Book of Chameleons. After the long years of a brutal colonial war against... more
The principal aim of this chapter is to trace the presence of the post-colonial trauma of Angolan history in the overwhelming novel of José Eduardo Agualusa, The Book of Chameleons. After the long years of a brutal colonial war against the Portuguese in the 1960s, by arriving at the moment of the collapse of the Portuguese Colonial Empire and the independence of the country, Angola had toface a harsh and bloody civil war between 1975 and 2003. Until a certain point the book remains silent about this brutality of the national history, but the trauma enters the text unexpectedly. The novel articulates the uncanny experience that one cannot escape from the trauma, and as Ana Mafalda Leite points out, war inevitably becomes the central theme of contemporary literature in Angola. The strange and exotic novel of José Eduardo Agualua is narrated by a gecko. The narration of the gecko oscillates between dreams, reality, past, and present creating a floating and essentially magical world which tries to exclude the post-colonial trauma of the national history. This magical world collapses when the trauma enters the text. One of the female protagonists, Ángela Lucía literally carries the
wounds of history on her body, the scars of the civil war - needless to say how strongly trauma is related, not just etymologically, but also metaphorically, to the wound. Through the scars, the past, the tragedy of national history, is present on the female body of the post-colonial subject. In this chapter I intend to explore how the individual trauma of the subject presented directly through the scars, is related to the national history of post-colonial Angola, and how the wounds of the body carry the wounds of history. Agualusa - the par excellence lusophone post-colonial writer - inscribes the trauma in a fantastic and oneiric horizon, emphasising that under the layers of the posterior created artificial memories (invented by the protagonist Félix Ventura), hides the sinister reality of history, and despite the exotic and magical atmosphere, no one can escape from the trauma of the past.
wounds of history on her body, the scars of the civil war - needless to say how strongly trauma is related, not just etymologically, but also metaphorically, to the wound. Through the scars, the past, the tragedy of national history, is present on the female body of the post-colonial subject. In this chapter I intend to explore how the individual trauma of the subject presented directly through the scars, is related to the national history of post-colonial Angola, and how the wounds of the body carry the wounds of history. Agualusa - the par excellence lusophone post-colonial writer - inscribes the trauma in a fantastic and oneiric horizon, emphasising that under the layers of the posterior created artificial memories (invented by the protagonist Félix Ventura), hides the sinister reality of history, and despite the exotic and magical atmosphere, no one can escape from the trauma of the past.
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Alábbi írásban a kortárs portugál drámairodalom főbb tendenciáinak, poétikáinak és politikáinak megközelítésére és értelmezésére teszek kísérletet José Maria Vieira Mendes, Patrícia Portela, Miguel Castro Caldas, Tiago Rodrigues és... more
Alábbi írásban a kortárs portugál drámairodalom főbb tendenciáinak, poétikáinak és politikáinak megközelítésére és értelmezésére teszek kísérletet José Maria Vieira Mendes, Patrícia Portela, Miguel Castro Caldas, Tiago Rodrigues és Jacinto Lucas Pires színműveinek elemzése által
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A nemzetközi kritika előszeretettel azonosítja a kortárs portugál regényirodalmat José Saramago-val. A Nobel-díjas íróóriás mögött azonban egy hihetetlenül változatos és intenzív, posztmodern regényhagyomány fedezhető fel. Jelen írás... more
A nemzetközi kritika előszeretettel azonosítja a kortárs portugál regényirodalmat José Saramago-val. A Nobel-díjas íróóriás mögött azonban egy hihetetlenül változatos és intenzív, posztmodern regényhagyomány fedezhető fel. Jelen írás ennek a heterogén prózának egy igen partikuláris aspektusát, a mitokritikai tendenciát igyekszik bemutatni és megvizsgálni, ezzel is bizonyítva azt a kortárs portugál irodalom magyar kiadásaiban kevéssé lecsapódó tényt és tételt, miszerint van egy kimeríthetetlenül gazdag és sokszínű portugál regényirodalom Saramago mögött, vagy inkább Saramago-n túl
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Alábbi írás a portugál nyelvű afrikai irodalom, egy szűkebb perspektívából pedig a függetlenség utáni angolai irodalom és a posztkolonialitás viszonyát, problémáit járja körül, valamint a kortárs angolai író, Ondjaki, szövegeinek... more
Alábbi írás a portugál nyelvű afrikai irodalom, egy szűkebb perspektívából pedig a függetlenség utáni angolai irodalom és a posztkolonialitás viszonyát, problémáit járja körül, valamint a kortárs angolai író, Ondjaki, szövegeinek érintkezését fejti fel egyfelől a posztkolonialitás luzofón koncepciójával, másfelől az angolai irodalom hagyományával.
