Speed Seduction®
Introductory Course
Transcript:
Language
Patterns Basics
Part 2
Created By
Ross Jeffries
The “Guru of Getting Some”
www.Seduction.com
For the smart guy who refuses to resort to bullying, begging, buying, B.S, booze
or biceps, in his seduction of women.
Copyright © 1988-present Ghita Services, Inc. All Rights Reserved.
This transcript may not be duplicated without written permission from the author.
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Ross: One of my classic patterns is the Discovery Channel pattern. I
should say not all patterns are these long memorized bits. A pattern
can also take the form of a game or quiz where she participates.
The Twin Brothers pattern we’re going to do is a quiz or game.
Patterns can take the format of a quiz or a game. Another format is
where you just recite something. This is a classical pattern that you
recite.
Not every woman is responsive to this format of patterns. Some
women won’t respond to this at all, but you can take the same
commands and the same themes and put it into a game that you
play with her (a quiz) and she’ll respond beautifully.
Sometimes if it seems like the pattern isn’t working she needs to
have it delivered in another format. To give you a metaphor so you
get this, let’s say I want to send you a pen. I can mail it to you U.S.
Mail – that’s one format. I could send it UPS. I could FedEx it. I
could have a messenger hand deliver it. It’s the same object, but
it’s being delivered in a different way.
There are different kinds of language patterns. Generally speaking,
the younger the girl, the more likely she’ll respond to a quiz or
game as opposed to a formal pattern where you recite something to
her.
The other distinction is a quiz or game requires that she participate
actively. She’s more engaged with it. She can just sit there and you
1
Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
can do it and she’ll go right into trance. But not all women respond
to this format.
The Discovery Channel pattern deals with the following themes:
excitement, anticipation, fascination, thrills, and safety. These are
the various themes.
I got the Discovery Channel pattern because I literally was watching
a TV show where a guy was talking about this stuff. I’m not kidding.
This was back in 1993 or 1994. I literally saw this on the Discovery
Channel.
We bring up the Discovery Channel pattern using something called
quotes. Quotes just means you’re quoting something you saw on
TV or heard in a conversation or read somewhere. It’s very simple.
You say, “The other day I was watching this really interesting show
on the Discovery Channel.” That’s how you bring it up.
We do this all the time, don’t we? Have you ever started a
conversation by talking about something you saw on TV or a
movie? It’s a very natural thing to do.
You bring it up by saying, “I was watching this show on the
Discovery Channel the other day, and the guy was talking about
rides and designing your ideal attraction.” That’s another theme:
attraction.
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Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
“The guy was talking about how you design your deal attraction. He
said when you stop and think about your ideal attraction, there are
three elements. He said when you first climb on this ride there’s
that time when you’re going that long, slow, vertical climb up. You
feel your heart beating faster, you realize your breathing is starting
to come faster and faster, and you feel that anticipation, that desire,
that excitement about going down. Then when you go down that
first slope, you’re screaming with excitement all the way going
down and you can feel the thrill just rushing through your body.
“He said the second element is this ride is safe. You know that you
can get on this because, ultimately, it’s very sturdy, very well-built
and you’re safe. You’re not going to fall off or get hurt. And because
you feel totally safe, Debbie, it frees you to feel all those exciting
feelings.
“He said, finally, this ride has to be fascinating. There has to be so
many different twists and turns as soon as you get off you want to
climb right back on this. You know, it made me realize it’s sort of
like the connection that you really want to experience with someone
who you realize you’re really feeling something special with.
“Anyway, when you were a little girl, was there some kind of candy
that was the king of your candy castle?”
The first part of the pattern is how you bring it up. You bring it up
using quotes. Introduce it with quotes. You say, “I was watching the
most interesting show on TV the other day on the Discovery
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Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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Channel.” That’s simple enough. What does that do? It allows you
to bring up the topic.
Another way you can bring up the topic is just by asking a question.
You could say, “Can I ask you something? Do you like amusement
parks?” No matter what they answer, you say, “Well, the other day I
was watching this show on the Discovery Channel and they were
talking about rides – attractions. They said when you design your
ideal attractionE”
When I say, “When you design your ideal attraction,” I’m pointing to
myself. It’s very subtle.
“When you design your ideal attraction, there are three elements,”
or “When you imagine your ideal attractionE” I’m giving her an
embedded command. I’m telling her “Imagine your ideal attraction.”
I’m using ambiguity. Does attraction mean attraction to a guy or a
ride in an amusement park? You’re commanding her unconscious
mind to imagine her ideal attraction.
