The document contains a multiple choice exam on contemporary arts with questions about art materials, techniques, concepts, and terminology. It asks students to identify indigenous art materials, non-traditional art materials, art critique, criticism, and other essential concepts. It also contains questions about specific art materials like capiz shells, cowrie shells, and abaca.
The document contains a multiple choice exam on contemporary arts with questions about art materials, techniques, concepts, and terminology. It asks students to identify indigenous art materials, non-traditional art materials, art critique, criticism, and other essential concepts. It also contains questions about specific art materials like capiz shells, cowrie shells, and abaca.
The document contains a multiple choice exam on contemporary arts with questions about art materials, techniques, concepts, and terminology. It asks students to identify indigenous art materials, non-traditional art materials, art critique, criticism, and other essential concepts. It also contains questions about specific art materials like capiz shells, cowrie shells, and abaca.
The document contains a multiple choice exam on contemporary arts with questions about art materials, techniques, concepts, and terminology. It asks students to identify indigenous art materials, non-traditional art materials, art critique, criticism, and other essential concepts. It also contains questions about specific art materials like capiz shells, cowrie shells, and abaca.
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CONTEPORARY ARTS
2ND QUARTER EXAMINATION
Multiple Choice. Read each item carefully. Encircle the letter of the correct answer. 1. Art materials that are natural or inherent from the place or locality are called _____ a. incongruous art materials c. indignant art materials b. indigenous art materials d. ingenious art materials 2. Materials that are not usually used in creating art _____ a. indigenous art materials c. non-traditional art materials b. local art materials d. traditional art materials 3. Coffee, plastic bottles and recyclable materials are examples of _____ a. cultural art materials c. old art materials b. non-traditional art materials d. traditional art materials 4. Materials that could be a mix of indigenous art materials and introduced art materials refers to _____ a. imported art materials c. local art materials b. international art materials d. regional art materials 5. The local art material composed of old or discarded articles and considered useless or of little value but are potentially useful for the creative eyes of an artist refers to _____ a. capiz shells c. junk b. Cowrie shells d. rattan 6. The cleaned and trimmed shells of the windowpane oyster are called _____ a. bao c. glass b. capiz d. sigay 7. Art materials that are usually bought from department stores and bookstores are called _____ a. indigenous art materials c. non-traditional art materials b. ingenious art materials d. traditional art materials 8. The artist bears in mind that the conceived artwork will be created from choice materials deemed _____ a. appropriate c. inappropriate b. disproportionate d. misappropriate 9. Every object and thing can be used for art in the eyes of a _____ a. discerning artist c. disoriented artist b. disintegrating artist d. disparate artist 10. These are found on sandy seafloor around the Philippine islands and are used for making jewelry and handicraft _____ a. capiz shells c. cowrie shells b. coconut shells d. crab shells
11. An artwork is an expression of the being of _____
a. its owner c. the sales lady who sold it b. the artist who created it d. the viewers 12. The act of critiquing should be differentiated from the act of _____ a. criticizing c. hypothesizing b. guessing d. predicting 13. When someone takes note only of an artwork’s flaws and errors, this is _____ a. clicking c. critiquing b. criticizing d. curating 14. Critique is somewhat a formal word that typically refers to a careful _____ a. disapproval c. judgment b. error d. miscalculation 15. The quality of being acquired or used easily refers to _____ a. accessibility c. mastery b. appropriateness d. practicality 16. The art technique’s suitability for the kind of art materials and to the conceived artwork refers to its _____ a. accessibility c. appropriateness b. affordability d. availability 17. The art technique’s usefulness for the artist and it is understandably fit for the kind of art materials and for the conceived artwork refers to its _____ a. accessibility c. availability b. affordability d. practicality 18. For an art material to be deemed really useful they have to undergo _____ a. correction c. emulation b. devaluation d. evaluation 19. An art material that is obtainable, always ready for use and is at hand is proof of its _____ a. appropriateness c. mastery b. availability d. practicality 20. The means, process or methods of using art materials in a manner that the artist wants to use in order to create an artwork refers to _____ a. art critique c. art technique b. art form d. art signature 21. The detailed analysis and assessment of something refers to _____ a. correlation c. criticism b. cringe d. critique 22. The attribute of an art material to be easily acquired by the artist without much effort or difficulty refers to _____ a. accessibility c. mastery b. appropriateness d. practicality 23. The artist’s skill and rich knowledge of the art technique refers to _____ a. accessibility c. availability b. affordability d. mastery 24. The sharp or severe disapproval of something, generally based on perceived faults or errors refers to _____ a. cringe c. criticism b. cripple d. critique 25. The art technique’s functional and sensible application for the creation of the conceived art work refers to _____ a. accessibility c. availability b. affordability d. practicality 26. The manner and ability by which an artist employs the technical skills of a particular art refers to _____ a. art critique c. art signature b. art form d. art technique 27. The attribute of an art material’s existence or presence for the artist to obtain and use refers to _____ a. appropriateness c. practicality b. availability d. mastery 28. The attribute of an art material to be within the financial capacity of the artist to purchase or buy _____ a. affordability c. mastery b. appropriateness d. practicality 29. This is concerned with the process of creating art as well as the artist’s technique _____ a. collation c. criticism b. constructivism d. critique 30. Paying attention to the kind art materials and the way they were used as well as the art technique that was applied, are some of the ways of _____ a. collating c. criticizing b. cringing d. critiquing 31. The choice of art materials is dependent on the _____ a. art form c. art platform b. art norm d. art storm 32. The ability to see or make fine distinctions as to what is right and proper art material to use refers to _____ a. a color-blind eye c. the discriminating eye b. a perceiving eye d. the third eye 33. When the chosen art materials are considered suited for the artwork, it may adequately serve its purpose of _____ a. consolidating art c. dissolving art b. creating art d. setting aside art 34. Having the right and appropriate art materials can bring out the best of the artist’s _____ a. absurdity c. negativity b. creativity d. subjectivity 35. Any artwork that is created these days is considered as a form of contemporary art provided that it is _____ a. a borrowed concept c. a duplicated concept b. a copied concept d. an original concept 36. The act of duplicating an original artwork with or without insignificant changes is called _____ a. artistic existentialism c. artistic plagiarism b. artistic charism d. artistic realism 37. In creating a unique and original contemporary artwork, many artists rely on the appropriate and adequate supply of art _____ a. concepts c. materials b. ideas d. statements 38. Local art materials in combination with the tools and equipment used to create art are referred to collectively as art _____” a. criteria c. media b. inertia d. trivia 39. Anything naturally comes from the place or locality is considered _____ a. incongruous c. ingenious b. indigenous d. inglorious 40. This fiber is extracted from the leaf sheath around the trunk of the plant and made into a rope is called _____ a. abaca c. nylon b. cotton d. rattan
