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Interweave Knits April 2018

tricots en jacquard

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100% found this document useful (9 votes)
5K views100 pages

Interweave Knits April 2018

tricots en jacquard

Uploaded by

CHANTALE SAMSON
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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85% Superwash Merino Wool

15% Silk

MerLno
Sot

On Point Wrap
by Michael Harrigan

�t���oe
FREE Patern FW228
www.cascadeyarns.com

Boo
I N T E R W E A V E

EDITORIAL
GROUP EDITORIAL DIRECTOR, YARN & FIBER Anne Merrow
EDITOR Meghan Babin FOUNDER Linda Ligon
MANAGING EDITOR Rachel Koon DIRECTOR OF CONTENT STRATEGY Stephen Koenig
ASSISTANT EDITOR Sarah Rothberg DIRECTOR OF MARKETING Kim Greenlee
PROJECT EDITOR Laura Hulslander
DIRECTOR OF MEDIA SALES Julie Macdonald
TECHNICAL EDITORS Karen Frisa, Robin Melanson
COPY EDITOR Veronica Patterson
PROOFREADER Nancy Arndt

MARKETING & ADVERTISING CHIEF EXECUTIVE OFFICER Greg Osberg


ADVERTISING MANAGER Diane Kocal CHIEF FINANCIAL OFFICER Jennifer Graham
ADVERTISING MANAGER Doreen Connors SVP, GENERAL MANAGER, F+W CRAFTS GROUP John Bolton
AD TRAFFICKER Mary Lutz
MANAGING DIRECTOR, F+W INTERNATIONAL James Woollam
SENIOR MARKETING MANAGER Jessi Rodriguez
VP, GENERAL COUNSEL Robert Sporn
NEWSSTAND SALES Scott T. Hill scott.hill@procirc.com
VP, HUMAN RESOURCES Gigi Healy
CREATIVE SERVICES VP, MANUFACTURING & LOGISTICS Phil Graham
SENIOR DESIGNER Bekah Thrasher
DESIGNER Samantha Wranosky
PHOTOGRAPHY Harper Point Photography
VISIT US ON THE WEB www.interweave.com
(unless otherwise noted) OUR OTHER FINE FIBER MAGAZINES
PHOTOSTYLING Tina Gill Interweave Crochet • knitscene • knit.wear • PieceWork • Handwoven
HAIR & MAKEUP Janie Rocek Spin Off • Knitting Traditions • Vintage Crochet

EDITOR’S NOTE
Dear Reader,
Artists are inspired by beauty, whether it traditions and cultures of the peoples native to the Southwest without
is from their own culture or another. Since crossing the line from appreciation to appropriation?
Paleolithic humans began painting on cave With this awareness at the forefront of my mind, I challenged
walls, people have been influenced by the our designers to draw inspiration from the American Southwest
various cultures that compose the human while being mindful and respectful of the origins of that inspira-
race. The lines between cultures are often blurred in this nebulous tion. They rose to the challenge beautifully by presenting modern,
composition of humanity, and navigating where cultural appreciation appealing, knittable designs that capture the multifaceted spirit of
stops and appropriation begins can be uncertain. the American Southwest. Flip to our Trading Post Trail story (page
Cultural appropriation (often referred to as cultural misappropria- 14) and find all-season garments and accessories inspired by
tion) occurs when a person assumes aspects of a culture that is not the textiles, history, architecture, and art of the Southwest. Find
their own.1 More specifically, it occurs when a person of an oppres- breezy, lacy, bohemian-inspired garments and shawls wearable in
sive culture assumes aspects of a systemically oppressed minority the blazing summer sun in our High Desert Lace story (page 70).
culture for entertainment and capital gain.2 The act of cultural ap- See that each project has a short description of its inspiration,
propriation (e.g., donning another culture’s symbols and dress with- as well as the usual construction details. Read about the Navajo
out understanding their meaning) does more than just disrespect the weavers that helped build the Brown Sheep Company and how
exploited culture3; it both erases and oppresses by “normalizing” mi- that symbiotic relationship still exists today (page 8). And take a
nority cultural practices into mainstream white culture. The deeper look at our Fiber Review (page 6) for cool fiber blends made for
consequence of appropriation is that the original, and often sacred, summer knitting and our Maker’s Tools (page 4) for products and
practices of the exploited culture are either lost or obscured. notions to inspire all makers.
As artists, how do we appreciate aspects of other cultures in our I hope we got it as close to right as we could, but we are human,
art without appropriating? Again, the line is blurry, and I’m not sure a and therefore imperfect. I’m proud of and humbled by the dedication
simple answer to this question exists. But for me, combating cultural and sensitivity each contributor and Knits team member poured into
appropriation begins with self-awareness and respect. I am a white this issue—Interweave Knits Summer 2018: The Southwest Issue.
middle-class woman from New York who has always been drawn to Embrace your creativity with mindfulness, passion, and purpose.
the cultures, art, architecture, and textiles of the American South-
west. That region of the United States has been home to the Navajo, With love,
Apache, Pueblo, Hopi, Pima, Yuma, and Zuni nations (to name a few) Meghan Babin
as well as Spanish settlers and, later on, Anglo-Saxon pioneers, and
each culture has influenced what we now refer to as “Southwestern 1
https://en.wikipedia.org/wiki/Cultural_appropriation
culture.” Taking into account the horrific atrocities inflicted on the 2
https://everydayfeminism.com/2015/06/cultural-appropriation-wrong/
indigenous peoples of that area, which resulted in our modern cul- 3
For example, in 2012 the Navajo Nation sued Urban Outfitters for branding clothing
tural blend, I paused before going forward with the theme for this is- lines with their tribal name and aesthetic for mainstream appeal. https://www
sue, despite my personal respect for its origins. How could I honor the .refinery29.com/2016/11/130706/urban-outfitters-lawsuit-navajo-nation

SUMMER 2018 1 WWW.INTERWEAVE.COM


CONTENTS
INTERWEAVE KNITS • SUMMER 2018 • VOLUME XXIII • NUMBER 2

PROJECTS
TRADING POST TRAIL

17 Tucson Pullover
Jesie Ostermiller

17 18
18 Cadencia Poncho
Emily Wood

21 Arkansas River Pullover


Irina Anikeeva

22 Desert Nights Cardigan


Jennifer Owens

22 25 21 25 Bent’s Fort Cardigan


Sue Gleave

26 Indigo Trader Cardigan


Vanessa Ewing

29 Salida Cardigan
Lars Rains

26 29 30 33 30 Whitehorn Shawl
Courtney Spainhower

33 Four Corners Cardigan


Andrea Cull

HIGH DESERT LACE

71 Buena Vista Stole


Sandhya Shadangi

71 72 72 Mojave Top
Meghan Jones

74 Taos Tee
Paula Pereira

75 Moab Stole
Sandhya Shadangi

75 76 76 Winona Poncho
Mone Dräger

78 Arizona Tee
Amy Gunderson

78 79
74 79 Flagstaff Tee
Susanna IC

SUMMER 2018 2 WWW.INTERWEAVE.COM


CONTENTS

FEATURES
8 Native Roots: How Navajo
Weavers Helped Build a Great
8
American Yarn Company
Leslie Petrovski

66 Jogless Cast-On & Bind-Off


Edges in the Round

PHOTO BY LESLIE PETROVSKI


Roxanne Richardson

96 How Marilyn Monroe


Made Knitwear Iconic 
Sarah Rothberg

DEPARTMENTS
1
4
EDITOR’S NOTE
MAKERS TOOLS: SOUTHWESTERN NOTIONS
96
6 FIBER REVIEW
SUMMER BLOOMS: WOOL/PLANT BLENDS
FOR WARM WEATHER

PHOTO COURTESY OF GETTY IMAGES


Laura Hulslander

“ OUR FIRST TEACHER IS


OUR OWN HEART.

— CHEYENNE PROVERB

SUBSCRIBERS: Have a question about your Interweave Knits subscription? We have the have questions regarding a pattern in this issue, please contact us at knits@
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own judgment in evaluating the advertisers, products, services, and views
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Interweave Knits® (ISSN 1088-3622) is published quarterly by Interweave, a division of F+W 7463 or email doreen.connors@fwmedia.com, or visit the website at
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249. Periodicals postage paid at Fort Collins, CO 80525, and additional mailing offices. All
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the accuracy of the contents of this publication. However, human errors do occur. If you

SUMMER 2018 3 WWW.INTERWEAVE.COM


THE KNITTER’S GUIDE TO: MAKER’S TOOLS

1 2 3

PHOTO BY GEORGE BOE


7 8

SOUTHWESTERN NOTIONS
Inspired by vibrant textiles, bold geometric patterns, and calming landscapes
1 Macramé for Beginners and Beyond by Amy Mullins and Marnia Ryan-Raison has twenty-four easy macramé projects that bring a
modern aesthetic to this traditional craft. $24 www.interweave.com 2 Copper Canyon Stitch Markers by Purple Goddess Design
are snagless, lightweight, and great for lace- or sock-weight yarns. $5 www.purplegoddessdesign.etsy.com 3 Etta+Billie’s Skin Balm
(a collaboration between Etta+Billie and Fringe Supply Co.) smells amazing and makes your hands feel wonderful. $11 www
.fringesupplyco.com 4 This stunning Tote Bag from Robin Cottage is made from Pendleton Fabric, is fully lined with natural canvas,
and has internal pockets. $128 www.robincottage.etsy.com 5 DIY Woven Art: Inspiration and Instruction for Handmade Wall
Hangings, Rugs, Pillows and More! by Rachel Denbow brings a new style to traditional wall hangings and other decorations with
fourteen fun and unconventional projects. $19 www.amazon.com 6 Twirl Yarn’s Twirling Petals (distributed by Fibershed) is a single-
ply, sportweight, 170-yard (155.5-m) yarn made from free-range, natural, and humanely treated alpaca, kid mohair, silk, and soft Shetland
wool. Color shown: Rusty Ollie. $15 www.ibershed.com 7 Try HiyaHiya’s Bamboo Interchangeable Needle Ultimate Knitting Gift
Set, which includes ive 5-inch (12-cm) large tips, ive cables, cable stoppers, yarn-ball stitch markers, cable connectors, needle grips,
and a storage case. $154.95 www.loveknitting.com 8 Field Guides by Mason-Dixon Knitting are travel-sized pattern books, each
containing essays, tips, and three patterns. $14.95 www.fringesupplyco.com

SUMMER 2018 4 WWW.INTERWEAVE.COM


Timeless Vintage Appeal
DMC Natura Medium Denim is a matte finish, 100% combed cotton that
looks like your favorite pair of jeans and is just as soft to the touch. Strong
and durable, Natura Denim has a pronounced twist that enhances its marled
denim efect. Medium weight. Available from light to dark in three color
families: denim blue, denim grey, and denim plum. 50 g balls.
© 2018 The DMC Corporation • www.dmc.com
FIBER REVIEW: SUMMER BLOOMS

SUMMER BLOOMS
Wool/Plant Blends for Warm Weather
BY L AUR A HULSL ANDER 1
Blends of wool and plant ibers make the perfect summer yarn: linen and cotton
are ideal for warm weather, and wool adds stretch and bounce to your garments. 2
Here are six of our favorite summer wool/plant blends.

SCHOPPEL-WOLLE BIO MERINOS DIST. BY: SKACEL PRICE $9.95


Content: 95% virgin wool, 5% linen | Color: #0500 Bernstein
NO. Put Up: 164 yd (150 m)/1¾ oz (50 g) | Recommended Needle Size: Size 1½–4 (2.5–

1 3.5 mm) | Care: Handwash | Stitch Pattern: Lace Chart (Arizona Tee, page 90)
Made from organic Patagonian wool and French linen, Bio Merinos has a tonal look thanks
to the depth of color the darker linen adds. This single-ply yarn is felted to improve durability
and prevent pilling. Use it for structured cardigans and cabled pullovers.
3
PLYMOUTH YARNS EQUINOX HAND DYE PRICE $11.95
Content: 65% extrafine merino, 20% linen, 15% mulberry silk | Color: #103 lime sunset
NO. Put Up: 137 yd (125 m)/1¾ oz (50 g) | Recommended Needle Size: Size 5 (3.74 mm)

2 Care: Handwash | Stitch Pattern: Chart A (Mojave Top, page 81)


Equinox is a luxurious blend of merino, linen, and silk; the silk adds a subtle shimmer to your
project, and the linen adds a beautiful drape. The bright hand-dyed colors are reminiscent of
wildflowers. Textured shawls and accessories would best show off this shiny yarn.

GREEN MOUNTAIN SPINNERY COTTON COMFORT PRICE $15

NO. Content: 80% fine Western wool, 20% organic cotton | Color: suede
Put Up: 180 yd (165 m)/2 oz (57 g) | Recommended Needle Size: Size 3–5 (3.25–3.75 4
3 mm) Care: Handwash | Stitch Pattern: Lace Chart (Moab Stole, page 88)
Cotton Comfort is a soft yarn with a crunchy hand. It combines the dry texture of cotton with
the ease of knitting with wool. Use this yarn for loose tanks and cool, breezy wraps.

NATURAL FIBER PRODUCERS SPORT WEIGHT ULTRA FINE


PRICE $26
COTTON/ALPACA/WOOL BLEND
Content: 50% Virginia cotton, 25% alpaca, 25% wool | Color: Nevada sagebrush-natural
NO. Put Up: 250 yd (229 m)/3½ oz (100 g) | Recommended Needle Size: Size 3–5 (3.25–3.75 mm)

4 Care: Handwash | Stitch Pattern: Lace Ribbon Chart (Winona Poncho, page 89)
This soft blend combines the best attributes of three different fibers: cotton makes a cool
garment, alpaca lends a velvety softness, and wool adds elasticity. Try this yarn for a fitted 5
tank or summer beanie.

YARN CARNIVAL VARDO PRICE $40


Content: 50% alpaca, 25% silk, 25% linen | Color: ondine | Put Up: 438 yd (401 m)/
NO. 3½ oz (100 g) | Recommended Needle Size: Size 1–5 (2.25–3.75 mm)

5 Care: Handwash | Stitch Pattern: Lace Panel Chart (Flagstaff Tee, page 92)
With gorgeous drape and silky softness, Vardo is a luxurious blend for all your summertime
accessories. The saturated hand-dyed colors add a pop of drama to any outfit. This yarn would
make stunning shawls and airy lace tops.

PURL SOHO LINEN QUILL PRICE $16


6
Content: 50% fine Highland wool, 35% alpaca, 15% linen | Color: kiln red
NO. Put Up: 439 yd (401 m)/3½ oz (100 g) | Recommended Needle Size: Size 1–5 (2.25–3.75

6 mm) Care: Handwash | Stitch Pattern: Front Chart (Taos Tee, page 82)
A more structured laceweight yarn, Linen Quill comes in an array of earthy shades perfect for
pairing with bright sundresses or more toned-down lagenlook garments. Use it for openwork
wraps or finely knitted tank tops.

SUMMER 2018 6 WWW.INTERWEAVE.COM


SPECIAL FEATURE: NATIVE ROOTS

The view from Brown Sheep Company in Mitchell, Nebraska. Photo by Leslie Petrovski

Native ROOTS
HOW NAVAJO WEAVERS HELPED BUILD A GREAT AMERICAN YARN COMPANY
BY LESLIE PETROVSKI

Peggy Jo Wells opens the door to the home she shares with her husband, Robert. The wan autumn
light streams into their living room, which looks out onto the broad bluffs that punctuate western Ne-
braska’s landscape. On the far wall hang two Navajo rugs in shades of blue and brown woven from yarn
that was spun and dyed about half a mile away, at Brown Sheep Company, the mill founded by Peggy
Jo’s father, Harlan Brown, on the sheep farm where she was raised.
Scattered throughout the Wells’s home and the nearby yarn mill are have had the chance to cast on favorite yarns such as Lamb’s Pride,
reminders of the long-standing relationship between Brown Sheep and Nature Spun, and Cotton Fleece—or whether Brown Sheep Company
Navajo weavers that began when Brown founded the yarn company in would still be producing its famous pull skeins at all. Likewise, it’s
1980. A handful of rugs—with tags bearing the weaver’s name—are hard to know how differently Navajo rugs might have evolved without
tucked away in the house. A sand painting hangs in the Brown Sheep a regular, affordable supply of commercial yarn spun and dyed with
office along with a map of the Navajo reservation. On a shelf in the those rugs in mind.
outlet store is a doll dressed in traditional Navajo garb and shown
weaving. These pieces and others capture memories of trips to the FAMILY BUSINESS
desert of the Southwest.
The relationship between Brown Sheep and Navajo weavers is It’s November, and the Great Plains of Nebraska’s panhandle sprawl
symbiotic. If it weren’t for the Diné 1 artisans, who for almost forty under a pale sky, a sere quilt of spent alfalfa, bean, and cornfields.
years have warped their looms and woven Brown Sheep yarns into The land Edward W. Brown purchased in 1910 to farm and raise sheep
their breathtaking rugs, it’s hard to know whether knitters would ever lies just beyond Mitchell Pass, which sluices through Scotts Bluff
1. Diné (meaning “the people” in Navajo) is the original name of the Navajo Nation and
is how to refer to a Navajo person in the Navajo language.

SUMMER 2018 8 WWW.INTERWEAVE.COM


SPECIAL FEATURE: NATIVE ROOTS

From left: A Navajo woven rug made in Brown Sheep yarn; a Navajo weaver doll sits on the shelf at the Brown Sheep Company
outlet store in Mitchell, Nebraska. Photos by Leslie Petrovski

National Monument—the same pass used by early native people as twenty-first-century mill that now sits on the family’s land employs
well as settlers on the Oregon, Mormon, and California trails. twenty people and has the capacity to produce at least 500,000 pounds
In the 100-plus years that the Brown family has watched the sun of yarn a year. More than 1,000 colors of yarn come out of the mill,
redden these bluffs at sunrise, good times have come and gone again which recycles about 90 percent of its water through a treatment system
and again. Sheep grazed there through the Great Depression, World researched and developed by Robert (Peggy Jo’s husband), who holds
War II, the post-war boom, and, most challengingly, through the a PhD in radiation biology.
dramatic decline of the U.S. sheep industry. From Before sheep-to-skein yarns were a trend,
a high of 56 million head of sheep in the 1940s
to about 5.5 million today, the reduction in the
number of sheep in American pastures and on

Like her father
Brown Sheep was a proudly grown- and made-in-
the-U.S.A. product. Like her father before her,
Peggy Jo sources wool from U.S. growers; cur-
rangeland has been relentless. rently, all of the wool in Brown Sheep’s yarns
Harlan Brown, grandson of the farm’s founder,
before her, Peggy Jo comes from the Craig, Colorado, area. (Peggy Jo
ran the family farm in the 1970s and saw the sources wool from buys mohair from South Africa and cotton from
writing on the (barn) wall as changing food tastes, U.S. growers; Peru, South Carolina, and Italy.) When Ralph
competition from other meats, and the increased currently, all of the Lauren sought an American yarn to create acces-
popularity of synthetic, cotton, and other fabrics sories for U.S. athletes in the 2014 Sochi Winter
decimated the American lamb and wool market. wool in Brown Olympics, the company chose Brown Sheep.
When the local meat-processing plant closed, Sheep’s yarns comes Peggy Jo and Robert are the fourth-generation
Harlan bought a freightliner and began trucking from the Craig, stewards of the Brown farm. (Their adult son
his fattened lambs to central Texas and South Andrew and daughter-in-law Brittany have joined
Colorado, area.
Dakota for processing during the most treacherous the business and are now the fifth generation to
time of the year—winter, when ground blizzards work on the family acreage.)
could close highways in minutes. Spooked by the
” Peggy Jo vividly remembers when her dad made
driving and frustrated by market whims and the effort required to grow the radical decision to stop farming and make yarn—a decision that
feed and raise animals, Harlan decided there had to be a better way. started when he bought her an Ashford spinning wheel for Christmas
in 1974. They assembled it and learned to spin together, but when it
A GOOD YARN came time for her to return to Colorado State University in Fort Collins,
Colorado, Harlan kept the wheel. (This might have been galling had
Peggy Jo, owner of Brown Sheep Company and Harlan’s daughter, is he not eventually bought her two more—and founded a mill.)
sitting in the outlet store at the mill, surrounded by a kaleidoscope of “A year or so ago, I ran across this stack of paid-off bank notes for
yarns, recalling how her father created the brand that has found its the loans Dad used to get this place going,” Peggy Jo says. “I was so
way onto the shelves of so many yarn shops for nearly forty years. The humbled by that. I knew he had gambled big. To feed sheep, you have

SUMMER 2018 9 WWW.INTERWEAVE.COM


SPECIAL FEATURE: NATIVE ROOTS

to borrow money. My father was not a gambler, he was just a sheep


man. But he gambled everything.”
Harlan knew he wanted to do something with wool. His early foray
into spinning with the Ashford wheel and his investigation into building
a wool-scouring plant convinced him that instead of washing wool in
water-poor Nebraska, he should spin it. After much research, he pur-
chased some used equipment from textile factories in the South. When
these industrial behemoths arrived in January 1980, they came with
no instructions. But through grit and perseverance, by July 4 of that
year, Harlan had his first ball of yarn. He called it Top of the Lamb.
Filling the trunk of his car with yarn, Harlan took off that summer
on a tour of Colorado, Nebraska, and Wyoming yarn shops to sell his
wares. Rejected by many—in fact, one yarn shop owner in Casper,
Wyoming, even accused him of stealing the yarn (“Nobody can make
this kind of yarn in western Nebraska,” she told him)—he finally sold
the lot to a local yarn shop in Lincoln.
On his next trip, he headed south to the Navajo Nation in Arizona,
asked for permission to park in a parking lot, and opened his trunk.
“One by one, weavers started coming out,” Peggy Jo says. “They would
peel off $100 bills, and finally the trunk was empty. So, Dad came
home, filled a truck with yarn, and went back.”
Finding a market among Navajo weavers was crucial to the success
of Brown Sheep Company in the early days of the business, and the
importance of that market continues today. Peggy Jo estimates that for
many years, Navajo sales accounted for 60 to 70 percent of Brown Sheep’s
total business. Today, that number is about 30 percent and holds steady
year to year.
Navajo weavers purchase yarns in spring, for the tourist season,
rather than in the fall, when yarn stores are stocking. “That’s good
timing for us,” Peggy Jo says.
Much of the yarn purchased by Navajo artisans is the company’s
original Top of the Lamb, a 100% wool single-ply offered in sport and
worsted weights in almost the same twenty-four colors—reflective of
the Southwestern landscape—that Peggy Jo’s mother, Janet, helped
develop when the company began serving customers on the reservation.
Navajo weavers also buy Lamb’s Pride, Brown Sheep’s 85% wool,
15% mohair blend, for its broad palette of 98 colors as well as its
highly twisted warp, which Arizona-based R.B. Burnham and Co.
trading post calls the “go-to warp for most Navajo weavers.”
Michael Schumann, manager at Griswold’s, a long-standing trading
post in Tse Bonito, New Mexico, says the store has been selling Brown
Sheep yarn since before he started working there in 1989. He estimates
that they sell about 1,000 skeins every two weeks and that 98 percent
of the rugs Griswold’s carries are woven from Brown Sheep yarn.
“It changed the way weavers make their rugs,” he explained. “It’s
so much more convenient for them. Before, they were handspinning
their own yarn and dyeing it. Brown Sheep is more uniform and gives
them more color options.”
Linda Uentillie, purchasing agent for Navajo Arts and Crafts Enter-
prise, which was founded by the Navajo Council in 1941, buys raw
materials such as silver sheets, turquoise, and yarn for Navajo Arts and
Crafts’ stores. Linda grew up on the Navajo reservation and remembers
her mother weaving from yarn she spun and dyed herself. Now, many
Navajo weavers depend on the Brown Sheep yarns they can purchase
nearby. And though the older weavers may not have a computer or know
how to use the Internet, many younger people go to the Navajo Arts and
Crafts Enterprise website if needed to get the yarn.