It’s also a vague command. Are you saying imagine your ideal
amusement park attraction or are you imagining your ideal
attraction to a guy? Because it’s vague, it triggers an unconscious
search for all the meanings, and she will imagine her attraction to a
guy because it’s vague.
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Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
Notice what I didn’t say. I didn’t say, “When you imagine your ideal
romantic attraction.” That’s to specific.
Underline “Imagine your ideal attraction”. That is an embedded
command. I want you to put a second line under the word “imagine”
or circle the word “imagine”. “Imagine” is what I call a trance word.
It’s a word that activates the visual process. Imagine, ponder,
wonder, visualize, picture are what I call trance words because they
trigger a hypnotic or semi-hypnotic process.
Underneath the word “imagine”, write the word “wonder” and circle
that.
Underneath that word, write the word “picture” and circle it.
Underneath that, write the word “ponder”.
Underneath that, write the word “visualize.”
These are what I call trance words. They direct the person inward
into their imagination.
“When you imagine your ideal attraction, there are three elements.
First, this ride has to be really exciting.”
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Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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You can circle the word “ride”. Next to it, I want you to write “sexual
metaphor”. When I say ride, do I mean the amusement park or do I
mean a sexual ride with me? It’s a sexual metaphor. It’s ambiguous
and it’s a metaphor. “This ride has to be really exciting.”
The next thing is describe the body feelings she’s going to be
feeling. Have you ever been on a roller coaster and you’re going
that first climb up? What does that feel like in your body? When
you’re doing that first climb up, what do you experience in your
body? Butterflies, anticipation, euphoria. What goes on in your body
– what kind of body sensations? Heart pounding, bracing yourself,
adrenalin, a feeling of “what if?”
When we do a pattern, we want to describe the body sensations,
because as we describe them, we’re commanding her to feel them.
“He said you can feel your breathing coming faster. And as you
climb, you feel the anticipation of how good this ride will be. You
feel your heart beating faster. The adrenalin is pumping and you’re
imagining how good it will feel when you go down.”
Do you hear the commands?
We want to give body description. “He said you can feel the
adrenalin pumping through your system. You feel your heart
beating faster. You feel your breathing start to come stronger.”
6
Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
Write this sentence: “You feel your breathing start to come
stronger.” That’s a command to feel her breathing. Instead of that,
there’s another command (start to come).
Do I mean come as in come sexually? Underline the word “come”
and beneath it put “sexual metaphor”. Do you see how this is
working?
“And you imagine the thrill of going down” is the next command.
Underline the words “going down”. That’s sexual metaphor.
When you give these sexual metaphors, don’t drool on it. Don’t
over-emphasize. It’s very subtle. Deliver it as non sexually-obvious
as you can, otherwise you’ll ruin the whole thing.
“On that first long, slow climb, you feel your adrenaline pumping.”
What we’re doing is describing body sensations. We’re also using
sexual metaphors.
“As you go down, you’re screaming with excitement.”
I want you to not just get the exact words; I want you to get the
principle on how to build this. That’s the theme of excitement and
sexual thrill.
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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But remember, another theme of the Discovery Channel pattern is
safety. Remember I said excitement, anticipation, fascination, thrill,
safety? We also now want to bring up safety. Why do you think it’s
important to bring up safety? You have a woman feeling sexual,
you have her imagining going down and she’s feeling the
excitement pumping through her boy – why do you also want to
bring up safety?
Participant: You could turn her off if she’s not feeling safe. If she feels unsafe,
she’s just going to run.
Ross: Right. Or she’ll go home and fantasize or fuck her boyfriend or
whoever she’s involved with. We also want to bring up safety.
Here’s how I transition into that part. Here’s how I transition into
giving her commands to feel safe.
I’m going to say something like, “And then the guy talked about the
second element of a really good ride. He said the second element
of a really good ride is safety.” I’ll do it this blatantly.
I have to tell you a funny story. Christina and I met at a pickup artist
convention in Copenhagen, Denmark. She teaches pickup and she
was there teaching the day before me. We went to dinner and we
were throwing stuff at each other. I didn’t realize that I was doing
some of this stuff.
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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One of the things that I found myself doing was whenever I would
talk to Christine about an interesting topic I would tap my room key
on the table. I didn’t even know I was doing it, though. Halfway in, I
said, “Oh, my God, that’s pretty clever.”
She’s Danish, and I know a lot of Swedish people. Swedish and
Danish are sort of similar languages. I said, “In Swedish, the word
for the planet Earth is jord. It’s also the same for the word dirt.
