- Via Savona 17
- 3408371816
- Università di Bologna, Advanced Design, Adjunctadd
- Media Arts, Digital Media Art, New Media Arts, Modern and Contemporary Art, Curating interactive and new media art, Cultural and Media Studies, and 8 moreArts and Sciences, New Media and Digital Culture, Digital Arts and Humanities, Critical Theory (International Studies), Contemporary Art, Internet Culture, Science and Technology Studies, and Philosophy of Scienceedit
- Marco Mancuso is a contemporary art critic and curator, in the relationship with technology and science and in the di... moreMarco Mancuso is a contemporary art critic and curator, in the relationship with technology and science and in the dialogue with the fields of design, architecture and sound. He is full professor at Fine Arts Academy in Bergamo, adjunct professor at Alma Mater University in Bologna, visiting professor at Node Center for Curatorial Studies Berlin and FMAV Scuola di Alta Formazione Fondazione Modena Arti Visive. He is PhD in Digital Cultures at Iuav University in Venice.
Since about twenty years he has been focusing on how interdisciplinary discourse observe the ways in which technoscience influences society and the relationship between human beings and context. Alongside, he's also studying the evolution of design, production and market dynamics of the media art and digital art. Founder at Digicult, his essays and interviews were published on the website and in magazines, books and catalogues. He lectures and takes part in round tables and he partnered with some events, media labs and institutions including transmediale, Impakt, V2, Baltan Labs, Goethe InstitutSonar+D, Sonic Acts, Elektra, STRP, Todaysart, Subtle Technologies.
He curated exhibitions and events at national and international level, including the Digitalks meetings (2021), the seminar Arte e Futuro (2020) and the workshops cycle I Nuovi Corpi. Tre workshop di Arte, AI e Biotecnologie (2020), the Fantomologia project (2019), the solo exhibitions Fino alla Fine of the artist Guido Segni (2019) and Click Clack. The interactive and kinetic installations of Virgilio Villoresi (2018), the Italian pavilion of the Streaming Egos exhibition (2015), the collective The Mediagate (2012), the project +39: Call for Italy (2007), the Mixed Media festival (2006). His essays, reviews and interviews have appeared in numerous magazines, books and catalogs and he has collaborated over the years with the most important media labs and festivals including Transmediale, Sonar+D, Sonic Acts, Baltan Laboratories, STRP, Nemo, V2, Elektra, Todaysart, Impakt.
He is advisory member for the project “Future Innovation” by Museo Nazionale Scienza e Tecnologia in Milan, partner of the program EMAP/EMARE, among the founders of the studies center SSH! - Sound Studies Hub at Iuav University in Venice and published the books "Arte, Tecnologia e Scienza" (2018) e “Intervista con la New Media Art" (2020) for Mimesis.edit
In un articolo pubblicato nel Settembre 1960 sulla rivista "Astronautics" dal titolo Cyborgs and Space, i ricercatori dell'istituto di salute mentale Rockland State Hospital di Orangeburg (New York), Manfred Clynes e Nathan Kline,... more
In un articolo pubblicato nel Settembre 1960 sulla rivista "Astronautics" dal titolo Cyborgs and Space, i ricercatori dell'istituto di salute mentale Rockland State Hospital di Orangeburg (New York), Manfred Clynes e Nathan Kline, speculavano su una serie di strategie da adottare per potenziare il corpo umano e regalare all'umanità la possibilità di viaggiare oltre l'atmosfera terrestre. Nel testo, basato sul saggio Drugs, Space and Cybernetics esposto pochi mesi prima al simposio "Psychophysiological Aspects of Space Flight" organizzato dalla Air Force School of Aerospace Medicine di San Antonio, si faceva cenno a un nuovo essere umano "espanso" grazie all'implementazione dei suoi stessi processi bio-vitali, atta a favorire l'adattamento dell'organismo ad atmosfere ostili. Questo strano e avveniristico costrutto fu chiamato "cyborg" (cybernetic organism), definito inizialmente come "un soggetto capace di incorporare componenti esogene, estendendo la funzione di autoregolazione del proprio organismo per adattarlo a nuovi ambienti" 1. Il fatto che uno studio di questo tipo fosse condotto da una équipe medica di un ospedale psichiatrico, impegnata da oltre un decennio nel design di strumentazioni fisiologiche per la simulazione dinamica del cervello umano e la progettazione di sistemi di data-processing, potrebbe forse sorprendere. O forse no. Ciò che sicuramente stupisce è che Manfred Clynes, che aveva inaugurato il Dynamic Simulation Lab su invito proprio di Nathan Kline, non solo era un autodidatta negli studi di fisiologia, ma era uscito dall'Università di Melbourne nel 1946 con una doppia lau
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Il libro Intervista con la New Media Art. L’osservatorio Digicult tra arte, design e cultura digitale si basa sull’esperienza di una delle più importanti piattaforme internazionali indipendenti in rete, fondata dal critico e curatore... more
Il libro Intervista con la New Media Art. L’osservatorio Digicult tra arte, design e cultura digitale si basa sull’esperienza di una delle più importanti piattaforme internazionali indipendenti in rete, fondata dal critico e curatore Marco Mancuso, che nel corso degli ultimi quindici anni ha monitorato l’evoluzione e l’impatto delle tecnologie e della scienza sull’arte, il design e la società contemporanea. Attraverso una serie di saggi scritti da alcuni dei suoi autori più importanti e una ricchissima collezione di interviste a sessanta artisti e designer che hanno segnato la storia della New Media Art dal 2005 a oggi, il volume evidenzia come i codici e i linguaggi dell’arte tecnologica siano gli strumenti ideali per un approccio multidisciplinare, una radicale osservazione e una profonda comprensione della realtà culturale ed espressiva che caratterizza il nuovo millennio.
Con testi critici e interviste di: Sabina Barcucci, Tatiana Bazzichelli, Silvia Bertolotti, Elena Biserna, Pia Bolognesi, Loretta Borrelli, Simone Broglia, Roberta Busechian, Serena Cangiano, Ana Carvalho, Bianca Cavuti, Alessio Chierico, Lucrezia Cippitelli, Giuseppe Cordaro, Claudia D’Alonzo, Federica Fontana, Tiziana Gemin, Mathias Jansson, Maresa Lippolis, Filippo Lorenzin, Marco Mancuso, Mario Margani, Donata Marletta, Matteo Milani, Maddalena Mometti, Annamaria Monteverdi, Claudio Musso, Bertram Niessen, Pasquale Napolitano, Robin Peckham, Monica Ponzini, Domenico Quaranta, Martina Raponi, Zoe Romano, Silvia Scaravaggi, Daniela Silvestrin, Giulia Simi, Valentina Tanni.
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Il libro è anche disponibile qui: t.ly/F2nH
Con testi critici e interviste di: Sabina Barcucci, Tatiana Bazzichelli, Silvia Bertolotti, Elena Biserna, Pia Bolognesi, Loretta Borrelli, Simone Broglia, Roberta Busechian, Serena Cangiano, Ana Carvalho, Bianca Cavuti, Alessio Chierico, Lucrezia Cippitelli, Giuseppe Cordaro, Claudia D’Alonzo, Federica Fontana, Tiziana Gemin, Mathias Jansson, Maresa Lippolis, Filippo Lorenzin, Marco Mancuso, Mario Margani, Donata Marletta, Matteo Milani, Maddalena Mometti, Annamaria Monteverdi, Claudio Musso, Bertram Niessen, Pasquale Napolitano, Robin Peckham, Monica Ponzini, Domenico Quaranta, Martina Raponi, Zoe Romano, Silvia Scaravaggi, Daniela Silvestrin, Giulia Simi, Valentina Tanni.
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Il libro è anche disponibile qui: t.ly/F2nH
Research Interests:
L’epoca nella quale viviamo, caratterizzata da un’incessante evoluzione in termini culturali, estetici e morali del rapporto progresso-uomo-ambiente, suggerisce a ciascuno di noi una riflessione: quale è l'impatto delle tecnologie e delle... more
L’epoca nella quale viviamo, caratterizzata da un’incessante evoluzione in termini culturali, estetici e morali del rapporto progresso-uomo-ambiente, suggerisce a ciascuno di noi una riflessione: quale è l'impatto delle tecnologie e delle scienze sull'arte, il design e la cultura contemporanea? Questo libro si pone come una complessa e articolata analisi che, in equilibrio tra la critica d’arte e il culture journalism, descrive in maniera esaustiva gli scenari e gli ambiti di ricerca della Media Art contemporanea, guidando il lettore tra le pieghe di un contesto interdisciplinare che coinvolge il mondo delle autoproduzioni indipendenti, delle istituzioni, dei laboratori, delle industrie e che indaga il rapporto tra mercati ibridi a cavallo tra arte, design, architettura, suono, moda, performance, ricerca scientifica e innovazione tecnologica. Una trattazione che indaga attori e progetti del contemporaneo, arricchita da una serie di testi critici e da un gruppo di interviste a esperti del settore, per estrapolare esperienze ed evidenziare strategie e rendere condiviso un possibile modello economico innovativo per l’arte e la cultura.
“Il termine New Media Art fa riferimento a un ambito artistico ampio e stratificato, strutturalmente contaminato con i più diversi settori della ricerca tecnologica e scientifica. Le pratiche artistiche che lo caratterizzano non si rivolgono unicamente al contesto dell’arte contemporanea, ma anzi lo ibridizzano attraverso la sperimentazione in ambiti disciplinari non necessariamente attigui, creando nuovi territori in cui fare ricerca. La difficoltà principale quando si parla di New Media Art, pertanto, è riuscire a mettere a fuoco e comprendere questo tipo di complessità per tradurla in un lavoro coerente di narrazione, esposizione e divulgazione.”
“Il libro che avete in mano suggerisce una più profonda consapevolezza per la cultura digitale, per completare il suo processo di maturazione. Non secondo il classico approccio degli ultimi dieci anni, tipico di quelle “classi creative” che riqualificano a spazi culturali strutture industriali abbandonate. Quando Marco Mancuso parla di “art industries” e di “nuovo paradigma di produzione” si sposta ben oltre. Grazie all’esperienza accumulata in oltre dieci anni di direzione dell’osservatorio Digicult, egli descrive qualcosa che è un passo avanti, un’azione che va ben oltre l’esistenza contemporanea.” -
dalla postfazione di Bruce Sterling
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Il libro è anche disponibile qui: t.ly/F2nH
“Il termine New Media Art fa riferimento a un ambito artistico ampio e stratificato, strutturalmente contaminato con i più diversi settori della ricerca tecnologica e scientifica. Le pratiche artistiche che lo caratterizzano non si rivolgono unicamente al contesto dell’arte contemporanea, ma anzi lo ibridizzano attraverso la sperimentazione in ambiti disciplinari non necessariamente attigui, creando nuovi territori in cui fare ricerca. La difficoltà principale quando si parla di New Media Art, pertanto, è riuscire a mettere a fuoco e comprendere questo tipo di complessità per tradurla in un lavoro coerente di narrazione, esposizione e divulgazione.”