Top: A red, gray, and white Navajo rug from the Wells’s
collection, woven with Brown Sheep yarn; Bottom: Red yarn
on the mill floor at the Brown Sheep Company. Photos by
Leslie Petrovski

SUMMER 2018 10 WWW.INTERWEAVE.COM


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SUMMER 2018 11 WWW.INTERWEAVE.COM


SPECIAL FEATURE: NATIVE ROOTS

Not long after Harlan began doing business in and around the Navajo
Nation, Peggy Jo accompanied her dad on one of his trips. The year
before she and Robert came into the business, Harlan took her to the
Taos Wool Festival and then down to the reservation, where he intro-
duced her to the people running the various trading posts.
Peggy Jo’s father felt a kinship with the Navajo people he worked
with. “I think he was drawn to the kind of people they were,” she
explained. “They were honest, and they made a good product, which
represented what he wanted to do. To make a good handcrafted product
based on generations of experience and knowledge matched very well
with the background he had. He was an old farmer. You don’t learn
how to farm just from books, you learn from your father and grandfa-
ther. It matched his whole concept of life.”
Harlan Brown died in 2014, at the age of eighty-nine. Peggy Jo
doesn’t quite remember which year brought her back to the Taos Wool
Festival, this time with her sister, but when the recipient of the best
weaving award spoke about her design at the annual awards banquet,
she mentioned her Navy service, her inspiration, and Brown Sheep
yarns. “She had no clue I was there,” Peggy Jo says. “But at the end
of her speech, she said, ‘I want to give a huge thank you to the family
that has made the yarn the Navajo have used. They are a family-owned
Top: Navajo woven rugs on display in the Wells’s living room;
company, like we are a family down here.’ It was a huge shout-out. I Peggy Jo Wells inspects yarn in progress; the entrance to the
was so touched. After the banquet was over, I sought her out, gave her Brown Sheep offices and outlet store. Photos by Leslie Petrovski
my business card, and said, ‘From my family business to yours, thank
you for using our product.’
“I wish Dad had been there to hear that.”

LESLIE PETROVSKI is a freelance writer who lives in Denver with


her husband and cat. She writes regularly about knitting and other
fiber pursuits and would design more knitwear if she could only
figure out the armholes. Find her on Ravelry as nakeidknits.

SUMMER 2018 12 WWW.INTERWEAVE.COM


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SUMMER 2018 13 WWW.INTERWEAVE.COM


TRADING
POST TRAIL
ALL-SEASON KNITS INSPIRED BY THE CULTURES,
HUES, AND HISTORY OF THE AMERICAN SOUTHWEST

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TUCSON PULLOVER JESIE OSTERMILLER
The striking and gorgeous colorwork in the Tucson Pullover is
inspired by the basketweaving patterns of the Tohono O’odham
Nation, whose members reside primarily in Arizona and the
Sonoran Desert. Their basketwork features stacked geometric
shapes and stripes. The brilliant colors and alluring motifs in this
pullover draw both the expert and novice knitter. This sweater is
an ideal layering piece to pull on when the summer sun sets.
PATTERN PAGE 34 YARN Ancient Arts Fibre Crafts Passion 8

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CADENCIA PONCHO EMILY WOOD
The American Southwest averages three hundred days of sun-
shine every year, and the Cadencia Poncho harnesses the
warmth and radiance of that Southwestern sun. The mingling ver-
tical, horizontal, and diagonal lines catch the eye, and the drop
stitches create a swingy, fun fabric. This poncho is worked from
side to side and inished with an I-cord edging and fringe.
PATTERN PAGE 39 YARN Sugar Bush Yarns Crisp

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ARKANSAS RIVER PULLOVER IRINA ANIKEEVA
With its snaking, graphic colorwork and bands of solid color, the Arkan-
sas River Pullover pays tribute to both the rapids and gentle straight-
aways of its namesake river. This handsome and sporty pullover is worked
in the round from the bottom up, and it features a comfortable and warm
shawl collar for chilly early mornings and nights in the high desert.
PATTERN PAGE 42 YARN Blue Sky Fibers Woolstok

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DESERT NIGHTS CARDIGAN JENNIFER OWENS
Whether it’s January or July, when the sun sets in the desert of the
American Southwest, the temperature plummets. Pull on the Desert
Nights Cardigan to keep warm when the mercury drops. The
yoke, hem, and cuffs of this cardigan feature a hand-dyed yarn
worked in motifs that look like stranded colorwork but are actually
a mosaic stitch pattern, so you get all the results of colorwork with
none of the extra effort.
PATTERN PAGE 44 YARN Malabrigo Yarn Finito

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BENT’S FORT CARDIGAN SUE GLEAVE
Established in 1833 in southeastern Colorado, Bent’s Old Fort was
built to facilitate the buffalo-robe trade between white settlers
and the southern Cheyenne and Arapaho Plains Indians. The
Bent’s Fort Cardigan is both a blanket and cardigan, worked
in a deceptively simple mosaic stitch pattern that emulates the
Southwestern aesthetic and the architecture of the original fort.
PATTERN PAGE 48 YARN Brown Sheep Company Prairie Spun DK

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INDIGO TRADER CARDIGAN VANESSA EWING
In the 1600s, Spanish settlers brought indigo plants to the open
territories of the Southwest and indigenous weavers quickly incor-
porated this non-native hue into their weavings, which until then
had consisted of earth tones. The Indigo Trader Cardigan’s
bold, graphic intarsia motif, earth tones, and indigo hues are
inspired by both the colors and weaving of the Southwest. This
cardigan is worked flat from the top down, and the high-low hem
is created with short-row shaping.
PATTERN PAGE 50 YARN Harrisville Designs Turbine

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SALIDA CARDIGAN LARS RAINS
The word “salida” is Spanish for “exit.” Surrounded by mountain
ranges, nestled in a natural bowl that keeps the climate temperate,
Salida, Colorado, is a secluded gem of Southwestern culture. The
Salida Cardigan captures the atmosphere of Salida in its bold
geometric colorwork yoke that’s balanced by the simple single-
color body. This cardigan is worked from the bottom up in pieces
and then seamed.
PATTERN PAGE 54 YARN Harrisville Designs Highland

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WHITEHORN SHAWL COURTNEY SPAINHOWER
The town of Whitehorn, Colorado, was founded in the mid- to
late 1890s during the height of the gold rush. The Whitehorn
Shawl’s woven basket–inspired slip-stitch motifs, traditional
Latvian braids, and earthy colors are a tribute to the old West.
This shawl is worked from the center top down and shaped with
increases to create the ample wingspan.
PATTERN PAGE 57 YARN The Fibre Co. Cumbria Worsted

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FOUR CORNERS CARDIGAN ANDREA CULL
The Four Corners is the only place in the United States where
four states touch—Arizona, Utah, New Mexico, and Colorado.
The Four Corners Cardigan honors the diverse cultures and
desert colors that meet at this historically rich nexus. This cardigan
is worked in the round and steeked; the eyelets, shawl collar, and
flowing length add femininity to an otherwise rustic cardigan.
PATTERN PAGE 59 YARN Rowan Felted Tweed DK,
distributed by Sirdar USA

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TUCSON PULLOVER JESIE OSTERMILLER
Finished Size 38½ (43, 46¼, 50¾, 55½)" bust circumference. Pullover shown measures
38½"; modeled with 6½" of positive ease.
Yarn Ancient Arts Fibre Crafts Passion 8 (80% superwash merino, 20% nylon; 437 yd
[400 m]/4 oz [113 g]): Irish linen (beige; A), 3 (3, 3, 4, 4) skeins; Davy Jones’ locker
(teal; B), a midnight clear (dark blue; C), swashbuckle (orange; D), goth chick (red; E),
and goldmine (gold; F), 1 skein each.
Needles Size 1 (2.25 mm): 16" and 24" circular (cir) and set of double-pointed (dpn).
Size 2 (2.75 mm): 24" circular (cir) and set of dpn. Adjust needle size if necessary to
obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle.
Gauge 26 sts and 36 rnds = 4" in St st on larger needle; 26 sts and 30 rnds = 4" in
charted patt on larger needle.

Difficulty Level Yarn Weight 1

For techniques you don’t know, stitches, tack stranded yarn on wrong knit to last st, M1R, k1—2 sts inc’d. Rep
? please visit our online knitting
glossary at www.interweave.com
side of work. inc rnd every 10 (10, 8, 8, 6)th rnd 5 (11,
8, 7, 18) more times, then every 8 (8, 6,
/interweave-knitting-glossary. SLEEVES 6, 4)th rnd 9 (2, 11, 12, 5) times—86 (92,
With B and smaller dpn, CO 56 (60, 64, 104, 118, 126) sts. At the same time,
NOTES 72, 76) sts. Place marker (pm) and join in when piece measures 13¼ (13½, 14, 14, 14)"
TRADING POST

• The body and sleeves of this pullover


are worked in the round from the bot-
the rnd. Work in k2, p2 rib for 3". Change
to larger dpn and St st.
from CO [74 (82, 90, 104, 108) sts at this
point], work Row 1 of Chart B, ending as
tom up to the yoke, then the pieces are Sizes 43 (503⁄4, 551⁄2)" only: indicated for sleeve for your size. Work
joined for working the circular yoke. Next rnd Knit, inc (3, 5, 1) st(s) even- through Row 50 of chart, working new sts
Short-row shaping is used to create a ly—63 (77, 77) sts. into patt—piece measures about 19¾ (20,
more comfortable fit in the back after Size 46" only: 20½, 20½, 20½)" from CO when chart is
the yoke is joined in the round. Next rnd Knit, dec 1 st—63 sts rem. complete. Place first and last 11 (12, 13,
• The charts are worked using the
stranded method. Always pick up the
All sizes:
Work Rows 1–10 of Chart A, inc 0 (1, 1,
14, 15) sts of rnd on holder, removing
m—64 (68, 78, 90, 96) sts rem. Break yarn.
background color over the pattern 1, 1) st at end of rnd on last rnd—56 (64, Place rem sts on separate holder.
color and pick up the pattern color 64, 78, 78) sts. Break B. Note: Sleeve shap-
from under the background color; ing and patterning occur simultaneously; BODY
this will prevent tangling. Keep floats read the foll section all the way through be- With A and smaller 24" cir needle,
loose. For floats longer than four fore proceeding. Inc rnd With A, k1, M1L, CO 248 (280, 300, 328, 360) sts. Pm and

D
E

H
C

A: 38¼ (43, 46¼, 50¾, 55½)"


BODY B: 14¾ (15, 15, 15¼, 15½)"
C: 8½ (9, 9¾, 10, 10¼)"
G
D: 22¾ (22¾, 25¼, 25¼, 25¼)"
F B
E: 1"
F: 8½ (9¾, 9¾, 11¾, 11¾)"
G: 13¼ (14¼, 16, 18¼, 19½)"
H: 19¾ (20, 20½, 20½, 20½)"

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CHART A CHART B

9 49

7 47

5 45
3
43
1
41
14-st rep
39

A 37

35
B
33

C 31

29
D
27
E
25

TRADING POST
F 23

21
k2tog with color indicated
19
ssk with color indicated
17

k2tog with color indicated for size 43" only; 15


for size 38½" knit this st
13

no stitch 11

9
pattern repeat
7

5
join in the rnd. Work in k2, p2 rib for 3½". 10-st rep
end
Change to larger cir needle. Beg working 3
sleeve end end
in St st. Next rnd Knit, inc 2 (0, 0, 2, 0) 55½"
sts evenly—250 (280, 300, 330, 360) sts. sleeve body 1
38½" end
Work even until piece measures 8¼ (8½,
50¾" sleeve
8½, 8¾, 9)" from CO. Work Rows 1–50 of
46¼"
Chart B, ending as indicated for body; piece end
measures 14¾ (15, 15, 15¼, 15½)" from CO sleeve
when chart is complete. 43"

YOKE
Joining rnd Using C yarn attached to
body, k114 (128, 137, 151, 165) back sts, 78, 90, 96) held sleeve sts—334 (368, 404, Next rnd Knit, dec 4 (6) sts evenly—400
place next 22 (24, 26, 28, 30) body sts on 454, 492) sts total. Pm and join in the rnd. (448) sts rem.
holder for underarm, k64 (68, 78, 90, 96) Sizes 381⁄2 (551⁄2)" only: All sizes:
held sleeve sts, k103 (116, 124, 137, 150) Next rnd Knit, inc 2 (4) sts evenly—336 Shape back using short-rows as foll: Note:
front sts, place next 22 (24, 26, 28, 30) (496) sts. The foll short-rows will cont past the beg-
body sts on holder for underarm, k64 (68, Sizes 461⁄4 (503⁄4)" only: of-rnd m; sl this m as you come to it.

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YOKE C
49

47

45

43

41

39

37

35

33

31

29

27

25

23

21

19
TRADING POST

17

15

13

11

42 (46)-st rep to 20-st rep

YOKE D
17

15

13

11

50-st rep to 42-st rep

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YOKE E
19

17

15

13

11

56-st rep to 42-st rep

YOKE F
21

19

17
TRADING POST

15

13

11

62-st rep to 42-st rep

A E k2tog with color indicated for size 43" only;


for size 38½" knit this st
B F
no stitch
C k2tog with color indicated
pattern repeat
D ssk with color indicated

Short-row 1 (RS) K181 (198, 216, Next rnd Knit to end. Break C. Join B. st, wrap next st, turn.
241, 260), wrap next st, turn. With B, knit 1 rnd, working wraps tog with Short-row 8 Purl to 7 sts before wrapped
Short-row 2 (WS) P259 (280, 308, wrapped sts. st, wrap next st, turn.
345, 370), wrap next st, turn. Short-row 5 (RS) K167 (184, 202, Next rnd Knit to end. Knit 1 rnd, working
Short-row 3 Knit to 7 sts before wrapped 227, 246), wrap next st, turn. wraps tog with wrapped sts. Next rnd
st, wrap next st, turn. Short-row 6 (WS) P231 (252, 280, Remove beg-of-rnd m, k52 (58, 61, 67, 76),
Short-row 4 Purl to 7 sts before wrapped 317, 342), wrap next st, turn. pm for new beg of rnd.
st, wrap next st, turn. Short-row 7 Knit to 7 sts before wrapped Sizes 381⁄2 (43)" only:

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YOKE G
37

35

33

31

29

27

25

23

21

19

17

15

13

11

TRADING POST
9

42-st rep to 22-st rep

Work Rows 5–49 (1–49) of Yoke C k2tog, *k11 (11, 12, 12, 12), k2tog; rep JESIE OSTERMILLER is a designer who
chart—160 sts rem. Note: For size 38½", do from * to end—148 (148, 164, 164, 164) lives in Logan, Utah, with her husband, two
not work dec on Row 5 of chart; knit these sts rem. Change to smaller 16" cir needle. small boys, and a very sizable yarn stash.
sts instead. Work in k2, p2 rib for 1". BO all sts in patt. She can be found on Ravelry as knittyjo.
Sizes 461⁄4 (503⁄4, 551⁄2)" only:
Work Yoke D (E, F) chart—336 sts rem. FINISHING
Work Yoke G chart—176 sts rem. With C threaded on a tapestry needle, graft
All sizes: underarm sts using Kitchener st. Weave in
Dec rnd With A, k15 (15, 20, 20, 20), ends. Block to measurements.

CADENCIA PONCHO EMILY WOOD


Finished Size 39¼ (43¼)" wide and 17¾ (21)" tall, excluding fringe. Poncho shown
measures 39¼" on model with 32" bust.
Yarn Sugar Bush Yarns Crisp (100% extra fine superwash merino wool; 95 yd
[87 m]/1¾ oz [50 g]): #2026 maple, 19 (24) balls.
Needles Size 5 (3.75 mm): 40" circular (cir) and set of double-pointed (dpn). Adjust
needle size if necessary to obtain the correct gauge.
Notions Cable needle (cn); size F/5 (3.75 mm) crochet hook; waste yarn for provisional
CO; tapestry needle.
Gauge 43 sts and 31 rows = 7¼" wide and 4" tall in patt after sts are dropped.

Difficulty Level Yarn Weight 3

SUMMER 2018 39 WWW.INTERWEAVE.COM


For techniques you don’t know, C D
? please visit our online knitting
glossary at www.interweave.com Note: Width measure-
/interweave-knitting-glossary. ments include borders.
A: 39¼ (43¼)"
NOTES BODY B: 17¾ (21)"
• This poncho is worked back and forth
from side to side in one piece. A circu-
B
C: 14 (16)"
D: 11¼
lar needle is used to accommodate the
large number of stitches.

PONCHO A
With cir needle, CO 196 (232) sts. Do not
join. SAND WIND CABLE FLOATING SNAKE CABLE
Size 391⁄4" only:
Set-up row (WS) K6, *p1, yo, p1, k1, p18,
k1, [p1, yo, p1, k1, p5, k1] 2 times; rep from 7 3

* to last 30 sts, p1, yo, p1, k1, p18, k1, p1, 1


5
yo, p1, k6—210 sts. Next row (RS) K9,
*work Sand Wind Cable chart over 23 sts, 3 10-st rep
work Floating Snake Cable chart over
20 sts; rep from * to last 29 sts, work Sand 1
Wind Cable chart over 23 sts, k6. Next 23 sts
row (WS) K6, work in patt to last 9 sts, p3,
k6.
TRADING POST

Size 431⁄4" only: end of neck, ending with a WS row.


Set-up row (WS) K6, *[p1, yo, p1, k1, p5, Size 391⁄4" only: k on RS; p on WS
k1] 2 times, p1, yo, p1, k1, p18, k1; rep BO 6 sts, drop 1 st from left needle, trans-
from * to last 26 sts, [p1, yo, p1, k1, p5, k1] fer st from right needle to crochet hook p on RS; k on WS
2 times, p1, yo, p1, k6—250 sts. Next row and ch 3, transfer st from crochet hook to
(RS) K9, *work Floating Snake Cable chart right needle, *BO 22 sts, drop 1 st from k1tbl
over 20 sts, work Sand Wind Cable chart left needle, transfer st from right needle to
over 23 sts; rep from * to last 26 sts, work crochet hook and ch 3, transfer st from cro- pattern repeat
Floating Snake Cable chart over 20 sts, k6. chet hook to right needle, [BO 9 sts, drop
Next row (WS) K6, work in patt to last 1 st from left needle, transfer st from right sl 2 sts onto cn, hold in
9 sts, p3, k6. needle to crochet hook and ch 3, transfer st back, k1, k2 from cn
Both sizes: from crochet hook to right needle] 2 times;
Cont in patt until piece measures 13 (15)" rep from * to last 30 sts, BO 22 sts, drop sl 1 st onto cn, hold in
from CO, ending with a WS row. Shape 1 st from left needle, transfer st from right front, k2, k1 from cn
neck: Note: Both sides of neck shaping are needle to crochet hook and ch 3, transfer st sl 3 sts onto cn, hold in
worked simultaneously, each with its own from crochet hook to right needle, BO all
back, k3, k3 from cn
ball of yarn; a semicolon between pattern sts.
instructions separates the two sides. Next Size 431⁄4" only: sl 3 sts onto cn, hold in
row (RS) Work 103 (123) sts in patt, join BO 6 sts, drop 1 st from left needle, front, k3, k3 from cn
2nd ball of yarn, BO 4 sts, work in patt to transfer st from right needle to crochet
end—103 (123) sts rem for each of front hook and ch 3, transfer st from crochet
and back. Working both sides separately at hook to right needle, *[BO 9 sts, drop 1 st
the same time, cont as foll: Next row Work from left needle, transfer st from right
in patt to neck edge; BO 1 st, work in patt needle to crochet hook and ch 3, transfer st Row 1 (RS) K6, sl 1 kwise, with RS facing,
to end—1 st dec’d. Rep last row every from crochet hook to right needle] 2 times, pick up and knit 1 st along CO edge, psso,
row 9 more times—98 (118) sts each rem BO 22 sts, drop 1 st from left needle, trans- turn.
for front and back. Work even until neck fer st from right needle to crochet hook and Row 2 (WS) Sl 1 pwise wyf, k6.
measures 10", ending with a WS row. Inc ch 3, transfer st from crochet hook to right Rep Rows 1 and 2 to end of CO edge, pick-
row (RS) Work to 1 st before neck edge, needle; rep from * to last 27 sts, [BO 9 sts, ing up and knitting 2 sts in gaps formed
k1f&b; k1f&b, work to end—1 st inc’d drop 1 st from left needle, transfer st by dropped sts, 8 sts along Floating Snake
each side. Rep inc row every RS row 4 more from right needle to crochet hook and ch Cable sections, and 18 sts along Sand Wind
times—103 (123) sts for each of front and 3, transfer st from crochet hook to right Cable sections. BO all sts. Rep for BO edge.
back. Work 1 WS row. Joining row (RS) needle] 2 times, BO all sts. Neck edging: With dpn and RS facing,
Work to neck edge, with same ball of yarn beg at left edge of neck, work applied
and using the backward-loop method, FINISHING I-cord as foll: Using a provisional method,
CO 4 sts, work to end—210 (250) sts. Work Ravel dropped sts to CO edge. Border: CO 4 sts. *Pick up and knit 1 st along neck
even until piece measures 13 (15)" from With dpn, CO 7 sts. edge, slide sts to opposite end of needle,

SUMMER 2018 40 WWW.INTERWEAVE.COM


Triangles

Meadow Shawl
by Dianna Stevens
Jamieson’s Ultra

simply shetland
Exclusive North American distributor of

TM
Jamieson’s Shetland yarns
Visit simplyshetland.com for your local retailer
spinnery.com

Real, Down-to-Earth
Yarns Made in
America's Heartland

www.brownsheep.com

Brown Sheep
Company, Inc.
MITCHELL, NEBRASKA

SUMMER 2018 41 WWW.INTERWEAVE.COM


k3, ssk; rep from * around neck edge. Break attach fringe as foll: Hold 5 strands tog. EMILY WOOD lives with her family in
yarn, leaving a 12" tail. Remove waste yarn Fold strands in half. Insert crochet hook Maryland. In addition to designing knit-
from provisional CO and place 4 sts onto between sts and pull fold through fabric for ting patterns, she enjoys baking, reading
2nd dpn. With tail threaded on a tapestry about 1". Pull ends of strands through fold novels, and gardening. You can find her on
needle, graft sts using Kitchener st. Weave and tighten. Insert 5 strands of fringe in Ravelry as Dogwood13.
in ends. Block to measurements. Fringe: every 4th garter ridge along front and back
Cut 420 (460) pieces of yarn, each 13" long. lower edge. Trim fringe evenly.
Beg at corner and working along lower edge,

ARKANSAS RIVER PULLOVER IRINA ANIKEEVA


Finished Size 35¾ (40, 44¼, 48½, 52¾)" chest circumference. Pullover shown mea-
sures 44¼"; modeled with 6¼" of positive ease.
Yarn Blue Sky Fibers Woolstok (100% fine highland wool; 123 yd [112 m]/1¾ oz
[50 g]): #1301 storm cloud (light gray; MC), 7 (7, 7, 8, 9) skeins; #1317 midnight sea
(dark blue; CC), 5 (5, 6, 6, 7) skeins.
Needles Sizes 6 (4 mm) and 8 (5 mm): 32'' circular (cir) and set of double-pointed
(dpn). Adjust needle size if necessary to obtain the correct gauge.
Notions Markers (m); size G/6 (4 mm) crochet hook; waste yarn for provisional CO;
spare cir needle in same size or smaller than size 6 needle; stitch holder; tapestry
needle.
Gauge 19 sts and 24 rows = 4" in St st on larger needles.
TRADING POST

