Interweave Knits April 2018
Interweave Knits April 2018
15% Silk
MerLno
Sot
On Point Wrap
by Michael Harrigan
�t���oe
FREE Patern FW228
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Boo
I N T E R W E A V E
EDITORIAL
GROUP EDITORIAL DIRECTOR, YARN & FIBER Anne Merrow
EDITOR Meghan Babin FOUNDER Linda Ligon
MANAGING EDITOR Rachel Koon DIRECTOR OF CONTENT STRATEGY Stephen Koenig
ASSISTANT EDITOR Sarah Rothberg DIRECTOR OF MARKETING Kim Greenlee
PROJECT EDITOR Laura Hulslander
DIRECTOR OF MEDIA SALES Julie Macdonald
TECHNICAL EDITORS Karen Frisa, Robin Melanson
COPY EDITOR Veronica Patterson
PROOFREADER Nancy Arndt
EDITOR’S NOTE
Dear Reader,
Artists are inspired by beauty, whether it traditions and cultures of the peoples native to the Southwest without
is from their own culture or another. Since crossing the line from appreciation to appropriation?
Paleolithic humans began painting on cave With this awareness at the forefront of my mind, I challenged
walls, people have been influenced by the our designers to draw inspiration from the American Southwest
various cultures that compose the human while being mindful and respectful of the origins of that inspira-
race. The lines between cultures are often blurred in this nebulous tion. They rose to the challenge beautifully by presenting modern,
composition of humanity, and navigating where cultural appreciation appealing, knittable designs that capture the multifaceted spirit of
stops and appropriation begins can be uncertain. the American Southwest. Flip to our Trading Post Trail story (page
Cultural appropriation (often referred to as cultural misappropria- 14) and find all-season garments and accessories inspired by
tion) occurs when a person assumes aspects of a culture that is not the textiles, history, architecture, and art of the Southwest. Find
their own.1 More specifically, it occurs when a person of an oppres- breezy, lacy, bohemian-inspired garments and shawls wearable in
sive culture assumes aspects of a systemically oppressed minority the blazing summer sun in our High Desert Lace story (page 70).
culture for entertainment and capital gain.2 The act of cultural ap- See that each project has a short description of its inspiration,
propriation (e.g., donning another culture’s symbols and dress with- as well as the usual construction details. Read about the Navajo
out understanding their meaning) does more than just disrespect the weavers that helped build the Brown Sheep Company and how
exploited culture3; it both erases and oppresses by “normalizing” mi- that symbiotic relationship still exists today (page 8). And take a
nority cultural practices into mainstream white culture. The deeper look at our Fiber Review (page 6) for cool fiber blends made for
consequence of appropriation is that the original, and often sacred, summer knitting and our Maker’s Tools (page 4) for products and
practices of the exploited culture are either lost or obscured. notions to inspire all makers.
As artists, how do we appreciate aspects of other cultures in our I hope we got it as close to right as we could, but we are human,
art without appropriating? Again, the line is blurry, and I’m not sure a and therefore imperfect. I’m proud of and humbled by the dedication
simple answer to this question exists. But for me, combating cultural and sensitivity each contributor and Knits team member poured into
appropriation begins with self-awareness and respect. I am a white this issue—Interweave Knits Summer 2018: The Southwest Issue.
middle-class woman from New York who has always been drawn to Embrace your creativity with mindfulness, passion, and purpose.
the cultures, art, architecture, and textiles of the American South-
west. That region of the United States has been home to the Navajo, With love,
Apache, Pueblo, Hopi, Pima, Yuma, and Zuni nations (to name a few) Meghan Babin
as well as Spanish settlers and, later on, Anglo-Saxon pioneers, and
each culture has influenced what we now refer to as “Southwestern 1
https://en.wikipedia.org/wiki/Cultural_appropriation
culture.” Taking into account the horrific atrocities inflicted on the 2
https://everydayfeminism.com/2015/06/cultural-appropriation-wrong/
indigenous peoples of that area, which resulted in our modern cul- 3
For example, in 2012 the Navajo Nation sued Urban Outfitters for branding clothing
tural blend, I paused before going forward with the theme for this is- lines with their tribal name and aesthetic for mainstream appeal. https://www
sue, despite my personal respect for its origins. How could I honor the .refinery29.com/2016/11/130706/urban-outfitters-lawsuit-navajo-nation
PROJECTS
TRADING POST TRAIL
17 Tucson Pullover
Jesie Ostermiller
17 18
18 Cadencia Poncho
Emily Wood
29 Salida Cardigan
Lars Rains
26 29 30 33 30 Whitehorn Shawl
Courtney Spainhower
71 72 72 Mojave Top
Meghan Jones
74 Taos Tee
Paula Pereira
75 Moab Stole
Sandhya Shadangi
75 76 76 Winona Poncho
Mone Dräger
78 Arizona Tee
Amy Gunderson
78 79
74 79 Flagstaff Tee
Susanna IC
FEATURES
8 Native Roots: How Navajo
Weavers Helped Build a Great
8
American Yarn Company
Leslie Petrovski
DEPARTMENTS
1
4
EDITOR’S NOTE
MAKERS TOOLS: SOUTHWESTERN NOTIONS
96
6 FIBER REVIEW
SUMMER BLOOMS: WOOL/PLANT BLENDS
FOR WARM WEATHER
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1 2 3
SOUTHWESTERN NOTIONS
Inspired by vibrant textiles, bold geometric patterns, and calming landscapes
1 Macramé for Beginners and Beyond by Amy Mullins and Marnia Ryan-Raison has twenty-four easy macramé projects that bring a
modern aesthetic to this traditional craft. $24 www.interweave.com 2 Copper Canyon Stitch Markers by Purple Goddess Design
are snagless, lightweight, and great for lace- or sock-weight yarns. $5 www.purplegoddessdesign.etsy.com 3 Etta+Billie’s Skin Balm
(a collaboration between Etta+Billie and Fringe Supply Co.) smells amazing and makes your hands feel wonderful. $11 www
.fringesupplyco.com 4 This stunning Tote Bag from Robin Cottage is made from Pendleton Fabric, is fully lined with natural canvas,
and has internal pockets. $128 www.robincottage.etsy.com 5 DIY Woven Art: Inspiration and Instruction for Handmade Wall
Hangings, Rugs, Pillows and More! by Rachel Denbow brings a new style to traditional wall hangings and other decorations with
fourteen fun and unconventional projects. $19 www.amazon.com 6 Twirl Yarn’s Twirling Petals (distributed by Fibershed) is a single-
ply, sportweight, 170-yard (155.5-m) yarn made from free-range, natural, and humanely treated alpaca, kid mohair, silk, and soft Shetland
wool. Color shown: Rusty Ollie. $15 www.ibershed.com 7 Try HiyaHiya’s Bamboo Interchangeable Needle Ultimate Knitting Gift
Set, which includes ive 5-inch (12-cm) large tips, ive cables, cable stoppers, yarn-ball stitch markers, cable connectors, needle grips,
and a storage case. $154.95 www.loveknitting.com 8 Field Guides by Mason-Dixon Knitting are travel-sized pattern books, each
containing essays, tips, and three patterns. $14.95 www.fringesupplyco.com
SUMMER BLOOMS
Wool/Plant Blends for Warm Weather
BY L AUR A HULSL ANDER 1
Blends of wool and plant ibers make the perfect summer yarn: linen and cotton
are ideal for warm weather, and wool adds stretch and bounce to your garments. 2
Here are six of our favorite summer wool/plant blends.
1 3.5 mm) | Care: Handwash | Stitch Pattern: Lace Chart (Arizona Tee, page 90)
Made from organic Patagonian wool and French linen, Bio Merinos has a tonal look thanks
to the depth of color the darker linen adds. This single-ply yarn is felted to improve durability
and prevent pilling. Use it for structured cardigans and cabled pullovers.
3
PLYMOUTH YARNS EQUINOX HAND DYE PRICE $11.95
Content: 65% extrafine merino, 20% linen, 15% mulberry silk | Color: #103 lime sunset
NO. Put Up: 137 yd (125 m)/1¾ oz (50 g) | Recommended Needle Size: Size 5 (3.74 mm)
NO. Content: 80% fine Western wool, 20% organic cotton | Color: suede
Put Up: 180 yd (165 m)/2 oz (57 g) | Recommended Needle Size: Size 3–5 (3.25–3.75 4
3 mm) Care: Handwash | Stitch Pattern: Lace Chart (Moab Stole, page 88)
Cotton Comfort is a soft yarn with a crunchy hand. It combines the dry texture of cotton with
the ease of knitting with wool. Use this yarn for loose tanks and cool, breezy wraps.
4 Care: Handwash | Stitch Pattern: Lace Ribbon Chart (Winona Poncho, page 89)
This soft blend combines the best attributes of three different fibers: cotton makes a cool
garment, alpaca lends a velvety softness, and wool adds elasticity. Try this yarn for a fitted 5
tank or summer beanie.
5 Care: Handwash | Stitch Pattern: Lace Panel Chart (Flagstaff Tee, page 92)
With gorgeous drape and silky softness, Vardo is a luxurious blend for all your summertime
accessories. The saturated hand-dyed colors add a pop of drama to any outfit. This yarn would
make stunning shawls and airy lace tops.
6 mm) Care: Handwash | Stitch Pattern: Front Chart (Taos Tee, page 82)
A more structured laceweight yarn, Linen Quill comes in an array of earthy shades perfect for
pairing with bright sundresses or more toned-down lagenlook garments. Use it for openwork
wraps or finely knitted tank tops.
The view from Brown Sheep Company in Mitchell, Nebraska. Photo by Leslie Petrovski
Native ROOTS
HOW NAVAJO WEAVERS HELPED BUILD A GREAT AMERICAN YARN COMPANY
BY LESLIE PETROVSKI
Peggy Jo Wells opens the door to the home she shares with her husband, Robert. The wan autumn
light streams into their living room, which looks out onto the broad bluffs that punctuate western Ne-
braska’s landscape. On the far wall hang two Navajo rugs in shades of blue and brown woven from yarn
that was spun and dyed about half a mile away, at Brown Sheep Company, the mill founded by Peggy
Jo’s father, Harlan Brown, on the sheep farm where she was raised.
Scattered throughout the Wells’s home and the nearby yarn mill are have had the chance to cast on favorite yarns such as Lamb’s Pride,
reminders of the long-standing relationship between Brown Sheep and Nature Spun, and Cotton Fleece—or whether Brown Sheep Company
Navajo weavers that began when Brown founded the yarn company in would still be producing its famous pull skeins at all. Likewise, it’s
1980. A handful of rugs—with tags bearing the weaver’s name—are hard to know how differently Navajo rugs might have evolved without
tucked away in the house. A sand painting hangs in the Brown Sheep a regular, affordable supply of commercial yarn spun and dyed with
office along with a map of the Navajo reservation. On a shelf in the those rugs in mind.
outlet store is a doll dressed in traditional Navajo garb and shown
weaving. These pieces and others capture memories of trips to the FAMILY BUSINESS
desert of the Southwest.
The relationship between Brown Sheep and Navajo weavers is It’s November, and the Great Plains of Nebraska’s panhandle sprawl
symbiotic. If it weren’t for the Diné 1 artisans, who for almost forty under a pale sky, a sere quilt of spent alfalfa, bean, and cornfields.
years have warped their looms and woven Brown Sheep yarns into The land Edward W. Brown purchased in 1910 to farm and raise sheep
their breathtaking rugs, it’s hard to know whether knitters would ever lies just beyond Mitchell Pass, which sluices through Scotts Bluff
1. Diné (meaning “the people” in Navajo) is the original name of the Navajo Nation and
is how to refer to a Navajo person in the Navajo language.