“Il libro che avete in mano suggerisce una più profonda consapevolezza per la cultura digitale, per completare il suo processo di maturazione. Non secondo il classico approccio degli ultimi dieci anni, tipico di quelle “classi creative” che riqualificano a spazi culturali strutture industriali abbandonate. Quando Marco Mancuso parla di “art industries” e di “nuovo paradigma di produzione” si sposta ben oltre. Grazie all’esperienza accumulata in oltre dieci anni di direzione dell’osservatorio Digicult, egli descrive qualcosa che è un passo avanti, un’azione che va ben oltre l’esistenza contemporanea.” -
dalla postfazione di Bruce Sterling
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Il libro è anche disponibile qui: t.ly/F2nH
Research Interests:
“Investigations on the Cultural Economy of Media Art” is a collection of the heterogeneous perspectives that are contributing to the current discussion about the economies of the Media Art field. Acknowledging the needs of the art market... more
“Investigations on the Cultural Economy of Media Art” is a collection of the heterogeneous perspectives that are contributing to the current discussion about the economies of the Media Art field. Acknowledging the needs of the art market and its role in the commodification and validation of art practices, this book expands its gaze to the whole setting of the art economy. Addressing the issues of conservation and distribution, as well as many other aspects impacting on this sector, a special emphasis is put on new innovative and critical models
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Nowadays digital writing has become an important topic within the humanities field so that a closer attention to issues like aesthetic autonomy, theoretic models and practices, especially within the media arts and culture context is... more
Nowadays digital writing has become an important topic within the humanities field so that a closer attention to issues like aesthetic autonomy, theoretic models and practices, especially within the media arts and culture context is demanded. At the base of so-called digital literature are not only the possibilities offered today by the use of computers and other software/multimedia tools, but also different approaches to the literary object, in terms of structure and practice, from both the creative and the receptive point of view, which interlink – but not coincide - with the increased importance of media technologies. Digimag Journal is the interdisciplinary peer-reviewed online publication by Digicult Editions, seeking high-standard articles and reviews at the intersection between digital art and contemporary art production, the impact of the last technological and scientific developments on modern society, economy, design, communication and third millennium creativity. Digicult Editions is the publishing initiative of the Digicult project.
Contributing Authors: Andy Campbell, Paolo Cirio, Daniele Giampà, Reham Hosny, Annette Hunnekens, Alessandra Ioalè, Vanessa Santos, Dominika Sobolewska.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 78, Digicult Editions, Milan 2018. Paperback, color, 92 pages, ISBN 978-1291382037
This book is also internationally available on: t.ly/f7bD
Contributing Authors: Andy Campbell, Paolo Cirio, Daniele Giampà, Reham Hosny, Annette Hunnekens, Alessandra Ioalè, Vanessa Santos, Dominika Sobolewska.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 78, Digicult Editions, Milan 2018. Paperback, color, 92 pages, ISBN 978-1291382037
This book is also internationally available on: t.ly/f7bD
Research Interests:
Already in 2005 the American environmentalist (and 350.org founder) Bill McKibben pointed out the lack of awareness about climate change and other environmental issues, while addressing a specific call for action to arts: “Oddly, though... more
Already in 2005 the American environmentalist (and 350.org founder) Bill McKibben pointed out the lack of awareness about climate change and other environmental issues, while addressing a specific call for action to arts: “Oddly, though we know about it, we don’t know about it. It hasn’t registered in our gut; it isn’t part of our culture. Where are the books? The poems? The plays? The goddamn operas?”. We cannot deny the vital role arts and creativity have to play within the energy and environmental field, especially in the current Anthropocene age, where the human impact on climate and nature is dominant and undisputed. Digimag Journal is the interdisciplinary peer-reviewed online publication by Digicult Editions, seeking high-standard articles and reviews at the intersection between digital art and contemporary art production, the impact of the last technological and scientific developments on modern society, economy, design, communication and third millennium creativity. Digicult Editions is the publishing initiative of the Digicult project.
Contributing Authors: Alice Smits, Andreco, Anna Gorchakovskaya, Chiara Scarpitti, Ioana Mischie, John Patrick Ayson, Leonardo Caffo, Semiconductor, Vanina Saracino, Viola Arduini.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 77, Digicult Editions, Milan 2018. Paperback, color, 107 pages, ISBN 979-8841233251
This book is also internationally available on: t.ly/nBug
Contributing Authors: Alice Smits, Andreco, Anna Gorchakovskaya, Chiara Scarpitti, Ioana Mischie, John Patrick Ayson, Leonardo Caffo, Semiconductor, Vanina Saracino, Viola Arduini.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 77, Digicult Editions, Milan 2018. Paperback, color, 107 pages, ISBN 979-8841233251
This book is also internationally available on: t.ly/nBug
Research Interests:
Artificial Intelligence (AI) and Machine Learning (ML) might be considered by many as synonyms, also because they are the buzzwords of th is decade. But actually they are not. They both question though, the ability of the machines to... more
Artificial Intelligence (AI) and Machine Learning (ML) might be considered by many as synonyms, also because they are the buzzwords of th is decade. But actually they are not. They both question though, the ability of the machines to perform and complete tasks in a “smart” way, challenging human intelligence and specificity. With machines becoming more and more intelligent, Machine Learning is nowadays not only an interesting and challenging topic, but also a crucial discipline. Digimag Journal is the interdisciplinary peer-reviewed online publication by Digicult Editions, seeking high-standard articles and reviews at the intersection between digital art and contemporary art production, the impact of the last technological and scientific developments on modern society, economy, design, communication and third millennium creativity. Digicult Editions is the publishing initiative of the Digicult project.
Contributing authors: Memo Akten, Claire Burke, Geoffrey Drake-Brockman, Jerry Galle, Gene Kogan, Robert B. Lisek, Filippo Lorenzin, Andreas Refsgaard, Liu Yuxi, Alessandro Masserdotti.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 76, Digicult Editions, Milan 2017. Paperback, color, 83 pages, ISBN 979-8841367093
This book is also internationally available on: t.ly/0i00
Contributing authors: Memo Akten, Claire Burke, Geoffrey Drake-Brockman, Jerry Galle, Gene Kogan, Robert B. Lisek, Filippo Lorenzin, Andreas Refsgaard, Liu Yuxi, Alessandro Masserdotti.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 76, Digicult Editions, Milan 2017. Paperback, color, 83 pages, ISBN 979-8841367093
This book is also internationally available on: t.ly/0i00
Research Interests:
One of the most interesting aspects of our relationship with technology is the way we relate to other people and create new identity narratives through it. Internet, social networks and p2p tools have amplified this phenomenon, enabling... more
One of the most interesting aspects of our relationship with technology is the way we relate to other people and create new identity narratives through it. Internet, social networks and p2p tools have amplified this phenomenon, enabling the ramification of larger networks built around individuals. As a consequence, personal narratives are linked to virtual (and real) dimensions of social, economic and artistic fields. Digital identity becomes, therefore, the individual unit of a larger digital culture environment. Digimag Journal is the interdisciplinary peer-reviewed online publication by Digicult Editions, seeking high-standard articles and reviews at the intersection between digital art and contemporary art production, the impact of the last technological and scientific developments on modern society, economy, design, communication and third millennium creativity. Digicult Editions is the publishing initiative of the Digicult project.
Contributing authors: Samaa Ahmed, Nicola Bozzi, Claire Burke, Marco Cadioli, Alessio Chierico, Salvatore Iaconesi, Patty Jansen, Linda Kronman, Miriam La Rosa, Patrick Lichty, Randall Packer, Oriana Persico, Jeroen Van Loon, Andreas Zingerle.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 75, Digicult Editions, Milan 2017. Paperback, color, 117 pages, ISBN 979-8841369844
This book is also internationally available on: t.ly/4LHg
Contributing authors: Samaa Ahmed, Nicola Bozzi, Claire Burke, Marco Cadioli, Alessio Chierico, Salvatore Iaconesi, Patty Jansen, Linda Kronman, Miriam La Rosa, Patrick Lichty, Randall Packer, Oriana Persico, Jeroen Van Loon, Andreas Zingerle.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 75, Digicult Editions, Milan 2017. Paperback, color, 117 pages, ISBN 979-8841369844
This book is also internationally available on: t.ly/4LHg
Research Interests:
On December 2012, scholars, artists and scientists gathered at Mutamorphosis (Prague, Dec 6-8) to discuss a topic that has become increasingly crucial during our uncertain times: The event was entitled "Tribute to Uncertainty".... more
On December 2012, scholars, artists and scientists gathered at Mutamorphosis (Prague, Dec 6-8) to discuss a topic that has become increasingly crucial during our uncertain times: The event was entitled "Tribute to Uncertainty". Surprisingly, despite the thematic focus, no definition of uncertainty was attempted, as presenters proceeded to report their experience with uncertain phenomena and situations. Digimag Journal is the interdisciplinary peer-reviewed online publication by Digicult Editions, seeking high-standard articles and reviews at the intersection between digital art and contemporary art production, the impact of the last technological and scientific developments on modern society, economy, design, communication and third millennium creativity. Digicult Editions is the publishing initiative of the Digicult project.
Contributing authors: Maria Androulaki, Alessio Chierico, Markéta Dolejová, Evelina Domnitch, Daphne Dragona, Marc Garrett, Ildiko Meny, Henrique Roscoe, Franco Torriani, Adam Zaretsky.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 74, Digicult Editions, Milan 2013. Paperback, color, 104 pages, ISBN 979-8841371519
This book is also internationally available on: t.ly/Euuv
Contributing authors: Maria Androulaki, Alessio Chierico, Markéta Dolejová, Evelina Domnitch, Daphne Dragona, Marc Garrett, Ildiko Meny, Henrique Roscoe, Franco Torriani, Adam Zaretsky.
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 74, Digicult Editions, Milan 2013. Paperback, color, 104 pages, ISBN 979-8841371519
This book is also internationally available on: t.ly/Euuv
Research Interests:
The birth, growth and development of spaces open to the creative and experimental use of Media and Digital technologies have affected the production and dissemination of contents, have enriched the art system and its boundaries, have... more
The birth, growth and development of spaces open to the creative and experimental use of Media and Digital technologies have affected the production and dissemination of contents, have enriched the art system and its boundaries, have provided new methodologies of production, modes of art display and creative practices (and the daily work of individuals engaged in the field). Digimag Journal is the interdisciplinary peer-reviewed online publication by Digicult Editions, seeking high-standard articles and reviews at the intersection between digital art and contemporary art production, the impact of the last technological and scientific developments on modern society, economy, design, communication and third millennium creativity. Digicult Editions is the publishing initiative of the Digicult project.