Difficulty Level Yarn Weight 4

For techniques you don’t know, rib as foll: *K1 from front needle, p1 from work to 4 (4, 6, 7, 9) sts before side m and
? please visit our online knitting
glossary at www.interweave.com/
back needle; rep from * to end—168 (188,
208, 228, 248) sts total. Place marker (pm)
place last 77 (87, 93, 101, 107) sts worked
on holder for front, BO 8 (8, 12, 14, 18)
interweave-knitting-glossary. and join in the rnd. Work in k1, p1 rib for sts removing m, work to end—77 (87, 93,
2". Change to larger cir needle. Inc rnd 101, 107) sts rem for back. Beg working
NOTES M1L, k84 (94, 104, 114, 124), pm for side, back and forth in rows.
• The body of this pullover is worked in
the round to the underarm, then the
M1L, knit to end—170 (190, 210, 230, 250)
sts. Work in St st until piece measures 3¼" BACK
front and back are worked separately from CO edge. Work Rows 1–9 of Chart A. Work 1 WS row even. Shape armholes:
back and forth. The sleeves are worked Break MC. With CC, work even until piece BO 2 (3, 3, 3, 3) sts at beg of next 2
in the round, with the sleeve cap measures 14¼" from CO. Work Rows 1–9 rows—73 (81, 87, 95, 101) sts rem.
worked flat. of Chart B. Break CC. With MC, work even Sizes 40 (44, 481⁄2, 523⁄4)" only:
• The charts are worked using the
stranded method. Always pick up the
until piece measures 17¼" from CO, ending
4 (4, 6, 7, 9) sts before end of rnd on last
Dec row (RS) K1, k2tog, knit to last 3 sts,
ssk, k1—2 sts dec’d. Rep dec row every RS
background color over the pattern col- rnd. Divide for front and back: Next row 2 (2, 3, 4) more times—75 (81, 87, 91)
or and pick up the pattern color from rnd BO 8 (8, 12, 14, 18) sts removing m, sts rem.
under the background color; this will
prevent tangling. Keep floats loose. For F E L
floats longer than four stitches, tack A: 35¾ (40, 44¼, 48½, 52¾)"
stranded yarn on wrong side of work. D B: 17¼"
If necessary, use a larger needle for the G C: 7¾ (8, 8½, 9, 9½)"
K D: 1¼"
charted rounds to maintain gauge. C
E: 4¼ (4¼, 4¾, 5½, 5½)"
BODY F: 7 (7¼, 7¾, 7¼, 8¼)"
I
Tubular CO: With MC, smaller cir needle, G: 7 (7¼, 7¾, 8¼, 8¾)"
SLEEVE

and using the crochet chain provisional BODY H: 9¾ (9¾, 9¾, 11¼, 11¼)"
method, CO 84 (94, 104, 114, 124) sts. Do J I: 13½ (14¾, 15½, 16¾, 17¾)"
B
not join. Purl 1 WS row. Knit 1 RS row. Purl J: 19"
1 WS row. Carefully remove waste yarn K: 6¾ (7, 8, 8¾, 9)"
from CO and place 84 (94, 104, 114, 124) L: 3¼ (3¾, 3¾, 3¾, 3¾)"
CO sts onto spare cir needle. With WS tog
and spare needle held in back, work in k1, p1
A H

SUMMER 2018 42 WWW.INTERWEAVE.COM


All sizes: RS row 4 (4, 2, 0, 1) time(s)—20 (20, 22, 4th row 6 (6, 9, 10, 10) times—34 (36,
Work even until armhole measures 7¾ (8, 26, 26) sts rem. Work even until armhole 36, 38, 38) sts rem. Work 1 (1, 1, 1, 3)
8½, 9, 9½)", ending with a WS row. Shape measures 7¾ (8, 8½, 9, 9½)", ending with row(s) even. BO 2 sts at beg of next 2 rows,
shoulders: BO 5 (5, 5, 6, 6) sts at beg of a RS row. Shape shoulder: At beg of WS BO 3 sts at beg of next 2 rows, BO 4 (4, 4,
next 6 rows, BO 5 (5, 7, 8, 8) sts at beg of rows, BO 5 (5, 5, 6, 6) sts 3 times—5 (5, 7, 5, 5) sts at beg of foll 2 rows—16 (18, 18,
foll 2 rows—33 (35, 37, 35, 39) sts rem. 8, 8) sts rem. Work 1 RS row even. BO all 18, 18) sts rem. BO all sts.
BO all sts. sts. Left front: Return 30 (31, 33, 35, 37)
held left front sts to needle and, with WS FINISHING
FRONT facing, rejoin yarn. Next row (WS) Purl. Block pieces to measurements. Sew
Return 77 (87, 93, 101, 107) held front Dec row (RS) Knit to last 3 sts, k2tog, shoulder seams. Sew in sleeves. Collar:
sts to needle and, with WS facing, rejoin k1—1 st dec’d. Rep dec row every 4th row With MC, smaller cir needle, and RS facing,
MC. Work 1 WS row even. Shape arm- 5 (6, 8, 8, 9) more times, then every RS row beg at corner of right front neck edge, pick
holes: BO 2 (3, 3, 3, 3) sts at beg of next 2 4 (4, 2, 0, 1) time(s)—20 (20, 22, 26, 26) up and knit 38 (40, 42, 44, 46) sts evenly
rows—73 (81, 87, 95, 101) sts rem. sts rem. Work even until armhole mea- along right front neck edge, pm, pick up
Sizes 40 (44, 481⁄2, 523⁄4)" only: sures 7¾ (8, 8½, 9, 9½)", ending with a WS and knit 33 (35, 37, 35, 39) along back
Dec row (RS) K1, k2tog, knit to last 3 sts, row. Shape shoulder: At beg of RS rows, neck edge, pm, pick up and knit 38 (40,
ssk, k1—2 sts dec’d. Rep dec row every RS BO 5 (5, 5, 6, 6) sts 3 times—5 (5, 7, 8, 8) 42, 44, 46) sts evenly along left front neck
row 2 (2, 3, 4) more times—75 (81, 87, 91) sts rem. Work 1 WS row even. BO all sts. edge (do not pick up sts along center front
sts rem. BO)—109 (115, 121, 123, 131) sts total.
All sizes: SLEEVES Do not join. Next row (WS) P2, *k1, p1;
Work even until armhole measures 2", end- Tubular CO: With MC, smaller dpn, rep from * to last st, p1. Shape collar using
ing with a WS row. Shape neck: Next row and using the crochet chain provisional short-rows as foll:
(RS) K30 (31, 33, 35, 37) and place these method, CO 23 (23, 23, 27, 27) sts. Do not Short-row 1 (RS) [Work in rib patt to m, sl
sts on holder for left front, BO 13 (13, 15, join. Purl 1 WS row. Knit 1 RS row. Purl m] 2 times, work 2 sts, wrap next st, turn.
17, 17) sts, knit to end—30 (31, 33, 35, 37) 1 WS row. Carefully remove waste yarn Short-row 2 (WS) [Work in rib patt to

TRADING POST
sts rem for right front. Right front: Next from CO and place 23 (23, 23, 27, 27) CO m, sl m] 2 times, work 2 sts, wrap next st,
row (WS) Purl. Dec row (RS) K1, ssk, knit sts onto spare cir needle. With WS tog and turn.
to end—1 st dec’d. Rep dec row every 4th spare needle held in back, work in k1, p1 Short-row 3 Work to wrapped st, work
row 5 (6, 8, 8, 9) more times, then every rib as foll: *K1 from front needle, p1 from wrap tog with wrapped st, work 2 sts, wrap
back needle; rep from * to end—46 (46, next st, turn.
46, 54, 54) sts total. Pm and join in the Short-row 4 Work to wrapped st, work
CHART A rnd. Work in k1, p1 rib for 2". Change to wrap tog with wrapped st, work 2 sts, wrap
larger dpn. Knit 4 rnds. Inc rnd K1, M1L, next st, turn.
9 knit to last st, M1R, k1—2 sts inc’d. Rep Rep last 2 short-rows 10 (10, 12, 12, 12)
7 inc rnd every 10 (10, 10, 6, 6)th rnd 1 (1, 1, more times. Next 2 rows Work to end,
2, 2) more time(s)—50 (50, 50, 60, 60) sts. working wraps tog with wrapped sts.
5 Work even until piece measures 5" from Remove m. Work even until side edges
CO. Work Rows 1–9 of Chart A. Break MC. of piece measure about 2¾ (2¾ (3¼,
3
With CC, knit 1 rnd. Inc rnd K1, M1L, knit 3½, 3½)", ending with a RS row. BO all sts
1 to last st, M1R, k1—2 sts inc’d. Rep inc rnd using the tubular method as foll: With 2
every 12 (6, 6, 6, 6)th rnd 4 (9, 9, 9, 9) more smaller cir needles held parallel, sl all sts as
10-st rep times—60 (70, 70, 80, 80) sts. Work even foll: *sl 1 st to front needle, sl 1 st to back
until piece measures 16" from CO. Work needle; rep from * to last st, sl 1 st to front
CHART B Rows 1–9 of Chart B. Break CC. With MC, needle—55 (58, 61, 62, 66) sts on front
9 knit 1 rnd. needle and 54 (57, 60, 61, 65) sts on back
Sizes 353⁄4 (441⁄4, 523⁄4)" only: needle. Break yarn, leaving a tail 4 times
7 Inc rnd K1, M1L, knit to last st, M1R, length of finished edge. With tail threaded
k1—2 sts inc’d. Rep inc rnd every 5th rnd on a tapestry needle, graft sts tog using
5
once more—64 (74, 84) sts. Kitchener st. Sew short side edges of collar
3 All sizes: to BO at neck with left side on top. Weave
Work even until piece measures 19" from in ends.
1 CO, ending 4 (4, 6, 7, 9) sts before end of
rnd on last rnd. Beg working back and Following a management career, IRINA
10-st rep
forth in rows. Shape cap: Next row (RS) ANIKEEVA took up her needles full time
BO 8 (8, 12, 14, 18) sts removing m, knit to to pursue a long-standing love of knitwear
MC end—56 (62, 62, 66, 66) sts rem. Work 1 design. She lives in Southern California
WS row even. BO 2 (3, 3, 3, 3) sts at beg of with her husband. You can see her passion
CC next 2 rows—52 (56, 56, 60, 60) sts rem. for cabling and other knitting techniques
Dec row (RS) K1, k2tog, knit to last 3 sts, on her website, www.irmiandesign.com,
ssk, k1—2 sts dec’d. Rep dec row every RS and find her on Ravelry as hibis411.
pattern repeat
row 2 (3, 0, 0, 0) more times, then every

SUMMER 2018 43 WWW.INTERWEAVE.COM


DESERT NIGHTS CARDIGAN JENNIFER OWENS
Finished Size 30 (33, 37, 40½, 44½, 48)" bust circumference. Cardigan shown mea-
sures 33"; modeled with 1" of positive ease.
Yarn Malabrigo Yarn Finito (100% superfine merino wool; 200 yd [183 m]/1¾ oz
[50 g]): #063 natural (cream; MC), 7 (7, 8, 8, 9, 9) skeins; #862 piedras (orange; CC),
2 (2, 2, 2, 3, 3) skeins.
Needles Sizes 3 (3.25 mm) and 4 (3.5 mm): 32" circular (cir). Adjust needle size if
necessary to obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle.
Gauge 26 sts and 36 rows = 4" in St st on larger needle; 26 sts and 51 rows = 4" in
charted patt on larger needle.

Difficulty Level Yarn Weight 1

For techniques you don’t know, wrong-side rows, purl all main-color 144, 156), pm for side, knit to end. Work
? please visit our online knitting
glossary at www.interweave.com
stitches and slip all contrasting-color
stitches purlwise with yarn in front.
in St st until piece measures 3" from CO,
ending with a WS row. Beg and ending
/interweave-knitting-glossary. On contrasting-color right-side rows, as indicated for body for your size, work
knit all contrasting-color stitches and Rows 1–18 of Greek Key chart (see Notes).
NOTES slip all main-color stitches purlwise Break CC. With MC, work in St st until
• This cardigan is worked back and
forth in one piece to the underarm and
with yarn in back. On contrasting-
color wrong-side rows, purl all
piece measures 4½" from CO, ending with
a WS row. Shape waist: Note: Pockets
then the fronts and back are worked contrasting-color stitches and slip all are placed before waist shaping ends; read
TRADING POST

separately. The sleeves are worked main-color stitches purlwise with yarn the foll section all the way through before
back and forth from the bottom up. A in front. proceeding. Dec row (RS) [Knit to 4 sts
circular needle is used to accommodate
the large number of stitches.
• When the contrasting color is unused
for only a few rows, carry it up the side
before m, k2tog, k2, sl m, k2, ssk] 2 times,
knit to end—4 sts dec’d. Rep dec row
• Each row of the charts represents two
rows, a right-side row and a wrong-side
of the work and bring it under the main
color to begin working with it again.
every 8th row 3 more times—162 (182,
206, 230, 254, 278) sts rem: 36 (41, 47, 53,
row, both worked with the same color 59, 65) sts for each front and 90 (100, 112,
yarn (the color shown in the column POCKET LININGS (MAKE 2) 124, 136, 148) sts for back. At the same
to the right of the chart). The colors With MC and larger needle, CO 28 sts. time, when piece measures 6½" from CO,
alternate every two rows, with Rows 1 Work in St st for 5", ending with a WS row. ending with a WS row, place pockets as foll:
and 2 being worked with the contrast- Place sts on holder. Next row (RS) K6 (6, 7, 10, 12, 14), place
ing color. Work the stitch to the right next 28 sts on holder, with RS of lining
of the chart, then begin and end the BODY facing, k28 held pocket lining sts, [work
main part of the chart as indicated, With MC and smaller needle, CO 178 (198, to m, sl m] 2 times, work to last 34 (34,
then work the stitch to the left of the 222, 246, 270, 294) sts. Do not join. 35, 38, 40, 42) sts, place next 28 sts on
chart. On main-color right-side rows, Work in k2, p2 rib for 1½", ending with a holder, with RS of lining facing, k28 held
knit all main-color stitches and slip WS row. Change to larger needle. Next pocket lining sts, knit to end. Work even
all contrasting-color stitches purlwise row (RS) K40 (45, 51, 57, 63, 69), place until piece measures 8½" from CO, ending
with yarn in back. On main-color marker (pm) for side, k98 (108, 120, 132, with a WS row. Inc row (RS) [Knit to 2 sts

G H N A: 27½ (30½, 34¼, 37¾, 41½, 45¼)"


B: 25 (28, 31¾, 35½, 39, 42¾)"
F C: 15 (16½, 18½, 20¼, 22¼, 24)"
M D: 15"
I
E E: 8 (8½, 9, 9½, 10, 10½)"
F: 1"
K G: 3 (3½, 4, 4½, 5, 5½)"
C
H: 6¼"
BODY SLEEVE I: 8 (8½, 8½, 9, 9½, 10)"
D L J: 7¾ (7¾, 7¾, 7¾, 8¼, 8¼)"
B K: 12¼ (13¾, 14¾, 15½, 16½, 18¼)"
L: 18"
M: 5¾ (5¾, 7¼, 7¼, 7½, 7¾)"
N: 3 (3¾, 4½, 4½, 5, 5¾)"

A J

SUMMER 2018 44 WWW.INTERWEAVE.COM


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SUMMER 2018 45 WWW.INTERWEAVE.COM


DIAMOND Work to last 3 sts, k2tog, k1—1 st dec’d.
33 Rep dec row every 8th row 4 (4, 5, 6, 7, 8)
31 more times, then every 6th row 3 (4, 5, 4,
29
27
4, 3) times, then every 4th row 4 (3, 1, 1,
25 0, 0) time(s)—20 (23, 26, 29, 32, 35) sts
23 rem. Work even until armhole measures
21
19
8 (8½, 9, 9½, 10, 10½)", ending with a WS
17 row. Shape shoulder: At beg of RS rows,
15 BO 5 (6, 7, 7, 8, 9) sts 3 times—5 (5, 5, 8,
13
11 8, 8) sts rem. Work 1 WS row. BO all sts.
9
7 BACK
5
3 Return 88 (94, 106, 112, 120, 126) held
1 back sts to needle and, with WS facing, re-
join MC. Purl 1 WS row. Shape armholes:
12-st rep
end end beg beg BO 0 (0, 2, 2, 3, 3) sts at beg of next 0 (0, 2,
left front right front left front sleeve cap
2, 2, 2) rows—88 (94, 102, 108, 114, 120)
33" 33" 33" 30"
37" 48" 40½" 37" sts rem. Dec row (RS) K2, ssk, knit to
48" 48" 44½" last 4 sts, k2tog, k2—2 sts dec’d. Rep dec
end
right front back beg row every RS row 0 (0, 1, 1, 1, 1) more
back
37" 33" right front time—86 (92, 98, 104, 110, 116) sts rem.
33"
end 40½" 33"
40½"
48"
Purl 1 WS row. Join CC. With CC, work
right front 48" 40½"
40½" beg dec row once—84 (90, 96, 102, 108, 114)
48"
sleeve cap end left front sts rem. Purl 1 WS row. With MC, work
left front 30" beg
dec row once—82 (88, 94, 100, 106, 112)
TRADING POST

30"
30" 37" sleeve cap
37" sts rem. Purl 1 WS row, dec 1 st—81 (87,
40½" 44½" 33"
44½"
44½" back 40½" 93, 99, 105, 111) sts rem. Beg and ending
end
right front 30" 48" as indicated for back for your size, work
back
30" 37" Rows 1–34 of Diamond chart. With MC,
30"
44½" 44½"
37" work 6 (6, 10, 10, 10, 10) rows. Beg and
sleeve cap right front
44½" ending as indicated for back for your size,
33" 30"
40½" 37" work Rows 1–18 of Greek Key chart. With
48" 44½" MC, work even until armhole measures
8 (8½, 9, 9½, 10, 10½)", ending with a WS
MC (see Notes) row. Shape shoulders: BO 5 (6, 7, 7, 8, 9)
sts at beg of next 6 rows, then BO 5 (5, 5, 8,
CC (see Notes) LEFT FRONT 8, 8) sts at beg of foll 2 rows—41 sts rem.
Purl 1 WS row. Shape armhole: BO all sts.
pattern repeat Sizes 37 (401⁄2, 441⁄2, 48)" only:
Next row (RS) BO 2 (2, 3, 3) sts, knit to RIGHT FRONT
end—42 (45, 48, 51) sts rem. Purl 1 WS Return 35 (38, 44, 47, 51, 54) held right
row. front sts to needle and, with WS facing,
before m, M1, k2, sl m, k2, M1] 2 times, All sizes: rejoin MC. Purl 1 WS row.
knit to end—4 sts inc’d. Rep inc row every Dec row (RS) K2, ssk, knit to end—1 st Sizes 37 (401⁄2, 441⁄2, 48)" only:
10th row 3 more times—178 (198, 222, dec’d. Rep dec row every RS row 0 (0, 1, 1, Knit 1 RS row. Next row (WS) BO 2 (2,
246, 270, 294) sts: 40 (45, 51, 57, 63, 69) 1, 1) more time—34 (37, 40, 43, 46, 49) 3, 3) sts, purl to end—42 (45, 48, 51) sts
sts for each front and 98 (108, 120, 132, sts rem. Purl 1 WS row. Join CC. With rem.
144, 156) sts for back. Work even until CC, work dec row once—33 (36, 39, 42, All sizes:
piece measures 13¼" from CO, ending with 45, 48) sts rem. With CC, purl 1 WS row. Dec row (RS) Knit to last 4 sts, k2tog,
a WS row. Beg and ending as indicated With MC, work dec row once—32 (35, 38, k2—1 st dec’d. Rep dec row every RS row
for body for your size, work Rows 1–18 of 41, 44, 47) sts rem. With MC, purl 1 WS 0 (0, 1, 1, 1, 1) more time—34 (37, 40, 43,
Greek Key chart. Break CC. With MC, work row. Note: Patt and neck shaping occur 46, 49) sts rem. Purl 1 WS row. Join CC.
2 rows even in St st. Divide for fronts and simultaneously; read the foll section all With CC, work dec row once—33 (36, 39,
back: Next row (RS) Knit to 5 (7, 7, 10, the way through before proceeding. Beg 42, 45, 48) sts rem. With CC, purl 1 WS
12, 15) sts before m and place these 35 (38, and ending as indicated for left front for row. With MC, work dec row once—32 (35,
44, 47, 51, 54) sts on holder for right front, your size, work Rows 1–34 of Diamond 38, 41, 44, 47) sts rem. Purl 1 WS row.
BO 10 (14, 14, 20, 24, 30) sts, knit to 5 (7, chart. With MC, work 6 (6, 10, 10, 10, 10) Note: Patt and neck shaping occur simul-
7, 10, 12, 15) sts before m and place these rows. Beg and ending as indicated for front taneously; read the foll section all the way
88 (94, 106, 112, 120, 126) sts on separate for your size, work Rows 1–18 of Greek through before proceeding. Beg and ending
holder for back, BO 10 (14, 14, 20, 24, 30) Key chart. With MC, work to end. At the as indicated for right front for your size,
sts, knit to end—35 (38, 44, 47, 51, 54) sts same time, beg with Row 3 of Diamond work Rows 1–34 of Diamond chart. With
rem for left front. chart, shape neck as foll: Dec row (RS) MC, work 6 (6, 10, 10, 10, 10) rows. Beg

SUMMER 2018 46 WWW.INTERWEAVE.COM


GREEK KEY
17
15
13
11
9
7
5
3
1

20-st rep
end end beg beg
back front body upper sleeve
33" 30" 44½" 44½"
upper sleeve front
end beg
44½" MC (see Notes) 30"
sleeve cap body
33"
end 33" 40½"
CC (see Notes) back
body 48" back
48"
40½" 33"
end upper sleeve
back pattern repeat
body 33" beg
44½"
44½" sleeve cap back
end front 33" 44½"
sleeve cap 33" 48"
beg beg
30" upper sleeve 4th row 4 (3, 1, 1, 0, 0) time(s)—20 (23,
front body
44½" 33" 26, 29, 32, 35) sts rem. Work even until
37" 37"
end armhole measures 8 (8½, 9, 9½, 10, 10½)",