From left: A Navajo woven rug made in Brown Sheep yarn; a Navajo weaver doll sits on the shelf at the Brown Sheep Company
outlet store in Mitchell, Nebraska. Photos by Leslie Petrovski
National Monument—the same pass used by early native people as twenty-first-century mill that now sits on the family’s land employs
well as settlers on the Oregon, Mormon, and California trails. twenty people and has the capacity to produce at least 500,000 pounds
In the 100-plus years that the Brown family has watched the sun of yarn a year. More than 1,000 colors of yarn come out of the mill,
redden these bluffs at sunrise, good times have come and gone again which recycles about 90 percent of its water through a treatment system
and again. Sheep grazed there through the Great Depression, World researched and developed by Robert (Peggy Jo’s husband), who holds
War II, the post-war boom, and, most challengingly, through the a PhD in radiation biology.
dramatic decline of the U.S. sheep industry. From Before sheep-to-skein yarns were a trend,
a high of 56 million head of sheep in the 1940s
to about 5.5 million today, the reduction in the
number of sheep in American pastures and on
“
Like her father
Brown Sheep was a proudly grown- and made-in-
the-U.S.A. product. Like her father before her,
Peggy Jo sources wool from U.S. growers; cur-
rangeland has been relentless. rently, all of the wool in Brown Sheep’s yarns
Harlan Brown, grandson of the farm’s founder,
before her, Peggy Jo comes from the Craig, Colorado, area. (Peggy Jo
ran the family farm in the 1970s and saw the sources wool from buys mohair from South Africa and cotton from
writing on the (barn) wall as changing food tastes, U.S. growers; Peru, South Carolina, and Italy.) When Ralph
competition from other meats, and the increased currently, all of the Lauren sought an American yarn to create acces-
popularity of synthetic, cotton, and other fabrics sories for U.S. athletes in the 2014 Sochi Winter
decimated the American lamb and wool market. wool in Brown Olympics, the company chose Brown Sheep.
When the local meat-processing plant closed, Sheep’s yarns comes Peggy Jo and Robert are the fourth-generation
Harlan bought a freightliner and began trucking from the Craig, stewards of the Brown farm. (Their adult son
his fattened lambs to central Texas and South Andrew and daughter-in-law Brittany have joined
Colorado, area.
Dakota for processing during the most treacherous the business and are now the fifth generation to
time of the year—winter, when ground blizzards work on the family acreage.)
could close highways in minutes. Spooked by the
” Peggy Jo vividly remembers when her dad made
driving and frustrated by market whims and the effort required to grow the radical decision to stop farming and make yarn—a decision that
feed and raise animals, Harlan decided there had to be a better way. started when he bought her an Ashford spinning wheel for Christmas
in 1974. They assembled it and learned to spin together, but when it
A GOOD YARN came time for her to return to Colorado State University in Fort Collins,
Colorado, Harlan kept the wheel. (This might have been galling had
Peggy Jo, owner of Brown Sheep Company and Harlan’s daughter, is he not eventually bought her two more—and founded a mill.)
sitting in the outlet store at the mill, surrounded by a kaleidoscope of “A year or so ago, I ran across this stack of paid-off bank notes for
yarns, recalling how her father created the brand that has found its the loans Dad used to get this place going,” Peggy Jo says. “I was so
way onto the shelves of so many yarn shops for nearly forty years. The humbled by that. I knew he had gambled big. To feed sheep, you have
Top: A red, gray, and white Navajo rug from the Wells’s
collection, woven with Brown Sheep yarn; Bottom: Red yarn
on the mill floor at the Brown Sheep Company. Photos by
Leslie Petrovski
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Not long after Harlan began doing business in and around the Navajo
Nation, Peggy Jo accompanied her dad on one of his trips. The year
before she and Robert came into the business, Harlan took her to the
Taos Wool Festival and then down to the reservation, where he intro-
duced her to the people running the various trading posts.
Peggy Jo’s father felt a kinship with the Navajo people he worked
with. “I think he was drawn to the kind of people they were,” she
explained. “They were honest, and they made a good product, which
represented what he wanted to do. To make a good handcrafted product
based on generations of experience and knowledge matched very well
with the background he had. He was an old farmer. You don’t learn
how to farm just from books, you learn from your father and grandfa-
ther. It matched his whole concept of life.”
Harlan Brown died in 2014, at the age of eighty-nine. Peggy Jo
doesn’t quite remember which year brought her back to the Taos Wool
Festival, this time with her sister, but when the recipient of the best
weaving award spoke about her design at the annual awards banquet,
she mentioned her Navy service, her inspiration, and Brown Sheep
yarns. “She had no clue I was there,” Peggy Jo says. “But at the end
of her speech, she said, ‘I want to give a huge thank you to the family
that has made the yarn the Navajo have used. They are a family-owned
Top: Navajo woven rugs on display in the Wells’s living room;
company, like we are a family down here.’ It was a huge shout-out. I Peggy Jo Wells inspects yarn in progress; the entrance to the
was so touched. After the banquet was over, I sought her out, gave her Brown Sheep offices and outlet store. Photos by Leslie Petrovski
my business card, and said, ‘From my family business to yours, thank
you for using our product.’
“I wish Dad had been there to hear that.”
For techniques you don’t know, stitches, tack stranded yarn on wrong knit to last st, M1R, k1—2 sts inc’d. Rep
? please visit our online knitting
glossary at www.interweave.com
side of work. inc rnd every 10 (10, 8, 8, 6)th rnd 5 (11,
8, 7, 18) more times, then every 8 (8, 6,
/interweave-knitting-glossary. SLEEVES 6, 4)th rnd 9 (2, 11, 12, 5) times—86 (92,
With B and smaller dpn, CO 56 (60, 64, 104, 118, 126) sts. At the same time,
NOTES 72, 76) sts. Place marker (pm) and join in when piece measures 13¼ (13½, 14, 14, 14)"
TRADING POST
D
E
H
C
9 49
7 47
5 45
3
43
1
41
14-st rep
39
A 37
35
B
33
C 31
29
D
27
E
25
TRADING POST
F 23
21
k2tog with color indicated
19
ssk with color indicated
17
no stitch 11
9
pattern repeat
7
5
join in the rnd. Work in k2, p2 rib for 3½". 10-st rep
end
Change to larger cir needle. Beg working 3
sleeve end end
in St st. Next rnd Knit, inc 2 (0, 0, 2, 0) 55½"
sts evenly—250 (280, 300, 330, 360) sts. sleeve body 1
38½" end
Work even until piece measures 8¼ (8½,
50¾" sleeve
8½, 8¾, 9)" from CO. Work Rows 1–50 of
46¼"
Chart B, ending as indicated for body; piece end
measures 14¾ (15, 15, 15¼, 15½)" from CO sleeve
when chart is complete. 43"
YOKE
Joining rnd Using C yarn attached to
body, k114 (128, 137, 151, 165) back sts, 78, 90, 96) held sleeve sts—334 (368, 404, Next rnd Knit, dec 4 (6) sts evenly—400
place next 22 (24, 26, 28, 30) body sts on 454, 492) sts total. Pm and join in the rnd. (448) sts rem.
holder for underarm, k64 (68, 78, 90, 96) Sizes 381⁄2 (551⁄2)" only: All sizes:
held sleeve sts, k103 (116, 124, 137, 150) Next rnd Knit, inc 2 (4) sts evenly—336 Shape back using short-rows as foll: Note:
front sts, place next 22 (24, 26, 28, 30) (496) sts. The foll short-rows will cont past the beg-
body sts on holder for underarm, k64 (68, Sizes 461⁄4 (503⁄4)" only: of-rnd m; sl this m as you come to it.
47
45
43
41
39
37
35
33
31
29
27
25
23
21
19
TRADING POST
17
15
13
11
YOKE D
17
15
13
11
17
15
13
11
YOKE F
21
19
17
TRADING POST
15
13
11
Short-row 1 (RS) K181 (198, 216, Next rnd Knit to end. Break C. Join B. st, wrap next st, turn.
241, 260), wrap next st, turn. With B, knit 1 rnd, working wraps tog with Short-row 8 Purl to 7 sts before wrapped
Short-row 2 (WS) P259 (280, 308, wrapped sts. st, wrap next st, turn.
345, 370), wrap next st, turn. Short-row 5 (RS) K167 (184, 202, Next rnd Knit to end. Knit 1 rnd, working
Short-row 3 Knit to 7 sts before wrapped 227, 246), wrap next st, turn. wraps tog with wrapped sts. Next rnd
st, wrap next st, turn. Short-row 6 (WS) P231 (252, 280, Remove beg-of-rnd m, k52 (58, 61, 67, 76),
Short-row 4 Purl to 7 sts before wrapped 317, 342), wrap next st, turn. pm for new beg of rnd.
st, wrap next st, turn. Short-row 7 Knit to 7 sts before wrapped Sizes 381⁄2 (43)" only:
35
33
31
29
27
25
23
21
19
17
15
13
11
TRADING POST
9
Work Rows 5–49 (1–49) of Yoke C k2tog, *k11 (11, 12, 12, 12), k2tog; rep JESIE OSTERMILLER is a designer who
chart—160 sts rem. Note: For size 38½", do from * to end—148 (148, 164, 164, 164) lives in Logan, Utah, with her husband, two
not work dec on Row 5 of chart; knit these sts rem. Change to smaller 16" cir needle. small boys, and a very sizable yarn stash.
sts instead. Work in k2, p2 rib for 1". BO all sts in patt. She can be found on Ravelry as knittyjo.
Sizes 461⁄4 (503⁄4, 551⁄2)" only:
Work Yoke D (E, F) chart—336 sts rem. FINISHING
Work Yoke G chart—176 sts rem. With C threaded on a tapestry needle, graft
All sizes: underarm sts using Kitchener st. Weave in
Dec rnd With A, k15 (15, 20, 20, 20), ends. Block to measurements.
PONCHO A
With cir needle, CO 196 (232) sts. Do not
join. SAND WIND CABLE FLOATING SNAKE CABLE
Size 391⁄4" only:
Set-up row (WS) K6, *p1, yo, p1, k1, p18,
k1, [p1, yo, p1, k1, p5, k1] 2 times; rep from 7 3
Meadow Shawl
by Dianna Stevens
Jamieson’s Ultra
simply shetland
Exclusive North American distributor of
TM
Jamieson’s Shetland yarns
Visit simplyshetland.com for your local retailer
spinnery.com
Real, Down-to-Earth
Yarns Made in
America's Heartland
www.brownsheep.com
Brown Sheep
Company, Inc.
MITCHELL, NEBRASKA
For techniques you don’t know, rib as foll: *K1 from front needle, p1 from work to 4 (4, 6, 7, 9) sts before side m and
? please visit our online knitting
glossary at www.interweave.com/
back needle; rep from * to end—168 (188,
208, 228, 248) sts total. Place marker (pm)
place last 77 (87, 93, 101, 107) sts worked
on holder for front, BO 8 (8, 12, 14, 18)
interweave-knitting-glossary. and join in the rnd. Work in k1, p1 rib for sts removing m, work to end—77 (87, 93,
2". Change to larger cir needle. Inc rnd 101, 107) sts rem for back. Beg working
NOTES M1L, k84 (94, 104, 114, 124), pm for side, back and forth in rows.