I didn’t even realize I was doing that gesture – the things where
stuff grow up from – and she caught me doing it. Her comment to
me was, “Could you turn this off? Can you not do this stuff?” I
thought, no, I can’t not do it. It’s always just there naturally. She’s
caught me several times doing stuff that I honestly perceive as
being completely innocent and unconscious. The kind of woman
you want to attract likes this stuff. She’ll say, “Wow, that was clever.
I like it.”
Back to safety.
“He was talking about the second element of a safe ride, which is
safety. This ride has to feel totally safe.”
Underline the words “feel totally safe”. That’s the command.
Notice something else. “He said this ride has to feel totally safe,
Debbie.” Rides don’t feel anything. Rides are things. They can’t feel
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Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
anything, can they? No. That ambiguity, in NLP we call it a
selectional restriction violation. It’s also very hypnotic. Your
unconscious mind says, “Wait a minute. The ride feels very safe?
No, the ride can’t feel safe. I feel safe.” It happens very
unconsciously.
“This ride has to feel totally safe, Debbie. This ride is so well-
constructed you know you’re safe and you’ll be okay. This ride is so
well-built.” Do I mean my cock or do I mean the amusement? What
do I mean by well-built?
By the way, you know what helps to get her to interpret it in a
sexual way? What do you think I’m visualizing? When I say “this
ride is so well-built” what am I visualizing? I’m visualizing my huge,
big, fat cock. That’s what she’ll visualize.
If Debbie and I are in rapport and there’s an ambiguity and she’s
not sure how to interpret it whether it means the roller coaster or my
dick, what I visualize in my mind will determine the way in which her
mind selects the meaning.
Here’s the key. While I’m visualizing it, I’m not getting excited in my
body. I don’t want to get all turned on while I do it because it will fry
her circuits. You stay in a nice, calm, neutral state while you do this.
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Speed Seduction® Introductory Course
"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
Website – http://www.seduction.com
“This ride is so well-built you know you can feel safe from the time
you get on to the time you get off. You feel safe with the whole
thing inside.”
Listen to the sexual language. “This ride is so well-built you feel
safe from the time you climb on to the time you get off. The whole
thing feels really good inside because you know you’re safe.” Do
you hear the ambiguity? Climb on, get off, the whole thing feels
really good inside.
Do you hear the sexual metaphor? What does “the whole thing”
mean? “From the time you get on to the time you get off, the whole
thing feels really great inside.” Does that mean the whole thing
meaning my entire dick? It’s a double-embedded sexual metaphor.
“The whole thing feel really great inside from the time you climb on
to the time you get off.”
You don’t even need to get it word for word. You just need to get
the principle.
Rules for Sexual Metaphor
1) Thou shalt be subtle with thy gestures and they tonality.
If you lean on it, then it becomes a Saturday Night Live sketch.
2) Thou shalt be in a calm, neutral state.
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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If you’re all turned on inside, then it’s going to overload her circuits
and she’ll think you’re a creep. You know what the definition of a
creep is? A creep is someone who’s horny instead of being sexual
and tries unsuccessfully to hide it. That’s how women think of a
creep. A creep is someone who’s horny instead of sexual and he
tries to hide it.
Someone who’s horny instead of sexual but doesn’t try to hide it is
just someone who’s clueless. Someone who’s sexual without being
horny is called someone she’s fucking.
3) Thou shalt visualize what thou want her to visualize in her mind.
When I say, “Take this ride,” I’m going to visualize her on my dick.
4) Thou shalt be in rapport.
When you’re in rapport, the way in which you visualize will
determine how the other person visualizes if there’s an ambiguity. If
she doesn’t know what ride means, whether ride means the roller
coaster or your cock, she will visualize what you visualize and she’ll
think it’s her own idea.
Whether or not you get the exact words of the Discovery Channel
pattern, you’re seeing the elements – the theme, how we set it up,
how we embed commands, how the commands involve body
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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sensations, feelings in her body, how they involve sexual metaphor,
how they involve visualizing things.
“This ride is so well-built that you feel totally safe from the time you
climb on to the time you get off. The whole thing feel so good
inside.” Notice the ambiguity. Do I mean the entire ride? Do I mean
my whole dick? Do I mean her hole feels good inside? Or do I
mean all of it?
We dealt with the element of excitement and body feelings. We
dealt with the element of safety. The final element is fascination.
Why do I want to involve fascination and coming back for more?
The final element is fascination and wanting to get more. Why
would I want to include that?
I got a woman feeling horny and I’ve got her feeling safe with it.
Why would I want to include her wanting to come back for more?