TRADING POST
end back lower sleeve
body front ending with a RS row. Shape shoulder: 48"
37"
37" 37" At beg of WS rows, BO 5 (6, 7, 7, 8, 9) sts sleeve cap
back beg
front 3 times—5 (5, 5, 8, 8, 8) sts rem. Work 1 body 30"
48" 48" 44½"
RS row. With WS facing, BO all sts pwise. 48"
back end front beg
30" body SLEEVES 40½" front
lower sleeve 48" With MC and smaller needle, CO 50 (50, lower sleeve 48"
48" back 30" back
end
50, 50, 54, 54) sts. Do not join. Work in k2,
37" 33" 30"
back lower sleeve
p2 rib for 2", ending with a WS row. Change
beg lower sleeve
40½" 30" to larger needle. Note: Patt beg before 40½"
sleeve shaping ends; read the foll section lower sleeve
lower sleeve 33" 44½"
37"
40½" end all the way through before proceeding. upper sleeve
upper sleeve
44½" front Inc row (RS) K2, M1, work to last 2 sts, 30"
37"
upper sleeve 40½" M1, k2—2 sts inc’d. Rep inc row every 40½"
sleeve cap
30" lower sleeve 10 (8, 6, 6, 6, 4)th row 2 (2, 12, 13, 5, 26) 40½" beg
40½" 37" more times, then every 8th (6th, 4th,
sleeve cap body
upper sleeve 4th, 4th, 2nd) row 12 (17, 10, 11, 21, 5)
37" 30"
37" times—80 (90, 96, 100, 108, 118) sts. At 33"
end
the same time, when there are 54 (54, front
body
56, 60, 60, 62) sts on needle, ending with 44½"
30"
a WS row, beg and ending as indicated for back
33"
lower sleeve for your size, work Rows 1–18 40½"
front
of Greek Key chart, working new sts into upper sleeve
44½"
48"
upper sleeve patt. Break CC. With MC, work until piece
sleeve cap
48" measures 16¼" from CO, ending with a WS 37"
sleeve cap row. Beg and ending as indicated for upper
40½" sleeve for your size, work Rows 1–18 of
Greek Key chart. Break CC. With MC, work
and ending as indicated for front for your 2 rows even. Shape cap: BO 5 (7, 7, 10, MC, work 1 row even. Next row (WS)
size, work Rows 1–18 of Greek Key chart. 12, 15) sts at beg of next 2 rows—70 (76, Purl, dec 1 st—67 (73, 79, 73, 79, 85) sts
With MC, work to end. At the same time, 82, 80, 84, 88) sts rem. Dec row (RS) K2, rem. Note: Shaping beg before charts end;
beg with Row 3 of Diamond chart, shape ssk, knit to last 4 sts, k2tog, k2—2 sts read the foll section all the way through
neck as foll: Dec row (RS) K1, ssk, knit dec’d. Rep dec row every RS row 0 (0, 0, 2, before proceeding. Beg and ending as
to end—1 st dec’d. Rep dec row every 8th 1, 0) more time(s)—68 (74, 80, 74, 80, 86) indicated for sleeve cap for your size, work
row 4 (4, 5, 6, 7, 8) more times, then every sts rem. Work 1 (1, 5, 1, 3, 5) row(s) even. Rows 1–34 of Diamond chart. With MC,
6th row 3 (4, 5, 4, 4, 3) times, then every Join CC. With CC, work 2 rows even. With work 6 (6, 10, 10, 10, 10) rows. Beg and

SUMMER 2018 47 WWW.INTERWEAVE.COM


ending as indicated for sleeve cap for your into armholes. Sew sleeve seams. Neck- rows for 1½". BO all sts in patt. Pocket
size, work Rows 1–18 of Greek Key chart. band: With MC, smaller cir needle, and RS edging: Return 28 held pocket sts to
With MC, work to end. At the same time, facing, beg at right front lower edge, pick needle and, with RS facing, join CC. Knit 1
beg with Row 5 of Diamond chart, shape cap up and knit 114 (114, 116, 116, 116, 116) RS row. With WS facing, BO all sts kwise.
as foll: Dec row (RS) K1, ssk, work to last sts along right front edge to base of neck, Sew pocket linings to WS of fronts. Tack
3 sts, k2tog, k1—2 sts dec’d. Rep dec row 56 (60, 64, 66, 70, 74) sts along right neck pocket edging to fronts.
every 6th row 3 (3, 3, 4, 4, 4) more times, edge to right shoulder seam, 42 sts along
then every 4th row 0 (0, 4, 5, 5, 5) times, back neck edge to left shoulder seam, JENNIFER OWENS is a knitwear designer,
then every RS row 17 (17, 14, 9, 10, 11) 56 (60, 64, 66, 70, 74) sts along left neck sample knitter, and knitting instructor. She
times—25 (31, 35, 35, 39, 43) sts rem. edge to base of neck, and 114 (114, 116, lives in Westfield, New Jersey. You can
BO 3 sts at beg of next 2 rows—19 (25, 29, 116, 116, 116) sts along left front to lower find her on Ravelry as Jennits.
29, 33, 37) sts rem. BO all sts. edge—382 (390, 402, 406, 414, 422) sts
total. Do not join. Next row (WS) P2, *k2,
FINISHING p2; rep from * to end. Next row (RS) *K2,
Weave in ends. Block pieces to measure- p2; rep from * to last 2 sts, k2. Rep last 2
ments. Sew shoulder seams. Sew sleeves

BENT’S FORT CARDIGAN SUE GLEAVE


Finished Size 18¾ (21, 23¾, 25¼, 26¾)" back width at underarm. Cardigan shown
measures 21" on model with 32" bust.
Yarn Brown Sheep Company Prairie Spun DK (100% wool; 256 yd [234 m]/3½ oz
[100 g]): #PSDK95 wild indigo (blue; MC), 6 (6, 8, 8, 8) skeins; #PSDK35 honeycomb
TRADING POST

(gold; CC), 2 (2, 3, 3, 3) skeins.


Needles Size 6 (4 mm). Size 7 (4.5 mm): 40" circular (cir). Adjust needle size if neces-
sary to obtain the correct gauge.
Notions Stitch holders; tapestry needle.
Gauge 21 sts and 33 rows = 4" in mosaic patt on larger needle; 20 sts and 29 rows
= 4" in St st on smaller needles; 21 sts and 47 rows = 4" in Honeycomb st on larger
needle.

Difficulty Level Yarn Weight 3

F G L
For techniques you don’t know,
? please visit our online knitting
glossary at www.interweave.com
E

K
D
/interweave-knitting-glossary.
I
NOTES
• The body of this cardigan is worked
back and forth in one piece to the C
BODY SLEEVE

J
underarm, then the fronts and back
are worked separately. The sleeves
are worked back and forth from the B
bottom up. A circular needle is used
to accommodate the large number of
A H
stitches.
• Slip stitches purlwise.
Rows 5 and 7 Knit.
A: 18¾ (21, 23¾, 25¼, 26¾)"
B: 22½ (21¼, 25¼, 24½, 23½)"
STITCH GUIDE Row 6 Purl. C: 16 (16, 19¾, 19¼, 19½)"
Honeycomb Stitch: (multiple of 6 sts Row 8 K1, p1, *insert needle from below D: 7½ (7½, 8, 8½, 9)"
+ 5) under 3 floats from Rows 2, 3, and 4 and E: ¼"
Row 1 (RS) Knit. knit next st, bringing st out under floats, F: 3¾ (4, 4½, 4½, 4½)"
Rows 2 and 4 (WS) K1, *sl 3 wyf (see p5; rep from * to last 3 sts, insert needle G: 5¾ (7¼, 8¼, 9, 8½)"
Notes), p3; rep from * to last 4 sts, sl 3 wyf, from below under 3 floats from Rows 2, H: 7¾ (7¾, 9, 9, 9)"
k1. 3, and 4 and knit next st, bringing st out I: 11¾ (12½, 13¾, 15½, 17)"
Row 3 K1, *sl 3 wyb, k3; rep from * to last under floats, p1, k1. J: 17 (17, 17½, 17½, 18)"
4 sts, sl 3 wyb, k1. Row 9 Knit. K: 6 (6, 5¾, 6, 6¼)"
L: 1½ (1¾, 2¼, 2½, 3)"

SUMMER 2018 48 WWW.INTERWEAVE.COM


MOSAIC

59

57

55

53

51

49

47

45

43

41

39

37

35

33

31

29

27

25

TRADING POST
23

21

19

17

15

13

11

55-st rep

Rows 10 and 12 K1, *p3, sl 3 wyf; rep 389, 389, 389) sts. Do not join. Work
from * to last 4 sts, p3, k1. in Honeycomb st (see Stitch Guide) for
Row 11 K1, *k3, sl 3 wyb; rep from * to last 56 (56, 64, 64, 72) rows. Next row (RS) with MC, k on RS, p on WS
4 sts, k4. Knit, dec 1 (1, 0, 0, 0) st—334 (334, 389,
Rows 13 and 15 Knit. 389, 389) sts rem. Purl 1 WS row. Beg with with CC, k on RS, p on WS
Row 14 Purl. Row 1 (1, 31, 31, 31), work Mosaic chart for
Row 16 K1, p4, *insert needle from below 90 (90, 116, 112, 108) rows, ending with sl 1 pwise wyb on RS;
under 3 floats from Rows 10, 11, and 12 Row 30 (30, 26, 22, 18) of chart. Divide sl 1 pwise wyf on WS
and knit next st, bringing st out under for fronts and back: Next row (RS) Work
floats, p5; rep from * to last 6 sts, insert 113 (106, 125, 120, 115) sts in patt and sl 1 pwise wyb on RS;
needle from below under 3 floats from place these sts on holder for right front, sl 1 pwise wyf on WS
Rows 10, 11, and 12 and knit next st, BO 10 (12, 14, 16, 18) sts, work 88 (98, 111,
bringing st out under floats, p4, k1. 117, 123) sts in patt and place these sts pattern repeat
Rep Rows 1–16 for patt. on holder for back, BO 10 (12, 14, 16, 18)
sts, work in patt to end—113 (106, 125,
BODY 120, 115) sts rem for left front.
With MC and larger needle, CO 335 (335,

SUMMER 2018 49 WWW.INTERWEAVE.COM


LEFT FRONT for right shoulder, BO 22 (30, 35, 39, 37) 7, 8, 9) sts at beg of next 2 rows, BO 2 (2, 2,
Work 1 WS row. Shape armhole: At beg sts, work to end—24 (25, 27, 27, 28) sts 3, 3) sts at beg of foll 2 rows, then BO 1 st
of RS rows, BO 3 (3, 4, 4, 5) sts once, rem for left shoulder. Left shoulder: Work at beg of foll 4 rows—41 (43, 47, 51, 57)
then BO 2 (2, 3, 3, 4) sts once—108 (101, 1 WS row. Next row (RS) BO 2 sts, work sts rem. Dec row (RS) K1, ssk, knit to last
118, 113, 106) sts rem. Work 1 WS row. to end—22 (23, 25, 25, 26) sts rem. Work 3 sts, k2tog, k1—2 sts dec’d. Rep dec row
At beg of RS rows, BO 2 (2, 2, 3, 3) sts 1 WS row. Dec row (RS) K2tog, work to every RS row 3 (3, 4, 4, 5) more times, then
once, BO 1 (1, 1, 1, 2) st(s) once, then end—1 st dec’d. Rep dec row every RS row every 6th row 2 (2, 1, 1, 1) time(s)—29 (31,
BO 1 st once—104 (97, 114, 108, 100) sts once more—20 (21, 23, 23, 24) sts rem. 35, 39, 43) sts rem. Work 3 rows even,
rem. Work 49 (49, 53, 57, 61) rows even, Work 1 WS row. Break CC. With MC, shape ending with a WS row. Rep dec row on
ending with Row 30 of chart. Break CC. shoulder using short-rows as foll: next row, every 4th row once more, then
With MC, work 2 rows in St st. Next row Short-row 1 (RS) K13 (14, 17, 17, 18), wrap every RS row 2 (2, 3, 4, 3) times—21 (23,
(RS) BO 20 (21, 23, 23, 24) sts, place next next st, turn. 25, 27, 33) sts rem. Dec row (WS) P1,
84 (76, 91, 85, 76) sts on holder for collar. Short-row 2 (WS) Purl to end. p2tog, purl to last 3 sts, ssp, p1—2 sts
Next row (RS) Knit to end, working wrap dec’d. Rep dec row every row 2 (2, 2, 2, 4)
RIGHT FRONT tog with wrapped st. Purl 1 WS row. BO all more times—15 (17, 19, 21, 23) sts rem.
Return 113 (106, 125, 120, 115) held sts. Right shoulder: Return 24 (25, 27, Dec row (RS) K1, [ssk] 2 times, knit to
right front sts to needle and, with WS 27, 28) held right shoulder sts to needle last 5 sts, [k2tog] 2 times, k1—11 (13, 15,
facing, rejoin yarns. Shape armhole: At and, with WS facing, rejoin yarn. Next row 17, 19) sts rem. Dec row (WS) P1, [p2tog]
beg of WS rows, BO 3 (3, 4, 4, 5) sts once, (WS) BO 2 sts, work to end—22 (23, 25, 2 times, purl to last 5 sts, [ssp] 2 times,
then BO 2 (2, 3, 3, 4) sts once—108 (101, 25, 26) sts rem. Work 1 RS row. Dec row p1—7 (9, 11, 13, 15) sts rem. BO all sts.
118, 113, 106) sts rem. Work 1 RS row. (WS) P2tog, work to end—1 st dec’d. Rep
At beg of WS rows, BO 2 (2, 2, 3, 3) sts dec row every WS row once more—20 (21, FINISHING
once, BO 1 (1, 1, 1, 2) st(s) once, then 23, 23, 24) sts rem. Work 2 rows even. Weave in ends. Block pieces to measure-
BO 1 st once—104 (97, 114, 108, 100) sts Break CC. With MC, work 1 RS row. Shape ments. Sew shoulder seams. Collar: With
rem. Work 50 (50, 54, 58, 62) rows even, shoulder using short-rows as foll: MC, larger cir needle, and RS facing,
TRADING POST

ending with Row 30 of chart. Break CC. Short-row 1 (WS) P13 (14, 17, 17, 18), k84 (76, 91, 85, 76) held right front
With MC, work 1 row in St st. Next row wrap next st, turn. sts, pick up and knit 35 (45, 51, 51, 51)
(WS) BO 20 (21, 23, 23, 24) sts, place next Short-row 2 (RS) Knit to end. sts along back neck BO, k84 (76, 91,
84 (76, 91, 85, 76) sts on holder for collar. Next row (WS) Purl to end, working wrap 85, 76) held left front sts—203 (197, 233,
tog with wrapped st. BO all sts. 221, 203) sts total. Purl 1 WS row. Work
BACK 48 rows in Honeycomb st. BO all sts. Sew
Return 88 (98, 111, 117, 123) held back SLEEVES sleeve seams. Sew sleeves into armholes.
sts to needle and, with WS facing, rejoin With MC and smaller needles, CO 41 (41,
yarns. Shape armholes: BO 3 (3, 4, 4, 5) 47, 47, 47) sts. Work in Honeycomb st for SUE GLEAVE lives in a barn in Suffolk,
sts at beg of next 2 rows, then BO 2 (2, 48 rows, ending with a WS row. Beg work- United Kingdom. She is a dyer and knit-
3, 3, 4) sts at beg of foll 2 rows—78 (88, ing in St st. Inc row (RS) K1, RLI, knit to wear designer, and she runs her own busi-
97, 103, 105) sts rem. BO 2 (2, 2, 3, 3) last st, LLI, k1—2 sts inc’d. Work 4 rows ness, Native Yarns, which combines her
sts at beg of next 2 rows, BO 1 (1, 1, 1, 2) even. Inc row (WS) P1, RLPI, purl to last love of textiles, color, and growing things.
st(s) at beg of foll 2 rows, then BO 1 st at st, LLPI, p1—2 sts inc’d. Work 4 rows even. Sue designs garments that are fun to knit
beg of foll 2 rows—70 (80, 89, 93, 93) sts Rep last 10 rows 3 (4, 4, 6, 8) more times, and flattering to wear. To find out more,
rem. Work 41 (41, 45, 49, 53) rows even, then work RS inc row once more—59 (63, visit her website at www.nativeyarns.co.uk.
ending with Row 22 of chart. Shape 69, 77, 85) sts. Work even until piece
neck: Next row (RS) Work 24 (25, 27, measures 17 (17, 17½, 17½, 18)" from CO,
27, 28) sts and place these sts on holder ending with a WS row. Shape cap: BO 5 (6,

INDIGO TRADER CARDIGAN VANESSA EWING


Finished Size 39 (43¼, 47½, 51¾, 56)" bust circumference, buttoned. Cardigan shown
measures 39"; modeled with 7" of positive ease.
Yarn Harrisville Designs Turbine (100% pure virgin wool; 110 yd [101 m]/3½ oz
[100 g]): #901 birch bark (light gray; MC), 8 (9, 10, 11, 13) skeins; #919 canal (dark
blue; CC1) and #951 gatehouse (dark brown; CC2), 1 skein each.
Needles Size 11 (8 mm): 32" circular (cir) and set of double-pointed (dpn). Adjust
needle size if necessary to obtain the correct gauge.
Notions Markers (m); waste yarn for provisional CO; size J/10 (6 mm) crochet hook;
stitch holders; tapestry needle; five 2" x ¾" toggle buttons.
Gauge 9½ sts and 15 rows = 4" in rev St st.

Difficulty Level Yarn Weight 6

SUMMER 2018 50 WWW.INTERWEAVE.COM


WOOL STUDIO
The Norah Gaughan Collection

COMING SOON!
The editors of knit.wear present the fourth installment of
Wool Studio. In this digital, hand knitwear capsule you can
enjoy a collection of modern, unexpected, and exciting
knits by rockstar status designer, Norah Gaughan. In Wool
Studio Vol. IV, Norah has unvented cables, and played with
construction and geometry to create designs that are self-
expressive, artistic, and everyday wearable. The luxurious
yarns selected for each project showcases and enhances
the qualities of both the fibers and the designs.

WOOL STUDIO is brought to you by our sponsors:


For techniques you don’t know, purl to m, M1P, sl m, k1, sl m, work chart
? please visit our online knitting
glossary at www.interweave.com
to m, sl m, k1, sl m, M1P, purl to m, M1P, sl
m, k1, sl m, M1P, purl to end—8 sts inc’d.
Sizes 431⁄4 (471⁄2, 513⁄4, 56)" only:
Inc row (RS) [Purl to m, M1P, sl m, k1,
sl m, M1P] 2 times, purl to m, sl m, work
/interweave-knitting-glossary. Row 4 Work even in patt. chart to m, sl m, [purl to m, M1P, sl m,
Rep last 4 rows 4 more times, then work k1, sl m, M1P] 2 times, purl to end—8 sts
NOTES Rows 3 and 4 once, then work Row 3 inc’d. Rep inc row every RS row 1 (3, 5, 7)
• This cardigan is worked back and forth
in rows from the top down with raglan
once—140 sts: 19 sts for each front, 40 sts
for back, 29 sts for each sleeve, 4 raglan
more time(s)—164 (180, 196, 212) sts:
22 (24, 26, 28) sts for each front, 46 (50,
shaping. The sleeves are worked in the sts; Yoke chart is complete. Next row (WS) 54, 58) sts for back, 35 (39, 43, 47) sts for
round from the top down. Work in patt to 4th m, sl m, work Back each sleeve, 4 raglan sts. Work 1 WS row.
• The charts are worked using the intar-
sia method. Join a new strand of yarn
chart over 40 sts, sl m, work in patt to end.
Work Rows 1–87 of chart as needed to rib
All sizes:
Divide for body and sleeves: Next row
for each block of color, and twist yarns at lower edge of body. At the same time, (RS) P20 (22, 24, 26, 28), remove m, place
at each color change to avoid holes. cont as foll: Inc row (RS) [Purl to m, M1P, next 33 (37, 41, 45, 49) sts on holder for
sl m, k1, sl m, M1P] 2 times, pm for chart, sleeve removing m, CO 1 (2, 2, 3, 3) st(s)
STITCH GUIDE work chart to m, pm for chart, M1P, sl m, for underarm, pm for side, CO 2 (2, 3, 3, 4)
Rib Pattern: (odd number of sts) k1, sl m, M1P, purl to m, M1P, sl m, k1, sl sts for underarm, work 42 (46, 50, 54, 58)
Row 1 (RS) K2, *p1, k1; rep from * to last m, M1P, purl to end—148 sts: 20 sts for sts in patt, remove m, place next 33 (37, 41,
st, k1. each front, 42 sts for back, 31 sts for each 45, 49) sts on holder for sleeve removing
Row 2 (WS) P2, *k1, p1; rep from * to last sleeve, 4 raglan sts. Work 1 WS row. m, CO 1 (2, 2, 3, 3) st(s) for underarm, pm
st, p1.
Rep Rows 1 and 2 for patt. G
H
YOKE F
Using MC, cir needle, and the crochet chain
TRADING POST

provisional method, CO 34 sts. Do not join. E


I
Set-up row (WS) K2 for right front, place
marker (pm), p1, pm, k5 for sleeve, pm, p1,
pm, work Yoke chart over 16 sts, pm, p1, B J
A: 50½ (54¾, 59, 63¼, 67¼)"
pm, k5 for sleeve, pm, p1, pm, k2 for left BODY
D B: 37 (41¼, 45½, 49¾, 54)"
front.
C: 4¾"
Row 1 (RS) P1f&b, purl to m, M1P, sl m,
D: 15"
k1, sl m, M1P, purl to m, M1P, sl m, k1, sl
E: 7¼ (8¼, 9¼, 10½, 11½)"
m, work chart to m, sl m, k1, sl m, M1P,
C F: 1"
purl to m, M1P, sl m, k1, sl m, M1P, purl to
G: 6¾"
last st, p1f&b—10 sts inc’d.
H: 18½"
Row 2 (WS) Work even in patt.
I: 8½ (8¾, 9¼, 9¾, 10)"
Row 3 Purl to m, M1P, sl m, k1, sl m, M1P, A J: 15¼ (17¼, 19¼, 21½, 23½)"
YOKE
24

22

20

18

16

14

12
MC
10

8 CC1

6 CC2
4
M M1 with MC
2
1 (WS)

16 sts

SUMMER 2018 52 WWW.INTERWEAVE.COM


BACK
MC
86

CC1 84

82
CC2
80

M M1 with MC 78

76

for side, CO 2 (2, 3, 3, 4) sts for under- 74


arm, p20 (22, 24, 26, 28)—88 (98, 108, 72
118, 128) sts rem for body.
70

BODY 68
Work even until piece measures 2" from 66
underarm, ending with a WS row. Inc row
(RS) Work to 1 st before side m, M1P, p1, sl 64

m, p1, M1P; rep from * once more, work to 62


end—4 sts inc’d. Rep inc row every 4th row
60
7 more times—120 (130, 140, 150, 160)
sts. Work even until piece measures 13" 58
from underarm, ending with a WS row. 56
Shape lower edge using short-rows as foll:
54
Short-row 1 (RS) Work to last 3 (3, 4, 4, 5)

TRADING POST
sts, wrap next st, turn. 52
Short-row 2 (WS) Work to last 3 (3, 4, 50
4, 5) sts, wrap next st, turn.
48
Short-row 3 Work to 3 (3, 4, 4, 5) sts
before wrapped st, wrap next st, turn. 46
Rep last short-row 15 more times. Next 2 44
rows Work to end; do not work wraps tog
with wrapped sts. Next row (RS) With MC, 42

knit, dec 1 st—119 (129, 139, 149, 159) sts 40


rem. Work in Rib patt (see Stitch Guide) for
38
6 rows. With WS facing, BO all sts in patt.
36
SLEEVE 34
Place 33 (37, 41, 45, 49) held sleeve sts onto
32
dpn. With MC and RS facing, pick up and
knit 2 (2, 3, 3, 4) sts along underarm, pm 30
for beg of rnd, pick up and knit 1 (2, 2, 3, 3) 28
st(s) along underarm, purl to end—36 (41,
26
46, 51, 56) sts total. Work 5 (4, 3, 2, 2) rnds
in rev St st. Dec rnd P1, p2tog, purl to last 24
2 sts, p2tog—2 sts dec’d. Rep dec rnd every 22
6th (5th, 4th, 3rd, 3rd) rnd 7 (9, 11, 13, 15)
more times—20 (21, 22, 23, 24) sts rem. 20

Work even until piece measures 15½" from 18


underarm. Next rnd Knit, dec 0 (1, 0, 1, 0)
16
st—20 (20, 22, 22, 24) sts rem. Work 10
rnds in k1, p1 rib. BO all sts in patt. 14

12
FINISHING
10
Weave in ends. Block to measurements.
Front band: With MC, cir needle, and RS 8
facing, beg at right front lower edge, pick 6
up and knit 48 sts along right front to base
4
of neck, 13 (14, 15, 16, 17) sts along neck
shaping to provisional CO, remove waste 2
1 (WS)
yarn and place 34 CO sts onto left needle,
40 sts

SUMMER 2018 53 WWW.INTERWEAVE.COM


k34 CO sts while dec 3 sts evenly spaced, k2tog; rep from * 3 more times, work to bachelor’s degree in fashion design with
pick up and knit 13 (14, 15, 16, 17) sts end—5 buttonholes. Work 2 rows in Rib a minor in textiles from Moore College
along left front neck shaping, and 48 sts patt. With WS facing, BO all sts in patt. of Art and Design. An indie designer,
along left front to lower edge—153 (155, Sew on buttons. Vanessa lives in eastern Pennsylvania with
157, 159, 161) sts total. Do not join. Work her husband, seven-year-old son, eight
3 rows in Rib patt. Buttonhole row (RS) VANESSA EWING grew up around yarn, chickens, and a super-senior Pomeranian.
Work 4 sts, yo, k2tog, *work 6 sts, yo, knitting, and knitting machines. She has a

SALIDA CARDIGAN LARS RAINS


Finished Size 35¼ (39, 42¾, 47½, 51¼, 56¾)" chest circumference, buttoned. Cardigan
shown measures 42¾"; modeled with 4¾" of positive ease.
Yarn Harrisville Designs Highland (100% virgin wool; 200 yd [183 m]/3½ oz [100 g]):
#33 midnight blue (MC), 5 (5, 6, 7, 8, 8) skeins; #46 oatmeal (CC1) and #04 gold (CC2),
1 skein each.
Needles Sizes 6 (4 mm) and 8 (5 mm): 32" circular (cir). Adjust needle size if necessary
to obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle; six 1" buttons.
Gauge 17 sts and 24 rows = 4" in St st on larger needle; 19 sts and 20 rows = 4" in
charted patt on larger needle.