• The body of this pullover is worked in
the round to the underarm, then the
M1L, knit to end—170 (190, 210, 230, 250)
sts. Work in St st until piece measures 3¼" BACK
front and back are worked separately from CO edge. Work Rows 1–9 of Chart A. Work 1 WS row even. Shape armholes:
back and forth. The sleeves are worked Break MC. With CC, work even until piece BO 2 (3, 3, 3, 3) sts at beg of next 2
in the round, with the sleeve cap measures 14¼" from CO. Work Rows 1–9 rows—73 (81, 87, 95, 101) sts rem.
worked flat. of Chart B. Break CC. With MC, work even Sizes 40 (44, 481⁄2, 523⁄4)" only:
• The charts are worked using the
stranded method. Always pick up the
until piece measures 17¼" from CO, ending
4 (4, 6, 7, 9) sts before end of rnd on last
Dec row (RS) K1, k2tog, knit to last 3 sts,
ssk, k1—2 sts dec’d. Rep dec row every RS
background color over the pattern col- rnd. Divide for front and back: Next row 2 (2, 3, 4) more times—75 (81, 87, 91)
or and pick up the pattern color from rnd BO 8 (8, 12, 14, 18) sts removing m, sts rem.
under the background color; this will
prevent tangling. Keep floats loose. For F E L
floats longer than four stitches, tack A: 35¾ (40, 44¼, 48½, 52¾)"
stranded yarn on wrong side of work. D B: 17¼"
If necessary, use a larger needle for the G C: 7¾ (8, 8½, 9, 9½)"
K D: 1¼"
charted rounds to maintain gauge. C
E: 4¼ (4¼, 4¾, 5½, 5½)"
BODY F: 7 (7¼, 7¾, 7¼, 8¼)"
I
Tubular CO: With MC, smaller cir needle, G: 7 (7¼, 7¾, 8¼, 8¾)"
SLEEVE
and using the crochet chain provisional BODY H: 9¾ (9¾, 9¾, 11¼, 11¼)"
method, CO 84 (94, 104, 114, 124) sts. Do J I: 13½ (14¾, 15½, 16¾, 17¾)"
B
not join. Purl 1 WS row. Knit 1 RS row. Purl J: 19"
1 WS row. Carefully remove waste yarn K: 6¾ (7, 8, 8¾, 9)"
from CO and place 84 (94, 104, 114, 124) L: 3¼ (3¾, 3¾, 3¾, 3¾)"
CO sts onto spare cir needle. With WS tog
and spare needle held in back, work in k1, p1
A H
TRADING POST
sts rem for right front. Right front: Next from CO and place 23 (23, 23, 27, 27) CO m, sl m] 2 times, work 2 sts, wrap next st,
row (WS) Purl. Dec row (RS) K1, ssk, knit sts onto spare cir needle. With WS tog and turn.
to end—1 st dec’d. Rep dec row every 4th spare needle held in back, work in k1, p1 Short-row 3 Work to wrapped st, work
row 5 (6, 8, 8, 9) more times, then every rib as foll: *K1 from front needle, p1 from wrap tog with wrapped st, work 2 sts, wrap
back needle; rep from * to end—46 (46, next st, turn.
46, 54, 54) sts total. Pm and join in the Short-row 4 Work to wrapped st, work
CHART A rnd. Work in k1, p1 rib for 2". Change to wrap tog with wrapped st, work 2 sts, wrap
larger dpn. Knit 4 rnds. Inc rnd K1, M1L, next st, turn.
9 knit to last st, M1R, k1—2 sts inc’d. Rep Rep last 2 short-rows 10 (10, 12, 12, 12)
7 inc rnd every 10 (10, 10, 6, 6)th rnd 1 (1, 1, more times. Next 2 rows Work to end,
2, 2) more time(s)—50 (50, 50, 60, 60) sts. working wraps tog with wrapped sts.
5 Work even until piece measures 5" from Remove m. Work even until side edges
CO. Work Rows 1–9 of Chart A. Break MC. of piece measure about 2¾ (2¾ (3¼,
3
With CC, knit 1 rnd. Inc rnd K1, M1L, knit 3½, 3½)", ending with a RS row. BO all sts
1 to last st, M1R, k1—2 sts inc’d. Rep inc rnd using the tubular method as foll: With 2
every 12 (6, 6, 6, 6)th rnd 4 (9, 9, 9, 9) more smaller cir needles held parallel, sl all sts as
10-st rep times—60 (70, 70, 80, 80) sts. Work even foll: *sl 1 st to front needle, sl 1 st to back
until piece measures 16" from CO. Work needle; rep from * to last st, sl 1 st to front
CHART B Rows 1–9 of Chart B. Break CC. With MC, needle—55 (58, 61, 62, 66) sts on front
9 knit 1 rnd. needle and 54 (57, 60, 61, 65) sts on back
Sizes 353⁄4 (441⁄4, 523⁄4)" only: needle. Break yarn, leaving a tail 4 times
7 Inc rnd K1, M1L, knit to last st, M1R, length of finished edge. With tail threaded
k1—2 sts inc’d. Rep inc rnd every 5th rnd on a tapestry needle, graft sts tog using
5
once more—64 (74, 84) sts. Kitchener st. Sew short side edges of collar
3 All sizes: to BO at neck with left side on top. Weave
Work even until piece measures 19" from in ends.
1 CO, ending 4 (4, 6, 7, 9) sts before end of
rnd on last rnd. Beg working back and Following a management career, IRINA
10-st rep
forth in rows. Shape cap: Next row (RS) ANIKEEVA took up her needles full time
BO 8 (8, 12, 14, 18) sts removing m, knit to to pursue a long-standing love of knitwear
MC end—56 (62, 62, 66, 66) sts rem. Work 1 design. She lives in Southern California
WS row even. BO 2 (3, 3, 3, 3) sts at beg of with her husband. You can see her passion
CC next 2 rows—52 (56, 56, 60, 60) sts rem. for cabling and other knitting techniques
Dec row (RS) K1, k2tog, knit to last 3 sts, on her website, www.irmiandesign.com,
ssk, k1—2 sts dec’d. Rep dec row every RS and find her on Ravelry as hibis411.
pattern repeat
row 2 (3, 0, 0, 0) more times, then every
For techniques you don’t know, wrong-side rows, purl all main-color 144, 156), pm for side, knit to end. Work
? please visit our online knitting
glossary at www.interweave.com
stitches and slip all contrasting-color
stitches purlwise with yarn in front.
in St st until piece measures 3" from CO,
ending with a WS row. Beg and ending
/interweave-knitting-glossary. On contrasting-color right-side rows, as indicated for body for your size, work
knit all contrasting-color stitches and Rows 1–18 of Greek Key chart (see Notes).
NOTES slip all main-color stitches purlwise Break CC. With MC, work in St st until
• This cardigan is worked back and
forth in one piece to the underarm and
with yarn in back. On contrasting-
color wrong-side rows, purl all
piece measures 4½" from CO, ending with
a WS row. Shape waist: Note: Pockets
then the fronts and back are worked contrasting-color stitches and slip all are placed before waist shaping ends; read
TRADING POST
separately. The sleeves are worked main-color stitches purlwise with yarn the foll section all the way through before
back and forth from the bottom up. A in front. proceeding. Dec row (RS) [Knit to 4 sts
circular needle is used to accommodate
the large number of stitches.
• When the contrasting color is unused
for only a few rows, carry it up the side
before m, k2tog, k2, sl m, k2, ssk] 2 times,
knit to end—4 sts dec’d. Rep dec row
• Each row of the charts represents two
rows, a right-side row and a wrong-side
of the work and bring it under the main
color to begin working with it again.
every 8th row 3 more times—162 (182,
206, 230, 254, 278) sts rem: 36 (41, 47, 53,
row, both worked with the same color 59, 65) sts for each front and 90 (100, 112,
yarn (the color shown in the column POCKET LININGS (MAKE 2) 124, 136, 148) sts for back. At the same
to the right of the chart). The colors With MC and larger needle, CO 28 sts. time, when piece measures 6½" from CO,
alternate every two rows, with Rows 1 Work in St st for 5", ending with a WS row. ending with a WS row, place pockets as foll:
and 2 being worked with the contrast- Place sts on holder. Next row (RS) K6 (6, 7, 10, 12, 14), place
ing color. Work the stitch to the right next 28 sts on holder, with RS of lining
of the chart, then begin and end the BODY facing, k28 held pocket lining sts, [work
main part of the chart as indicated, With MC and smaller needle, CO 178 (198, to m, sl m] 2 times, work to last 34 (34,
then work the stitch to the left of the 222, 246, 270, 294) sts. Do not join. 35, 38, 40, 42) sts, place next 28 sts on
chart. On main-color right-side rows, Work in k2, p2 rib for 1½", ending with a holder, with RS of lining facing, k28 held
knit all main-color stitches and slip WS row. Change to larger needle. Next pocket lining sts, knit to end. Work even
all contrasting-color stitches purlwise row (RS) K40 (45, 51, 57, 63, 69), place until piece measures 8½" from CO, ending
with yarn in back. On main-color marker (pm) for side, k98 (108, 120, 132, with a WS row. Inc row (RS) [Knit to 2 sts
A J
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30"
30" 37" sleeve cap
37" sts rem. Purl 1 WS row, dec 1 st—81 (87,
40½" 44½" 33"
44½"
44½" back 40½" 93, 99, 105, 111) sts rem. Beg and ending
end
right front 30" 48" as indicated for back for your size, work
back
30" 37" Rows 1–34 of Diamond chart. With MC,
30"
44½" 44½"
37" work 6 (6, 10, 10, 10, 10) rows. Beg and
sleeve cap right front
44½" ending as indicated for back for your size,
33" 30"
40½" 37" work Rows 1–18 of Greek Key chart. With
48" 44½" MC, work even until armhole measures
8 (8½, 9, 9½, 10, 10½)", ending with a WS
MC (see Notes) row. Shape shoulders: BO 5 (6, 7, 7, 8, 9)
sts at beg of next 6 rows, then BO 5 (5, 5, 8,
CC (see Notes) LEFT FRONT 8, 8) sts at beg of foll 2 rows—41 sts rem.
Purl 1 WS row. Shape armhole: BO all sts.
pattern repeat Sizes 37 (401⁄2, 441⁄2, 48)" only:
Next row (RS) BO 2 (2, 3, 3) sts, knit to RIGHT FRONT
end—42 (45, 48, 51) sts rem. Purl 1 WS Return 35 (38, 44, 47, 51, 54) held right
row. front sts to needle and, with WS facing,
before m, M1, k2, sl m, k2, M1] 2 times, All sizes: rejoin MC. Purl 1 WS row.
knit to end—4 sts inc’d. Rep inc row every Dec row (RS) K2, ssk, knit to end—1 st Sizes 37 (401⁄2, 441⁄2, 48)" only:
10th row 3 more times—178 (198, 222, dec’d. Rep dec row every RS row 0 (0, 1, 1, Knit 1 RS row. Next row (WS) BO 2 (2,
246, 270, 294) sts: 40 (45, 51, 57, 63, 69) 1, 1) more time—34 (37, 40, 43, 46, 49) 3, 3) sts, purl to end—42 (45, 48, 51) sts
sts for each front and 98 (108, 120, 132, sts rem. Purl 1 WS row. Join CC. With rem.
144, 156) sts for back. Work even until CC, work dec row once—33 (36, 39, 42, All sizes:
piece measures 13¼" from CO, ending with 45, 48) sts rem. With CC, purl 1 WS row. Dec row (RS) Knit to last 4 sts, k2tog,
a WS row. Beg and ending as indicated With MC, work dec row once—32 (35, 38, k2—1 st dec’d. Rep dec row every RS row
for body for your size, work Rows 1–18 of 41, 44, 47) sts rem. With MC, purl 1 WS 0 (0, 1, 1, 1, 1) more time—34 (37, 40, 43,
Greek Key chart. Break CC. With MC, work row. Note: Patt and neck shaping occur 46, 49) sts rem. Purl 1 WS row. Join CC.
2 rows even in St st. Divide for fronts and simultaneously; read the foll section all With CC, work dec row once—33 (36, 39,
back: Next row (RS) Knit to 5 (7, 7, 10, the way through before proceeding. Beg 42, 45, 48) sts rem. With CC, purl 1 WS
12, 15) sts before m and place these 35 (38, and ending as indicated for left front for row. With MC, work dec row once—32 (35,
44, 47, 51, 54) sts on holder for right front, your size, work Rows 1–34 of Diamond 38, 41, 44, 47) sts rem. Purl 1 WS row.
