Jacqueline Jung
Yale University, History of Art, Faculty Member
- Art History, Medieval Studies, Gothic Sculpture, Medieval Art, Gothic architecture, Gothic Art, and 17 moreMaterial Culture Studies, Materiality (Anthropology), Medieval Art History, Eucharist, Patronage (History), Medieval Sculpture (XIII-XVth Century), Eucharistic Theology, Northern Renaissance, Miniature Books, Gothic Ivories, Economies of the sacred, Anthropology, Architecture, Medieval Architecture, Materiality of Art, Medieval Sculpture, and Information Systemsedit
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First presented at a colloquium in Vienna in honor of Prof. Michael Viktor Schwarz, this essay synthesizes the much longer analyses of the Naumburg donor figures that appear as Chapters 5 and 6 of my book Eloquent Bodies, and adds a... more
First presented at a colloquium in Vienna in honor of Prof. Michael Viktor Schwarz, this essay synthesizes the much longer analyses of the Naumburg donor figures that appear as Chapters 5 and 6 of my book Eloquent Bodies, and adds a discussion of medieval pigeon-lore and imagery.
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engagement with recent evidence from arguably the most famous Roman sacred grove, that of Diana at Nemi where pilgrims hung offerings from branches and from where the now infamous myth of the rex Nemorensis and the so-called “golden... more
engagement with recent evidence from arguably the most famous Roman sacred grove, that of Diana at Nemi where pilgrims hung offerings from branches and from where the now infamous myth of the rex Nemorensis and the so-called “golden bough” originates. This is perhaps a consequence of Hunt’s emphasis on the power of trees in the imagination, rather than in lived experience. There is also a tendency at times to over-emphasize the significance of observations derived from one tree or one case study, and to extend these uncritically to “the Roman imagination,” “Roman thinking,” “Roman thinkers,” and “the Roman world” when it is not always clear that this wider application is sustainable. Despite this, however, the book demands to be read by anyone serious about “reviving Roman religion.”
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Bryan C. Keene and Alexandra Kaczenski, Sacred Landscapes: Nature in Renaissance Manuscripts. Los Angeles: J. Paul Getty Museum 2017. Pp. 111; many color figures. $24.95. ISBN: 978-1-6060-6564-4. Nicole R. Myers, ed., Art and Nature in the Middle Ages, with contributions by Michel Pastoureau, Eli...more
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Research Interests: Religion and The Religion
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From: Theologisches Wissen und die Kunst: Festschrift für Martin Büchsel, ed. Rebecca Müller, Anselm Rau, and Johanna Scheel (Berlin: Mann, 2015), 369-82.
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In: Mobile Eyes: Peripatetisches Sehen in den Bildkulturen der Vormoderne, ed. David Ganz and Stefan Neuner (Munich: Fink, 2013), 132-73.
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In: Der Magdeburger Dom im europäischen Kontext, ed. Wolfgang Schenkluhn and Andreas Waschbüsch (Regensburg: Schnell und Steiner, 2011), 197-212.
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In: Der Naumburger Meister: Bildhauer und Architekt im Europa der Kathedralen, ed. Hartmut Krohm and Holger Kunde, vol. 2 (Petersberg: Imhof, 2011).
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In: Colum Hourihane (ed.), Looking Beyond: Visions, Dreams, and Insights in Medieval Art and History (Princeton: Index of Christian Art, 2010), 203-40.
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In: Bild und Körper im Spätmittelalter, ed. Kristin Marek, Raphaèle Preisinger, Marius Rimmele and Katrin Kärcher (Munich: Wilhelm Fink, 2006), 135-60.
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Published in The Medieval Review, 17.07.06
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In: sehepunkte 13 (2013), Nr. 6 [15.06.2013].