Difficulty Level Yarn Weight 4


TRADING POST

For techniques you don’t know, BACK shoulders using German short-rows as foll
? please visit our online knitting
glossary at www.interweave.com
With MC and smaller needle, CO 76 (84,
92, 104, 112, 120) sts. Do not join. Work
(see Notes):
Short-row 1 (RS) Knit to last 5 (6, 7, 7,
/interweave-knitting-glossary. in k2, p2 rib for 2", ending with a WS row. 7, 8) sts, turn.
Change to larger needle and St st. Work Short-row 2 (WS) Make double st, purl to
NOTES even until piece measures 13 (13½, 14½, last 5 (6, 7, 7, 7, 8) sts, turn.
• This cardigan is worked back and
forth in separate pieces and seamed. A
15½, 16, 16½)" from CO, ending with a WS
row. Shape armholes: BO 4 (4, 4, 5, 5, 6)
Short-row 3 Make double st, knit to last
10 (12, 14, 14, 14, 15) sts, turn.
circular needle is used to accommodate sts at beg of next 2 rows, then BO 3 sts at Short-row 4 Make double st, purl to last
the large number of stitches. beg of foll 2 rows—62 (70, 78, 88, 96, 102) 10 (12, 14, 14, 14, 15) sts, turn.
• When working German short-rows,
each double stitch counts as a single
sts rem. Break MC. Dec row (RS) Ssk with
CC1, beg and ending as indicated for back
Next row (RS) Make double st, knit to end,
working double sts as single sts. Purl 1 WS
stitch. for your size work Diamond chart to last row, working double sts as single sts. Place
• The charts are worked using the
stranded method. Always pick up the
2 sts, k2tog with CC1—2 sts dec’d. Cont in
patt, rep dec row every RS row 2 (3, 3, 4,
sts on holder.

background color over the pattern 6, 7) more times—56 (62, 70, 78, 82, 86) LEFT FRONT
color and pick up the pattern color sts rem. Work even until chart is complete. With MC and smaller needle, CO 32 (36,
from under the background color; Break CC1 and CC2; rejoin MC. Work even 40, 44, 48, 56) sts. Do not join. Work in
this will prevent tangling. Keep floats until armhole measures 9½ (10¼, 11, 11¾, k2, p2 rib for 2", ending with a WS row.
loose. 12½, 12½)", ending with a WS row. Shape Change to larger needle and St st. Work

F G M
A: 18 (19¾, 21¾, 24½, 26¼, 28¼)"
B: 7½ (8½, 9½, 10¼, 11¼, 13¼)"
E
L C: 13 (13½, 14½, 15½, 16, 16½)"
H
D: 9½ (10¼, 11, 11¾, 12½, 12½)"
D
J E: ¾"
F: 3¼ (4, 4¾, 4¾, 5, 5¼)"
RIGHT SLEEVE G: 6½ (6½, 7, 9, 9½, 10)"
FRONT K H: 6¾ (7¼, 7½, 7¾, 8¼, 8½)"
& I: 9½ (9½, 9½, 10¼, 10¼, 10¼)"
C BACK
J: 17 (18, 18¾, 19¾, 20¾, 21¾)"
B K: 16 (16¾, 17½, 18¼, 18¾, 19)"
L: 5¾ (5¾, 6, 6¾, 7, 7)"
I M: 2 (2¼, 2¾, 3¼, 3¾, 3¾)"
A

SUMMER 2018 54 WWW.INTERWEAVE.COM


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SUMMER 2018 55 WWW.INTERWEAVE.COM


even until piece measures 13 (13½, 14½, chart to end—1 st dec’d. Cont in patt, rep (RS) Work to last 2 sts, k2tog—1 st dec’d.
15½, 16, 16½)" from CO, ending with a WS dec row every RS row 2 (3, 3, 4, 6, 7) more Rep dec row every RS row 2 (1, 2, 5, 5, 12)
row. Shape armhole: At beg of RS rows, times—22 (25, 29, 31, 33, 39) sts rem. more time(s), then every 4th row 2 (3, 4,
BO 4 (4, 4, 5, 5, 6) sts once, then BO 3 sts Work even until armhole measures 3½ (3¾, 2, 3, 3) times, then every 6th row 3 (3, 2,
once—25 (29, 33, 36, 40, 47) sts rem. 4¼, 4¾, 5, 4¾)", ending with a WS row. 3, 3, 1) time(s)—14 (17, 20, 20, 21, 22) sts
Work 1 WS row. Break MC. Dec row (RS) Shape neck: Note: Chart ends before neck rem. At the same time, work until chart
Ssk with CC1, beg and ending as indicated shaping ends; read the foll section all the is complete, then break CC1 and CC2 and
for left front for your size, work Diamond way through before proceeding. Dec row rejoin MC. Work even in St st until armhole

DIAMOND
39

37

35

33

31

29

27

25

23

21
TRADING POST

19

17

15

13

11

24-st rep
end end beg beg
right front left front right front left front
56¾" 35¼" 35¼" 56¾"
end end beg beg
back left front right front back
42¾" 39" 39" 42¾"
end end beg beg
back back back back
51¼" 56¾" 56¾" 51¼"
right front right front left front left front
51¼" 35¼" 35¼" 51¼"
end end beg beg
back left front right front back
39" 42¾" 42¾" 39"
end end beg beg
left front left front left front left front
56¾" 47½" CC1 39" 47½"
right front right front right front right front
47½" 39" 47½" 56¾"
end end
CC2 beg beg
back left front right front back
47½" 51¼" pattern repeat 51¼" 47½"
end beg
back back
35¼" 35¼"
right front left front
42¾" 42¾"

SUMMER 2018 56 WWW.INTERWEAVE.COM


measures 9½ (10¼, 11, 11¾, 12½, 12½)", ending with a WS row. Shape shoulder needle, and RS facing, beg at right front
ending with a RS row. Shape shoulder using using German short-rows as foll: lower edge, pick up and knit 78 (81, 87,
German short-rows as foll: Short-row 1 (RS) K9 (11, 13, 13, 14, 14), 96, 100, 103) sts along right front to base
Short-row 1 (WS) P9 (11, 13, 13, 14, 14), turn. of neck, place marker (pm), 25 (28, 29, 32,
turn. Short-row 2 (WS) Make double st, purl to 37, 39) sts along right front neck, k28 (28,
Short-row 2 (RS) Make double st, knit to end. 30, 38, 40, 42) back neck sts, pick up and
end. Short-row 3 K4 (5, 6, 6, 7, 7), turn. knit 25 (28, 29, 32, 37, 39) sts along left
Short-row 3 P4 (5, 6, 6, 7, 7), turn. Short-row 4 Make double st, purl to end. front neck to base of neck, pm, 78 (81, 87,
Short-row 4 Make double st, knit to end. Next row (RS) Knit to end, working double 96, 100, 103) sts along left front to lower
Next row (WS) Purl to end, working sts as single sts. Purl 1 WS row. Place sts on edge—234 (246, 262, 294, 314, 326) sts
double sts as single sts. Knit 1 RS row. Place holder. total. Next row (WS) *P2, k2; rep from * to
sts on holder. last 2 sts, p2. Cont in rib for 6 more rows.
SLEEVES Buttonhole row 1 (RS) Work to m, sl m,
RIGHT FRONT With MC and smaller needle, CO 40 (40, work 10 (11, 9, 8, 10, 13) sts, *BO 2 sts,
With MC and smaller needle, CO 32 (36, 40, 44, 44, 44) sts. Do not join. Work in work 10 (10, 12, 14, 14, 14) sts; rep from
40, 44, 48, 56) sts. Do not join. Work in k2, p2 rib for 2¼", ending with a WS row. * 4 more times, BO 2 sts, work to end—6
k2, p2 rib for 2", ending with a WS row. Change to larger needle and St st. Work 2 buttonholes. Buttonhole row 2 (WS)
Change to larger needle and St st. Work rows even. Inc row (RS) K1, M1R, knit to *Work to BO sts, using the backward-loop
even until piece measures 13 (13½, 14½, last st, M1L, k1—2 sts inc’d. Rep inc row method, CO 2 sts; rep from * 5 more times,
15½, 16, 16½)" from CO, ending with a RS every 4th row 7 (11, 15, 12, 17, 22) more work to end. Work 6 rows in rib. Shape col-
row. Shape armhole: At beg of WS rows, times, then every 6th row 8 (6, 4, 7, 4, 1) lar using German short-rows as foll:
BO 4 (4, 4, 5, 5, 6) sts once, then BO 3 sts time(s)—72 (76, 80, 84, 88, 92) sts. Work Short-row 1 (RS) Work to m, turn.
once—25 (29, 33, 36, 40, 47) sts rem. even until piece measures 16 (16¾, 17½, Short-row 2 (WS) Make double st, work to
Break MC. Dec row (RS) Beg and ending 18¼, 18¾, 19)" from CO, ending with a WS m, turn.
as indicated for right front for your size, row. Shape cap: BO 4 (4, 4, 5, 5, 6) sts at Short-row 3 Make double st, work to 3 sts

TRADING POST
work Diamond chart to last 2 sts, k2tog beg of next 2 rows, then BO 3 sts at beg before double st, turn.
with CC1—1 st dec’d. Cont in patt, rep of foll 2 rows—58 (62, 66, 68, 72, 74) sts Rep last short-row 13 more times.
dec row every RS row 2 (3, 3, 4, 6, 7) more rem. Dec row (RS) Ssk, knit to last 2 sts, Short-row 4 (RS) Make double st, work to
times—22 (25, 29, 31, 33, 39) sts rem. k2tog—2 sts dec’d. Rep dec row every end, working double sts as single sts.
Work even until armhole measures 3½ (3¾, 4th row 0 (1, 1, 3, 3, 2) more time(s), then Next row (WS) Work to end, working
4¼, 4¾, 5, 4¾)", ending with a WS row. every RS row 8 (4, 7, 5, 8, 8) times—40 (50, double sts as single sts. BO all sts in patt.
Shape neck: Note: Chart ends before neck 48, 50, 48, 52) sts rem. Work 1 WS row. Sew sleeves into armholes. Sew sleeve and
shaping ends; read the foll section all the BO 2 sts at beg of next 8 (12, 6, 6, 0, 6) side seams. Sew buttons to right front band
way through before proceeding. Dec row rows, then BO 4 sts at beg of foll 4 (4, 6, 6, opposite buttonholes.
(RS) Ssk, work in patt to end—1 st dec’d. 8, 6) rows—8 (10, 12, 14, 16, 16) sts rem.
Rep dec row every RS row 2 (1, 2, 5, 5, 12) BO all sts. After studying music theory in graduate
more time(s), then every 4th row 2 (3, 4, school and serving as a police officer with
2, 3, 3) times, then every 6th row 3 (3, 2, FINISHING the NYPD, LARS RAINS now works as a
3, 3, 1) time(s)—14 (17, 20, 20, 21, 22) sts Weave in ends. Block pieces to measure- high-school algebra teacher by day and a
rem. At the same time, work until chart ments. With RS tog, join 14 (17, 20, 20, knitwear designer by night. He lives with
is complete, then break CC1 and CC2 and 21, 22) shoulder sts using three-needle his husband and two adorable dogs on
rejoin MC. Work even in St st until armhole BO—28 (28, 30, 38, 40, 42) sts rem for Long Island, and they retreat to their cabin
measures 9½ (10¼, 11, 11¾, 12½, 12½)", back neck. Buttonband: With MC, smaller in the Catskills every chance they get.

WHITEHORN SHAWL COURTNEY SPAINHOWER


Finished Size 73" wide and 20½" long at center.
Yarn The Fibre Co. Cumbria Worsted (60% merino wool, 30% Masham wool,
10% mohair; 238 yd [218 m]/3½ oz [100 g]): #95 St. Bees Beach (cream; MC), 2 skeins;
#11 Eden Valley (teal; CC1) and #44 Appleby Castle (red; CC2), 1 skein each.
Needles Size 8 (5 mm): 32" circular (cir). Adjust needle size if necessary to obtain the
correct gauge.
Notions Markers (m); waste yarn for provisional CO; tapestry needle.
Gauge 17 sts and 28 rows = 4" in St st.

Difficulty Level Yarn Weight 4

SUMMER 2018 57 WWW.INTERWEAVE.COM


21

19

17

15

13

11

1
For techniques you don’t know, Row 12 With MC, k3, yo, k1, *k1, sl 1 wyb;
? please visit our online knitting
glossary at www.interweave.com
rep from * to last 5 sts, k2, yo, k3—2 sts
inc’d.
/interweave-knitting-glossary. Row 13 K1, p1, k1, yo, p2, *p1, sl 1 wyf; rep
from * to last 6 sts, p3, yo, k1, p1, k1—2 sts
NOTES inc’d.
• This shawl is worked back and forth
in rows from the center neck down
Rows 14–29 Rep last 4 rows 4 more
times—73 sts.
and outward to the points. A circular Row 30 With MC, k3, yo, k33, place
needle is used to accommodate the marker (pm), k1, pm, knit to last 3 sts, yo,
large number of stitches. k3—75 sts.
••Slip stitches purlwise.
When the contrasting color is unused
Row 31 Rep Row 3—77 sts.
Row 32 With CC1, k3, yo, knit to 6 sts be-
for only a few rows, carry it up the fore m, [k2tog] 2 times, [k1f&b] 2 times, sl
side of the work and bring it under m, k1, sl m, [k1f&b] 2 times, [ssk] 2 times,
the main color to begin working with knit to last 3 sts, yo, k3—2 sts inc’d.
it again. When there are more than 4 Row 33 K1, p1, k1, yo, knit to last 3 sts, yo,
rows between color changes, break the k1, p1, k1—2 sts inc’d.
yarn at the end of each stripe. Row 34 K3, yo, purl to last 3 sts, yo,
k3—2 sts inc’d.
STITCH GUIDE Row 35 K1, p1, k1, yo, knit to last 3 sts, yo,
Latvian Braid: (odd number of sts) k1, p1, k1—2 sts inc’d.
Row 1 (RS) With CC1, k3, yo, *k1 with MC, Row 36 With MC, rep Row 32—87 sts.
k1 with CC1; rep from * to last 4 sts, k1 Row 37 Rep Row 3—89 sts.
with MC, with CC1, yo, k3—2 sts inc’d. Rows 38–40 Work Latvian Braid (see
TRADING POST

Row 2 (WS) With CC1, k1, p1, k1, yo, k1, Stitch Guide)—95 sts.
bring both yarns to back, *k1 with MC, k1 Break CC1.
with CC1; rep from * to last 3 sts, always Row 41 Rep Row 3—97 sts.
bringing new color over color just worked, Row 42 K3, yo, knit to 9 sts before m,
with CC1, yo, k1, p1, k1—2 sts inc’d. [k2tog] 3 times, [k1f&b] 3 times, sl m, k1,
Row 3 With MC, k3, yo, p1, bring both sl m, [k1f&b] 3 times, [ssk] 3 times, knit to

32-st rep
yarns to front, *p1 with CC1, p1 with MC; last 3 sts, yo, k3—99 sts.
rep from * to last 3 sts, always bringing new Rows 43–53 Rep Rows 1 and 2 five times,
color under color just worked, with MC, yo, then work Row 1 once—121 sts.
k3—2 sts inc’d. Row 54 With CC1, k3, yo, knit to 12 sts be-
fore m, [k2tog] 4 times, [k1f&b] 4 times, sl
SHAWL m, k1, sl m, [k1f&b] 4 times, [ssk] 4 times,
Garter tab: Using MC and a provisional
method, CO 3 sts. Next row (WS) K1, p1,
k1. Next row (RS) Knit. Rep last 2 rows
with MC, k on RS, p on WS
8 more times; do not turn after last row.
Working along selvedge edge, pick up and
with CC2, k on RS, p on WS
knit 9 sts (1 st in each garter ridge), then
remove waste yarn from provisional CO
and place 3 sts onto left needle, k3—15 sts with MC, k on WS
total. Turn.
Row 1 (WS) K1, p1, k1, yo, purl to last with CC2, k on WS
3 sts, yo, k1, p1, k1—2 sts inc’d.
Row 2 (RS) K3, yo, knit to last 3 sts, yo, with MC, yo
k3—2 sts inc’d.
Row 3 K1, p1, k1, yo, purl to last 3 sts, yo, with CC2, yo
k1, p1, k1—2 sts inc’d.
Rows 4–9 Rep last 2 rows 3 more sl 1 pwise wyb on RS;
times—33 sts. sl 1 pwise wyf on WS
Join CC1.
Row 10 With CC1, k3, yo, *k1, sl 1 wyb sl 1 pwise wyb on RS;
(see Notes); rep from * to last 4 sts, k1, yo, sl 1 pwise wyf on WS
k3—2 sts inc’d.
Row 11 K1, p1, k1, yo, p2, *sl 1 wyf, p1; rep no stitch
BORDER

from * to last 4 sts, p1, yo, k1, p1, k1—2 sts


inc’d. pattern repeat

SUMMER 2018 58 WWW.INTERWEAVE.COM


knit to last 3 sts, yo, k3—2 sts inc’d. Row 85 Rep Row 3—185 sts. Work Rows 1–21 of Border chart. With WS
Rows 55–57 With CC1, Row 86 K3, yo, knit to 24 sts before m, facing, BO all sts kwise.
rep Rows 33–35—129 sts. [k2tog] 8 times, [k1f&b] 8 times, sl m, k1,
Row 58 With MC, rep Row 54—131 sts. sl m, [k1f&b] 8 times, [ssk] 8 times, knit to FINISHING
Row 59 Rep Row 3—133 sts. last 3 sts, yo, k3—187 sts. Weave in ends. Block.
Rows 60–62 Work Latvian Braid—139 sts. Rows 87–97 Rep Rows 1 and 2 five times,
Break CC1. then work Row 1 once—209 sts. COURTNEY SPAINHOWER is a stay-
Row 63 Rep Row 3—141 sts. Row 98 With CC1, k3, yo, knit to 31 sts be- at-home mother of two who has been
Row 64 K3, yo, knit to 15 sts before m, fore m, [k2tog, k1] 6 times, k1, [k1f&b, k1] designing full time since 2009. She is the
[k2tog] 5 times, [k1f&b] 5 times, sl m, k1, 6 times, sl m, k1, sl m, [k1, k1f&b] 6 times, author of the book Family-Friendly Knits
sl m, [k1f&b] 5 times, [ssk] 5 times, knit to k1, [k1, ssk] 6 times, knit to last 3 sts, yo, (Interweave, 2015) and a contributor to
last 3 sts, yo, k3—143 sts. k3—2 sts inc’d. many book collections and magazines.
Rows 65–75 Rep Rows 1 and 2 five times, Rows 99–101 With CC1, To learn more about Courtney and her
then work Row 1 once—165 sts. rep Rows 33–35—217 sts. designs, visit her website at www
Row 76 With CC1, k3, yo, knit to 21 sts be- Row 102 With MC, rep Row 98—219 sts. .pinkbrutus.com.
fore m, [k2tog] 7 times, [k1f&b] 7 times, sl Row 103 Rep Row 3—221 sts.
m, k1, sl m, [k1f&b] 7 times, [ssk] 7 times, Rows 104–106 Work
knit to last 3 sts, yo, k3—167 sts. Latvian Braid—227 sts.
Rows 77–79 With CC1, Break CC1.
rep Rows 33–35—173 sts. Rows 107–132 Rep Rows 1 and 2 thirteen
Row 80 With MC, rep Row 76—175 sts. times—279 sts.
Row 81 Rep Row 3—177 sts. Row 133 K1, p1, k1, yo, knit to m, remove
Rows 82–84 Work Latvian Braid—183 sts. m, k2tog (removing m), knit to last 3 sts,
Break CC1. yo, k1, p1, k1—280 sts.

TRADING POST
FOUR CORNERS CARDIGAN ANDREA CULL
Finished Size 34 (37½, 40¼, 43¾, 50, 56¼)" bust circumference with fronts over-
lapped. Cardigan shown measures 37½"; modeled with 5½" of positive ease.
Yarn Rowan Felted Tweed DK (50% merino wool, 25% alpaca, 25% rayon; 191 yd
[175 m]/1¾ oz [50 g]): #157 camel (tan; A), 4 (5, 5, 5, 6, 7) skeins; #154 ginger (rust;
B), 2 (2, 2, 3, 3, 3) skeins; #175 cinnamon (dark brown; C), 2 skeins; #192 amethyst
(purple; D), 1 (1, 1, 2, 2, 2) skein(s); #161 avocado (light green; E), 1 skein; #158 pine
(dark green; F), 1 (1, 1, 2, 2, 2) skein(s); #152 watery (teal blue; G), 1 skein; #181 min-
eral (yellow; H), 1 (1, 2, 2, 2, 2) skein(s). Yarn distributed by Sirdar USA.
Needles Size 4 (3.5 mm): 16" and 32" circular (cir) and set of double-pointed (dpn)
(see Notes). Size 3 (3.25 mm): 32" cir and set of dpn. Adjust needle size if necessary to
obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle.
Gauge 23 sts and 31 rnds = 4" in St st on larger needle.