Contributing Authors: Alessandro Barchiesi, Martin Conrads, Laura Plana Gracia, Miriam La Rosa, Nina Leo, Donata Marletta, Janet Marles, Melinda Sipos (Annet Dekker, Gisela Domschke, Angela Plohman, Clare Reddington, Victoria Tillotson, Annette Wolfsberger), Selena Savicic, Judson Wright
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 73, Digicult Editions, Milan 2012. Paperback, color, 107 pages, ISBN 979-8841826101
This book is also internationally available on: t.ly/Zfmz
Contributing Authors: Alessandro Barchiesi, Martin Conrads, Laura Plana Gracia, Miriam La Rosa, Nina Leo, Donata Marletta, Janet Marles, Melinda Sipos (Annet Dekker, Gisela Domschke, Angela Plohman, Clare Reddington, Victoria Tillotson, Annette Wolfsberger), Selena Savicic, Judson Wright
Marco Mancuso (edited by), Places and Spaces: Digimag Journal 73, Digicult Editions, Milan 2012. Paperback, color, 107 pages, ISBN 979-8841826101
This book is also internationally available on: t.ly/Zfmz
Research Interests:
The project "PHANTOMOLOGY. From micro to macro to reality phenomena" curated by Marco Mancuso, Daniela Tozzi and Ilaria Bignotti, presented by CUBO from 31/01/2019 to 06/04/2019 has followed two different lines of action. On the one hand,... more
The project "PHANTOMOLOGY. From micro to macro to reality phenomena" curated by Marco Mancuso, Daniela Tozzi and Ilaria Bignotti, presented by CUBO from 31/01/2019 to 06/04/2019 has followed two different lines of action. On the one hand, it suggested a possible evolution of CUBO artistic proposal by carrying on its research of the last years and inducing a deeper analysis on the relationship among technology, scientific investigation and identity between human beings and their surrounding environment. On the other hand, it deconstructed the classical display modes of contemporary art and narration of New Media Art by fluidly moving among installation elements, performative feedbacks and theoretical and dialogical apparatuses.
CUBO and Unipol spaces (the Art Space, the auditorium, the multimedia library) were thus transformed by the "PHANTOMOLOGY" project into a constantly changing narrative paradigm. They became a delocalized place where the public is asked to reflect on the power of technological changes and on the impact they have from the artistic as well as from the social, cultural and political points of view, thus investigating both the expressive power of nature and its intrinsic capacity of modelling and of aesthetic and formal composition.
Curators: Marco Mancuso, Daniela Tozzi, Ilaria Bignotti
Artists invited: Stanza, Evelina Domnitch & Dmitri Gelfand, Ugo La Pietra
CUBO and Unipol spaces (the Art Space, the auditorium, the multimedia library) were thus transformed by the "PHANTOMOLOGY" project into a constantly changing narrative paradigm. They became a delocalized place where the public is asked to reflect on the power of technological changes and on the impact they have from the artistic as well as from the social, cultural and political points of view, thus investigating both the expressive power of nature and its intrinsic capacity of modelling and of aesthetic and formal composition.
Curators: Marco Mancuso, Daniela Tozzi, Ilaria Bignotti
Artists invited: Stanza, Evelina Domnitch & Dmitri Gelfand, Ugo La Pietra
Research Interests:
Nella mostra “Fino alla fine” – dall’1 febbraio al 16 marzo 2019 presso gli spazi di Adiacenze a Bologna, a cura di Alessandra Ioalè e Marco Mancuso - Guido Segni espone lavori che declinano il fattore tempo come spazio di... more
Nella mostra “Fino alla fine” – dall’1 febbraio al 16 marzo 2019 presso gli spazi di Adiacenze a Bologna, a cura di Alessandra Ioalè e Marco Mancuso - Guido Segni espone lavori che declinano il fattore tempo come spazio di sperimentazione, creazione e verifica dell’opera, della sua fruizione, del suo evolversi nel tempo. Da qui il titolo della mostra, che coincide con quello dell’opera Fino alla Fine (2018), che per paradosso non ha una vera e propria conclusione, ma prosegue in eterno, fino alla fine del tempo, o più prosaicamente della tecnologia che lo produce.
Research Interests:
On Friday, the 2nd of February 2018 at 19.30, on the occasion of Arte Fiera, Adiacenze inaugurates “Click Clack”, the first ever solo show with the kinetic and interactive installations of the artist and director Virgilio Villoresi, one... more
On Friday, the 2nd of February 2018 at 19.30, on the occasion of Arte Fiera, Adiacenze inaugurates “Click Clack”, the first ever solo show with the kinetic and interactive installations of the artist and director Virgilio Villoresi, one of the most eclectic and original artists in the Italian and international art world. Curated by Marco Mancuso, critic, curator and director of Digicult, the exhibition, open from the 2nd of February to the 15th of March 2018, is meant to shed light on a lesser known, yet fascinating part of the Villoresi’s artistic production.
Director, set designer, artisan and illusionist, over the past years, Virgilio Villoresi (Fiesole, 1979) has gained recognition in the field of animation and its application in such areas as art, advertisement and music video clips. His distinctive style, which is cultured, elegant and rich with visual phantasmagorias, is part of a particular line of historical and artistic development and research within the field of experimental cinema: Harry Smith’s processes of alchemical synthesis; Jonas Mekas’s structural
ontology; Jack Smith’s art of recycling (reuse); Kenneth Anger’s magical rituals.
Director, set designer, artisan and illusionist, over the past years, Virgilio Villoresi (Fiesole, 1979) has gained recognition in the field of animation and its application in such areas as art, advertisement and music video clips. His distinctive style, which is cultured, elegant and rich with visual phantasmagorias, is part of a particular line of historical and artistic development and research within the field of experimental cinema: Harry Smith’s processes of alchemical synthesis; Jonas Mekas’s structural
ontology; Jack Smith’s art of recycling (reuse); Kenneth Anger’s magical rituals.
Research Interests:
“605 prepared dc-motors, cardboard boxes” è stata la prima mostra personale in un museo italiano dell’artista svizzero Zimoun, noto per le sue opere che uniscono sound art e architettura degli spazi. L’esposizione ha coinvolto le cinque... more
“605 prepared dc-motors, cardboard boxes” è stata la prima mostra personale in un museo italiano dell’artista svizzero Zimoun, noto per le sue opere che uniscono sound art e architettura degli spazi. L’esposizione ha coinvolto le cinque sale della Palazzina dei Giardini di Modena dal 22/10/2016 al 05/03/2017, ciascuna delle quali è stata abitata da un'installazione cinetica costruita con materiali semplici - scatole di cartone, sfere di cotone, cavi di metallo, legno, etc. - e corredata da sistemi meccanici che generano suoni e rumori. Complessi organismi viventi in grado di abitare lo spazio in cui vengono allestiti per mezzo di un sottile e mai banale rapporto tra suono e volumetria circostante.
Attraverso oggetti industriali di uso comune e costruzioni minimaliste, Zimoun esplora il ritmo meccanico, la tensione tra i modelli ordinati del Modernismo e la forza caotica della vita. Nel suo lavoro si riuniscono le competenze dell'ingegnere, dell'architetto, dell'artigiano, del ricercatore, dell'arrangiatore e del direttore d'orchestra.
L’esposizione è stata accompagnata dal catalogo "ZIMOUN - 605 prepared dc-motors, cardboard boxes", libro-oggetto sonoro a cura di Filippo Aldovini, autore dei testi insieme al critico e curatore Marco Mancuso, direttore di Digicult. La pubblicazione, in edizioni numerate, è stata disegnata e impaginata da Luca Lattuga con fotografie di Paolo Terzi, ed è prodotta dalla Galleria civica di Modena con al contributo di Scatolificio Cartotecnica Modenese. Il cofanetto riprende nelle fattezze e nei materiali le scelte estetiche dell’artista. Il libro/oggetto è stampato su carta pregiata e confezionato con cucitura filo refe a vista lungo il dorso. Due quadranti in cartone microtriplo avana applicati in I e IV di copertina conferiscono un sapore materico e artigianale al lavoro.
Edizione limitata di 400 copie numerate manualmente.
Attraverso oggetti industriali di uso comune e costruzioni minimaliste, Zimoun esplora il ritmo meccanico, la tensione tra i modelli ordinati del Modernismo e la forza caotica della vita. Nel suo lavoro si riuniscono le competenze dell'ingegnere, dell'architetto, dell'artigiano, del ricercatore, dell'arrangiatore e del direttore d'orchestra.
L’esposizione è stata accompagnata dal catalogo "ZIMOUN - 605 prepared dc-motors, cardboard boxes", libro-oggetto sonoro a cura di Filippo Aldovini, autore dei testi insieme al critico e curatore Marco Mancuso, direttore di Digicult. La pubblicazione, in edizioni numerate, è stata disegnata e impaginata da Luca Lattuga con fotografie di Paolo Terzi, ed è prodotta dalla Galleria civica di Modena con al contributo di Scatolificio Cartotecnica Modenese. Il cofanetto riprende nelle fattezze e nei materiali le scelte estetiche dell’artista. Il libro/oggetto è stampato su carta pregiata e confezionato con cucitura filo refe a vista lungo il dorso. Due quadranti in cartone microtriplo avana applicati in I e IV di copertina conferiscono un sapore materico e artigianale al lavoro.
Edizione limitata di 400 copie numerate manualmente.
Research Interests:
Science Gallery Venice (SGV) will become a unique place for art and culture in Italy, to lead a process of change in perceiving what is culture and what is contemporary art, how to spread it together with scientific and technological... more
Science Gallery Venice (SGV) will become a unique place for art and culture in Italy, to lead a process of change in perceiving what is culture and what is contemporary art, how to spread it together with scientific and technological research. Science Gallery Venice will be an exhibition space, but also a center in which science and technology are brought into contact with people, publics, and students which are tomorrow's creatives and scientists. Science Gallery Venice (SGV) will act as a hub, a focus point for companies, start ups, art institutions, festivals, international prizes, critics, curators, artists, designers coming from different disciplines but interested in working with technologies and sciences. Science Gallery Venice wants to create networks which would bring the Venetian and the Italian territory into contact with the most important subjects which have worked for years in the same fields, on the national and international level by hosting them, creating long-lasting relationships, allowing the exchange of their knowledge and competences, through educational activities, laboratories, and projects on a bigger scale. Science Gallery Venice (SGV) aims to become a unique institution in Italy, but it also wants to characterize itself within the cultural offer of Science Gallery International (SGI).
Research Interests:
In January 2016, the Goethe-Institut in south-west Europe (Belgium, France, Germany, Italy, Portugal, and Spain) launched Streaming Egos: a project about the ancient, and yet urgent, issue of identity reframed into contemporary digital... more
In January 2016, the Goethe-Institut in south-west Europe (Belgium, France, Germany, Italy, Portugal, and Spain) launched Streaming Egos: a project about the ancient, and yet urgent, issue of identity reframed into contemporary digital culture. Now, the outcome of the artistic research is available online.