BO 10 (14, 14, 20, 24, 30) sts, knit to 5 (7, chart. With MC, work 6 (6, 10, 10, 10, 10) Note: Patt and neck shaping occur simul-
7, 10, 12, 15) sts before m and place these rows. Beg and ending as indicated for front taneously; read the foll section all the way
88 (94, 106, 112, 120, 126) sts on separate for your size, work Rows 1–18 of Greek through before proceeding. Beg and ending
holder for back, BO 10 (14, 14, 20, 24, 30) Key chart. With MC, work to end. At the as indicated for right front for your size,
sts, knit to end—35 (38, 44, 47, 51, 54) sts same time, beg with Row 3 of Diamond work Rows 1–34 of Diamond chart. With
rem for left front. chart, shape neck as foll: Dec row (RS) MC, work 6 (6, 10, 10, 10, 10) rows. Beg
20-st rep
end end beg beg
back front body upper sleeve
33" 30" 44½" 44½"
upper sleeve front
end beg
44½" MC (see Notes) 30"
sleeve cap body
33"
end 33" 40½"
CC (see Notes) back
body 48" back
48"
40½" 33"
end upper sleeve
back pattern repeat
body 33" beg
44½"
44½" sleeve cap back
end front 33" 44½"
sleeve cap 33" 48"
beg beg
30" upper sleeve 4th row 4 (3, 1, 1, 0, 0) time(s)—20 (23,
front body
44½" 33" 26, 29, 32, 35) sts rem. Work even until
37" 37"
end armhole measures 8 (8½, 9, 9½, 10, 10½)",
TRADING POST
end back lower sleeve
body front ending with a RS row. Shape shoulder: 48"
37"
37" 37" At beg of WS rows, BO 5 (6, 7, 7, 8, 9) sts sleeve cap
back beg
front 3 times—5 (5, 5, 8, 8, 8) sts rem. Work 1 body 30"
48" 48" 44½"
RS row. With WS facing, BO all sts pwise. 48"
back end front beg
30" body SLEEVES 40½" front
lower sleeve 48" With MC and smaller needle, CO 50 (50, lower sleeve 48"
48" back 30" back
end
50, 50, 54, 54) sts. Do not join. Work in k2,
37" 33" 30"
back lower sleeve
p2 rib for 2", ending with a WS row. Change
beg lower sleeve
40½" 30" to larger needle. Note: Patt beg before 40½"
sleeve shaping ends; read the foll section lower sleeve
lower sleeve 33" 44½"
37"
40½" end all the way through before proceeding. upper sleeve
upper sleeve
44½" front Inc row (RS) K2, M1, work to last 2 sts, 30"
37"
upper sleeve 40½" M1, k2—2 sts inc’d. Rep inc row every 40½"
sleeve cap
30" lower sleeve 10 (8, 6, 6, 6, 4)th row 2 (2, 12, 13, 5, 26) 40½" beg
40½" 37" more times, then every 8th (6th, 4th,
sleeve cap body
upper sleeve 4th, 4th, 2nd) row 12 (17, 10, 11, 21, 5)
37" 30"
37" times—80 (90, 96, 100, 108, 118) sts. At 33"
end
the same time, when there are 54 (54, front
body
56, 60, 60, 62) sts on needle, ending with 44½"
30"
a WS row, beg and ending as indicated for back
33"
lower sleeve for your size, work Rows 1–18 40½"
front
of Greek Key chart, working new sts into upper sleeve
44½"
48"
upper sleeve patt. Break CC. With MC, work until piece
sleeve cap
48" measures 16¼" from CO, ending with a WS 37"
sleeve cap row. Beg and ending as indicated for upper
40½" sleeve for your size, work Rows 1–18 of
Greek Key chart. Break CC. With MC, work
and ending as indicated for front for your 2 rows even. Shape cap: BO 5 (7, 7, 10, MC, work 1 row even. Next row (WS)
size, work Rows 1–18 of Greek Key chart. 12, 15) sts at beg of next 2 rows—70 (76, Purl, dec 1 st—67 (73, 79, 73, 79, 85) sts
With MC, work to end. At the same time, 82, 80, 84, 88) sts rem. Dec row (RS) K2, rem. Note: Shaping beg before charts end;
beg with Row 3 of Diamond chart, shape ssk, knit to last 4 sts, k2tog, k2—2 sts read the foll section all the way through
neck as foll: Dec row (RS) K1, ssk, knit dec’d. Rep dec row every RS row 0 (0, 0, 2, before proceeding. Beg and ending as
to end—1 st dec’d. Rep dec row every 8th 1, 0) more time(s)—68 (74, 80, 74, 80, 86) indicated for sleeve cap for your size, work
row 4 (4, 5, 6, 7, 8) more times, then every sts rem. Work 1 (1, 5, 1, 3, 5) row(s) even. Rows 1–34 of Diamond chart. With MC,
6th row 3 (4, 5, 4, 4, 3) times, then every Join CC. With CC, work 2 rows even. With work 6 (6, 10, 10, 10, 10) rows. Beg and
F G L
For techniques you don’t know,
? please visit our online knitting
glossary at www.interweave.com
E
K
D
/interweave-knitting-glossary.
I
NOTES
• The body of this cardigan is worked
back and forth in one piece to the C
BODY SLEEVE
J
underarm, then the fronts and back
are worked separately. The sleeves
are worked back and forth from the B
bottom up. A circular needle is used
to accommodate the large number of
A H
stitches.
• Slip stitches purlwise.
Rows 5 and 7 Knit.
A: 18¾ (21, 23¾, 25¼, 26¾)"
B: 22½ (21¼, 25¼, 24½, 23½)"
STITCH GUIDE Row 6 Purl. C: 16 (16, 19¾, 19¼, 19½)"
Honeycomb Stitch: (multiple of 6 sts Row 8 K1, p1, *insert needle from below D: 7½ (7½, 8, 8½, 9)"
+ 5) under 3 floats from Rows 2, 3, and 4 and E: ¼"
Row 1 (RS) Knit. knit next st, bringing st out under floats, F: 3¾ (4, 4½, 4½, 4½)"
Rows 2 and 4 (WS) K1, *sl 3 wyf (see p5; rep from * to last 3 sts, insert needle G: 5¾ (7¼, 8¼, 9, 8½)"
Notes), p3; rep from * to last 4 sts, sl 3 wyf, from below under 3 floats from Rows 2, H: 7¾ (7¾, 9, 9, 9)"
k1. 3, and 4 and knit next st, bringing st out I: 11¾ (12½, 13¾, 15½, 17)"
Row 3 K1, *sl 3 wyb, k3; rep from * to last under floats, p1, k1. J: 17 (17, 17½, 17½, 18)"
4 sts, sl 3 wyb, k1. Row 9 Knit. K: 6 (6, 5¾, 6, 6¼)"
L: 1½ (1¾, 2¼, 2½, 3)"
59
57
55
53
51
49
47
45
43
41
39
37
35
33
31
29
27
25
TRADING POST
23
21
19
17
15
13
11
55-st rep
Rows 10 and 12 K1, *p3, sl 3 wyf; rep 389, 389, 389) sts. Do not join. Work
from * to last 4 sts, p3, k1. in Honeycomb st (see Stitch Guide) for
Row 11 K1, *k3, sl 3 wyb; rep from * to last 56 (56, 64, 64, 72) rows. Next row (RS) with MC, k on RS, p on WS
4 sts, k4. Knit, dec 1 (1, 0, 0, 0) st—334 (334, 389,
Rows 13 and 15 Knit. 389, 389) sts rem. Purl 1 WS row. Beg with with CC, k on RS, p on WS
Row 14 Purl. Row 1 (1, 31, 31, 31), work Mosaic chart for
Row 16 K1, p4, *insert needle from below 90 (90, 116, 112, 108) rows, ending with sl 1 pwise wyb on RS;
under 3 floats from Rows 10, 11, and 12 Row 30 (30, 26, 22, 18) of chart. Divide sl 1 pwise wyf on WS
and knit next st, bringing st out under for fronts and back: Next row (RS) Work
floats, p5; rep from * to last 6 sts, insert 113 (106, 125, 120, 115) sts in patt and sl 1 pwise wyb on RS;
needle from below under 3 floats from place these sts on holder for right front, sl 1 pwise wyf on WS
Rows 10, 11, and 12 and knit next st, BO 10 (12, 14, 16, 18) sts, work 88 (98, 111,
bringing st out under floats, p4, k1. 117, 123) sts in patt and place these sts pattern repeat
Rep Rows 1–16 for patt. on holder for back, BO 10 (12, 14, 16, 18)
sts, work in patt to end—113 (106, 125,
BODY 120, 115) sts rem for left front.
With MC and larger needle, CO 335 (335,
ending with Row 30 of chart. Break CC. Short-row 1 (WS) P13 (14, 17, 17, 18), k84 (76, 91, 85, 76) held right front
With MC, work 1 row in St st. Next row wrap next st, turn. sts, pick up and knit 35 (45, 51, 51, 51)
(WS) BO 20 (21, 23, 23, 24) sts, place next Short-row 2 (RS) Knit to end. sts along back neck BO, k84 (76, 91,
84 (76, 91, 85, 76) sts on holder for collar. Next row (WS) Purl to end, working wrap 85, 76) held left front sts—203 (197, 233,
tog with wrapped st. BO all sts. 221, 203) sts total. Purl 1 WS row. Work
BACK 48 rows in Honeycomb st. BO all sts. Sew
Return 88 (98, 111, 117, 123) held back SLEEVES sleeve seams. Sew sleeves into armholes.
sts to needle and, with WS facing, rejoin With MC and smaller needles, CO 41 (41,
yarns. Shape armholes: BO 3 (3, 4, 4, 5) 47, 47, 47) sts. Work in Honeycomb st for SUE GLEAVE lives in a barn in Suffolk,
sts at beg of next 2 rows, then BO 2 (2, 48 rows, ending with a WS row. Beg work- United Kingdom. She is a dyer and knit-
3, 3, 4) sts at beg of foll 2 rows—78 (88, ing in St st. Inc row (RS) K1, RLI, knit to wear designer, and she runs her own busi-
97, 103, 105) sts rem. BO 2 (2, 2, 3, 3) last st, LLI, k1—2 sts inc’d. Work 4 rows ness, Native Yarns, which combines her
sts at beg of next 2 rows, BO 1 (1, 1, 1, 2) even. Inc row (WS) P1, RLPI, purl to last love of textiles, color, and growing things.
st(s) at beg of foll 2 rows, then BO 1 st at st, LLPI, p1—2 sts inc’d. Work 4 rows even. Sue designs garments that are fun to knit
beg of foll 2 rows—70 (80, 89, 93, 93) sts Rep last 10 rows 3 (4, 4, 6, 8) more times, and flattering to wear. To find out more,
rem. Work 41 (41, 45, 49, 53) rows even, then work RS inc row once more—59 (63, visit her website at www.nativeyarns.co.uk.
ending with Row 22 of chart. Shape 69, 77, 85) sts. Work even until piece
neck: Next row (RS) Work 24 (25, 27, measures 17 (17, 17½, 17½, 18)" from CO,
27, 28) sts and place these sts on holder ending with a WS row. Shape cap: BO 5 (6,
COMING SOON!
The editors of knit.wear present the fourth installment of
Wool Studio. In this digital, hand knitwear capsule you can
enjoy a collection of modern, unexpected, and exciting
knits by rockstar status designer, Norah Gaughan. In Wool
Studio Vol. IV, Norah has unvented cables, and played with
construction and geometry to create designs that are self-
expressive, artistic, and everyday wearable. The luxurious
yarns selected for each project showcases and enhances
the qualities of both the fibers and the designs.
22
20
18
16
14
12
MC
10
8 CC1
6 CC2
4
M M1 with MC
2
1 (WS)
16 sts
CC1 84
82
CC2
80
M M1 with MC 78
76
BODY 68
Work even until piece measures 2" from 66
underarm, ending with a WS row. Inc row
(RS) Work to 1 st before side m, M1P, p1, sl 64
TRADING POST
sts, wrap next st, turn. 52
Short-row 2 (WS) Work to last 3 (3, 4, 50
4, 5) sts, wrap next st, turn.
48
Short-row 3 Work to 3 (3, 4, 4, 5) sts
before wrapped st, wrap next st, turn. 46
Rep last short-row 15 more times. Next 2 44
rows Work to end; do not work wraps tog
with wrapped sts. Next row (RS) With MC, 42
12
FINISHING
10
Weave in ends. Block to measurements.