Difficulty Level Yarn Weight 3

For techniques you don’t know, unless otherwise indicated. Work the the Diamond chart at the same time,
? please visit our online knitting steek as described in the Stitch Guide. always work the decreases, the last
glossary at www.interweave.com
/interweave-knitting-glossary.
• The beginning of round is at the center
of the steek. Change colors in the
stitch before raglan markers, and the
first stitch after raglan markers with A.
middle of the steek. On non-shaping rounds, work the two
NOTES
• This cardigan is worked back and forth
• The charts are worked using the
stranded method. Always pick up the
stitches before and after each marker
with A.
from the bottom up through the rib, background color over the pattern col-
then joined and worked in the round or and pick up the pattern color from STITCH GUIDE
to the underarm with a steek at the under the background color; this will Steek Pattern: Work 7 steek sts in vertical
center front opening. The sleeves are prevent tangling. Keep floats loose. For stripes every rnd as foll: K1 with back-
worked separately in the round, then floats longer than five stitches, tack ground color, k1 with patt color, k1 with
the sleeves and body are joined to work stranded yarn on wrong side of work. background color, p1 with patt color, k1
the yoke. If necessary, use a larger needle for the with background color, k1 with patt color,
• Steek stitches are not included in charted rounds to maintain gauge. k1 with background color. This provides
the stitch counts or the instructions • When working raglan decreases and a clear centerline in patt color for cutting

SUMMER 2018 59 WWW.INTERWEAVE.COM


E
p2tog] 2 times; rep from * to end.
D Work Rnd 1 nineteen times, work Rnds 2–4
F once, then work Rnd 1 two times. Change
C to larger dpn, St st, and St st stripe
sequence.
Sizes 34 (371⁄2, 433⁄4, 561⁄4)" only:
G Inc rnd K1, M1L, work to last st, M1R,
BODY H k1—50 (50, 62, 74) sts.
A: 34 (37½, 40¼, 43¾, 50, 56¼)" Size 401⁄4" only:
B B: 18½" Inc rnd *K8, using the backward-loop
C: 8½ (8½, 8½, 8¾, 9¼, 10)" method, CO 1 st; rep from * to end—54 sts.
D: ¾ (¾, 1, 1, 1, 1)" Size 50" only:
E: 6 (7¾, 8¼, 9½, 8¾, 8¾)" Inc rnd *K10, using the backward-loop
F: 18½" method, CO 1 st; rep from * to end—66 sts.
G: 8¾ (8¾, 9½, 10¾, 11½, 12¾)" All sizes:
A H: 14¼ (14½, 15¾, 16¼, 17¾, 19¼) Note: Patt and sleeve shaping occur simul-
taneously; read the foll section all the way
through before proceeding. Knit 26 rnds
(to end of stripe sequence). With A, knit 3
steeks open and a clear, unobtrusive edge rnd is at center of steek. Work 1 rnd in rib. rnds. Work Rows 1–6 of Peerie chart. Beg
in background color for picking up collar Change to larger cir needle, St st, and St st and ending as indicated for sleeve for your
sts. On solid-color rounds, work the steek stripe sequence (see Stitch Guide). Set-up size, work Rows 1–17 of Diamond chart.
stitches in one color. rnd K48 (54, 57, 63, 72, 81), k2tog, pm for Work Rows 1–6 of Peerie chart. With A,
side, k98 (110, 116, 128, 146, 164), pm for knit 3 rnds. Beg and ending as indicated for
Seed Stitch: (even number of sts) side, k2tog, knit to end—196 (220, 232, lower sleeve for your size, work Rows 1–17
TRADING POST

Rnd 1 *K1, p1; rep from * to end. 256, 292, 328) sts rem. Knit 26 rnds (to of Right Arrow chart. With A, knit 4 rnds.
Rnd 2 *P1, k1; rep from * to end. end of stripe sequence). Working in Seed st stripe sequence, work
Rep Rnds 1 and 2 for patt. Sizes 34 (401⁄4)" only: 24 rnds in Seed st. With A, knit 4 rnds. Beg
With A, knit 3 rnds. and ending as indicated for upper sleeve for
Stockinette Stitch Stripe Sequence: Sizes 371⁄2 (433⁄4, 50, 561⁄4)" only: your size, work Rows 1–11 of Right Arrow
(27 rnds) With A, knit 1 rnd. Dec rnd *Knit to 3 sts chart. At the same time, shape sleeve as
1 rnd B, 1 rnd C, 1 rnd B, 1 rnd C, 2 rnds before m, ssk, k1, sl m, k1, k2tog; rep foll, working new sts into patt: Work 8 (6, 5,
B, 5 rnds D, 2 rnds B, 1 rnd C, 2 rnds B, 5 from * once more, knit to end—216 (252, 6, 6, 6) rnds even. Inc rnd K1, M1L, work
rnds D, 2 rnds B, 1 rnd C, 1 rnd B, 1 rnd C, 288, 324) sts rem. Knit 1 rnd. to last st, M1R, k1—2 sts inc’d. Rep inc rnd
1 rnd B. All sizes: every 9 (7, 6, 7, 7, 7)th rnd 1 (3, 3, 3, 2, 2)
Work Rows 1–6 of Peerie chart. Beg and more time(s), then every 8 (6, 5, 6, 6, 6)th
Seed Stitch Stripe Sequence: (24 rnds) ending as indicated for body for your rnd 4 (1, 2, 1, 5, 5) time(s), then every 7th
3 rnds H, 1 rnd B, 3 rnds H, 1 rnd A, 1 rnd size, work Rows 1–17 of Diamond chart. rnd 10 (12, 12, 11, 10, 10) times—82 (84,
B, 1 rnd A, 4 rnds B, 1 rnd A, 1 rnd B, 1 rnd Work Rows 1–6 of Peerie chart. With A, 90, 94, 102, 110) sts. Work even through
A, 3 rnds H, 1 rnd B, 3 rnds H. knit 3 rnds. Next rnd Beg and ending Row 11 of Right Arrow chart. Next rnd
as indicated for body for your size, work Work to last 4 (4, 6, 7, 8, 9) sts, place next
BODY Right Arrow chart to 2nd side m, work Left 8 (8, 12, 14, 16, 18) sts on holder for under-
With A and smaller cir needle, CO 198 Arrow chart to end. Cont in patt through arm, removing m—74 (76, 78, 80, 86, 92)
(222, 234, 258, 294, 330) sts. Do not join. Row 17 of charts. With A, knit 4 rnds. sts rem. Place sts on separate holder.
Row 1 (RS) P6, *k6, p6; rep from * to end. Working in Seed st stripe sequence (see
Row 2 (WS) *K6, p6; rep from * to last Stitch Guide), work 24 rnds in Seed st (see LEFT SLEEVE
6 sts, k6. Stitch Guide). With A, knit 4 rnds. Next Work as for right sleeve, working Left Ar-
Row 3 P2, p2tog, yo, p2, *k2, k2tog, yo, k2, rnd Beg and ending as indicated for body row chart in place of Right Arrow chart.
p2, p2tog, yo, p2; rep from * to end. for your size, work Right Arrow chart to
Row 4 *K6, p6; rep from * to last 6 sts, k6. 2nd side m, work Left Arrow chart to end. YOKE
Row 5 P3, p2tog, yo, p1, *[k2tog, yo, k1] Cont in patt through Row 12 of charts. Set Joining rnd Beg with Row 13 of Arrow
2 times, [p2tog, yo, p1] 2 times; rep from body aside. charts, work right front sts to 4 (4, 6, 7,
* to last 12 sts, [k2tog, yo, k1] 2 times, 8, 9) sts before m, place next 8 (8, 12, 14,
p2tog, yo, p4. RIGHT SLEEVE 16, 18) sts on holder for underarm, pm
Row 6 *K6, p6; rep from * to last 6 sts, k6. With A and smaller dpn, CO 48 (48, 48, 60, for raglan, work 74 (76, 78, 80, 86, 92)
Work Rows 1 and 2 nine times, then work 60, 72) sts. Pm and join in the rnd. held right sleeve sts, pm for raglan, work
Rows 3–5 once; do not turn after last row. Rnd 1 *K6, p6; rep from * to end. 90 (100, 104, 112, 128, 144) back sts, place
Steek: Next rnd Place marker (pm), using Rnd 2 *K2, yo, k2tog, k2, p2, yo, p2tog, p2; next 8 (8, 12, 14, 16, 18) sts on holder for
the backward-loop method, CO 7 sts for rep from * to end. underarm, pm for raglan, work 74 (76, 78,
steek (see Notes and Stitch Guide), pm and Rnd 3 Rep Rnd 1. 80, 86, 92) left sleeve sts, pm for raglan,
join in the rnd, work in rib to end; beg of Rnd 4 *[K1, yo, k2tog] 2 times, [p1, yo, work to end of left front—328 (352, 364,

SUMMER 2018 60 WWW.INTERWEAVE.COM


Take your
FAVORITE ISSUES
with you!
DIAMOND
17

15

13

11

36-st rep
end end end beg beg beg
sleeve body body body body sleeve
40¼" 34" 37½" 37½" 34" 40¼"
40¼" 43¾" 43¾" 40¼"
end beg
50" 50"
sleeve end beg sleeve
56¼" 56¼"
37½" sleeve sleeve 37½"
sleeve sleeve
yoke 34" 34" yoke
43¾" 43¾"
34" 34"
end end beg beg
40¼" 40¼"
sleeve sleeve sleeve sleeve
56¼" 50" 50" 56¼"
yoke yoke
37½" end beg 37½"
yoke yoke
43¾" 43¾"
50" 50"
56¼" 56¼"
TRADING POST

DIAMOND DUPLICATE STITCH


17

15

13

11

36-st rep
end end end beg beg beg
sleeve body body body body sleeve
40¼" 34" 37½" 37½" 34" 40¼"
40¼" 43¾" 43¾" 40¼"
end 50" 50" beg
sleeve end beg sleeve
56¼" 56¼"
37½" sleeve sleeve 37½"
sleeve A sleeve
yoke 34" 34" yoke
43¾" 43¾"
34" 34"
end end beg beg
40¼" B 40¼"
sleeve sleeve sleeve sleeve
56¼" 50" 50" 56¼"
yoke yoke
end C beg
37½" 37½"
yoke yoke
43¾" 43¾"
50" D 50"
56¼" 56¼"
E

pattern repeat

SUMMER 2018 62 WWW.INTERWEAVE.COM


LEFT ARROW
17

15

13

11

18-st rep
end end beg beg beg
upper sleeve body body body body
40¼" all sizes 37½" 43¾" 34"
56¼" 50" 56¼"
end
end lower sleeve beg beg
lower sleeve 40¼" lower sleeve upper sleeve
37½" 56¼" 40¼" 40¼"
56¼" 56¼"

TRADING POST
end end
lower sleeve upper sleeve beg beg
50" 43¾" upper sleeve lower sleeve
43¾" 37½"
end end
lower sleeve upper sleeve beg beg
34" 34" upper sleeve lower sleeve
upper sleeve 34" 50"
end
37½"
lower sleeve beg beg
43¾" body lower sleeve
upper sleeve 40¼" 34"
50" lower sleeve upper sleeve
43¾" 37½"
upper sleeve
50"

384, 428, 472) sts total: 45 (50, 52, 56, back, 46 (48, 50, 52, 56, 60) sts for each With B, BO all sts.
64, 72) sts for each front, 90 (100, 104, sleeve. Work 1 rnd even. Shape neck and Size 433⁄4" only:
112, 128, 144) sts for back, 74 (76, 78, raglan: Dec rnd 2 K1, ssk, *work to 3 sts With C, work to end of steek, turn. Work
80, 86, 92) sts for each sleeve. Note: before m, k2tog, k1, sl m, k1, ssk; rep from back and forth in rows. Next row (WS)
Raglan shaping beg before patt ends; * 3 more times, work to last 3 sts, k2tog, With B, BO 11 sts pwise (7 steek sts and
read the foll section all the way through k1—10 sts dec’d. Work 1 rnd even. Work 4 left front sts), purl to end—112 sts rem.
before proceeding. Work Rows 14–17 of dec rnd 1—8 sts dec’d. Work 1 rnd even. Next row (RS) With A, BO 4 sts, *work to
Arrow charts. With A, work 3 rnds. Work Rep last 4 rnds once more, then work dec 3 sts before m, k2tog, k1, sl m, k1, ssk; rep
Rows 1–6 of Peerie chart. Beg and ending rnd 2 every other rnd 5 times—130 (154, from * 3 more times, work to end—100 sts
as indicated for yoke for your size, work 166, 186, 222, 258) sts rem: 15 (20, 22, 26, rem: 11 sts for each front, 54 sts for back,
Rows 1–17 of Diamond chart (see Notes). 33, 40) sts for each front, 44 (54, 58, 66, 12 sts for each sleeve. With WS facing,
Work Rows 1–6 of Peerie chart. With A, 80, 94) sts for back, 28 (30, 32, 34, 38, 42) BO all sts pwise.
work 3 rnds. Work 26 rnds in St st stripe sts for each sleeve. Shape sleeves: Dec Size 50" only:
sequence. At the same time, shape raglan rnd 3 *Work to m, sl m, k1, ssk, work to Next rnd With B, *k2, k2tog; rep from *
as foll: Work 10 (10, 10, 10, 8, 6) rnds even. 3 sts before m, k2tog, k1, sl m; rep from * to end—114 sts rem. With A, work dec rnd
Dec rnd 1 *Work to 3 sts before m, k2tog, once more, work to end—4 sts dec’d. Work 2—104 sts rem. Knit 1 rnd, ending at beg
k1, sl m, k1, ssk; rep from * 3 more times, dec rnd 2—10 sts dec’d. Rep last 2 rnds 4 of steek.
work to end—8 sts dec’d. Rep dec rnd 1 ev- more times—60 (84, 96, 116, 152, 188) Size 561⁄4" only:
ery other rnd 13 (13, 13, 13, 14, 15) more sts rem: 5 (10, 12, 16, 23, 30) sts for each Next rnd With B, *k2, k2tog; rep from
times—216 (240, 252, 272, 308, 344) front, 34 (44, 48, 56, 70, 84) sts for back, * to end—141 sts rem. With A, work
sts rem: 31 (36, 38, 42, 49, 56) sts for 8 (10, 12, 14, 18, 22) sts for each sleeve. dec rnd 2—10 sts dec’d. Knit 1 rnd. Rep
each front, 62 (72, 76, 84, 98, 112) sts for Sizes 34 (371⁄2, 401⁄4)" only: last 2 rnds once more—121 sts rem.

SUMMER 2018 63 WWW.INTERWEAVE.COM


RIGHT ARROW
17

15
PEERIE
13

5 11

3 9

1 7

2-st rep 5

18-st rep
end end beg beg
body body body upper sleeve
40¼" 37½" all sizes 40¼"
A
50" 56¼"
end beg
B body end lower sleeve beg
43¾" lower sleeve 40¼" lower sleeve
56¼" 40¼" 56¼" 37½"
C
56¼"
end beg beg
TRADING POST

D upper sleeve end upper sleeve lower sleeve


40¼" upper sleeve 43¾" 50"
56¼" 43¾"
E beg beg
end end upper sleeve lower sleeve
F lower sleeve body 34" 34"
37½" 34" upper sleeve
upper sleeve beg
G 37½"
end lower sleeve
34"
lower sleeve 43¾"
H 50" end upper sleeve
lower sleeve 50"
end 43¾"
pattern repeat lower sleeve upper sleeve
34" 50"
upper sleeve
37½"

Knit 4 rnds. Dec rnd *K5, k2tog; rep 462, 474) sts total. Set-up row (WS) P6, Short-row 1 (RS) Work to 1 st before 4th
from * to last 2 sts, k2, ending at beg of *k6, p6; rep from * to end. m, wrap next st, turn.
steek—104 sts rem. Row 1 (RS) *K2, yo, k2tog, k2, p2, yo, Short-row 2 (WS) Work to 1 st before last
Sizes 50 (561⁄4)" only: p2tog, p2; rep from * to last 6 sts, k2, yo, m, wrap next st, turn.
Next rnd With A, BO 11 sts (7 steek k2tog, k2. Short-row 3 Work to 6 sts before wrapped
sts and 4 right front sts), knit to end, Row 2 (WS) P6, *k6, p6; rep from * to end. st, wrap next st, turn.
turn—100 sts rem. Work back and forth Row 3 *[K1, yo, k2tog] 2 times, [p1, yo, Rep last short-row 11 more times. Next 2
in rows. Next row (WS) BO 4 sts pwise, p2tog] 2 times; rep from * to last 6 sts, [k1, rows Work to end, working wraps tog with
purl to end—96 sts rem. With RS facing, yo, k2tog] 2 times. wrapped sts. Work Rows 1–4 once. BO all
BO all sts. Row 4 Rep Row 2. sts. Graft underarm sts using Kitchener
Work 4 rows in rib. Shape collar using st. Foll Diamond Duplicate St chart, work
FINISHING short-rows as foll: duplicate st on body, yoke, and sleeves.
Secure and cut steek. Collar: With A, Short-row 1 (RS) Work in rib to 1 st before Weave in ends. Block.
smaller cir needle, and RS facing, beg at 3rd m, wrap next st, turn.
right front lower edge, pick up and knit Short-row 2 (WS) Work in rib to 1 st ANDREA CULL lives in Tahlequah,
22 sts along rib, 116 sts to base of neck, before m, wrap next st, turn. Oklahoma, the capital of the Cherokee
pm, 36 (36, 36, 38, 40, 42) sts to BO sts, Short-row 3 Work to 2 sts before wrapped Nation, where she is constantly inspired by
pm, 66 (90, 102, 110, 106, 114) sts along st, wrap next st, turn. the Native American art in the region. She
BO sts, pm, 36 (36, 36, 38, 40, 42) sts Rep last short-row 11 more times. Next 2 found the courage to cut her first steek
to base of neck, pm, 116 sts to rib, and rows Work to end, working wraps tog with after reading Donna Kay’s detailed article
22 sts to lower edge—414 (438, 450, 462, wrapped sts. Work 10 rows even. in Interweave Knits Winter 2015.

SUMMER 2018 64 WWW.INTERWEAVE.COM


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.1,77,1*5(75($76
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A KNITTER’S GUIDE TO: JOGLESS CAST-ON & BIND-OFF EDGES

JOGLESS CAST-ON
& BIND-OFF EDGES
in the Round BY ROX ANNE RICHARDSON

When projects are knitted in the round, it can be challenging to inish the cast-on and bind-off edges
so that the jog, or gap, between the irst and last stitches is minimized. Figures 1 and 10 illustrate how
big that challenge can be.
Every cast-on method produces a distinctive edge, as does every cast-on edge. Next, the join sets up the continuity of the edge between
bind-off method. Many techniques that address cast-on jogs are the first and last stitches of the round. Finally, the yarn tail completes
generic in nature and focus only on the moment the join occurs. In the edge continuity, before the tail is woven in. Because the actual
this article, we’ll look at how to get the best possible finishes for the steps you take for each cast-on method are different, here are the steps
long-tail cast-on and the cable cast-on, as well as how to finish the for each.
bind-off edge when you use the standard chain bind-off. These
finishing techniques will maintain a continuous look across the The long-tail cast-on three-step technique
end-of-round to beginning-of-round transition so that the gap is Step 1: Eliminate the slipknot.
eliminated, the edges are smooth, and the distinctive edge pattern The standard long-tail cast-on edge is defined by a twisted loop at
is uninterrupted. the base of every stitch column except for the first one, which has a
slipknot. Start the long-tail cast-on with a twisted loop on the needle
IMPROVING THE CAST-ON EDGE IN THREE STEPS rather than a slipknot. Tension the yarn with the tail over your left
thumb and the working yarn over your index finger and the strands
The best finish comes from a great start; therefore, every cast-on stitch held against your palm, as shown in Figure 2. Twist the needle around
should be created so that it is identical to the other stitches along the the yarn to form the first cast-on stitch (Figures 3 and 4).

FIGURE 1 FIGURE 2

FIGURE 3 FIGURE 4

SUMMER 2018 66 WWW.INTERWEAVE.COM


A KNITTER’S GUIDE TO: JOGLESS CAST-ON & BIND-OFF EDGES

FIGURE 7
When the long-tail cast-on is complete, every stitch on the needle
has a twisted loop sitting below it, under the needle, except for the
first cast-on stitch, which consists of a twisted loop on the needle
(Figure 5). Both legs of that first cast-on stitch pull to the left, with
one leg becoming the strand that forms stitches on the needle and the
other leg becoming the strand that forms the twisted loops of the edge.
First cast-on stitch

FIGURE 5

Step 2: Join in the round.


Knit that first twisted-loop cast-on stitch (Figure 6) to complete the
FIGURE 8
cast-on process and set up the edge continuity. Every loop along the
cast-on edge has now been knitted, and every stitch has a purl bump
below it on the wrong side. Place a beginning-of-round marker on the
right needle. The first cast-on stitch has now become the last stitch of
the round.
New first
stitch of round Knit first cast-on stitch
(becomes last stitch
FIGURE 6 of round)

Insert tapestry
needle behind
these strands

Step 3: Use yarn tail to ensure a continuous look. FIGURE 9


When the piece is complete, use the yarn tail to create the appearance
of continuous connected twisted loops across the join.
Pull gently on the tail to eliminate any excess slack that may have
loosened the edge. Thread the tail onto a tapestry needle. Locate the two
legs of the first cast-on stitch, as shown in Figure 6. Insert the tapestry
needle behind those two stitch legs from left to right, making sure that
the yarn tail hangs below the needle (Figure 7). Note: You are not follow-
ing the path of the stitch head, but are capturing the legs themselves.
Doing so smoothes the edge and eliminates any remaining jog.
Pull the yarn through and adjust the tension to match the rest of
the edge (Figure 8). Weave in the tail by inserting the tapestry needle
up through the purl bump at the base of the first stitch of the round,
on the wrong side of the cast-on edge. Weave in the tail away from the
edge. The resulting join is indistinguishable from the rest of the cast-on
stitches (Figure 9).
Note: Finding those two legs of the original cast-on stitch can be FIGURE 10
tricky when it occurs at a transition between purls and knits, as it does
in ribbed fabric. Practicing on a stockinette edge—or on an edge
where the round ends with knit stitches and starts with purl stitches—
is helpful because the legs are easier to differentiate from the adjoin-
ing twisted-edge loop.

The cable cast-on three-step technique


The typical cable cast-on method starts by knitting into a slipknot,
which results in two cast-on stitches that are different from the rest of
the edge. The base of every stitch column except the first consists of
a pair of offset horizontal strands, as shown in Figure 10. To improve
the cable cast-on, you will need to eliminate those two stitches that
are different.

SUMMER 2018 67 WWW.INTERWEAVE.COM


A KNITTER’S GUIDE TO: JOGLESS CAST-ON & BIND-OFF EDGES

FIGURE 11
Step 1: Start with two temporary cast-on stitches.
Use two slipknots and/or loop cast-ons, which will later be removed.
The first permanent cast-on stitch of the edge will be created by insert-
ing the needle between the two temporary cast-on stitches. This approach
ensures that all the permanent stitches of the cast-on are identical.

Step 2: Join in the round.


Cast on one stitch more than required and pass the last cast-on stitch
over the first permanent cast-on stitch. For example, to cast on 32 stitches,
you would first cast on the two temporary stitches and then cast on 33
stitches for a total of 35 stitches. Turn the work so that the working yarn
FIGURE 12 is hanging from the right needle and the two temporary cast-on stitches
are on the left needle. Slip the two temporary stitches off the left needle,
giving the tail a tug to release the stitches. Slip one stitch from the left
needle to the right needle and then pass the second stitch on the right
needle over the first stitch and off the needle. Return the stitch on the
right needle to the left needle. Passing the extra stitch over the first
stitch joins the work in the round; at the same time, it creates a horizon-
tal strand that imitates the upper strand of an offset pair.

Step 3: Use yarn tail to ensure a continuous look.


After the piece is complete, use the yarn tail to ensure the continuous
look of connected offset horizontal strand pairs across the join.
Thread the yarn tail onto a tapestry needle. Insert the tapestry needle
FIGURE 13 into the back of the stitch on the right side of the join, as shown in Figure
11 (imitating the second horizontal strand of an offset pair). Weave in
the tail away from edge. You can see the final result in Figure 12.

IMPROVING THE BIND-OFF EDGE IN TWO STEPS

You can create a continuous look between the last bind-off stitch and
the first bind-off stitch by creating a chain stitch that connects the two.