The European project Streaming Egos brought together media experts, artists, critics and curators who tackled the theme of digital identity by exploring its risks, limits and advantages when facing the blurred borders in-between virtual and real life. Conceived by the Goethe-Institut in the six participating countries, coordinated by the Goethe-Institut of Paris, curated by the Slow Media Institut and in cooperation with the NRW-Forum Düsseldorf, the project explored the ways digital identities come into being, change and develop under the influence of social media, within the framework of the socio-political status quo of each country. The project resulted in the production of digital materials, artworks and writings that converged into different forms and events: a digital platform for participants to contribute to transnational debate by publicly sharing their critical thoughts and reflections, the exhibition Ego Update. The Future of the Digital Identity run on the 16th and 17th January 2016 in conjunction with the Identity Convention, two days of meetings and debates during which relevant common topics have been identified which have been deepened by contributions to the publication
Country curators: Bram Crevits (Belgium), Sabria David (Germany), Marie Lechner (France), Marco Mancuso & Filippo Lorenzin (Italy), Sandra Vieira Jürgens (Portugal), Mateo Feijóo (Spain).
Artists included in the Italian Pavillon: IOCOSE, Silvio Lorusso, Alterazioni Video, Salvatore Iaconesi e Oriana Persico (AOS - Art is Open Source). Other authors included: Arianna Mainardi, IOCOSE.
The European project Streaming Egos brought together media experts, artists, critics and curators who tackled the theme of digital identity by exploring its risks, limits and advantages when facing the blurred borders in-between virtual and real life. Conceived by the Goethe-Institut in the six participating countries, coordinated by the Goethe-Institut of Paris, curated by the Slow Media Institut and in cooperation with the NRW-Forum Düsseldorf, the project explored the ways digital identities come into being, change and develop under the influence of social media, within the framework of the socio-political status quo of each country. The project resulted in the production of digital materials, artworks and writings that converged into different forms and events: a digital platform for participants to contribute to transnational debate by publicly sharing their critical thoughts and reflections, the exhibition Ego Update. The Future of the Digital Identity run on the 16th and 17th January 2016 in conjunction with the Identity Convention, two days of meetings and debates during which relevant common topics have been identified which have been deepened by contributions to the publication
Country curators: Bram Crevits (Belgium), Sabria David (Germany), Marie Lechner (France), Marco Mancuso & Filippo Lorenzin (Italy), Sandra Vieira Jürgens (Portugal), Mateo Feijóo (Spain).
Artists included in the Italian Pavillon: IOCOSE, Silvio Lorusso, Alterazioni Video, Salvatore Iaconesi e Oriana Persico (AOS - Art is Open Source). Other authors included: Arianna Mainardi, IOCOSE.
Research Interests:
We have to live with it, because this is the future. Who doesn’t understand it seems to be lost. The helpful models of cultural production in 20th century are dying out; so this generation has not even had time to try them, and it has... more
We have to live with it, because this is the future. Who doesn’t understand it seems to be lost. The helpful models of cultural production in 20th century are dying out; so this generation has not even had time to try them, and it has found itself with nothing for their efforts. For more than a decade, the economies necessary to set processes of media art and culture production have come from banks, private entrepreneurs, external sponsorships on markets that are apparently virgin but obviously ready for commercial contamination just to guarantee their own survival. The common sensation is that even these models are shortly destined to failure. We have to give place to more virtuous processes which correlate closely the research field with the production sector.
In a time of economical crisis and cuts to art and culture, it’s increasing, ideed, the number of international examples, cultural subjects, creative professionals (artists, designers, hackers, makers, musicians, filmmakers, graphic designers ...) and industries – ICT, science research, manufacturing processes, robotcs, biotechnologies, artificial intelligence and more - involved in the standardization of sustainable research and development models in order to activate processes of Open Research that are functional to the creation of a "cultural object".
This publication wants to map the most valuable case studies of Creative Industries and Open Innovation strategies in the world, looking at the those hidden forms of collaborations between artists, designer, scientists, geeks and industries which could represent the future and survival of the contemporary media art scene.
Invited Authors: Claudia D'Alonzo, Marc Garrett, Caroline Heron, Nikolaus Hafermaas
In a time of economical crisis and cuts to art and culture, it’s increasing, ideed, the number of international examples, cultural subjects, creative professionals (artists, designers, hackers, makers, musicians, filmmakers, graphic designers ...) and industries – ICT, science research, manufacturing processes, robotcs, biotechnologies, artificial intelligence and more - involved in the standardization of sustainable research and development models in order to activate processes of Open Research that are functional to the creation of a "cultural object".
This publication wants to map the most valuable case studies of Creative Industries and Open Innovation strategies in the world, looking at the those hidden forms of collaborations between artists, designer, scientists, geeks and industries which could represent the future and survival of the contemporary media art scene.
Invited Authors: Claudia D'Alonzo, Marc Garrett, Caroline Heron, Nikolaus Hafermaas
Research Interests:
Recent years are witnessing radical transformations in the relationships among art, science, design and society. The progressive de-institutionalization of the forms of production, management and consumption of material and immaterial... more
Recent years are witnessing radical transformations in the relationships among art, science, design and society. The progressive de-institutionalization of the forms of production, management and consumption of material and immaterial goods brought by new technologies (desktop manufacturing, DIYscience, 2.0 communities) is reshaping the way we conceive culture, giving more importance to bottom-up taxonomies of reality (i.e. the folksonomies) and questioning traditional paths of change (Open Innovation) and power (p2p communities). Analytically we can say that this phenomena are acting both horizontally and vertically. Horizontally, they are blurring the borders between different fields and disciplines, merging methodologies, languages, tacit and explicit know-hows. Vertically, they are affecting the distinction between “high”, academic approaches and “low”, ingenue ones. This cross-pollination creates enthusiasms and skepticisms at the same time. On one side it's perceived as an unforeseen expansion that will led to continuous innovation. On the other side it's seen a a menace for stability, quality and fairness.
This monographic issue explores this panorama according to six curators specialized in five different fields. Firstly, Bertram Niessen investigates the social ambiguity of digital creativity, the chances given by bottom-up co-production and the challenges offered by web-based practices of creative sharing. Secondly, Claudia D’Alonzo and Marco Mancuso focus on the changes taking place in relation to creation practice, dissemination and fruition of audio-visual artistic contents. Thirdly, Elena Biserna provides an overview on musical artistic practices and, at the same time, showing its significance in the sphere of cultural and everyday practices. As fourth, Sabina Barcucci investigates reasons, state of the art and developments of the relationships among design, education and complexity, looking at the new cognitive forms as the output of such phenomenon. Finally, Alessandro Delfanti examines the problem of the transformation of science expert epistemology, focusing on the political, artistic and cultural dimensions of
biohacking and DIYbio.
Invited curator: Marco Mancuso. Authors involved: Bertram Niessen, Claudia D'Alonzo, Sabina Barcucci, Alessandro Delfanti. Invitied guests: Lev Manovich, Michel Bauwens, Steve Kurtz (CAE), Kenneth Goldsmith
This monographic issue explores this panorama according to six curators specialized in five different fields. Firstly, Bertram Niessen investigates the social ambiguity of digital creativity, the chances given by bottom-up co-production and the challenges offered by web-based practices of creative sharing. Secondly, Claudia D’Alonzo and Marco Mancuso focus on the changes taking place in relation to creation practice, dissemination and fruition of audio-visual artistic contents. Thirdly, Elena Biserna provides an overview on musical artistic practices and, at the same time, showing its significance in the sphere of cultural and everyday practices. As fourth, Sabina Barcucci investigates reasons, state of the art and developments of the relationships among design, education and complexity, looking at the new cognitive forms as the output of such phenomenon. Finally, Alessandro Delfanti examines the problem of the transformation of science expert epistemology, focusing on the political, artistic and cultural dimensions of
biohacking and DIYbio.
Invited curator: Marco Mancuso. Authors involved: Bertram Niessen, Claudia D'Alonzo, Sabina Barcucci, Alessandro Delfanti. Invitied guests: Lev Manovich, Michel Bauwens, Steve Kurtz (CAE), Kenneth Goldsmith
Research Interests:
Between 1899 and 1904 the german philosopher and biologist Ernst Haeckel published a book of lithographic and autotype prints entitled Kunstformen der Natur (Art Forms of Nature), one of his best known works and a symbol of his zoological... more
Between 1899 and 1904 the german philosopher and biologist Ernst Haeckel published a book of lithographic and autotype prints entitled Kunstformen der Natur (Art Forms of Nature), one of his best known works and a symbol of his zoological research and philosophy, centered on the observation of marine micro-organisms as well of various natural species and animals. The complete volume, consisting of over 100 lithographs, each accompanied by a short descriptive text, obtained a great success even among the non-specialist public and among some Art Nouveau artists, committed to find new models to be used in the nascent industrial design and in architecture.
Research Interests:
We are witnessing the disintegration of the belief that the Internet was, for its unique nature, a free, participatory medium, in contrast to the medium of television. Positivity of the early years of the Internet is giving way to a... more
We are witnessing the disintegration of the belief that the Internet was, for its unique nature, a free, participatory medium, in contrast to the medium of television. Positivity of the early years of the Internet is giving way to a situation in which one cannot help but admit that the Internet, even with large areas of autonomy, is subject to the same dangerous political and economic dynamics of traditional media. It becomes crucial not just to understand what is the most democratic medium of the third millennium, but rather open our eyes to the dual nature of all media, to identify ways in which we learn to move strategically between truth and deception.
Globalne Ocieplenie / The Mediagate exhibition at GALERIA NT / Imaginarium in Łódź, Poland from 16/04 to 16/05/2010, was curated by Marco Mancuso and Claudia D'Alonzo. It aimed at reflecting, through the new media artworks by international artists, our constant battle between questioning and faith towards the media, without suggesting solutions, but triggering questions and doubts about our role as users.
Artists Invited: Milycon / En (Put down the gun), Dorota Walentynowicz (Plato Machine I), Sašo Sedlaček (Infocalypse Now!), Jan Van Neuenen (Video Retrospective), Les Liens Invisibles (Subvertr), Marc Lee (Oamos), Yorit Kluitman (You-Tube!), Vit Klusak a Filip Remunda (Czech Dream)
Texts in Catalogue: Michal Brzezinski, Agnieszka Kulazińska , Krzysztof Siatka, Krzysztof Siatka and from Digicult Network: Lucrezia Cipptelli, Claudia D'Alonzo, Marco Mancuso & Valentina Tanni
Globalne Ocieplenie / The Mediagate exhibition at GALERIA NT / Imaginarium in Łódź, Poland from 16/04 to 16/05/2010, was curated by Marco Mancuso and Claudia D'Alonzo. It aimed at reflecting, through the new media artworks by international artists, our constant battle between questioning and faith towards the media, without suggesting solutions, but triggering questions and doubts about our role as users.