Front band: With MC, cir needle, and RS 8
facing, beg at right front lower edge, pick 6
up and knit 48 sts along right front to base
4
of neck, 13 (14, 15, 16, 17) sts along neck
shaping to provisional CO, remove waste 2
1 (WS)
yarn and place 34 CO sts onto left needle,
40 sts
For techniques you don’t know, BACK shoulders using German short-rows as foll
? please visit our online knitting
glossary at www.interweave.com
With MC and smaller needle, CO 76 (84,
92, 104, 112, 120) sts. Do not join. Work
(see Notes):
Short-row 1 (RS) Knit to last 5 (6, 7, 7,
/interweave-knitting-glossary. in k2, p2 rib for 2", ending with a WS row. 7, 8) sts, turn.
Change to larger needle and St st. Work Short-row 2 (WS) Make double st, purl to
NOTES even until piece measures 13 (13½, 14½, last 5 (6, 7, 7, 7, 8) sts, turn.
• This cardigan is worked back and
forth in separate pieces and seamed. A
15½, 16, 16½)" from CO, ending with a WS
row. Shape armholes: BO 4 (4, 4, 5, 5, 6)
Short-row 3 Make double st, knit to last
10 (12, 14, 14, 14, 15) sts, turn.
circular needle is used to accommodate sts at beg of next 2 rows, then BO 3 sts at Short-row 4 Make double st, purl to last
the large number of stitches. beg of foll 2 rows—62 (70, 78, 88, 96, 102) 10 (12, 14, 14, 14, 15) sts, turn.
• When working German short-rows,
each double stitch counts as a single
sts rem. Break MC. Dec row (RS) Ssk with
CC1, beg and ending as indicated for back
Next row (RS) Make double st, knit to end,
working double sts as single sts. Purl 1 WS
stitch. for your size work Diamond chart to last row, working double sts as single sts. Place
• The charts are worked using the
stranded method. Always pick up the
2 sts, k2tog with CC1—2 sts dec’d. Cont in
patt, rep dec row every RS row 2 (3, 3, 4,
sts on holder.
background color over the pattern 6, 7) more times—56 (62, 70, 78, 82, 86) LEFT FRONT
color and pick up the pattern color sts rem. Work even until chart is complete. With MC and smaller needle, CO 32 (36,
from under the background color; Break CC1 and CC2; rejoin MC. Work even 40, 44, 48, 56) sts. Do not join. Work in
this will prevent tangling. Keep floats until armhole measures 9½ (10¼, 11, 11¾, k2, p2 rib for 2", ending with a WS row.
loose. 12½, 12½)", ending with a WS row. Shape Change to larger needle and St st. Work
F G M
A: 18 (19¾, 21¾, 24½, 26¼, 28¼)"
B: 7½ (8½, 9½, 10¼, 11¼, 13¼)"
E
L C: 13 (13½, 14½, 15½, 16, 16½)"
H
D: 9½ (10¼, 11, 11¾, 12½, 12½)"
D
J E: ¾"
F: 3¼ (4, 4¾, 4¾, 5, 5¼)"
RIGHT SLEEVE G: 6½ (6½, 7, 9, 9½, 10)"
FRONT K H: 6¾ (7¼, 7½, 7¾, 8¼, 8½)"
& I: 9½ (9½, 9½, 10¼, 10¼, 10¼)"
C BACK
J: 17 (18, 18¾, 19¾, 20¾, 21¾)"
B K: 16 (16¾, 17½, 18¼, 18¾, 19)"
L: 5¾ (5¾, 6, 6¾, 7, 7)"
I M: 2 (2¼, 2¾, 3¼, 3¾, 3¾)"
A
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DIAMOND
39
37
35
33
31
29
27
25
23
21
TRADING POST
19
17
15
13
11
24-st rep
end end beg beg
right front left front right front left front
56¾" 35¼" 35¼" 56¾"
end end beg beg
back left front right front back
42¾" 39" 39" 42¾"
end end beg beg
back back back back
51¼" 56¾" 56¾" 51¼"
right front right front left front left front
51¼" 35¼" 35¼" 51¼"
end end beg beg
back left front right front back
39" 42¾" 42¾" 39"
end end beg beg
left front left front left front left front
56¾" 47½" CC1 39" 47½"
right front right front right front right front
47½" 39" 47½" 56¾"
end end
CC2 beg beg
back left front right front back
47½" 51¼" pattern repeat 51¼" 47½"
end beg
back back
35¼" 35¼"
right front left front
42¾" 42¾"
TRADING POST
work Diamond chart to last 2 sts, k2tog beg of next 2 rows, then BO 3 sts at beg before double st, turn.
with CC1—1 st dec’d. Cont in patt, rep of foll 2 rows—58 (62, 66, 68, 72, 74) sts Rep last short-row 13 more times.
dec row every RS row 2 (3, 3, 4, 6, 7) more rem. Dec row (RS) Ssk, knit to last 2 sts, Short-row 4 (RS) Make double st, work to
times—22 (25, 29, 31, 33, 39) sts rem. k2tog—2 sts dec’d. Rep dec row every end, working double sts as single sts.
Work even until armhole measures 3½ (3¾, 4th row 0 (1, 1, 3, 3, 2) more time(s), then Next row (WS) Work to end, working
4¼, 4¾, 5, 4¾)", ending with a WS row. every RS row 8 (4, 7, 5, 8, 8) times—40 (50, double sts as single sts. BO all sts in patt.
Shape neck: Note: Chart ends before neck 48, 50, 48, 52) sts rem. Work 1 WS row. Sew sleeves into armholes. Sew sleeve and
shaping ends; read the foll section all the BO 2 sts at beg of next 8 (12, 6, 6, 0, 6) side seams. Sew buttons to right front band
way through before proceeding. Dec row rows, then BO 4 sts at beg of foll 4 (4, 6, 6, opposite buttonholes.
(RS) Ssk, work in patt to end—1 st dec’d. 8, 6) rows—8 (10, 12, 14, 16, 16) sts rem.
Rep dec row every RS row 2 (1, 2, 5, 5, 12) BO all sts. After studying music theory in graduate
more time(s), then every 4th row 2 (3, 4, school and serving as a police officer with
2, 3, 3) times, then every 6th row 3 (3, 2, FINISHING the NYPD, LARS RAINS now works as a
3, 3, 1) time(s)—14 (17, 20, 20, 21, 22) sts Weave in ends. Block pieces to measure- high-school algebra teacher by day and a
rem. At the same time, work until chart ments. With RS tog, join 14 (17, 20, 20, knitwear designer by night. He lives with
is complete, then break CC1 and CC2 and 21, 22) shoulder sts using three-needle his husband and two adorable dogs on
rejoin MC. Work even in St st until armhole BO—28 (28, 30, 38, 40, 42) sts rem for Long Island, and they retreat to their cabin
measures 9½ (10¼, 11, 11¾, 12½, 12½)", back neck. Buttonband: With MC, smaller in the Catskills every chance they get.
19
17
15
13
11
1
For techniques you don’t know, Row 12 With MC, k3, yo, k1, *k1, sl 1 wyb;
? please visit our online knitting
glossary at www.interweave.com
rep from * to last 5 sts, k2, yo, k3—2 sts
inc’d.
/interweave-knitting-glossary. Row 13 K1, p1, k1, yo, p2, *p1, sl 1 wyf; rep
from * to last 6 sts, p3, yo, k1, p1, k1—2 sts
NOTES inc’d.
• This shawl is worked back and forth
in rows from the center neck down
Rows 14–29 Rep last 4 rows 4 more
times—73 sts.
and outward to the points. A circular Row 30 With MC, k3, yo, k33, place
needle is used to accommodate the marker (pm), k1, pm, knit to last 3 sts, yo,
large number of stitches. k3—75 sts.
••Slip stitches purlwise.
When the contrasting color is unused
Row 31 Rep Row 3—77 sts.
Row 32 With CC1, k3, yo, knit to 6 sts be-
for only a few rows, carry it up the fore m, [k2tog] 2 times, [k1f&b] 2 times, sl
side of the work and bring it under m, k1, sl m, [k1f&b] 2 times, [ssk] 2 times,
the main color to begin working with knit to last 3 sts, yo, k3—2 sts inc’d.
it again. When there are more than 4 Row 33 K1, p1, k1, yo, knit to last 3 sts, yo,
rows between color changes, break the k1, p1, k1—2 sts inc’d.
yarn at the end of each stripe. Row 34 K3, yo, purl to last 3 sts, yo,
k3—2 sts inc’d.
STITCH GUIDE Row 35 K1, p1, k1, yo, knit to last 3 sts, yo,
Latvian Braid: (odd number of sts) k1, p1, k1—2 sts inc’d.
Row 1 (RS) With CC1, k3, yo, *k1 with MC, Row 36 With MC, rep Row 32—87 sts.
k1 with CC1; rep from * to last 4 sts, k1 Row 37 Rep Row 3—89 sts.
with MC, with CC1, yo, k3—2 sts inc’d. Rows 38–40 Work Latvian Braid (see
TRADING POST
Row 2 (WS) With CC1, k1, p1, k1, yo, k1, Stitch Guide)—95 sts.
bring both yarns to back, *k1 with MC, k1 Break CC1.
with CC1; rep from * to last 3 sts, always Row 41 Rep Row 3—97 sts.
bringing new color over color just worked, Row 42 K3, yo, knit to 9 sts before m,
with CC1, yo, k1, p1, k1—2 sts inc’d. [k2tog] 3 times, [k1f&b] 3 times, sl m, k1,
Row 3 With MC, k3, yo, p1, bring both sl m, [k1f&b] 3 times, [ssk] 3 times, knit to
32-st rep
yarns to front, *p1 with CC1, p1 with MC; last 3 sts, yo, k3—99 sts.
rep from * to last 3 sts, always bringing new Rows 43–53 Rep Rows 1 and 2 five times,
color under color just worked, with MC, yo, then work Row 1 once—121 sts.
k3—2 sts inc’d. Row 54 With CC1, k3, yo, knit to 12 sts be-
fore m, [k2tog] 4 times, [k1f&b] 4 times, sl
SHAWL m, k1, sl m, [k1f&b] 4 times, [ssk] 4 times,
Garter tab: Using MC and a provisional
method, CO 3 sts. Next row (WS) K1, p1,
k1. Next row (RS) Knit. Rep last 2 rows
with MC, k on RS, p on WS
8 more times; do not turn after last row.
Working along selvedge edge, pick up and
with CC2, k on RS, p on WS
knit 9 sts (1 st in each garter ridge), then
remove waste yarn from provisional CO
and place 3 sts onto left needle, k3—15 sts with MC, k on WS
total. Turn.
Row 1 (WS) K1, p1, k1, yo, purl to last with CC2, k on WS
3 sts, yo, k1, p1, k1—2 sts inc’d.
Row 2 (RS) K3, yo, knit to last 3 sts, yo, with MC, yo
k3—2 sts inc’d.
Row 3 K1, p1, k1, yo, purl to last 3 sts, yo, with CC2, yo
k1, p1, k1—2 sts inc’d.
Rows 4–9 Rep last 2 rows 3 more sl 1 pwise wyb on RS;
times—33 sts. sl 1 pwise wyf on WS
Join CC1.
Row 10 With CC1, k3, yo, *k1, sl 1 wyb sl 1 pwise wyb on RS;
(see Notes); rep from * to last 4 sts, k1, yo, sl 1 pwise wyf on WS
k3—2 sts inc’d.
Row 11 K1, p1, k1, yo, p2, *sl 1 wyf, p1; rep no stitch
BORDER
TRADING POST
FOUR CORNERS CARDIGAN ANDREA CULL
Finished Size 34 (37½, 40¼, 43¾, 50, 56¼)" bust circumference with fronts over-
lapped. Cardigan shown measures 37½"; modeled with 5½" of positive ease.