Step 1: Eliminate the final loop.


When the last stitch is bound off, one stitch remains on the right-hand
needle. Break the yarn, leaving a 4" (10 cm) tail. Enlarge the loop
until the tail has pulled out through the final chain of the edge.
FIGURE 14
Step 2: Create the final chain.
Thread the tail onto a tapestry needle. Insert the tapestry needle under
both legs of the first bind-off chain (Figure 13) and pull the yarn
through, then insert the tapestry needle through the center of the last
bind-off chain (Figure 14) and pull the yarn through. This re-creates
a chain stitch that joins the end of the round to the start of the round
(Figure 15). Adjust the tension to match the rest of the bind-off chains.

Getting the best finished result in a project doesn’t just depend on


what you do after the knitting is completed. The decisions you make
before you cast on, and the techniques you use while you’re knitting,
FIGURE 15 have as great an impact on the final results.

ROXANNE RICHARDSON is a certified master handknitter living


in Minneapolis, Minnesota, where she designs and teaches. Her
weekly knitting videos can be found on her YouTube channel,
Roxanne Richardson.

SUMMER 2018 68 WWW.INTERWEAVE.COM


BE INSPIRED BY
NATURE’S MOST
Beautiful Details
Create simple and luxurious knits with
23 projects that reflect and react to the
natural world. With the uncomplicated pieces
in this collection, you’ll finally be able to slow
down and settle into peaceful moments.

Learn more at interweave.com


HIGH DESERT L ACE
BOHEMIAN KNITS FOR THE HOT DESERT SUN
AND CHILLY NIGHTS

SUMMER 2018 70 WWW.INTERWEAVE.COM


BUENA VISTA STOLE SANDHYA SHADANGI
Buena Vista means “beautiful view” in Spanish. This stole’s namesake
town in Colorado, surrounded by the 14,000-foot (4267-m) Collegiate
Peaks, certainly does have beautiful views. For cool mountain nights,
wrap up in the Buena Vista Stole; this Southwest-inspired shawl
features graphic crosses, garter stitch, and simple lace for an unexpect-
edly impressive knit.
PATTERN PAGE 80 YARN Manos del Uruguay Milo, distributed
by Fairmount Fibers

SUMMER 2018 71 WWW.INTERWEAVE.COM


MOJAVE TOP MEGHAN JONES
Mimicking the bands of sandstone and red rock found on the
steep sides of desert canyons, the Mojave Top is formed with
layers of alternating colors and lace patterns. This kimono-sleeve
top is constructed in two pieces—front and back—and seamed
after blocking.
PATTERN PAGE 81 YARN Stacy Charles Fine Yarns Alicia,
distributed by Tahki Stacy Charles, Inc.

SUMMER 2018 72 WWW.INTERWEAVE.COM


SUMMER 2018 73 WWW.INTERWEAVE.COM
TAOS TEE PAULA PEREIRA
Taos, New Mexico, is known for many things, including chile peppers,
art, culture, skiing, and an annual iber festival. The Taos Tee, an
airy layer featuring bands of lace diamonds and a generous slit up the
side, is inspired by all those things. Wear it to a summer festival over
a linen dress, shorts, or your favorite flowing skirt. This tee is worked
from the top down in one piece; for the best inishing results, take
time to block it to open up the lace pattern.
PATTERN PAGE 82 YARN Quince & Co. Sparrow

SUMMER 2018 74 WWW.INTERWEAVE.COM


MOAB STOLE SANDHYA SHADANGI
The Moab Desert in Utah is a national treasure, attracting out-
door enthusiasts from all over the continent and the globe. Find
artifacts in the desert sand while camping, hiking, and exploring
the vast, colorful expanse. The Moab Stole features arrowhead
motifs and garter stitch; the arrowheads are distinguished from
the garter stitch with simple eyelets.
PATTERN PAGE 88 YARN Brooklyn Tweed Loft

SUMMER 2018 75 WWW.INTERWEAVE.COM


WINONA PONCHO MONE DRÄGER
Winona is a tiny village located along historic Route 66 in north-
western Arizona. The area has been inhabited for ages—irst by
Native Americans, then by European settlers—and the Winona
Poncho incorporates artistic influences from the different
cultures that have populated the area. The poncho is worked in
one piece from side to side in an allover wave lace pattern that is
worked on both right- and wrong-side rows. The fringe adds the
inal touch to this bohemian-inspired summer poncho.
PATTERN PAGE 89 YARN Louet North America Euroflax Sport

SUMMER 2018 76 WWW.INTERWEAVE.COM


SUMMER 2018 77 WWW.INTERWEAVE.COM
ARIZONA TEE AMY GUNDERSON
It’s possible to enjoy wearing a knited garment in the desert
heat—just combine linen, lace, and a breathable gauge. The
Arizona Tee is an oversized, versatile, lightweight summer top
you can layer over a tank and shorts, a sundress, or a swimsuit. Its
straightforward construction lets you focus on the lacework; after
blocking the pieces, seam them together and bask in the sun.
PATTERN PAGE 90 YARN Fibra Natura Flax Lace, distributed
by Universal Yarn

SUMMER 2018 78 WWW.INTERWEAVE.COM


FLAGSTAFF TEE SUSANNA IC
The flowers of the American Southwest inspired the delicate lace
panels of the Flagstaff Tee. This loose-itting tunic can be worn
on its own, over a camisole, or over a dress for multi-season wear.
The simple two-piece construction makes it easy to customize
this tee for both it and length. It is worked in two identical pieces
from the top down; the shoulder and side seams are sewn after
the pieces are blocked.
PATTERN PAGE 92 YARN Cascade Yarns Heritage Silk

SUMMER 2018 79 WWW.INTERWEAVE.COM


BUENA VISTA STOLE SANDHYA SHADANGI
Finished Size 75¾" long and 18¼" wide.
Yarn Manos del Uruguay Milo (65% merino wool, 35% linen; 380 yd [347 m]/3½ oz
[100 g]): #i2156 Venezia, 3 skeins. Yarn distributed by Fairmount Fibers.
Needles Size 6 (4 mm): 24" circular (cir). Adjust needle size if necessary to obtain the
correct gauge.
Notions Tapestry needle.
Gauge 23 sts and 30 rows = 4" in charted patt.

Difficulty Level Yarn Weight 2

For techniques you don’t know, STOLE


? please visit our online knitting
glossary at www.interweave.com
CO 105 sts. Do not join. Knit 8 rows. Work
Rows 1–40 of Lace chart 13 times, then
SANDHYA SHADANGI started knitting in
December 2011 and has been addicted to
the craft ever since. She has a weakness
/interweave-knitting-glossary. work Rows 1–34 once more. Knit 7 rows. for geometric stitch patterns and interest-
With WS facing, BO all sts kwise. ing textures. When she is not knitting, she
NOTES reads, dabbles in web development, and
• This stole is worked back and forth
in rows from end to end. A circular
FINISHING
Weave in ends. Block.
plays with ink and brush.

needle is used to accommodate the


DESERT LACE

large number of stitches.

LACE

39

37

35

33

31

29

27

25

23

21

19

17

15

13

11

28-st rep

k on RS; p on WS yo ssk pattern repeat

k on WS k2tog sl 2 as if to k2tog, k1, p2sso

SUMMER 2018 80 WWW.INTERWEAVE.COM


MOJAVE TOP MEGHAN JONES
Finished Size 37½ (49½, 61½)" bust circumference. Top shown measures 37½"; mod-
eled with 7½" of positive ease.
Yarn Stacy Charles Fine Yarns Alicia (100% linen; 180 yd [165 m]/1¾ oz [50 g]): #06
coral (red; A), 3 (3, 5) balls; #15 sandy shore (cream; B), 2 (3, 3) balls. Yarn distributed
by Tahki Stacy Charles, Inc.
Needles Size 4 (3.5 mm): 32" circular (cir). Adjust needle size if necessary to obtain
the correct gauge.
Notions Markers (m); removable m; tapestry needle.
Gauge 16 sts and 26 rows = 4" in lace patt; 16 sts and 30 rows = 4" in garter st.

Difficulty Level Yarn Weight 0

For techniques you don’t know,


? please visit our online knitting
glossary at www.interweave.com
D E

/interweave-knitting-glossary.
C
Note: Measurements do
NOTES F not include fringe.
• This top is worked back and forth in
separate pieces and seamed. A circular
FRONT
&
A: 18¾ (24¾, 30¾)"
B: 17"
BACK
needle is used to accommodate the B C: 4¾ (6½, 8¾)"

DESERT LACE
large number of stitches. D: 10¾ (11¾, 12¾)"
• Do not break yarn at color changes
except where indicated. Carry unused
E: 10 (10½, 11)"
F: 6 (4, 2)"
color up side of work until it is needed
again. Bring new color under color
just used. A

BACK
Using A and the old Norwegian method,
CO 75 (99, 123) sts. Do not join. Knit k on RS; p on WS ssk
2 rows. *With A, work Rows 1–18 of
Chart A. Join B (see Notes). With B, work k on WS sl 1 kwise, k2tog, psso
Rows 1–12 of Chart B. Rep from * 2 more
times. With A, work Rows 1–18 of Chart yo pattern repeat
A. Break A, leaving a 20" tail. Sleeves:
k2tog

A B

17 11

15 9

13 7

11 5

9 3

7 1

5 12-st rep

24-st rep

SUMMER 2018 81 WWW.INTERWEAVE.COM


Using B and the backward-loop method, Size 611⁄2" only: FINISHING
CO 29 (21, 13) sts—104 (120, 136) sts. Next row (RS) With A, work in garter st Ravel first and last 5 sts to CO edge to form
Next row (RS) K29 (21, 13), place marker to m, sl m, work Chart A to m, sl m, work fringe. Cut ends of fringe loops. Arrange
(pm), work Chart B to end, pm, using the in garter st to end. Cont in patt through fringe into groups of 4 or 5 strands and
backward-loop method, CO 29 (21, 13) Row 18 of chart. knot tog ¼" from garment. Weave in ends.
sts—133 (141, 149) sts. Next row (WS) All sizes: Block pieces to measurements. With A, sew
Work in garter st to m, sl m, work Chart B With B (A, B), work 6 rows in garter st. side seams. With B, sew sleeve seams. With
to m, sl m, work in garter st to end. Cont Next row (RS) K5, using a stretchy B (A, B), sew shoulders between end of
in patt through Row 12 of chart. With RS method, BO 40 (42, 44) sts for shoulder, sleeve and m.
facing, rejoin A. Next row (RS) With A, place removable m (pm) into edge of work,
work in garter st to m, sl m, work Chart A BO 43 (47, 51) sts for neck, pm into edge MEGHAN JONES believes that “just one
to m, sl m, work in garter st to end. Cont in of work, BO 39 (41, 43) sts for shoulder, do more row” is actually a term of endear-
patt through Row 18 of chart. not finish row. Break yarn and fasten off ment, even if her three children are not
Sizes 491⁄2 (611⁄2)" only: last worked st—5 sts rem at each end. fooled. She knits and designs obsessively
Next row (RS) With B, work in garter st and loves interesting knits. You can find
to m, sl m, work Chart B to m, sl m, work FRONT her on Instagram as @meghanjoneslnmp
in garter st to end. Cont in patt through Work as for back. and at www.littlenutmegproductions.com.
Row 12 of chart.

TAOS TEE PAULA PEREIRA


Finished Sizes 31½ (34¼, 38, 41¾, 45¼, 49¾, 53¼, 57)" bust circumference. Tee
shown measures 34¼"; modeled with 1¾" of positive ease.
DESERT LACE

Yarn Quince & Co. Sparrow (100% organic linen; 168 yd [154 m]/1¾ oz [50 g]): maize,
6 (7, 8, 9, 10, 11, 12, 13) skeins.
Needles Sizes 3 (3.25 mm) and 4 (3.5 mm): 16" and 24" circular (cir) and set of double-
pointed (dpn). Adjust needle size if necessary to obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle.
Gauge 22 sts and 30 rnds = 4" in St st on larger needle.

Difficulty Level Yarn Weight 2

For techniques you don’t know,


? please visit our online knitting
glossary at www.interweave.com E
/interweave-knitting-glossary.
D
NOTES F
• This tee is worked in the round from
the top down with raglan shaping.
C

Short-row shaping is used to raise the


back neck. The sleeves are worked in
the round from the top down. H G
BODY
• Slip stitches purlwise.

STITCH GUIDE B A: 31½ (34¼, 38, 41¾, 45¼, 49¾, 53¼, 57)"
K2, P2 Rib in Rnds: (multiple of 4 sts) B: 19 (20, 21, 21, 22, 23, 23, 23)"
Rnd 1 *P2, k2; rep from * to end. C: 7 (7¾, 8¼, 8¼, 9½, 10¼, 11¼, 12)"
Rep Rnd 1 for patt. D: 1½"
E: 7 (7¾, 7¾, 8¼, 8½, 9, 9¼, 9¾)"
K2, P2 Rib in Rows: (multiple of 4 sts F: 9¾ (9¾, 9¾, 11¼, 11¾, 13, 13, 14)"
+ 2) G: 8¾ (10¼, 10¼, 11¾, 11¾, 11¾, 13, 13)"
Row 1 (WS) K2, *p2, k2; rep from * to end. A H: 11 (11¾, 12¼, 14½, 15, 16¼, 17¾, 18½)"
Row 2 (RS) P2, *k2, p2; rep from * to end.
Rep Rows 1 and 2 for patt.

SUMMER 2018 82 WWW.INTERWEAVE.COM


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Projects are included in the
7 Free Knitted Cowl Patterns
for Women eBook

www.interweave.com
FRONT, SIZES 31½", 34¼", 38", AND 41¾"
25

23
SLEEVE
21
13
19
11
17
9
15
7
13
5
11
3
9
1
7
8-st rep
5

37 sts
DESERT LACE

BACK, SIZES 31½", 34¼", 38", AND 41¾"


33

31

29

27

25

23

21

19

17

15

13

11

42 sts

knit yo ssk

k1tbl k2tog sl 1 pwise wyb

SUMMER 2018 84 WWW.INTERWEAVE.COM


FRONT, SIZES 45¼", 49¾", 53¼", AND 57"
25

23

21

19

17

15

13

11

45 sts

DESERT LACE
BACK, SIZES 45¼", 49¾", 53¼", AND 57"
33

31

29

27

25

23

21

19

17

15

13

11

50 sts

knit yo ssk

k1tbl k2tog sl 1 pwise wyb

SUMMER 2018 85 WWW.INTERWEAVE.COM


YOKE 45, 45, 45) sts, pm for chart, [knit to 1 st m, k1, place next 56 (54, 58, 68, 70, 74,
With smaller, shorter cir needle, CO 108 before m, RLI, k1, sl m, k1, LLI] 2 times, 82, 84) sts on holder for sleeve, remove m,
(116, 116, 120, 124, 128, 132, 136) sts. knit to last st, RLI, k1—125 (141, 141, 145, CO 4 (10, 10, 12, 12, 16, 16, 18) sts, knit to
Place marker (pm) and join in the rnd. 149, 153, 157, 161) sts: 43 (49, 49, 51, 53, end of rnd—173 (189, 209, 229, 249, 273,
Work in K2, P2 Rib (see Stitch Guide) for 55, 57, 59) sts for back, 44 (50, 50, 52, 54, 293, 313) sts rem for body.
7 rnds. Change to larger needle and St st. 56, 58, 60) sts for front, 19 (21, 21, 21,
Inc rnd K35 (37, 37, 38, 39, 40, 41, 42), 21, 21, 21, 21) sts for each sleeve. Next BODY
M1, knit to end—109 (117, 117, 121, 125, rnd [Knit to m, sl m] 2 times, work chart Work even in St st until piece measures
129, 133, 137) sts. Shape back neck using to m, sl m, [knit to m, sl m] 3 times. Inc 8¾ (9½, 9¾, 10¼, 10½, 11, 11¼, 12¼)" from
short-rows as foll: rnd [K1, LLI, work to 1 st before raglan underarm. Divide for slits: Next rnd Re-
Short-row 1 (RS) Wrap next st, turn. m, RLI, k1] 4 times—8 sts inc’d. Rep inc move beg-of-rnd m, k6, place next 81 (89,
Short-row 2 (WS) Sl m, p39 (43, 43, 45, rnd every other rnd 1 (4, 5, 5, 5, 5, 7, 7) 99, 109, 119, 131, 141, 151) sts on holder
47, 49, 51, 53), wrap next st, turn. more time(s), changing to longer cir needle for front—92 (100, 110, 120, 130, 142,
Short-row 3 Knit to m, sl m, work wrap when necessary—141 (181, 189, 193, 197, 152, 162) sts rem for back. Beg working
tog with wrapped st, k3, wrap next st, turn. 201, 221, 225) sts: 47 (59, 61, 63, 65, 67, back and forth in rows. Back: Next row
Short-row 4 Purl to wrapped st, work 73, 75) sts for back, 48 (60, 62, 64, 66, 68, (WS) Purl to last 3 sts, sl 3 wyf (see Notes).
wrap tog with wrapped st, p3, wrap next 74, 76) sts for front, 23 (31, 33, 33, 33, Next row (RS) Knit to last 3 sts, sl 3 wyb.
st, turn. 33, 37, 37) sts for each sleeve. Work 1 rnd Rep last 2 rows until slit measures 7¾ (8,
Short-row 5 Knit to wrapped st, work even. Inc rnd [K1, LLI, work to 1 st before 8¾, 8¼, 9, 9½, 9¼, 8¼)", ending with a WS
wrap tog with wrapped st, k5, wrap next raglan m, RLI, k1] 3 times, k1, LLI, k1 (7, row.
st, turn. 8, 9, 6, 7, 10, 11), pm for chart, work Back Sizes 311⁄2 (341⁄4, 413⁄4, 531⁄4)" only:
Short-row 6 Purl to wrapped st, work chart for your size over 42 (42, 42, 42, 50, Work 1 RS row.
wrap tog with wrapped st, p5, wrap next 50, 50, 50) sts, pm for chart, knit to last Sizes 38 (451⁄4, 493⁄4, 57)" only:
st, turn. st, RLI, k1—149 (189, 197, 201, 205, 209, Next row (RS) K3, ssk, knit to last 5 sts,
Short-row 7 Knit to wrapped st, work 229, 233) sts: 49 (61, 63, 65, 67, 69, 75, 77) k2tog, sl 3 wyb—108 (128, 140, 160) sts
DESERT LACE

wrap tog with wrapped st, k7, wrap next sts for back, 50 (62, 64, 66, 68, 70, 76, 78) rem.
st, turn. sts for front, 25 (33, 35, 35, 35, 35, 39, 39) All sizes:
Short-row 8 Purl to wrapped st, work sts for each sleeve. Note: When each chart Change to smaller needle. Next row (WS)
wrap tog with wrapped st, p7, wrap next is complete, remove m for that chart and P3, work in K2, P2 Rib (see Stitch Guide)
st, turn. work those sts in St st. Next rnd [Knit to to last 3 sts, sl 3 wyf. Next row (RS) K3,
Short-row 9 Knit to wrapped st, work m, sl m] 2 times, work Front chart to m, work in rib to last 3 sts, sl 3 wyb. Rep last
wrap tog with wrapped st, k9, wrap next sl m, [knit to m, sl m] 3 times, work Back 2 rows 10 more times. BO all sts in patt.
st, turn. chart to m, sl m, knit to end. Inc rnd [K1, Front: Return 81 (89, 99, 109, 119, 131,
Short-row 10 Purl to wrapped st, work LLI, work to 1 st before raglan m, RLI, k1] 141, 151) held front sts to needle. With RS
wrap tog with wrapped st, p9, wrap next 4 times—8 sts inc’d. Rep inc rnd every facing, pick up and knit 3 sts along top of
st, turn. other rnd 15 (10, 11, 16, 17, 19, 21, 22) 3 edge sts from back, knit to end, pick up
Short-row 11 Knit to wrapped st, work more times—277 (277, 293, 337, 349, 369, and knit 3 sts along top of 3 edge sts from
wrap tog with wrapped st, k3 (3, 3, 5, 5, 7, 405, 417) sts: 81 (83, 87, 99, 103, 109, back—87 (95, 105, 115, 125, 137, 147, 157)
7, 9), wrap next st, turn. 119, 123) sts for back, 82 (84, 88, 100, 104, sts total. Next row (WS) Purl to last 3 sts,
Short-row 12 Purl to wrapped st, work 110, 120, 124) sts for front, 57 (55, 59, 69, sl 3 wyf. Next row (RS) Knit to last 3 sts,
wrap tog with wrapped st, p3 (3, 3, 5, 5, 7, 71, 75, 83, 85) sts for each sleeve. sl 3 wyb. Rep last 2 rows until slit measures
7, 9), wrap next st, turn. Sizes 38 (413⁄4, 451⁄4, 493⁄4, 531⁄4, 57)" only: 7¾ (8, 8¾, 8¼, 9, 9½, 9¼, 8¼)", ending with
Short-row 13 Knit to m. Work 1 rnd even. Inc rnd [Knit to m, sl a WS row.
Next rnd Working wraps tog with wrapped m, k1, LLI, work to 1 st before raglan m, Sizes 311⁄2 (341⁄4, 413⁄4, 531⁄4)" only:
sts, k15 for left sleeve, pm for raglan, RLI, k1, sl m] 2 times—4 sts inc’d. Rep inc Inc row (RS) Knit to last 3 sts, LLI, sl 3
k40 (44, 44, 46, 48, 50, 52, 54) for front, rnd every other rnd 2 (0, 3, 4, 4, 6) more wyb—88 (96, 116, 148) sts.
pm for raglan, k15 for right sleeve, pm for times—305 (341, 365, 389, 425, 445) sts: Sizes 38 (451⁄4, 493⁄4, 57)" only:
raglan, k39 (43, 43, 45, 47, 49, 51, 53) for 93 (101, 111, 119, 129, 137) sts for back, Dec row (RS) Knit to last 5 sts, k2tog, sl 3
back. Inc rnd [K1, LLI, knit to 1 st before 94 (102, 112, 120, 130, 138) sts for front, wyb—104 (124, 136, 156) sts rem.
m, RLI, k1] 4 times—8 sts inc’d. Next rnd 59 (69, 71, 75, 83, 85) sts for each sleeve. All sizes:
Knit. Rep last 2 rnds 0 (1, 1, 1, 1, 1, 1, 1) All sizes: Change to smaller needle. Next row (WS)
more time—117 (133, 133, 137, 141, 145, Work 4 (12, 6, 1, 1, 1, 1, 1) rnd(s) even. P3, work in K2, P2 Rib to last 3 sts, sl 3
149, 153) sts: 41 (47, 47, 49, 51, 53, 55, 57) Divide for body and sleeves: Next rnd wyf. Next row (RS) K3, work in rib to last
sts for back, 42 (48, 48, 50, 52, 54, 56, 58) Remove m, k1, place next 56 (54, 58, 68, 3 sts, sl 3 wyb. Rep last 2 rows 10 more
sts for front, 17 (19, 19, 19, 19, 19, 19, 19) 70, 74, 82, 84) sts on holder for sleeve, times. BO all sts in patt.
sts for each sleeve. Inc rnd K1, LLI, knit to remove m, using the knitted method,
1 st before m, RLI, k1, sl m, k1, LLI, k2 (5, CO 2 (5, 5, 6, 6, 8, 8, 9) sts, pm for new beg SLEEVES
5, 6, 3, 4, 5, 6), pm for chart, work Front of rnd, CO 2 (5, 5, 6, 6, 8, 8, 9) sts, k82 (84, Place 56 (54, 58, 68, 70, 74, 82, 84) held
chart for your size over 37 (37, 37, 37, 45, 94, 102, 112, 120, 130, 138), remove sleeve sts onto larger dpn. With RS facing,

SUMMER 2018 86 WWW.INTERWEAVE.COM


Create the stunning

BUENA
VISTA
STOLE
featured in this issue
with an exclusive kit
from Interweave.