Artists Invited: Milycon / En (Put down the gun), Dorota Walentynowicz (Plato Machine I), Sašo Sedlaček (Infocalypse Now!), Jan Van Neuenen (Video Retrospective), Les Liens Invisibles (Subvertr), Marc Lee (Oamos), Yorit Kluitman (You-Tube!), Vit Klusak a Filip Remunda (Czech Dream)
Texts in Catalogue: Michal Brzezinski, Agnieszka Kulazińska , Krzysztof Siatka, Krzysztof Siatka and from Digicult Network: Lucrezia Cipptelli, Claudia D'Alonzo, Marco Mancuso & Valentina Tanni
Research Interests:
In the last years the spread of informatics has brought to a revolution that is still in progress, both regarding the instruments and the ways of making art, and the modalities of production and display of the creative act. A constant... more
In the last years the spread of informatics has brought to a revolution that is still in progress, both regarding the instruments and the ways of making art, and the modalities of production and display of the creative act. A constant contamination and reprocessing of the languages is destroying the boundaries among the different forms of artistic expression and, at the same time, is perceiving the viewer as an active character, involved in multiple forms of participation: live media, networking, interactive exhibitions, interaction, urban design. Direct Digital puts together in a multidisciplinary platform the most interesting expressions of these creativity forms, in order to allow to an heterogeneous and full of artists, fans and thinkers audience, to meet and exchange views about making art in the digital age.
Direct digital has been a new media art exhibion which will took place from 30th May 2009 to 28th June 2009 in Modena and Carpi (Italy), in the Ex Ospedale Sant’Agostino and in Palazzo Pio, under the conception and artistic direction of Gilberto Caleffi. Direct Digital proposed a thick calendar of five sections, Exhibition, Live Media, Workshop, Cinema, Contest in order to show a detailed perspective of the most recent developments of art and creativity linked to the use of digital technologies. Artists included: Nam June Paik, Bill Viola, Andy Warhol, Douglas Gordon, Philippe Parreno, Sam Taylor-Wood, Tony Oursler, Chris Levine, Julian Opie, Gina Czarnecki, Heinrich Gresbeck, Golan Levin, Rafael Lozano-Hemmer, Takahiro Matsuo, Jin-Yo Mok, Kenichi Okada, Agostino Di Scipio, Mimmo Rotella.
Catalogue (texts and interviews) written and edited by Marco Mancuso and Claudia D'Alonzo.
Direct digital has been a new media art exhibion which will took place from 30th May 2009 to 28th June 2009 in Modena and Carpi (Italy), in the Ex Ospedale Sant’Agostino and in Palazzo Pio, under the conception and artistic direction of Gilberto Caleffi. Direct Digital proposed a thick calendar of five sections, Exhibition, Live Media, Workshop, Cinema, Contest in order to show a detailed perspective of the most recent developments of art and creativity linked to the use of digital technologies. Artists included: Nam June Paik, Bill Viola, Andy Warhol, Douglas Gordon, Philippe Parreno, Sam Taylor-Wood, Tony Oursler, Chris Levine, Julian Opie, Gina Czarnecki, Heinrich Gresbeck, Golan Levin, Rafael Lozano-Hemmer, Takahiro Matsuo, Jin-Yo Mok, Kenichi Okada, Agostino Di Scipio, Mimmo Rotella.
Catalogue (texts and interviews) written and edited by Marco Mancuso and Claudia D'Alonzo.
Research Interests:
Dall'8 Novembre al 31 Dicembre 2007 gli spazi della Traffic Gallery hanno ospitato la mostra “op7”, del collettivo milanese otolab, a cura di Marco Mancuso e Claudia D’Alonzo. Otolab nasce nel 2001 come un’unica identità entro la quale... more
Dall'8 Novembre al 31 Dicembre 2007 gli spazi della Traffic Gallery hanno ospitato la mostra “op7”, del collettivo milanese otolab, a cura di Marco Mancuso e Claudia D’Alonzo. Otolab nasce nel 2001 come un’unica identità entro la quale collaborano musicisti, djs, vjs, video-artisti, video makers, web designers, grafici e architetti legati dalla ricerca di compenetrazione tra immagine e suono. Attraverso una prassi di tipo laboratoriale, incentrata sulla condivisione di esperienze e saperi, otolab ha prodotto negli anni progetti collettivi ed individuali, che vanno dal live media all’installazione, dall’elettronica sperimentale alla techno, modi differenti attraverso i quali sperimentare percezioni ibride di suoni e visioni sintetici.
La mostra presso la Traffic Gallery si è proposta di documentare e reinterpretare uno dei più iconici lavori live di otolab, “op7”, nato da una commissione di Marco Mancuso nell’ambito della curatela del festival Mixed Media 2006, allo scopo di invitare il collettivo milanese a dialogare in modalità site-specific con l’opera “I sette palazzi celesti” dell’artista belga Anselm Kiefer. Performance audiovisiva, è presentata quindi in mostra attraverso un’installazione video dell’opera, un trittico e sette stampe fotografiche tratte da stills del materiale video originale.
La mostra presso la Traffic Gallery si è proposta di documentare e reinterpretare uno dei più iconici lavori live di otolab, “op7”, nato da una commissione di Marco Mancuso nell’ambito della curatela del festival Mixed Media 2006, allo scopo di invitare il collettivo milanese a dialogare in modalità site-specific con l’opera “I sette palazzi celesti” dell’artista belga Anselm Kiefer. Performance audiovisiva, è presentata quindi in mostra attraverso un’installazione video dell’opera, un trittico e sette stampe fotografiche tratte da stills del materiale video originale.
Research Interests:
La pervasività delle nuove tecnologie, a cui abbiamo assistito negli ultimi dieci anni, ha modificato molti aspetti della nostra quotidianità e ha introdotto linguaggi e codici specifici che hanno influenzato i diversi ambiti disciplinari... more
La pervasività delle nuove tecnologie, a cui abbiamo assistito negli ultimi dieci anni, ha modificato molti aspetti della nostra quotidianità e ha introdotto linguaggi e codici specifici che hanno influenzato i diversi ambiti disciplinari del "fare". L'uso dello strumento computer si è imposto come medium di riferimento nella maggior parte delle arti e professioni. Nel mondo occidentale l’attenzione è puntata sull’analisi delle trasformazioni, innovazioni e conseguenze legate all'avvento dei nuovi media, in grado di influenzare enormemente le sfera della produzione artistica e intellettuale, comprese l'architettura, l'arte, la musica e in generale la comunicazione creativa.
Mixed Media è stato il primo festival in Italia di respiro internazionale, svoltosi dal 26 al 28 Maggio 2006 negli spazi di Hangar Bicocca, che si è proposto come una occasione di incontro e di presentazione di alcune realtà artistiche e professionali che in questo meccanismo operano e si muovono. Non come una vetrina di prodotti proposti come paradigmatici e simbolici, quanto piuttosto come un luogo di condivisione delle esperienze e occasione di confronto sulle metodologie, con una particolare attenzione ai processi della produzione artistica digitale piuttosto che alla consacrazione o valutazione formale dei risultati finali. Attraverso mostre, incontri, seminari, concerti e ambienti sonori si vuole cercare di tracciare percorsi e connessioni fra le parti, individuando le modalità secondo cui il 'digitale' sta modificando le strutture culturali e le modalità percettive.
Direzione artistica: Paolo Rigamonti, Curatori: Marco Mancuso, Silvio Mondino, Tiziana Gemin, Maria Grazia Mattei, Hangar Bicocca Milano, 26-28/05/2006
Mixed Media è stato il primo festival in Italia di respiro internazionale, svoltosi dal 26 al 28 Maggio 2006 negli spazi di Hangar Bicocca, che si è proposto come una occasione di incontro e di presentazione di alcune realtà artistiche e professionali che in questo meccanismo operano e si muovono. Non come una vetrina di prodotti proposti come paradigmatici e simbolici, quanto piuttosto come un luogo di condivisione delle esperienze e occasione di confronto sulle metodologie, con una particolare attenzione ai processi della produzione artistica digitale piuttosto che alla consacrazione o valutazione formale dei risultati finali. Attraverso mostre, incontri, seminari, concerti e ambienti sonori si vuole cercare di tracciare percorsi e connessioni fra le parti, individuando le modalità secondo cui il 'digitale' sta modificando le strutture culturali e le modalità percettive.
Direzione artistica: Paolo Rigamonti, Curatori: Marco Mancuso, Silvio Mondino, Tiziana Gemin, Maria Grazia Mattei, Hangar Bicocca Milano, 26-28/05/2006
La prima esposizione monografica di uno dei gruppi più interessanti della sperimentazione digitale Italiana, presso Hublab Gallery a Milano, importante spazio che nel tempo ha valorizzato talenti nel nome di Hublab Edition, casa editrice... more
La prima esposizione monografica di uno dei gruppi più interessanti della sperimentazione digitale Italiana, presso Hublab Gallery a Milano, importante spazio che nel tempo ha valorizzato talenti nel nome di Hublab Edition, casa editrice che opera su diversi media. Eredi di una tradizione colta, più vicina alla ricerca pura che all’utilizzo artistico delle tecnologie, Limiteazero è una miscela non formale di linguaggi eterogenei (architettura ,design, arte, matematica, musica elettronica, comunicazione di massa, fisica, elettrotecnica) attraverso "manufatti meticci di identità rigorosa, operando in uno spazio teorico compreso fra la composizione algoritmica e produzione materica di forme che la esprimano".
Research Interests:
Le immagini che percepiamo quotidianamente nelle nostre vite hanno una caratteristica operativa, la capacità cioè di attivare un processo di conoscenza e analisi della realtà e di esercitare, su diversi piani, un effetto di... more
Le immagini che percepiamo quotidianamente nelle nostre vite hanno una caratteristica operativa, la capacità cioè di attivare un processo di conoscenza e analisi della realtà e di esercitare, su diversi piani, un effetto di interpretazione del mondo che ci circonda e, per estensione, del pensiero e della vita culturale e politica di una collettività. Critici e studiosi concordano nel pensare che le immagini posseggano la capacità di provocare in noi (ma anche negli animali, se per questo) una reazione, che, per altro, non è necessariamente cognitiva ma anche fisica: siano esse immagini reali, virtuali o in movimento
Research Interests:
In contemporary society, the impact that technological progress and scientific research exert on our life is evident and unequivocal. The effects brought about by these new phenomena will undoubtedly play a pivotal role in shaping our... more
In contemporary society, the impact that technological progress and scientific research exert on our life is evident and unequivocal. The effects brought about by these new phenomena will undoubtedly play a pivotal role in shaping our next future, both in positive and negative terms. Nowadays, we are witnessing the fast spread of innovative elements such as prosthesis, wearables devices and ingestible sensors; an unprecedented progress in the field of artificial intelligence (AI) research and neuroscience; the emergence of innovative perspectives and opportunities brought about by biotechnology and genetic advancement.