Yarn Rowan Felted Tweed DK (50% merino wool, 25% alpaca, 25% rayon; 191 yd
[175 m]/1¾ oz [50 g]): #157 camel (tan; A), 4 (5, 5, 5, 6, 7) skeins; #154 ginger (rust;
B), 2 (2, 2, 3, 3, 3) skeins; #175 cinnamon (dark brown; C), 2 skeins; #192 amethyst
(purple; D), 1 (1, 1, 2, 2, 2) skein(s); #161 avocado (light green; E), 1 skein; #158 pine
(dark green; F), 1 (1, 1, 2, 2, 2) skein(s); #152 watery (teal blue; G), 1 skein; #181 min-
eral (yellow; H), 1 (1, 2, 2, 2, 2) skein(s). Yarn distributed by Sirdar USA.
Needles Size 4 (3.5 mm): 16" and 32" circular (cir) and set of double-pointed (dpn)
(see Notes). Size 3 (3.25 mm): 32" cir and set of dpn. Adjust needle size if necessary to
obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle.
Gauge 23 sts and 31 rnds = 4" in St st on larger needle.
For techniques you don’t know, unless otherwise indicated. Work the the Diamond chart at the same time,
? please visit our online knitting steek as described in the Stitch Guide. always work the decreases, the last
glossary at www.interweave.com
/interweave-knitting-glossary.
• The beginning of round is at the center
of the steek. Change colors in the
stitch before raglan markers, and the
first stitch after raglan markers with A.
middle of the steek. On non-shaping rounds, work the two
NOTES
• This cardigan is worked back and forth
• The charts are worked using the
stranded method. Always pick up the
stitches before and after each marker
with A.
from the bottom up through the rib, background color over the pattern col-
then joined and worked in the round or and pick up the pattern color from STITCH GUIDE
to the underarm with a steek at the under the background color; this will Steek Pattern: Work 7 steek sts in vertical
center front opening. The sleeves are prevent tangling. Keep floats loose. For stripes every rnd as foll: K1 with back-
worked separately in the round, then floats longer than five stitches, tack ground color, k1 with patt color, k1 with
the sleeves and body are joined to work stranded yarn on wrong side of work. background color, p1 with patt color, k1
the yoke. If necessary, use a larger needle for the with background color, k1 with patt color,
• Steek stitches are not included in charted rounds to maintain gauge. k1 with background color. This provides
the stitch counts or the instructions • When working raglan decreases and a clear centerline in patt color for cutting
Rnd 1 *K1, p1; rep from * to end. 256, 292, 328) sts rem. Knit 26 rnds (to of Right Arrow chart. With A, knit 4 rnds.
Rnd 2 *P1, k1; rep from * to end. end of stripe sequence). Working in Seed st stripe sequence, work
Rep Rnds 1 and 2 for patt. Sizes 34 (401⁄4)" only: 24 rnds in Seed st. With A, knit 4 rnds. Beg
With A, knit 3 rnds. and ending as indicated for upper sleeve for
Stockinette Stitch Stripe Sequence: Sizes 371⁄2 (433⁄4, 50, 561⁄4)" only: your size, work Rows 1–11 of Right Arrow
(27 rnds) With A, knit 1 rnd. Dec rnd *Knit to 3 sts chart. At the same time, shape sleeve as
1 rnd B, 1 rnd C, 1 rnd B, 1 rnd C, 2 rnds before m, ssk, k1, sl m, k1, k2tog; rep foll, working new sts into patt: Work 8 (6, 5,
B, 5 rnds D, 2 rnds B, 1 rnd C, 2 rnds B, 5 from * once more, knit to end—216 (252, 6, 6, 6) rnds even. Inc rnd K1, M1L, work
rnds D, 2 rnds B, 1 rnd C, 1 rnd B, 1 rnd C, 288, 324) sts rem. Knit 1 rnd. to last st, M1R, k1—2 sts inc’d. Rep inc rnd
1 rnd B. All sizes: every 9 (7, 6, 7, 7, 7)th rnd 1 (3, 3, 3, 2, 2)
Work Rows 1–6 of Peerie chart. Beg and more time(s), then every 8 (6, 5, 6, 6, 6)th
Seed Stitch Stripe Sequence: (24 rnds) ending as indicated for body for your rnd 4 (1, 2, 1, 5, 5) time(s), then every 7th
3 rnds H, 1 rnd B, 3 rnds H, 1 rnd A, 1 rnd size, work Rows 1–17 of Diamond chart. rnd 10 (12, 12, 11, 10, 10) times—82 (84,
B, 1 rnd A, 4 rnds B, 1 rnd A, 1 rnd B, 1 rnd Work Rows 1–6 of Peerie chart. With A, 90, 94, 102, 110) sts. Work even through
A, 3 rnds H, 1 rnd B, 3 rnds H. knit 3 rnds. Next rnd Beg and ending Row 11 of Right Arrow chart. Next rnd
as indicated for body for your size, work Work to last 4 (4, 6, 7, 8, 9) sts, place next
BODY Right Arrow chart to 2nd side m, work Left 8 (8, 12, 14, 16, 18) sts on holder for under-
With A and smaller cir needle, CO 198 Arrow chart to end. Cont in patt through arm, removing m—74 (76, 78, 80, 86, 92)
(222, 234, 258, 294, 330) sts. Do not join. Row 17 of charts. With A, knit 4 rnds. sts rem. Place sts on separate holder.
Row 1 (RS) P6, *k6, p6; rep from * to end. Working in Seed st stripe sequence (see
Row 2 (WS) *K6, p6; rep from * to last Stitch Guide), work 24 rnds in Seed st (see LEFT SLEEVE
6 sts, k6. Stitch Guide). With A, knit 4 rnds. Next Work as for right sleeve, working Left Ar-
Row 3 P2, p2tog, yo, p2, *k2, k2tog, yo, k2, rnd Beg and ending as indicated for body row chart in place of Right Arrow chart.
p2, p2tog, yo, p2; rep from * to end. for your size, work Right Arrow chart to
Row 4 *K6, p6; rep from * to last 6 sts, k6. 2nd side m, work Left Arrow chart to end. YOKE
Row 5 P3, p2tog, yo, p1, *[k2tog, yo, k1] Cont in patt through Row 12 of charts. Set Joining rnd Beg with Row 13 of Arrow
2 times, [p2tog, yo, p1] 2 times; rep from body aside. charts, work right front sts to 4 (4, 6, 7,
* to last 12 sts, [k2tog, yo, k1] 2 times, 8, 9) sts before m, place next 8 (8, 12, 14,
p2tog, yo, p4. RIGHT SLEEVE 16, 18) sts on holder for underarm, pm
Row 6 *K6, p6; rep from * to last 6 sts, k6. With A and smaller dpn, CO 48 (48, 48, 60, for raglan, work 74 (76, 78, 80, 86, 92)
Work Rows 1 and 2 nine times, then work 60, 72) sts. Pm and join in the rnd. held right sleeve sts, pm for raglan, work
Rows 3–5 once; do not turn after last row. Rnd 1 *K6, p6; rep from * to end. 90 (100, 104, 112, 128, 144) back sts, place
Steek: Next rnd Place marker (pm), using Rnd 2 *K2, yo, k2tog, k2, p2, yo, p2tog, p2; next 8 (8, 12, 14, 16, 18) sts on holder for
the backward-loop method, CO 7 sts for rep from * to end. underarm, pm for raglan, work 74 (76, 78,
steek (see Notes and Stitch Guide), pm and Rnd 3 Rep Rnd 1. 80, 86, 92) left sleeve sts, pm for raglan,
join in the rnd, work in rib to end; beg of Rnd 4 *[K1, yo, k2tog] 2 times, [p1, yo, work to end of left front—328 (352, 364,
15
13
11
36-st rep
end end end beg beg beg
sleeve body body body body sleeve
40¼" 34" 37½" 37½" 34" 40¼"
40¼" 43¾" 43¾" 40¼"
end beg
50" 50"
sleeve end beg sleeve
56¼" 56¼"
37½" sleeve sleeve 37½"
sleeve sleeve
yoke 34" 34" yoke
43¾" 43¾"
34" 34"
end end beg beg
40¼" 40¼"
sleeve sleeve sleeve sleeve
56¼" 50" 50" 56¼"
yoke yoke
37½" end beg 37½"
yoke yoke
43¾" 43¾"
50" 50"
56¼" 56¼"
TRADING POST
15
13
11
36-st rep
end end end beg beg beg
sleeve body body body body sleeve
40¼" 34" 37½" 37½" 34" 40¼"
40¼" 43¾" 43¾" 40¼"
end 50" 50" beg
sleeve end beg sleeve
56¼" 56¼"
37½" sleeve sleeve 37½"
sleeve A sleeve
yoke 34" 34" yoke
43¾" 43¾"
34" 34"
end end beg beg
40¼" B 40¼"
sleeve sleeve sleeve sleeve
56¼" 50" 50" 56¼"
yoke yoke
end C beg
37½" 37½"
yoke yoke
43¾" 43¾"
50" D 50"
56¼" 56¼"
E
pattern repeat
15
13
11
18-st rep
end end beg beg beg
upper sleeve body body body body
40¼" all sizes 37½" 43¾" 34"
56¼" 50" 56¼"
end
end lower sleeve beg beg
lower sleeve 40¼" lower sleeve upper sleeve
37½" 56¼" 40¼" 40¼"
56¼" 56¼"
TRADING POST
end end
lower sleeve upper sleeve beg beg
50" 43¾" upper sleeve lower sleeve
43¾" 37½"
end end
lower sleeve upper sleeve beg beg
34" 34" upper sleeve lower sleeve
upper sleeve 34" 50"
end
37½"
lower sleeve beg beg
43¾" body lower sleeve
upper sleeve 40¼" 34"
50" lower sleeve upper sleeve
43¾" 37½"
upper sleeve
50"
384, 428, 472) sts total: 45 (50, 52, 56, back, 46 (48, 50, 52, 56, 60) sts for each With B, BO all sts.
64, 72) sts for each front, 90 (100, 104, sleeve. Work 1 rnd even. Shape neck and Size 433⁄4" only:
112, 128, 144) sts for back, 74 (76, 78, raglan: Dec rnd 2 K1, ssk, *work to 3 sts With C, work to end of steek, turn. Work
80, 86, 92) sts for each sleeve. Note: before m, k2tog, k1, sl m, k1, ssk; rep from back and forth in rows. Next row (WS)
Raglan shaping beg before patt ends; * 3 more times, work to last 3 sts, k2tog, With B, BO 11 sts pwise (7 steek sts and
read the foll section all the way through k1—10 sts dec’d. Work 1 rnd even. Work 4 left front sts), purl to end—112 sts rem.
before proceeding. Work Rows 14–17 of dec rnd 1—8 sts dec’d. Work 1 rnd even. Next row (RS) With A, BO 4 sts, *work to
Arrow charts. With A, work 3 rnds. Work Rep last 4 rnds once more, then work dec 3 sts before m, k2tog, k1, sl m, k1, ssk; rep
Rows 1–6 of Peerie chart. Beg and ending rnd 2 every other rnd 5 times—130 (154, from * 3 more times, work to end—100 sts
as indicated for yoke for your size, work 166, 186, 222, 258) sts rem: 15 (20, 22, 26, rem: 11 sts for each front, 54 sts for back,
Rows 1–17 of Diamond chart (see Notes). 33, 40) sts for each front, 44 (54, 58, 66, 12 sts for each sleeve. With WS facing,
Work Rows 1–6 of Peerie chart. With A, 80, 94) sts for back, 28 (30, 32, 34, 38, 42) BO all sts pwise.
work 3 rnds. Work 26 rnds in St st stripe sts for each sleeve. Shape sleeves: Dec Size 50" only:
sequence. At the same time, shape raglan rnd 3 *Work to m, sl m, k1, ssk, work to Next rnd With B, *k2, k2tog; rep from *
as foll: Work 10 (10, 10, 10, 8, 6) rnds even. 3 sts before m, k2tog, k1, sl m; rep from * to end—114 sts rem. With A, work dec rnd
Dec rnd 1 *Work to 3 sts before m, k2tog, once more, work to end—4 sts dec’d. Work 2—104 sts rem. Knit 1 rnd, ending at beg
k1, sl m, k1, ssk; rep from * 3 more times, dec rnd 2—10 sts dec’d. Rep last 2 rnds 4 of steek.
work to end—8 sts dec’d. Rep dec rnd 1 ev- more times—60 (84, 96, 116, 152, 188) Size 561⁄4" only:
ery other rnd 13 (13, 13, 13, 14, 15) more sts rem: 5 (10, 12, 16, 23, 30) sts for each Next rnd With B, *k2, k2tog; rep from
times—216 (240, 252, 272, 308, 344) front, 34 (44, 48, 56, 70, 84) sts for back, * to end—141 sts rem. With A, work
sts rem: 31 (36, 38, 42, 49, 56) sts for 8 (10, 12, 14, 18, 22) sts for each sleeve. dec rnd 2—10 sts dec’d. Knit 1 rnd. Rep
each front, 62 (72, 76, 84, 98, 112) sts for Sizes 34 (371⁄2, 401⁄4)" only: last 2 rnds once more—121 sts rem.