Shop exclusive
knitting kits at
Interweave.com
beg at center of underarm, pick up and knit times—48 (56, 56, 64, 64, 64, 72, 72) sts PAULA PEREIRA believes that inspira-
2 (5, 5, 6, 6, 8, 8, 9) sts along underarm rem. Work 1 rnd even. Work Rows 1–13 of tion comes from people, nature, and
CO, k56 (54, 58, 68, 70, 74, 82, 84) sleeve Sleeve chart 2 times. Work 4 rnds in St st. daily life and is played out using yarn and
sts, pick up and knit 2 (5, 5, 6, 6, 8, 8, 9) Change to smaller dpn. Work 7 rnds in K2, needles as tools. She is particularly fond
sts along underarm CO—60 (64, 68, 80, P2 Rib. BO all sts in patt. of mathematics and geometry, which help
82, 90, 98, 102) sts total. Pm and join in her design garments and accessories. She
the rnd. Work 2 rnds in St st. Dec rnd FINISHING lives in São Paulo with her husband, two
K1, k2tog, knit to last 3 sts, ssk, k1—2 sts Weave in ends. Block to measurements. dogs, and tons of beautiful fibers.
dec’d. Rep dec rnd every 5 (8, 5, 5, 5, 4,
4, 4)th rnd 5 (3, 5, 7, 8, 12, 12, 14) more

MOAB STOLE SANDHYA SHADANGI


Finished Size 78¾" long and 18½" wide.
Yarn Brooklyn Tweed Loft (100% Targhee-Columbia wool; 275 yd [251 m]/1¾ oz
[50 g]): foothills, 5 skeins.
Needles Size 6 (4 mm): 24" circular (cir). Adjust needle size if necessary to obtain the
correct gauge.
Notions Tapestry needle.
Gauge 20 sts and 27 rows = 4" in charted patt.
DESERT LACE

Difficulty Level Yarn Weight 1

SUMMER 2018 88 WWW.INTERWEAVE.COM


43

41

39

37

35

33

31

29

27

25

23

21

19

17

15

13

11

1
k on RS; p on WS

k on WS

yo

k2tog

ssk

sl 2 as if to k2tog, k1, p2sso

For techniques you don’t know,


? please visit our online knitting
glossary at www.interweave.com
/interweave-knitting-glossary.

NOTES
• This stole is worked back and forth

93 sts
in rows from end to end. A circular
needle is used to accommodate the
large number of stitches.

DESERT LACE
STOLE
CO 93 sts. Do not join. Knit 8 rows. Work
Rows 1–44 of Lace chart 12 times. Knit 3
rows. With WS facing, BO all sts kwise.

FINISHING
Weave in ends. Block.

SANDHYA SHADANGI started knitting in


December 2011 and has been addicted to
the craft ever since. She has a weakness
for geometric stitch patterns and interest-
ing textures. When she is not knitting, she
reads, dabbles in web development, and
plays with ink and brush.
LACE

WINONA PONCHO MONE DRÄGER


Finished Size 24¾ (32¾)" wide and 22½ (32½)" long, not including fringe. Sample
shown measures 24¾" on model with 32½" bust.
Yarn Louet North America Euroflax Sport (100% wet spun linen; 270 yd [247 m]/3½ oz
[100 g]): #2364 natural, 3 (5) skeins.
Needles Size 7 (4.5 mm): 24" and 40" circular (cir). Adjust needle size if necessary to
obtain the correct gauge.
Notions Markers (m); tapestry needle; crochet hook.
Gauge 15 sts and 24 rows = 4" in lace patt, blocked.

Difficulty Level Yarn Weight 2

SUMMER 2018 89 WWW.INTERWEAVE.COM


For techniques you don’t know, LACE RIBBON
? please visit our online knitting
glossary at www.interweave.com/ 11
interweave-knitting-glossary.
9
NOTES
• This poncho is worked back and forth
in one piece and grafted. A circular
7

5
needle is used to accommodate the
large number of stitches. 3

1
PONCHO
With longer cir needle, CO 185 (245) sts. 10-st rep
Do not join. Purl 1 WS row. Work
Rows 1–12 of Lace Ribbon chart 11 (16)
k on RS; p on WS
times, then work Rows 1 and 2 once more.
Break yarn, leaving a 1 (1½) yd tail. With
WS tog, fold piece in half so both needles yo
point to right. With tail threaded on
tapestry needle, graft first 55 (75) sts and k2tog on RS; p2tog on WS
last 55 (75) sts tog using Kitchener st—75
(95) sts rem on needle. Neck: With RS fac-
ing, rejoin yarn at shoulder seam. Change ssk on RS; ssp on WS
to shorter cir needle. Place marker and join
in the rnd. Knit 3 rnds. BO all sts as foll: K1, pattern repeat
DESERT LACE

*k1, transfer 2 sts from right needle to left


needle, k2tog tbl; rep from * to end. Break
yarn and fasten off rem st.
along edge of poncho so that fringe is even MONE DRÄGER lives in a village in
FINISHING on both sides. Tie fringe in overhand knot Germany, where she loves to pursue many
Weave in ends. Block. Fringe: Cut 284 ½" from poncho edge. Insert 2 strands of handcrafts. She can’t imagine a day with-
(392) strands of yarn, each about 15" long. fringe in every 4th row along sides and in out knitting and especially enjoys playing
Hold 2 strands tog. Using a crochet hook, every 2nd, 4th, 7th, and 10th st of patt rep with colors and stitch patterns. Find out
pull one end of strand group through eyelet along CO edge. Trim fringe. more about her crafting adventures at
www.monemade.com.

ARIZONA TEE AMY GUNDERSON


Finished Size 41½ (48½, 55, 62, 68½)" bust circumference. Tee shown measures 48½";
modeled with 18½" of positive ease.
Yarn Fibra Natura Flax Lace (100% linen; 547 yd [500 m]/3½ oz [100 g]): #102 pale
blush, 2 (2, 3, 3, 4) skeins. Yarn distributed by Universal Yarn.
Needles Size 3 (3.25 mm): 16" circular (cir). Size 4 (3.5 mm): straight. Adjust needle
size if necessary to obtain the correct gauge.
Notions Marker (m); removable m; stitch holder; tapestry needle.
Gauge 19 sts and 27 rows = 4" in lace patt on larger needles.

Difficulty Level Yarn Weight 1

For techniques you don’t know, STITCH GUIDE K1, P1 Rib: (even number of sts)
? please visit our online knitting
glossary at www.interweave.com/
K1, P1 Rib: (odd number of sts)
Row 1 (RS) *K1, p1; rep from * to last st,
Row 1 *K1, p1; rep from * to end.
Rep Row 1 for patt.
interweave-knitting-glossary. k1.
Row 2 (WS) *P1, k1; rep from * to last st, Sloped BO: On last row before BO, sl last
NOTES p1. st pwise. BO row [Sl 1 pwise] 2 times, pass
• This tee is worked back and forth in
separate pieces and seamed.
Rep Rows 1 and 2 for patt. 2nd st over first to BO 1 st, BO rem sts as
usual.

SUMMER 2018 90 WWW.INTERWEAVE.COM


BACK sts. Left front: Return 39 (46, 54, 61, 69) neck BO edge, 25 sts along right front neck
With larger needles, CO 99 (115, 131, held left front sts to needle and, with WS edge—120 (124, 124, 128, 128) sts total.
147, 163) sts. Work in K1, P1 Rib (see Stitch facing, rejoin yarn. At beg of WS rows, Place marker and join in the rnd. Work 7
Guide) for 1½", ending with a WS row. Work using the sloped method, BO 6 sts once, rnds in k1, p1 rib. BO all sts in patt.
Rows 1–36 of Lace chart 5 (5, 5, 5, 6) times, BO 3 sts once, then BO 2 sts once—28 (35,
then work Rows 1–6 (1–6, 1–20, 1–20, 1–6) 43, 50, 58) sts rem. Work 2 rows even. Dec AMY GUNDERSON lives in North Carolina
once more; piece measures about 29 (29, row (RS) Work to last 4 sts, ssk, k2—1 st with her husband and their two dogs. She
31¼, 31¼, 34½)" from CO. BO all sts. dec’d. Rep dec row every RS row once is the creative director for Universal Yarn.
more, then every 4th row once—25 (32, When she’s not knitting, she is crocheting,
FRONT 40, 47, 55) sts rem. Work even until piece weaving, or dreaming of having the time
Work as for back until piece measures measures about 29 (29, 31¼, 31¼, 34½)" to sew.
25 (25, 27¼, 27¼, 30½)" from CO, end- from CO, ending with Row 6 (6, 20, 20, 6)
ing with a WS row. Shape neck: Next of chart. BO all sts.
row (RS) Work 39 (46, 54, 61, 69) sts
and place these sts on holder for left FINISHING k on RS; p on WS
front, BO 21 (23, 23, 25, 25) sts, work to Weave in ends. Block pieces to measure-
end—39 (46, 54, 61, 69) sts rem for right ments. Sew shoulder seams. Armhole edg- yo
front. Right front: Work 1 WS row even. At ing: Place removable m on front and back
beg of RS rows, using the sloped method 8 (8½, 9, 9½, 10)" from shoulder seam. With k2tog on RS; p2tog on WS
(see Stitch Guide), BO 6 sts once, BO 3 sts larger needles and RS facing, pick up and
once, then BO 2 sts once—28 (35, 43, knit 80 (84, 90, 94, 100) sts between m. ssk on RS; ssp on WS
50, 58) sts rem. Work 1 WS row. Dec row Work in K1, P1 Rib (see Stitch Guide) for
(RS) K2, k2tog, work to end—1 st dec’d. 7 rows. BO all sts in patt. Sew side seams, k3tog on RS; p3tog on WS
Rep dec row every RS row once more, then including armhole edging. Neck edging:
every 4th row once—25 (32, 40, 47, 55) sts With smaller cir needle and RS facing, pick sl 2 as if to k2tog, k1, p2sso

DESERT LACE
rem. Work even until piece measures about up and knit 49 (51, 51, 53, 53) sts along
29 (29, 31¼, 31¼, 34½)" from CO, ending back neck edge, 25 sts along left front neck pattern repeat
with Row 6 (6, 20, 20, 6) of chart. BO all edge, 21 (23, 23, 25, 25) sts along front

LACE

35
D E
33

F 31
C
29

27
FRONT
& 25
BACK
23
B
21

19

17

15
A
13

11
A: 20¾ (24¼, 27½, 31, 34¼)"
9
B: 21 (20½, 22¼, 21¾, 24½)"
C: 8 (8½, 9, 9½, 10)" 7
D: 5¼ (6¾, 8½, 10, 11½)"
E: 10¼ (10¾, 10¾, 11¼, 11¼)" 5
F: 4"
3

8-st to 16-st rep

SUMMER 2018 91 WWW.INTERWEAVE.COM


FLAGSTAFF TEE SUSANNA IC
Finished Size 29 (33, 36½, 40½, 45, 49½, 54)" bust circumference. Tunic shown
measures 33"; modeled with ½" of positive ease.
Yarn Cascade Yarns Heritage Silk (85% superwash wool, 15% mulberry silk; 437 yd
[400 m]/3½ oz [100 g]): #5604 denim, 2 (2, 3, 3, 4, 4, 5) skeins.
Needles Size 5 (3.75 mm): straight. Adjust needle size if necessary to obtain the cor-
rect gauge.
Notions Markers (m); tapestry needle.
Gauge 25 sts and 33 rows = 4" in St st; 23-st Lace Panel = 4¼" wide.

Difficulty Level Yarn Weight 1

D E
For techniques you don’t know, Panel chart over 23 sts, pm, k28 (34, 40,
? please visit our online knitting
glossary at www.interweave.com/
46, 53, 60, 67), sl m, work to end. Cont in
patt as established until piece measures
interweave-knitting-glossary. about 9½ (10, 10, 10½, 10½, 11, 11)" from C
CO, ending with Row 6 of Edging charts.
NOTES Next row Sl 1 (see Notes), work in garter
• This tunic is worked back and forth
from the top down in separate pieces
st to m, sl m, work in patt to last 4 sts, sl
m, work in garter st to end. Rep last row
BODY

and seamed. until piece measures 23 (23½, 23½, 24, 24, B



DESERT LACE

Slip stitches purlwise with yarn in 24½, 24½)" from CO, ending with a WS row.
front. Next row Sl 1, knit to end. Rep last row 5
more times. BO all sts.
BACK
CO 87 (99, 111, 123, 137, 151, 165) sts. FRONT A
Next row (RS) Work Right Edging chart Work as for back.
over 4 sts, place marker (pm), knit to last
4 sts, pm, work Left Edging chart over FINISHING
4 sts. Next row Work chart to m, sl m, Block pieces to measurements. Sew 2¾ (3½, A: 14½ (16½, 18¼, 20¼, 22½, 24¾, 27)"
knit to m, sl m, work chart to end. Rep last 4½, 5¼, 6¼, 7, 8)" shoulder seams. Leaving B: 14"
row 3 more times. Next row (WS) Work 3" vents at bottom, sew side seams to C: 9½ (10, 10, 10½, 10½, 11, 11)"
chart to m, sl m, purl to m, sl m, work chart about 9½ (10, 10, 10½, 10½, 11, 11)" below D: 2¾ (3½, 4½, 5¼, 6¼, 7, 8)"
to end. Next row (RS) Work to m, sl m, shoulder seam. Weave in ends. E: 9 (9¼, 9¼, 9¾, 10, 10¾, 11)"
k28 (34, 40, 46, 53, 60, 67), pm, work Lace
SUSANNA IC has an extensive collection
of studio arts and art history degrees as
well as a rather large yarn stash. Find her
k on RS; p on WS projects and designs on Ravelry and on
her website, www.artqualia.com.
p on RS; k on WS

yo
LACE PANEL LEFT EDGING RIGHT EDGING
k2tog
7 5 5

ssk 5 3 3

3 1 1
k3tog
1 4 sts to 6 sts 4 sts to 6 sts
to 4 sts to 4 sts
sssk 23 sts

sl 2 as if to k2tog, k1,
pass 2 sl sts over—2 sts dec’d

SUMMER 2018 92 WWW.INTERWEAVE.COM


.feminine
.sophisticated
.minimalist
.smart
.chic

curated for the modern knitter

spring | summer 2018

www.interweave.com
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www.hubmillsstore.com yarns, books. Call for Classes.
Modern, timeless, fun! From fiber needs in Western Oregon.
An outlet for discontinued Classic 4 Mill Alley
Shetland to Shibui with your The best stocked, fairest
favorite hand-dyes in between, Elite Yarns and a full-service yarn (603) 827-3996
prices & most comprehensive
we offer a beautifully curated shop carrying many fine yarns. teaching facility.
NEW JERSEY
selection of yarns, tools and 16 Esquire Rd. Unit 2 632 SE Jackson St.
books for knitters, crocheters (978) 408-2176 Woolbearers—Mount Holly (541) 673-2199
and weavers. Save 10%
SHEEP & SHAWL www.woolbearers.com PENNSYLVANIA
on your next online order
—South Deerfield Full-service knitting, spinning,
with this code: 10IK2018
weaving, and dyeing shop
Gosh Yarn It!—Kingston
293 State St. www.sheepandshawl.com
(605) 941-1815 Local yarns & rovings, regional & specializing in handpainted www.goshyarnitshop.com
fair trade natural fiber yarns, and fiber and yarns, spinning, A beautiful yarn boutique in
CONNECTICUT Northeastern PA. Visit us for
crafts by local fiber artists—in and weaving equipment.
Mystic River Yarns—Mystic fine yarn, patterns, notions, and
the scenic Pioneer Valley. 90 High St.
knitting & crochet classes.
www.mysticriveryarns.com Exit 24 off I-91: 265 (609) 914-0003 303 Market St.
Founded in 2001, Mystic River Greenfield Rd. (Rtes 5/10)
(570) 287-9999
Yarns' riverside locale is a haven (413) 397-3680 NEW MEXICO
for crafters seeking quality TENNESSEE
MINNESOTA The Yarn Store at Nob Hill
yarns, friendly knowledgeable
assistance, private lessons, Amazing Threads —Albuquerque Smoky Mountain Spinnery
classes, free Sunday workshops. —Maple Grove www.theyarnstoreatnobhill.com —Gatlinburg
Schooner Wharf – 14 Holmes St. We Inspire, You Create www.smokymountain
Join us for Open Knitting anytime
(860) 536-4305 spinnery.com
www.amazing-threads.com during store hours! Quality
IDAHO Yes, our shop is open! Come see
Unique yarn, textile, and yarns, tools, books, accessories,
our newly expanded 3000 sq.
Alpaca Direct— Hayden fiber arts in NW suburbs. and unique local items. ft. shop – spinning, weaving,
www.AlpacaDirect.com Knit and crochet classes. 120 Amherst Dr. NE knitting, crocheting, felting and
Huge selection of luxery yarn, 11262 86th Ave. N. (505) 717-1535 rug hooking – gifts and antiques!
roving, and knitting supplies (763) 391-7700 466 Brookside Village Wy., Ste. 8
Save 10% Code: KT0218.
NEW YORK (865) 436-9080
All About Yarn–Coon Rapids
1016 W. Hayden Ave. A Specialty Yarn Shop Yarn Cupboard—Jamesville
(208) 209-7079 (888) 306-0111 WYOMING
www.allaboutyarnaay.com www.yarncupboard.com
Knit-n-Crochet —Coeur d’ Alene www.allaboutyar.biz The Fiber House—Sheridan
Conveniently located 10 minutes
www.knit-n-crochet.com High quality and one of a kind www.thefiberhouse.com
from the center of Syracuse.
Friendly service and inviting yarn, needles and accessories. Fleece to fashion and fun! Local
Yarns, fiber, spinning wheels,
atmosphere. Come in and see, or Knitting and crochet classes. Free alpaca yarn. Books, notions,
shipping on all orders over $100. looms, patterns/books, notions,
shop online, our large selection of classes, and 30+ yarn lines!
yarn, needles, and accessories. Use code AAY2017 at checkout. buttons, and accessories. info@thefiberhouse.com.
600 W. Kathleen Ave. #30 455 99th Ave., Suite 180 6487 E. Seneca Tpk. 146 Coffeen Ave.
(208) 676-YARN (9276) (763) 785-4900 (315) 399-5148 (307) 673-0383

SUMMER 2018 94 WWW.INTERWEAVE.COM


yarn shop DIRECTORY

Premier Classifieds
EVENTS
Visit These Fine Retailers
TRAVEL THUMB FIBER FESTIVAL &
CRAFT CRUISES—Join us on WORKSHOP RETREAT –Lexington,
a knitting Cruise! Travel with MI November 6-10, 2018. Historic Camp
like-minded people while learning
new skills, meeting locals and Cavell, on Lake Huron, hosts educational
shopping for yarn. Visit retreat prior to festival. Treat yourself
www.craftcruises.com or with new hobby, wearable woolens,
call (877) 97-CRAFT. Workshops August 15-18, 2018
gifts. Yarn & fiber enthusiasts' dream!
Festival Marketplace August 17-19, 2018
U.K. & IRELAND TOURS & www.thumbfiberfest.org;
michiganfiberfestival.info
RESOURCES for Fiber and Food-
Facebook/thumbfiberfestival. staff@michiganfiberfestival.info
Loving Travelers since 1996. Tour
updates at www.hand Find us on Facebook & Instagram!
22nd ANNUAL TRAILING OF THE @michiganfiberfestival
craftedholidays.com /
(253) 476-3040 / handcrafted SHEEP FESTIVAL, October 10-14,
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2018. Hailey, Ketchum & Sun Valley
EVENTS ID. Don't miss our fabulous Wool Fest ADVERTISERS’ INDEX
classes while meeting fellow fiber
MID-OHIO FIBER FAIR Columbus,
OH June 3 & 4 2018. Yarns, fibers, lovers at the best Sheep Festival in the Ancient Arts . . . . . . . . . . . . . . . . . . . 37
fiber arts tools and supplies. country! (208) 720-0585 Anzula Luxury Fibers . . . . . . . . . . . 45
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info@trailingofthesheep.org;
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www.midohiofiberfair.com www.trainingofthesheep.org
Cascade Yarns . . . . . . . . . . . . . . . C2, 7
Denise Interchangeable Knitting
& Crochet . . . . . . . . . . . . . . . . . . . 55

knitting connection WEBSITE LISTINGS


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yarn shop, website or for the best resources
Natural Fiber Extravaganza. . . . . . 55
event here? Onwell Development Limited . . . . .13
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SUMMER 2018 95 WWW.INTERWEAVE.COM
RAVELINGS: HOW MARILYN MONROE MADE KNITWEAR ICONIC

Photos courtesy of Getty Images


How MARILYN MONROE
Made Knitwear Iconic BY SAR AH ROTHBERG

Describing a person of Marilyn Monroe’s stature is not easy. She is a fashion icon, an inspiration, and a
sober reminder of the toll of fame.

The name Marilyn has become an adjective in its own right. No According to the Marilyn Monroe Collection, the beach cardigan
other celebrity has matched the impact of the enigmatic blonde bomb- sold for $167,500 to Ripley’s Believe It Or Not! where it now sits on
shell; half a century after her premature death, we still hang photo- display next to the famous rhinestone-encrusted gown Marilyn wore
graphs of her, dress in her likeness for Halloween, and compare while singing “Happy Birthday” to President John F. Kennedy (a
attractive, curvy blondes to her. $4.8-million-dollar purchase). Little is known about the beach car-
Marilyn Monroe rocked everything from slinky dresses and tight digan other than that it was handknitted and part of Marilyn’s personal
sweaters to elegant evening attire and effortlessly chic outerwear. She wardrobe, but it has inspired knitters around the world.
was best known for her white halter-top dress from the 1955 film The Google “Marilyn beach cardigan” and find photos of handmade
Seven Year Itch, but a handknit cardigan she wore in an intimate beach replicas, knitting patterns, and inspiration boards, which is significant
photo shoot has become almost as iconic. considering she only wore the sweater publicly twice: for the beach
A month before her death, Marilyn wrapped the cardigan around shoot and on her last birthday, June 1, 1962, when she left Fox Studios
a swimsuit and posed in the sand and soft ocean waves of Santa Monica after a day of filming. She died on August 5, 1962, leaving fans stunned
Beach. This belted cardigan inspired the Summer 2018 issue of and heartbroken. I think her early death is a large part of why we will
Interweave Knits. always be fascinated by Marilyn, we never got enough—she left us
“This source of inspiration may seem surprising, considering that too soon.
the Marilyn Monroe photo shoot took place on a Santa Monica beach in
the 1960s. However, the core inspiration was the sweater itself and the SARAH ROTHBERG is the assistant editor for all of the Inter-
seasonal appeal of a chunky, warm sweater. The Mexican/Southwestern weave knitting titles. She loves every dog she meets and can’t
aesthetic and the timelessness of this sweater intersected with my own believe she gets to knit at work (sometimes).
love of Southwestern art, textiles, and colors, which in turn sparked the
mood board for this issue’s collection,” said Meghan Babin, editor of
Interweave Knits.

SUMMER 2018 96 WWW.INTERWEAVE.COM


wrap yourself in
timele kniing
This lovely collection of knitted shawls
will keep your needles busy exploring lace,
cables, colorwork, and more. Whether it’s
light and airy or cozy and cabled, Classic Knit
Shawls will have you wrapped in stitches
all year long!

ISBN 9781632506009 | $22.99 | 128 pages


Evangelina
Meghan Kelly

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