Research Interests:
Nell’ormai (relativamente) lontano 2014, il teorico dei media e saggista Lev Manovich1, insieme al gruppo di ricerca del Cultural Analytics Lab2 da lui fondato e diretto presso il California Institute for Telecommuni- cation and... more
Nell’ormai (relativamente) lontano 2014, il teorico dei media e saggista Lev Manovich1, insieme al gruppo di ricerca del Cultural Analytics Lab2 da lui fondato e diretto presso il California Institute for Telecommuni- cation and Information, rilascia il progetto The Excep- tional and the Everyday: 144 hours in Kyiv (2014), una stupefacente analisi visiva dell’uso di Instagram du- rante una protesta civile. Dal 17 al 22 febbraio 2014, infatti, l’Ucraina affronta una delle più importanti e vio- lente rivoluzioni della sua travagliata storia - sull’onda delle durissime manifestazioni di piazza dell’inverno precedente, conosciute con il termine Euromaidan - culminata con la cacciata dell’allora presidente filorus- so Viktor Janukovy′, la restaurazione della costituzio- ne come era dopo la rivoluzione arancione del 2004, il rilascio della prigioniera politica Julija Tymošenko e l’abolizione della "legge sulle lingue regionali", con conseguente nuova legge decretante l'ucraino unica lingua di Stato.
Research Interests:
"Dialoghi di Estetica" è la rubrica di filosofia e arte pubblicata dal 2012 sulla rivista Artribune, a cura di Davide Dal Sasso. Muovendo dal libro Arte, tecnologia e scienza. Le Art Industries e i nuovi paradigmi di produzione nella New... more
"Dialoghi di Estetica" è la rubrica di filosofia e arte pubblicata dal 2012 sulla rivista Artribune, a cura di Davide Dal Sasso. Muovendo dal libro Arte, tecnologia e scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, il dialogo affronta il rapporto tra arte e tecnologia, la natura ibrida della New Media Art, il cambiamento delle attività dell’artista e del curatore, le art industries e il rinnovamento dei paradigmi di produzione artistica.
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Tra le letture più interessanti che sviscerano i vari aspetti del rapporto arte, scienza e tecnologia, troviamo il volume edito Mimesis di Marco Mancuso – critico, curatore ed editore indipendente, la cui ricerca si focalizza sull’impatto... more
Tra le letture più interessanti che sviscerano i vari aspetti del rapporto arte, scienza e tecnologia, troviamo il volume edito Mimesis di Marco Mancuso – critico, curatore ed editore indipendente, la cui ricerca si focalizza sull’impatto delle tecnologie e della scienza sull’arte, il design e la cultura contemporanea – uscito l'autunno scorso: Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea. Un'analisi lucida e appassionata che, muovendosi nel territorio della New Media Art contemporanea, guida il lettore in un mondo interdisciplinare e ibrido tra arte, design, architettura, suono, moda, performance, ricerca scientifica e innovazione tecnologica.
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Per troppo amore… Perhaps this text is born from too much love — love for the work and the journey of Alterazioni Video. Perhaps it comes as a result of the last three days spent in close contact with Giacomo and Caffa — I guess it’s my... more
Per troppo amore… Perhaps this text is born from too much love — love for the work and the journey of Alterazioni Video. Perhaps it comes as a result of the last three days spent in close contact with Giacomo and Caffa — I guess it’s my way of processing them. Or perhaps this text simply emerges as a celebration of one of those nights that never seem to end, that sail against the wind from place to place (how could I forget Dusseldorf’s Club Kulisse?), from person to person (ask around for Roman), and from situation to situation (best to leave it at that). Those are the nights that you know will stay with you for a while.
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One of the most interesting aspects of our relationship with technology and how we communicate with other people through technology is the way we build up meaning around the narrative of our identities. The internet, social networks and... more
One of the most interesting aspects of our relationship with technology and how we communicate with other people through technology is the way we build up meaning around the narrative of our identities. The internet, social networks and p2p structures have boosted this phenomenon, facilitating the creation of increasingly large networks built around individuals and their personal narratives in relation to virtual (and real) audiences-which are selected on the basis of personal relationships but also increasingly by taking into account social, economic and professional processes.
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One of the most interesting aspects of our relationship with technology and how we communicate with other people through technology is the way we build up meaning around the narrative of our identities. The internet, social networks and... more
One of the most interesting aspects of our relationship with technology and how we communicate with other people through technology is the way we build up meaning around the narrative of our identities. The internet, social networks and p2p structures have boosted this phenomenon, facilitating the creation of increasingly large networks built around individuals and their personal narratives in relation to virtual (and real) audiences — which are selected on the basis of personal relationships but also increasingly by taking into account social, economic and professional processes. When interacting with other people on the Net, individuals reflect more and more on themselves, carefully choosing contents (whether personal or not) which others may see. This leads to a self-discourse which redefines the whole notions of identity, repetition and difference.
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The Arts in Society Conference aims to discover what values, instincts, and common ground may exist within the arts and their practices and sites of reception around the world. Your participation helps to shape the conference themes and... more
The Arts in Society Conference aims to discover what values, instincts, and common ground may exist within the arts and their practices and sites of reception around the world. Your participation helps to shape the conference themes and content, while fostering the spirit of collaborative possibilities. The Tenth International Conference on the Arts in Society was dedicated to “The Work of Art in the Age of Networked Society”.
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We’ve got to start living with it, the future is here; those who do not take it in are lost. The twentieth-century sustenance models of artistic and cultural production are disappearing and our generation has not had the time to test them... more
We’ve got to start living with it, the future is here; those who do not take it in are lost. The twentieth-century sustenance models of artistic and cultural production are disappearing and our generation has not had the time to test them all the way. In Western countries, state subsidies for culture, as well as funds provided by enlightened (and interested) sponsors, are ever more scarce and concentrated in the hands of a few representatives of a social
and economic elite that is busy occupying and consolidating its roles and positions.
and economic elite that is busy occupying and consolidating its roles and positions.
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In recent years, the development of digital technologies provided new tools for the increasing of a new form of internet. The so called Web 2.0 is, clearly today, a radical evolution of the Internet as we knew it in the last 15 years: a... more
In recent years, the development of digital technologies provided new tools for the increasing of a new form of internet. The so called Web 2.0 is, clearly today, a radical evolution of the Internet as we knew it in the last 15 years: a democratic land in which users become an active part of the system, producing contents on one side and selecting and aggregating informations and culture items on the other side. The definition of "prosumer" is today witnessing a new sort of hybrid social and creative subject: a user hungry for pieces of open informations, anxious to produce and share cultural and social tools through peer-to-peer collaborative activities with/for communities, close to bottom-up taxonomies of reality (i.e. the folksonomies, systems of classification derived from the practice and method of collaboratively creating and managing tags to annotate and categorize contents), but also careful to develope its social capital through the effective use of the new social networks and platforms.
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What is intended today as Audiovisual Art? Which is the result of an artistic journey that started from the avant-guarde artistic movements of the last centuries and the pioneering experiments of artists, video makers and musicians... more
What is intended today as Audiovisual Art? Which is the result of an artistic journey that started from the avant-guarde artistic movements of the last centuries and the pioneering experiments of artists, video makers and musicians working with analog and electronic technologies like lights, paintings, cinema, architecture, video, contemporary and classical music and sound? And, what is remaining today of the techno – enthusiasm of the beginning of the XXI century, coming from the synthetic integration between audio and video components through the use of a new powerful generation of software and hardware technologies?
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During the last few years, the worlds of technology and communication have been marked by the emergence of the open access, peer-to-peer and open source. Known as "digital commons", these free and open source kind of production and... more
During the last few years, the worlds of technology and communication have been marked by the emergence of the open access, peer-to-peer and open source. Known as "digital commons", these free and open source kind of production and distribution phenomena are affecting cultural and artistic practices in the broad sense.
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What is today recognized as "immersive art-science" is a form of creative expression meant to rise above the notion of art as abstract representation. This historical-critical statement of this lecture is to map those audiovisual artists... more
What is today recognized as "immersive art-science" is a form of creative expression meant to rise above the notion of art as abstract representation. This historical-critical statement of this lecture is to map those audiovisual artists acting with a “discovery approach”, observing and recording, working without the use of video or digital tecniques but obtaining the flux of sound and images only by natural and spontaneous scientific phenomena.
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Marco Mancuso is an Italian-based critic, art curator and journalist who specialises in digital art and culture. Founder and director of Digicult, Marco works specifically on contemporary audiovisual art and design, with a focus on... more
Marco Mancuso is an Italian-based critic, art curator and journalist who specialises in digital art and culture. Founder and director of Digicult, Marco works specifically on contemporary audiovisual art and design, with a focus on electronic music and visual art, software culture, generative art and design, open source technologies, as well as interactive and ambient space installations. He curates exhibitions and events, and teaches at NABA (Nuova Accademia di Belle Arti) and IED (Istituto Europeo di Design) in Milan.
Digicult is a cultural project and platform focusing on promoting and disseminating digital art and culture, on the impact of new technology and science on art, design and contemporary society digital culture and electronic arts.
The following interview between Annette Wolfsberger and Marco Mancuso took place via email in March 2009.
Digicult is a cultural project and platform focusing on promoting and disseminating digital art and culture, on the impact of new technology and science on art, design and contemporary society digital culture and electronic arts.
The following interview between Annette Wolfsberger and Marco Mancuso took place via email in March 2009.
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La sinestesia nel rapporto tra suono e immagine, l’immersione sensoriale dello spettatore, l’elemento narrativo di un’opera, l’optofonia compositiva, il rapporto architettonico con lo spazio, sono da sempre alcuni degli ingredienti... more
La sinestesia nel rapporto tra suono e immagine, l’immersione sensoriale dello spettatore, l’elemento narrativo di un’opera, l’optofonia compositiva, il rapporto architettonico con lo spazio, sono da sempre alcuni degli ingredienti importanti di un prodotto artistico audiovisivo, sia che esso appartenga alla tradizione del cinema sperimentale, del video o del digitale. L’artista austriaco Kurt Hentschlager (una delle due anime dei Granular Synthesis, insieme a Ulf Langheinrich, pionieri della ricerca audiovisiva in ambito digitale) ha prodotto nel corso degli ultimi tre anni due progetti che non solo rappresentano la summa di quanto appena detto, ma che si riconoscono
del tutto unici nel loro genere.
del tutto unici nel loro genere.