15
PEERIE
13
5 11
3 9
1 7
2-st rep 5
18-st rep
end end beg beg
body body body upper sleeve
40¼" 37½" all sizes 40¼"
A
50" 56¼"
end beg
B body end lower sleeve beg
43¾" lower sleeve 40¼" lower sleeve
56¼" 40¼" 56¼" 37½"
C
56¼"
end beg beg
TRADING POST
Knit 4 rnds. Dec rnd *K5, k2tog; rep 462, 474) sts total. Set-up row (WS) P6, Short-row 1 (RS) Work to 1 st before 4th
from * to last 2 sts, k2, ending at beg of *k6, p6; rep from * to end. m, wrap next st, turn.
steek—104 sts rem. Row 1 (RS) *K2, yo, k2tog, k2, p2, yo, Short-row 2 (WS) Work to 1 st before last
Sizes 50 (561⁄4)" only: p2tog, p2; rep from * to last 6 sts, k2, yo, m, wrap next st, turn.
Next rnd With A, BO 11 sts (7 steek k2tog, k2. Short-row 3 Work to 6 sts before wrapped
sts and 4 right front sts), knit to end, Row 2 (WS) P6, *k6, p6; rep from * to end. st, wrap next st, turn.
turn—100 sts rem. Work back and forth Row 3 *[K1, yo, k2tog] 2 times, [p1, yo, Rep last short-row 11 more times. Next 2
in rows. Next row (WS) BO 4 sts pwise, p2tog] 2 times; rep from * to last 6 sts, [k1, rows Work to end, working wraps tog with
purl to end—96 sts rem. With RS facing, yo, k2tog] 2 times. wrapped sts. Work Rows 1–4 once. BO all
BO all sts. Row 4 Rep Row 2. sts. Graft underarm sts using Kitchener
Work 4 rows in rib. Shape collar using st. Foll Diamond Duplicate St chart, work
FINISHING short-rows as foll: duplicate st on body, yoke, and sleeves.
Secure and cut steek. Collar: With A, Short-row 1 (RS) Work in rib to 1 st before Weave in ends. Block.
smaller cir needle, and RS facing, beg at 3rd m, wrap next st, turn.
right front lower edge, pick up and knit Short-row 2 (WS) Work in rib to 1 st ANDREA CULL lives in Tahlequah,
22 sts along rib, 116 sts to base of neck, before m, wrap next st, turn. Oklahoma, the capital of the Cherokee
pm, 36 (36, 36, 38, 40, 42) sts to BO sts, Short-row 3 Work to 2 sts before wrapped Nation, where she is constantly inspired by
pm, 66 (90, 102, 110, 106, 114) sts along st, wrap next st, turn. the Native American art in the region. She
BO sts, pm, 36 (36, 36, 38, 40, 42) sts Rep last short-row 11 more times. Next 2 found the courage to cut her first steek
to base of neck, pm, 116 sts to rib, and rows Work to end, working wraps tog with after reading Donna Kay’s detailed article
22 sts to lower edge—414 (438, 450, 462, wrapped sts. Work 10 rows even. in Interweave Knits Winter 2015.
2018 Events:
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JOGLESS CAST-ON
& BIND-OFF EDGES
in the Round BY ROX ANNE RICHARDSON
When projects are knitted in the round, it can be challenging to inish the cast-on and bind-off edges
so that the jog, or gap, between the irst and last stitches is minimized. Figures 1 and 10 illustrate how
big that challenge can be.
Every cast-on method produces a distinctive edge, as does every cast-on edge. Next, the join sets up the continuity of the edge between
bind-off method. Many techniques that address cast-on jogs are the first and last stitches of the round. Finally, the yarn tail completes
generic in nature and focus only on the moment the join occurs. In the edge continuity, before the tail is woven in. Because the actual
this article, we’ll look at how to get the best possible finishes for the steps you take for each cast-on method are different, here are the steps
long-tail cast-on and the cable cast-on, as well as how to finish the for each.
bind-off edge when you use the standard chain bind-off. These
finishing techniques will maintain a continuous look across the The long-tail cast-on three-step technique
end-of-round to beginning-of-round transition so that the gap is Step 1: Eliminate the slipknot.
eliminated, the edges are smooth, and the distinctive edge pattern The standard long-tail cast-on edge is defined by a twisted loop at
is uninterrupted. the base of every stitch column except for the first one, which has a
slipknot. Start the long-tail cast-on with a twisted loop on the needle
IMPROVING THE CAST-ON EDGE IN THREE STEPS rather than a slipknot. Tension the yarn with the tail over your left
thumb and the working yarn over your index finger and the strands
The best finish comes from a great start; therefore, every cast-on stitch held against your palm, as shown in Figure 2. Twist the needle around
should be created so that it is identical to the other stitches along the the yarn to form the first cast-on stitch (Figures 3 and 4).
FIGURE 1 FIGURE 2
FIGURE 3 FIGURE 4
FIGURE 7
When the long-tail cast-on is complete, every stitch on the needle
has a twisted loop sitting below it, under the needle, except for the
first cast-on stitch, which consists of a twisted loop on the needle
(Figure 5). Both legs of that first cast-on stitch pull to the left, with
one leg becoming the strand that forms stitches on the needle and the
other leg becoming the strand that forms the twisted loops of the edge.
First cast-on stitch
FIGURE 5
Insert tapestry
needle behind
these strands
FIGURE 11
Step 1: Start with two temporary cast-on stitches.
Use two slipknots and/or loop cast-ons, which will later be removed.
The first permanent cast-on stitch of the edge will be created by insert-
ing the needle between the two temporary cast-on stitches. This approach
ensures that all the permanent stitches of the cast-on are identical.
You can create a continuous look between the last bind-off stitch and
the first bind-off stitch by creating a chain stitch that connects the two.
LACE
39
37
35
33
31
29
27
25
23
21
19
17
15
13
11
28-st rep
/interweave-knitting-glossary.
C
Note: Measurements do
NOTES F not include fringe.
• This top is worked back and forth in
separate pieces and seamed. A circular
FRONT
&
A: 18¾ (24¾, 30¾)"
B: 17"
BACK
needle is used to accommodate the B C: 4¾ (6½, 8¾)"
DESERT LACE
large number of stitches. D: 10¾ (11¾, 12¾)"
• Do not break yarn at color changes
except where indicated. Carry unused
E: 10 (10½, 11)"
F: 6 (4, 2)"
color up side of work until it is needed
again. Bring new color under color
just used. A
BACK
Using A and the old Norwegian method,
CO 75 (99, 123) sts. Do not join. Knit k on RS; p on WS ssk
2 rows. *With A, work Rows 1–18 of
Chart A. Join B (see Notes). With B, work k on WS sl 1 kwise, k2tog, psso
Rows 1–12 of Chart B. Rep from * 2 more
times. With A, work Rows 1–18 of Chart yo pattern repeat
A. Break A, leaving a 20" tail. Sleeves:
k2tog
A B
17 11
15 9
13 7
11 5
9 3
7 1
5 12-st rep
24-st rep
Yarn Quince & Co. Sparrow (100% organic linen; 168 yd [154 m]/1¾ oz [50 g]): maize,
6 (7, 8, 9, 10, 11, 12, 13) skeins.
Needles Sizes 3 (3.25 mm) and 4 (3.5 mm): 16" and 24" circular (cir) and set of double-
pointed (dpn). Adjust needle size if necessary to obtain the correct gauge.
Notions Markers (m); stitch holders; tapestry needle.
Gauge 22 sts and 30 rnds = 4" in St st on larger needle.
STITCH GUIDE B A: 31½ (34¼, 38, 41¾, 45¼, 49¾, 53¼, 57)"
K2, P2 Rib in Rnds: (multiple of 4 sts) B: 19 (20, 21, 21, 22, 23, 23, 23)"
Rnd 1 *P2, k2; rep from * to end. C: 7 (7¾, 8¼, 8¼, 9½, 10¼, 11¼, 12)"
Rep Rnd 1 for patt. D: 1½"
E: 7 (7¾, 7¾, 8¼, 8½, 9, 9¼, 9¾)"
K2, P2 Rib in Rows: (multiple of 4 sts F: 9¾ (9¾, 9¾, 11¼, 11¾, 13, 13, 14)"
+ 2) G: 8¾ (10¼, 10¼, 11¾, 11¾, 11¾, 13, 13)"
Row 1 (WS) K2, *p2, k2; rep from * to end. A H: 11 (11¾, 12¼, 14½, 15, 16¼, 17¾, 18½)"
Row 2 (RS) P2, *k2, p2; rep from * to end.
Rep Rows 1 and 2 for patt.
www.interweave.com
FRONT, SIZES 31½", 34¼", 38", AND 41¾"
25
23
SLEEVE
21
13
19
11
17
9
15
7
13
5
11
3
9
1
7
8-st rep
5
37 sts
DESERT LACE
31
29
27
25
23
21
19
17
15
13
11
42 sts
knit yo ssk
23
21
19
17
15
13
11
45 sts
DESERT LACE
BACK, SIZES 45¼", 49¾", 53¼", AND 57"
33
31
29
27
25
23
21
19
17
15
13
11
50 sts
knit yo ssk
wrap tog with wrapped st, k7, wrap next sts for back, 50 (62, 64, 66, 68, 70, 76, 78) rem.
st, turn. sts for front, 25 (33, 35, 35, 35, 35, 39, 39) All sizes:
Short-row 8 Purl to wrapped st, work sts for each sleeve. Note: When each chart Change to smaller needle. Next row (WS)
wrap tog with wrapped st, p7, wrap next is complete, remove m for that chart and P3, work in K2, P2 Rib (see Stitch Guide)
st, turn. work those sts in St st. Next rnd [Knit to to last 3 sts, sl 3 wyf. Next row (RS) K3,
Short-row 9 Knit to wrapped st, work m, sl m] 2 times, work Front chart to m, work in rib to last 3 sts, sl 3 wyb. Rep last
wrap tog with wrapped st, k9, wrap next sl m, [knit to m, sl m] 3 times, work Back 2 rows 10 more times. BO all sts in patt.
st, turn. chart to m, sl m, knit to end. Inc rnd [K1, Front: Return 81 (89, 99, 109, 119, 131,
Short-row 10 Purl to wrapped st, work LLI, work to 1 st before raglan m, RLI, k1] 141, 151) held front sts to needle. With RS
wrap tog with wrapped st, p9, wrap next 4 times—8 sts inc’d. Rep inc rnd every facing, pick up and knit 3 sts along top of
st, turn. other rnd 15 (10, 11, 16, 17, 19, 21, 22) 3 edge sts from back, knit to end, pick up
Short-row 11 Knit to wrapped st, work more times—277 (277, 293, 337, 349, 369, and knit 3 sts along top of 3 edge sts from
wrap tog with wrapped st, k3 (3, 3, 5, 5, 7, 405, 417) sts: 81 (83, 87, 99, 103, 109, back—87 (95, 105, 115, 125, 137, 147, 157)
7, 9), wrap next st, turn. 119, 123) sts for back, 82 (84, 88, 100, 104, sts total. Next row (WS) Purl to last 3 sts,
Short-row 12 Purl to wrapped st, work 110, 120, 124) sts for front, 57 (55, 59, 69, sl 3 wyf. Next row (RS) Knit to last 3 sts,
wrap tog with wrapped st, p3 (3, 3, 5, 5, 7, 71, 75, 83, 85) sts for each sleeve. sl 3 wyb. Rep last 2 rows until slit measures
7, 9), wrap next st, turn. Sizes 38 (413⁄4, 451⁄4, 493⁄4, 531⁄4, 57)" only: 7¾ (8, 8¾, 8¼, 9, 9½, 9¼, 8¼)", ending with
Short-row 13 Knit to m. Work 1 rnd even. Inc rnd [Knit to m, sl a WS row.