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Összehasonlító elemzés két félperiferikus kultúra drámairodalmáról
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A tanulmány Almeida Faria 'A hódító' című regényének elemzésére tesz kísérletet a genette-i narratológia elbeszéléselméleti álltásai alapján, kitérve a 80-as/90-es évek portugál prózairodalmának történeti-társadalmi kontextusára és a... more
A tanulmány Almeida Faria 'A hódító' című regényének elemzésére tesz kísérletet a genette-i narratológia elbeszéléselméleti álltásai alapján, kitérve a 80-as/90-es évek portugál prózairodalmának történeti-társadalmi kontextusára és a paródia poétikai-politikai implikációira
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Jelen tanulmány a brazil identitás meghatározó alakzatainak és konstrukcióinak kialakulását és változásait járja körbe a romantika és a modernség episztemológiai keretei között.
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Este estudo, partindo da história do mito sebástico e do seu papel central no padrão da autognose nacional de Portugal, analisa como é que a literatura pós-25 de Abril reescreve e reinterpreta a narrativa mítica do sebastianismo. Os... more
Este estudo, partindo da história do mito sebástico e do seu papel central no padrão da autognose nacional de Portugal, analisa como é que a literatura pós-25 de Abril reescreve e reinterpreta a narrativa mítica do sebastianismo. Os quatro romances que constituem o corpus analítico do trabalho – nomeadamente O Mosteiro (1980) de Agustina Bessa-Luís, As Naus (1988) de António Lobo Antunes, Jornada de África (1989) de Manuel Alegre, e O Conquistador (1990) de Almeida Faria – através de diversas estratégias discursivas realizam o mesmo objetivo, isto é, a desconstrução e a profanação do mito de D. Sebastião. Desta forma, o estudo analisa como é que estas quatro obras ficcionais do corpus reinterpretam e reescrevem com a ajuda de poéticas diferentes a narrativa do soberano mítico dentro das matrizes da cultura pós-revolucionária e pós-moderna. / Present study demonstrates how four
novels of the post-revolutionary period deconstruct and rewrite the myth of king Sebastian. The four novels of the analytic corpus – namely Agustina Bessa-Luís’ O Mosteiro (1980), As Naus (1988) from António Lobo Antunes, Jornada de África (1989) from Manuel Alegre, and Almeida Faria’s O Conquistador (1990) – arrive through diverse discursive and poetic strategies to the same conclusion: to the very deconsruction and profanation of the national myth and the mythical figure of the king. Thus, the study concentrates on how these four fictional works rewrite and reinterpret the myth within the frame of post-revolutionary, post-modern Portuguese culture with the help of divergent poetics of the novel
novels of the post-revolutionary period deconstruct and rewrite the myth of king Sebastian. The four novels of the analytic corpus – namely Agustina Bessa-Luís’ O Mosteiro (1980), As Naus (1988) from António Lobo Antunes, Jornada de África (1989) from Manuel Alegre, and Almeida Faria’s O Conquistador (1990) – arrive through diverse discursive and poetic strategies to the same conclusion: to the very deconsruction and profanation of the national myth and the mythical figure of the king. Thus, the study concentrates on how these four fictional works rewrite and reinterpret the myth within the frame of post-revolutionary, post-modern Portuguese culture with the help of divergent poetics of the novel