Research Interests:
Treviso, November 2008. Fabrica, Benetton's communication research centre, hosts on 25-28 November 2008 a workshop held by futurologist and author Bruce Sterling, one of the founders and leading promulgators of cyberpunk sci-fi. The... more
Treviso, November 2008. Fabrica, Benetton's communication research centre, hosts on 25-28 November 2008 a workshop held by futurologist and author Bruce Sterling, one of the founders and leading promulgators of cyberpunk sci-fi. The Sterling workshop theme takes its cue from the concept of generative art, i.e. a process which develops with a certain degree of autonomy to produce a work of art or design. When generative art is computer-based, windows are opened onto otherwise unimaginable fields of human creativity. The computer becomes a vehicle for exploring new territories and boosting our understanding of creativity as an inseparable synthesis of art and science.
The workshop was also enriched by a contribution from Marco Mancuso, who is a critic, art curator and the founder and director of Digicult. Mancuso attended the presentation of the workshop’s results and offer his comments as a conclusion to the proceedings.
The workshop was also enriched by a contribution from Marco Mancuso, who is a critic, art curator and the founder and director of Digicult. Mancuso attended the presentation of the workshop’s results and offer his comments as a conclusion to the proceedings.
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Giorgia Lupi è una Information Designer. Ciò che caratterizza il suo lavoro è l’equilibrio quasi magico tra la componente digi-tale e analogica del suo lavoro: dati catturati mediante algoritmi e sistemi di analisi complessi accompagnati... more
Giorgia Lupi è una Information Designer. Ciò che caratterizza il suo lavoro è l’equilibrio quasi magico tra la componente digi-tale e analogica del suo lavoro: dati catturati mediante algoritmi e sistemi di analisi complessi accompagnati da una – apparente-mente semplice – visualizzazione mediante carta e penna. Colori e forme quasi infantili disegnati con cura e attenzione maniaca-li nella loro corrispondenza al singolo dato, ma la cui risultan-te è pura poesia. Giorgia Lupi usa la tecnica per raccontare la vita: utilizza il digitale per narrare il reale. Lo ha definito Data Humanism, la capacità cioè di associare i dati alle persone che li generano, ai loro comportamenti e abitudini. Il dato come ele-mento di storytelling, rappresentabile con una componente for-temente creativa, di impatto immediato, come il disegno.
Pubblicato originariamente su Digicult il 12/07/2017
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 12/07/2017
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Da qualche anno esiste in rete una piattaforma che consente di mostrare, vendere e collezionare opere d’arte in formato digitale fruibili su schermo. Sedition, fondata nel 2011 dal collezionista e gallerista Harry Blain e intervistata al... more
Da qualche anno esiste in rete una piattaforma che consente di mostrare, vendere e collezionare opere d’arte in formato digitale fruibili su schermo. Sedition, fondata nel 2011 dal collezionista e gallerista Harry Blain e intervistata al suo terzo anno di vita, presenta un numero ampio e crescente di opere, selezionate a chiamata, di artisti di assoluto rilievo tra cui Damien Hirst, Bill Viola, Jenny Holzer, Christian Boltanski, Ryoji Ikeda, Casey Reas, Aaron Koblin, Universal Everything, Ryoichi Kurokawa, Paolo Cirio, LIA, Quayola, Mark Amerika, Claudia Hart e tanti altri. Sedition è concepita come una piattaforma per il trading online, che dà modo ai suoi membri di acquistare e rivendere in modo semplice e diretto opere d’arte per la propria collezione.
Pubblicato originariamente su Digicult il 23/11/2014
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 23/11/2014
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Peter Tscherkassky, vincitore della sezione Nuovi Orizzonti alla 67ima Mostra del Cinema di Venezia nel 2010 con il lavoro Coming Attractions (2010), è un cineasta austriaco di cui si celebra l’importanza non solo all’interno dei confini... more
Peter Tscherkassky, vincitore della sezione Nuovi Orizzonti alla 67ima Mostra del Cinema di Venezia nel 2010 con il lavoro Coming Attractions (2010), è un cineasta austriaco di cui si celebra l’importanza non solo all’interno dei confini della settima arte, ma anche e soprattutto per la produzione e la ricerca audiovisiva intesa come possibilità estetico-espressiva del rapporto suono-immagine. Tra gli ospiti più attesi della IX Magis Spring School / Film Forum di Gorizia nel 2011 organizzata dal DAMS dell’Università di Udine, l’autore presentò in quell’occasione la sua ultima fatica, da cui nasce l’intervista che segue. Peter Tscherkassky negli anni è stato organizzatore di eventi legati al cinema sperimentale e direttore del festival Diagonale di Graz, nonché stimatissimo fondatore e direttore dell’etichetta Sixpackfilm.
Pubblicato originariamente su Digicult il 01/04/2011
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 01/04/2011
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Andy Deck è pioniere dell’arte concettuale in rete. La sua ricchissima attività artistica si manifesta in tutta la sua esuberanza navigando quelle piattaforme web che fungono da archivio dei suoi lavori: Andyland.net e Artcontext.net.... more
Andy Deck è pioniere dell’arte concettuale in rete. La sua ricchissima attività artistica si manifesta in tutta la sua esuberanza navigando quelle piattaforme web che fungono da archivio dei suoi lavori: Andyland.net e Artcontext.net. Mischiando dominanti tipiche della Net Art, pensiero critico, processi collaborativi, propensione attivista, utilizzo del codice, détournement, de-familiarizzazione del mezzo e interattività, Andy Deck sviluppa dalla metà degli anni Novanta quelli che lui stesso ha definito “progetti di arte pubblica”.
Pubblicato originariamente da Digicult il 01/03/2010
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente da Digicult il 01/03/2010
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Aether Architecture è stato, per moltissimi anni, uno studio di design tra i più conosciuti a livello internazionale, per il suo approccio innovativo alla definizione di una nuova architettura mediale. Adam Somlai-Fischer e i suoi soci... more
Aether Architecture è stato, per moltissimi anni, uno studio di design tra i più conosciuti a livello internazionale, per il suo approccio innovativo alla definizione di una nuova architettura mediale. Adam Somlai-Fischer e i suoi soci sono considerati pionieri di una disciplina ibrida tra progettazione, arte e sperimentazione che utilizza gli strumenti del digitale per rappresentare fisicamente i nuovi spazi virtuali, le connessioni, i network e i flussi di in-formazioni della società contemporanea. La complessità dell’approccio teorico e metodologico di Adam Somlai-Fischer, con forti radici nella cultura hacker e DIY, lo sforzo di perseguire un ruolo nuovo e radicale per l’architettura, sono elementi emersi in questa intervista, una delle poche rilasciate in questi anni dall’architetto ungherese.
Pubblicato originariamente su Digicult il 03/03/2008
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 03/03/2008
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Feed performance audiovisiva spazializzata dell’artista austriaco Kurt Hentschlager – una delle due anime dei Granular Synthesis, insieme a Ulf Langheinrich, pionieri della sperimentazione audio-video e capiscuola per un’intera... more
Feed performance audiovisiva spazializzata dell’artista austriaco Kurt Hentschlager – una delle due anime dei Granular Synthesis, insieme a Ulf Langheinrich, pionieri della sperimentazione audio-video e capiscuola per un’intera generazione di performer e artisti elettronici – è rimasto sin dai tempi di questa intervista, un progetto unico nel suo genere. Chi ha avuto modo di “fare esperienza” con questa opera negli anni scorsi, sa bene di cosa stiamo parlando. Progettato per la Biennale Teatro di Venezia del 2005, passato poi al festival Netmage di Bologna e replicato a più riprese in tutto il mondo fino al Sonar di Barcellona e all’Elektra di Montreal, Feed (2005-2006) opera un’integrazione sinestetica, spesso violenta e radicale, tra luce stroboscopica, fumo da discoteca e suoni granulari.
Pubblicato originariamente su Digicult il 02/07/2007
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 02/07/2007
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
L’edizione del festival transmediale del 2007 fu di cambiamento per molti di quelli che vi parteciparono, quasi di difficile comprensione. Suo malgrado, come appuntamento di riferimento per tutti coloro che si occupano di nuovi media,... more
L’edizione del festival transmediale del 2007 fu di cambiamento per molti di quelli che vi parteciparono, quasi di difficile comprensione. Suo malgrado, come appuntamento di riferimento per tutti coloro che si occupano di nuovi media, transmediale è sempre sulla bocca di tutti. E come tutti gli appuntamenti importanti, è sempre sotto la luce dei riflettori, dettando i tempi, dando conferme e spiazzando per i suoi cambiamenti. Ciò che quell’anno sembrò chiaro a molti fu che, la grande kermesse berlinese, avesse definitivamente rotto gli argini verso il mondo dell’arte contemporanea, processo riscontrabile sia nelle opere esposte sia negli incontri organizzati, nonché nel differente tipo di pubblico presente. Quella edizione è anche ricordata per l’addio al critico e curatore Andreas Broeckmann, direttore del festival dal 2000.
Pubblicato originariamente su Digicult il 01/04/2007
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 01/04/2007
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Daniel Rozin è artista e docente, uno dei designer più originali a livello internazionale in grado di esaltare, con le sue opere, il concetto di interattività e la creazione di un legame profondo tra artista, opera e spettatore. I suoi... more
Daniel Rozin è artista e docente, uno dei designer più originali a livello internazionale in grado di esaltare, con le sue opere, il concetto di interattività e la creazione di un legame profondo tra artista, opera e spettatore. I suoi lavori – al centro di questa chiacchierata – si focalizzano sul concetto di “specchio”, sulla traduzione diretta e formale di quella quotidiana interattività che questo oggetto è in grado di creare con chiunque si ponga di fronte a esso. I suoi specchi meccanici montano delle videocamere per individuare il soggetto e dei motori, governati da computer, per muovere le singole componenti chiare e scure dello specchio stesso (pezzi di legno, sfere metalliche, dischi colorati, oggetti di riciclo) e per attivare un conseguente effetto ottico di contrasti e quindi di idea di riflessione.
Pubblicato originariamente su Digicult il 02/05/2006
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Pubblicato originariamente su Digicult il 02/05/2006
Marco Mancuso, Intervista con la New Media Art. L'osservatorio digicult tra arte, design e cultura digitale, Milano 2020. Paperback, color, 486 pages, ISBN 978-8857569444
Research Interests:
Michael John Gorman è ex Amministratore Delegato di Science Gallery International, iniziativa nata per sviluppare una rete globale di gallerie per la scienza (Science Gallery sparse nel mondo, attualmente tra Dublino, Londra, Detroit,... more
Michael John Gorman è ex Amministratore Delegato di Science Gallery International, iniziativa nata per sviluppare una rete globale di gallerie per la scienza (Science Gallery sparse nel mondo, attualmente tra Dublino, Londra, Detroit, Melbourne, Bangalore e dal 2019 anche a Venezia) che avvicina i giovani alle discipline scientifiche, alla tecnologia e alle arti. Lavora come professore associato di Ingegneria e Computer Science al Trinity College ed è direttore del TCD Idea Translation Lab, frutto di una collaborazione tra il Trinity College e l’Università di Harvard, che promuove l’innovazione multidisciplinare tra gli studenti universitari. È coordinatore dello StudioLab, progetto europeo che si occupa di arte, scienza e design sperimentale. È stato professore di Scienze, Tecnologia e Società presso l’Università di Stanford e ha diretto borse di studio post-dottorato alle Università di Harvard, Stanford e al MIT – Massachusetts Institute of Technology.