Don’t you want her to keep coming back to fuck you again? Why
should you do all that work and just get one lay?
What did George Patton say? “I never like to pay for the same
piece of real estate twice.” Well, I never want to pay for the same
piece of cognitive emotional real estate twice. If I’m going to get a
good state, I want her looping on it and thinking about it over and
over so she wants more of it. This way, you don’t get buyer’s
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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remorse or last-minute resistance because you programmed her to
think about wanting more of it.
When someone wants more of a good thing, do they resist? No.
They grab for more. If you don’t condition a woman how to respond
to her desires, she may respond by running away from it.
The nice guy doesn’t even know how to create states of desire. The
guy who’s learning and doing okay knows how to create states of
desire. The master knows how to create states of desire and states
of wanting more of that desire and pleasure, and links it to himself.
The clueless guy, the nice guy, can’t create any states of desire.
The would-be seducer, the somewhat player, can create some
states of desire and get laid sometimes. But the master not only
creates desires and pleasure, he conditions the woman’s mind on
how to respond to that state of desire and pleasure to want more of
it and to keep reaching for more. That’s mastery.
As I described that, you could probably recognize different types of
guys who you know. You know the clueless guys. You know the
guys who occasionally do well with a certain kind of woman. You
also probably experience you create states of desire, and then she
never calls you and you can never get her into bed and never hear
from her again. So you created that state of desire, but you haven’t
conditioned her mind on what to do with it and how to respond to it.
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"Language Patterns Basics, Part 2" Transcript
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Whenever I’m with a woman one thing I will create a more the more
loop. I’ll get to this later. This is advanced. I’ll say something like,
“The more you feel those good feelings, the more deeper part of
you can recognize you want more.” I’m creating a loop for her on
what to do with it. Not all women need this. Some women want it so
much you don’t need to create states of desiring more. They will
just move forwards. Those are delightful women. They’re called
Scandinavians, Norwegians, Dames, Swedes. I don’t know about
the Finns. I’ve never met a Finn. I assume it’s the same way in
Finland; I don’t know.
“He said the final element of a great ride is it has to be fascinating.
There’s got to be so many different twists and turns that, as soon
as you get off, you want to climb right back on.”
“He said this right has got to be fascinating. There’s got to be so
many different twists and turns, as soon as you get off, you want to
climb right back on. You want to experience this ride multiple
times.”
Here’s the algorithm. Now we’re going to get into the fact that the
ride is going to be fascinating. The reason we’re doing this is we
don’t want to just give her desirable, fantastic fantasies. We want
her to act on them and want more.
“So he said the final element of the ride is it’s got to be fascinating.
It’s got to have so many different twists and turns that as soon as
15
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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you get offE” Do you hear the embedded command? “Get off” – a
sexual metaphor.
What am I picturing in my mind? Am I picturing her climbing off a
roller coaster when I say get off? I’m picturing her coming. “As soon
as you get off, you want to climb right back on. You want to do this
multiple times. You want to take this ride multiple times.”
The exact words don’t matter as much as you understanding the
elements. When you do this, you’re going to see different kinds of
responses. You’re going to get different kinds of responses.
Sometimes you’ll hear, “Oh, my God, that sounds just like sex.” If
that happens, you go, “HmmEWhat kind of thoughts are you
having?” I bite my lip and raise my eyebrows. Why? Because that
becomes an anchor for those kind of thoughts. So every time I want
her to have them, I just go, “This coffee is pretty good,” and she’ll
loop on the sexual thoughts again.
Sometimes you’ll hear her say, “That sounds just like sex.” You
say, “Wow, what kind of thoughts are you having?” That becomes
the anchor. When I say, “What kind of thoughts are you having?”
What does she have to do in her mind to answer that question?
Run through the thoughts. And as she starts running through the
thoughts, I bite my lip [?], and that becomes the command like
Pavlov’s bell to have her run through those thoughts.
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"Language Patterns Basics, Part 2" Transcript
Copyright 1988-present, Ghita Services, Inc. All Rights Reserved.
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Later on in the evening, I can say, “You know, this coffee is fucking
fantastic,” and all of a sudden she’s thinking about taking the ride
and coming.
If a woman is having sexual thoughts about you, feeling her heart
pounding, her breathing coming faster, she’s thinking about you
sexually, thinking about your big ride inside of her and she’s doing it
multiple times through an hour of spending time with you, what’s
the natural conclusion she’s going to reach about how she feels
about you? She’ll feel, “Oh, I want to fuck this guy.”
Then because you programmed it in through the patternE
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"Language Patterns Basics, Part 2" Transcript
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