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Research Interests:
José Luis de Vicente è curatore e ricercatore, interessato al rapporto tra cultura, arte, tecnologia e design. È direttore del Sónar+D, la sezione sulle Tecnologie Creative del Sónar Festival di Barcellona e collabora con il festival... more
José Luis de Vicente è curatore e ricercatore, interessato al rapporto tra cultura, arte, tecnologia e design. È direttore del Sónar+D, la sezione sulle Tecnologie Creative del Sónar Festival di Barcellona e collabora con il festival Future Everything di Manchester. Conduce il programma Visualizar per il Data Culture al Medialab Prado di Madrid e insegna all’Institute for Advanced Architecture of Catalonia (IAAC). Sónar+D è un meeting internazionale che si articola attraverso una combinazione di diverse attività, unite da un tema comune: la relazione tra creatività e tecnologia e le trasformazioni digitali delle industrie creative.
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Research Interests:
Joachim Sauter è new media artist e designer, fondatore dello studio ART+COM di Berlino. Nato come organizzazione non-profit per esplorare le possibilità dei nuovi media applicati ai campi dell’arte, del design, della scienza e della... more
Joachim Sauter è new media artist e designer, fondatore dello studio ART+COM di Berlino. Nato come organizzazione non-profit per esplorare le possibilità dei nuovi media applicati ai campi dell’arte, del design, della scienza e della tecnologia, ART+COM è da anni uno dei più importanti gruppi internazionali che produce opere e progetti per istituzioni e brand, capace di abbracciare diversi format: oggetti cinetici, installazioni interattive, progetti in realtà aumentata, architettura e ambienti mediali. Dal 1991 Joachim Sauter è professore di New Media Art e Design alla UdK, Universität der Künste di Berlino (l’Università di Belle Arti della capitale tedesca) e dal 2001 è professore a contratto presso la UCLA, Università della California Los Angeles.
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Research Interests:
Semiconductor è un duo artistico di origini britanniche, composto da Ruth Jarman e Joe Gerhardt. Producono opere audiovisive immersive che esplorano la natura del nostro mondo e come noi ne facciamo esperienza attraverso le lenti della... more
Semiconductor è un duo artistico di origini britanniche, composto da Ruth Jarman e Joe Gerhardt. Producono opere audiovisive immersive che esplorano la natura del nostro mondo e come noi ne facciamo esperienza attraverso le lenti della scienza e della tecnologia. I loro lavori amplificano i campi di indagine del rapporto tra suono e immagini in movimento, trascendendo il mero utilizzo dello strumento e cercando nuove forme espressive che superino i confini di genere. In anni recenti, hanno portato avanti ricerche e progetti grazie a premi e programmi di residenza che li hanno messi in contatto con laboratori scientifici in tutto il mondo, tra cui il NASA Space Sciences Laboratory, il Mineral Sciences Laboratory, lo Smithsonian Museum of Natural History e il Charles Darwin Research Station.
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Research Interests:
Simona Maschi è co-fondatrice e direttrice del CCID Copenhagen Institute of Interaction Design, alla testa del quale coordina un team di professionisti che forniscono programmi di formazione e laboratori di ricerca nell’ambito del design... more
Simona Maschi è co-fondatrice e direttrice del CCID Copenhagen Institute of Interaction Design, alla testa del quale coordina un team di professionisti che forniscono programmi di formazione e laboratori di ricerca nell’ambito del design interattivo, nonchè consulenza per aziende internazionali nel campo dell’ICT e della ricerca scientifica. Simona Maschi è esperta di Service Design, di Scenario Design e di Design Methods, nonché grande appassionata di tutte quelle soluzioni di progettazione che hanno impatto positivo sulle vite delle persone.
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Marco Mancuso, Arte, Tecnologia e Scienza. Le Art Industries e i nuovi paradigmi di produzione nella New Media Art contemporanea, Mimesis, Milano 2018. Paperback, color, 292 pages, ISBN 978-8857553139
Research Interests:
Equanimity, the hologram portrait of Her Majesty Queen Elizabeth II, was commissioned by the Jersey Heritage Trust to commemorate eight hundred years of the island’s allegiance to the British Crown. Chris Levin uses ten thousand images... more
Equanimity, the hologram portrait of Her Majesty Queen Elizabeth II, was commissioned by the Jersey Heritage Trust to commemorate eight hundred years of the island’s allegiance to the British Crown. Chris Levin uses ten thousand images and 3D data sets of the Queen to create a hologram mounted on glass and enlightened by a row of LED. The work portrays the Queen with the Diadem, worn by Elizabeth II on the day of her coronation in 1953. The title refers to Vipassana meditation, in which the term “equanimity” means observing sensation without craving for pleasant sensations and aversion for unpleasant ones, necessary to achieve personal balance. This is what the Queen represents, a composure that is not common in everyday contemporary craziness
Research Interests:
Agostino Di Scipio’s Stanze Private seeks to build an ecosystem: a self-sustaining system of life, upon which all agents, including ourselves, exert a fundamental albeit unpredictable influence. With Stanze Private Di Scipio invites us to... more
Agostino Di Scipio’s Stanze Private seeks to build an ecosystem: a self-sustaining system of life, upon which all agents, including ourselves, exert a fundamental albeit unpredictable influence. With Stanze Private Di Scipio invites us to become part of his sonic ecosystem and to contemplate its evolution, while witnessing the unpredictability of nature, along with our inability to exercise full control over external phenomena, to seclude ourselves from unwanted influences, to establish our privacy.
Research Interests:
Prince and Migrant Birds is an interactive installation in which participants can enjoy a scene from the The Little Prince novel, written by Antoine de Saint-Exupery. The Little Prince leaves his star and travels to see the planets,... more
Prince and Migrant Birds is an interactive installation in which participants can enjoy a scene from the The Little Prince novel, written by Antoine de Saint-Exupery. The Little Prince leaves his star and travels to see the planets, accompanied by migrant birds: in Prince and Migrant Birds, by revealing the light of a glowing sphere, which is the symbol of the Little Prince’s star, birds fly away in unison from the hand of the participant. When participants move the sphere, they will be connected to the strings of the migrant birds,
fluttering their wings. By walking in the installation space, participants can journey through the universe as if they’re flying between the stars together with the birds.
fluttering their wings. By walking in the installation space, participants can journey through the universe as if they’re flying between the stars together with the birds.
Research Interests:
Opto-Isolator inverts the condition of spectatorship by exploring the questions: “What if artworks could know how we were looking at them? And, given this knowledge, how might they respond to us?”. The sculpture presents a solitary... more
Opto-Isolator inverts the condition of spectatorship by exploring the questions: “What if artworks could know how we were looking at them? And, given this knowledge, how might they respond to us?”. The sculpture presents a solitary mechatronic blinking eye, at human scale, which responds to the gaze of visitors with a variety of psychosocial eye-contact behaviors that are at once familiar and unnerving. Opto-Isolator was developed and fabricated in collaboration with Greg Baltus of Standard Robot Company, Pittsburgh, with support from the Creative Capital Foundation, from the Berkman Faculty Development Fund at Carnegie Mellon University, and from the Pennsylvania Council on the Arts fellowship award program.
Research Interests:
Microphones is an interactive installation featuring one or more 1939-vintage Shure microphones, placed on mic stands around the exhibition room at diff erent heights. Each microphone has been modifi ed so that its head contains a tiny... more
Microphones is an interactive installation featuring one or more 1939-vintage Shure microphones, placed on mic stands around the exhibition room at diff erent heights. Each microphone has been modifi ed so that its head contains a tiny loudspeaker and a circuit board connected to a network of hidden computers. When a public member speaks into a microphone, it records his or her voice and immediately plays back the voice of a previous participant, as an echo from the past.
Research Interests:
Cell Mass N2 takes raw footage of improvised and choreographed performances by the Australian Dance Theatre, to which Gina Czarnecki applied digital compositional techniques in the editing stage. The result is a powerful and compelling... more
Cell Mass N2 takes raw footage of improvised and choreographed performances by the Australian Dance Theatre, to which Gina Czarnecki applied digital compositional techniques in the editing stage. The result is a powerful and compelling hybrid of visual art, experimental media, technology and dance. The imagery of Cell Mass N2 evolves from complex masses of cell-like structures, to graceful friezes of bodies whose movement is distorted in time, creating tableaux both breathtaking in beauty and rich in texture. A specially commissioned soundtrack composed by the acclaimed Austrian electronic artist Christian Fennesz accompanies the work
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag72ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag72ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag71ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag71ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag70ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag70ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag69ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag69ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag68ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag68ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag67ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag67ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag66ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag66ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag65ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag65ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag64ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag64ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag63ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag63ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag62ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag62ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag61ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag61ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag60ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag60ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag59ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag59ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag58ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag58ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag57ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag57ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag56ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag56ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag55ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag55ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag54ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag54ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag53ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag53ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag52ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag52ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag51ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag51ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag50ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag50ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag49ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag49ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag48ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag48ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag47ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag47ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag46ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag46ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag45ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag45ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag44ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag44ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag43ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag43ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag42ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag42ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag41ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag41ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag37ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag37ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag36ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag36ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag35ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag35ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag34ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag34ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
This issue was published only in Italian
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag32ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag32ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag31ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag31ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag30ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag30ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag29ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag29ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag28ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag28ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag27ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag27ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag26ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag26ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag25ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag25ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag24ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag24ita.pdf
Research Interests:
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media... more
Digimag was an independent online monthly magazine focused on the impact of digital technologies and science on contemporary art and culture at large, featuring 72 issues from 2005 to 2012. A milestone of the expansion of new media consciousness at national and international level, it quickly become a reference and evolved year after year, issue after issue, morphing into a cultural instrument, a tool for academics, researchers, students, artists, designers, geeks and practitioners connected to the main international media centers, universities, art galleries, festivals and worldwide networks. Essays, interviews and reports were written by a whole international generation of authors, critics and journalists, assigned, curated and selected by Marco Mancuso and the Digicult editorial staff. All Digimag issues are available online in English and Italian, for free as pdf, epub, mobi, Issuu and Print on Demand, under Creative Commons licenses.
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag23ita.pdf
The Digimag website: https://digicult.it/digimag-journal
The Digicult Network: https://digicult.it/authors-network
Il numero in Italiano:
http://www.digicult.it/wp-content/uploads/digimag23ita.pdf