Next rnd Working wraps tog with wrapped m, k1, LLI, work to 1 st before raglan m, Sizes 311⁄2 (341⁄4, 413⁄4, 531⁄4)" only:
sts, k15 for left sleeve, pm for raglan, RLI, k1, sl m] 2 times—4 sts inc’d. Rep inc Inc row (RS) Knit to last 3 sts, LLI, sl 3
k40 (44, 44, 46, 48, 50, 52, 54) for front, rnd every other rnd 2 (0, 3, 4, 4, 6) more wyb—88 (96, 116, 148) sts.
pm for raglan, k15 for right sleeve, pm for times—305 (341, 365, 389, 425, 445) sts: Sizes 38 (451⁄4, 493⁄4, 57)" only:
raglan, k39 (43, 43, 45, 47, 49, 51, 53) for 93 (101, 111, 119, 129, 137) sts for back, Dec row (RS) Knit to last 5 sts, k2tog, sl 3
back. Inc rnd [K1, LLI, knit to 1 st before 94 (102, 112, 120, 130, 138) sts for front, wyb—104 (124, 136, 156) sts rem.
m, RLI, k1] 4 times—8 sts inc’d. Next rnd 59 (69, 71, 75, 83, 85) sts for each sleeve. All sizes:
Knit. Rep last 2 rnds 0 (1, 1, 1, 1, 1, 1, 1) All sizes: Change to smaller needle. Next row (WS)
more time—117 (133, 133, 137, 141, 145, Work 4 (12, 6, 1, 1, 1, 1, 1) rnd(s) even. P3, work in K2, P2 Rib to last 3 sts, sl 3
149, 153) sts: 41 (47, 47, 49, 51, 53, 55, 57) Divide for body and sleeves: Next rnd wyf. Next row (RS) K3, work in rib to last
sts for back, 42 (48, 48, 50, 52, 54, 56, 58) Remove m, k1, place next 56 (54, 58, 68, 3 sts, sl 3 wyb. Rep last 2 rows 10 more
sts for front, 17 (19, 19, 19, 19, 19, 19, 19) 70, 74, 82, 84) sts on holder for sleeve, times. BO all sts in patt.
sts for each sleeve. Inc rnd K1, LLI, knit to remove m, using the knitted method,
1 st before m, RLI, k1, sl m, k1, LLI, k2 (5, CO 2 (5, 5, 6, 6, 8, 8, 9) sts, pm for new beg SLEEVES
5, 6, 3, 4, 5, 6), pm for chart, work Front of rnd, CO 2 (5, 5, 6, 6, 8, 8, 9) sts, k82 (84, Place 56 (54, 58, 68, 70, 74, 82, 84) held
chart for your size over 37 (37, 37, 37, 45, 94, 102, 112, 120, 130, 138), remove sleeve sts onto larger dpn. With RS facing,
BUENA
VISTA
STOLE
featured in this issue
with an exclusive kit
from Interweave.
Shop exclusive
knitting kits at
Interweave.com
beg at center of underarm, pick up and knit times—48 (56, 56, 64, 64, 64, 72, 72) sts PAULA PEREIRA believes that inspira-
2 (5, 5, 6, 6, 8, 8, 9) sts along underarm rem. Work 1 rnd even. Work Rows 1–13 of tion comes from people, nature, and
CO, k56 (54, 58, 68, 70, 74, 82, 84) sleeve Sleeve chart 2 times. Work 4 rnds in St st. daily life and is played out using yarn and
sts, pick up and knit 2 (5, 5, 6, 6, 8, 8, 9) Change to smaller dpn. Work 7 rnds in K2, needles as tools. She is particularly fond
sts along underarm CO—60 (64, 68, 80, P2 Rib. BO all sts in patt. of mathematics and geometry, which help
82, 90, 98, 102) sts total. Pm and join in her design garments and accessories. She
the rnd. Work 2 rnds in St st. Dec rnd FINISHING lives in São Paulo with her husband, two
K1, k2tog, knit to last 3 sts, ssk, k1—2 sts Weave in ends. Block to measurements. dogs, and tons of beautiful fibers.
dec’d. Rep dec rnd every 5 (8, 5, 5, 5, 4,
4, 4)th rnd 5 (3, 5, 7, 8, 12, 12, 14) more
41
39
37
35
33
31
29
27
25
23
21
19
17
15
13
11
1
k on RS; p on WS
k on WS
yo
k2tog
ssk
NOTES
• This stole is worked back and forth
93 sts
in rows from end to end. A circular
needle is used to accommodate the
large number of stitches.
DESERT LACE
STOLE
CO 93 sts. Do not join. Knit 8 rows. Work
Rows 1–44 of Lace chart 12 times. Knit 3
rows. With WS facing, BO all sts kwise.
FINISHING
Weave in ends. Block.
5
needle is used to accommodate the
large number of stitches. 3
1
PONCHO
With longer cir needle, CO 185 (245) sts. 10-st rep
Do not join. Purl 1 WS row. Work
Rows 1–12 of Lace Ribbon chart 11 (16)
k on RS; p on WS
times, then work Rows 1 and 2 once more.
Break yarn, leaving a 1 (1½) yd tail. With
WS tog, fold piece in half so both needles yo
point to right. With tail threaded on
tapestry needle, graft first 55 (75) sts and k2tog on RS; p2tog on WS
last 55 (75) sts tog using Kitchener st—75
(95) sts rem on needle. Neck: With RS fac-
ing, rejoin yarn at shoulder seam. Change ssk on RS; ssp on WS
to shorter cir needle. Place marker and join
in the rnd. Knit 3 rnds. BO all sts as foll: K1, pattern repeat
DESERT LACE
For techniques you don’t know, STITCH GUIDE K1, P1 Rib: (even number of sts)
? please visit our online knitting
glossary at www.interweave.com/
K1, P1 Rib: (odd number of sts)
Row 1 (RS) *K1, p1; rep from * to last st,
Row 1 *K1, p1; rep from * to end.
Rep Row 1 for patt.
interweave-knitting-glossary. k1.
Row 2 (WS) *P1, k1; rep from * to last st, Sloped BO: On last row before BO, sl last
NOTES p1. st pwise. BO row [Sl 1 pwise] 2 times, pass
• This tee is worked back and forth in
separate pieces and seamed.
Rep Rows 1 and 2 for patt. 2nd st over first to BO 1 st, BO rem sts as
usual.
DESERT LACE
rem. Work even until piece measures about up and knit 49 (51, 51, 53, 53) sts along
29 (29, 31¼, 31¼, 34½)" from CO, ending back neck edge, 25 sts along left front neck pattern repeat
with Row 6 (6, 20, 20, 6) of chart. BO all edge, 21 (23, 23, 25, 25) sts along front
LACE
35
D E
33
F 31
C
29
27
FRONT
& 25
BACK
23
B
21
19
17
15
A
13
11
A: 20¾ (24¼, 27½, 31, 34¼)"
9
B: 21 (20½, 22¼, 21¾, 24½)"
C: 8 (8½, 9, 9½, 10)" 7
D: 5¼ (6¾, 8½, 10, 11½)"
E: 10¼ (10¾, 10¾, 11¼, 11¼)" 5
F: 4"
3
D E
For techniques you don’t know, Panel chart over 23 sts, pm, k28 (34, 40,
? please visit our online knitting
glossary at www.interweave.com/
46, 53, 60, 67), sl m, work to end. Cont in
patt as established until piece measures
interweave-knitting-glossary. about 9½ (10, 10, 10½, 10½, 11, 11)" from C
CO, ending with Row 6 of Edging charts.
NOTES Next row Sl 1 (see Notes), work in garter
• This tunic is worked back and forth
from the top down in separate pieces
st to m, sl m, work in patt to last 4 sts, sl
m, work in garter st to end. Rep last row
BODY
Slip stitches purlwise with yarn in 24½, 24½)" from CO, ending with a WS row.
front. Next row Sl 1, knit to end. Rep last row 5
more times. BO all sts.
BACK
CO 87 (99, 111, 123, 137, 151, 165) sts. FRONT A
Next row (RS) Work Right Edging chart Work as for back.
over 4 sts, place marker (pm), knit to last
4 sts, pm, work Left Edging chart over FINISHING
4 sts. Next row Work chart to m, sl m, Block pieces to measurements. Sew 2¾ (3½, A: 14½ (16½, 18¼, 20¼, 22½, 24¾, 27)"
knit to m, sl m, work chart to end. Rep last 4½, 5¼, 6¼, 7, 8)" shoulder seams. Leaving B: 14"
row 3 more times. Next row (WS) Work 3" vents at bottom, sew side seams to C: 9½ (10, 10, 10½, 10½, 11, 11)"
chart to m, sl m, purl to m, sl m, work chart about 9½ (10, 10, 10½, 10½, 11, 11)" below D: 2¾ (3½, 4½, 5¼, 6¼, 7, 8)"
to end. Next row (RS) Work to m, sl m, shoulder seam. Weave in ends. E: 9 (9¼, 9¼, 9¾, 10, 10¾, 11)"
k28 (34, 40, 46, 53, 60, 67), pm, work Lace
SUSANNA IC has an extensive collection
of studio arts and art history degrees as
well as a rather large yarn stash. Find her
k on RS; p on WS projects and designs on Ravelry and on
her website, www.artqualia.com.
p on RS; k on WS
yo
LACE PANEL LEFT EDGING RIGHT EDGING
k2tog
7 5 5
ssk 5 3 3
3 1 1
k3tog
1 4 sts to 6 sts 4 sts to 6 sts
to 4 sts to 4 sts
sssk 23 sts
sl 2 as if to k2tog, k1,
pass 2 sl sts over—2 sts dec’d
spring | summer 2018
www.interweave.com
yarn shop DIRECTORY
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Describing a person of Marilyn Monroe’s stature is not easy. She is a fashion icon, an inspiration, and a
sober reminder of the toll of fame.
The name Marilyn has become an adjective in its own right. No According to the Marilyn Monroe Collection, the beach cardigan
other celebrity has matched the impact of the enigmatic blonde bomb- sold for $167,500 to Ripley’s Believe It Or Not! where it now sits on
shell; half a century after her premature death, we still hang photo- display next to the famous rhinestone-encrusted gown Marilyn wore
graphs of her, dress in her likeness for Halloween, and compare while singing “Happy Birthday” to President John F. Kennedy (a
attractive, curvy blondes to her. $4.8-million-dollar purchase). Little is known about the beach car-
Marilyn Monroe rocked everything from slinky dresses and tight digan other than that it was handknitted and part of Marilyn’s personal
sweaters to elegant evening attire and effortlessly chic outerwear. She wardrobe, but it has inspired knitters around the world.
was best known for her white halter-top dress from the 1955 film The Google “Marilyn beach cardigan” and find photos of handmade
Seven Year Itch, but a handknit cardigan she wore in an intimate beach replicas, knitting patterns, and inspiration boards, which is significant
photo shoot has become almost as iconic. considering she only wore the sweater publicly twice: for the beach
A month before her death, Marilyn wrapped the cardigan around shoot and on her last birthday, June 1, 1962, when she left Fox Studios
a swimsuit and posed in the sand and soft ocean waves of Santa Monica after a day of filming. She died on August 5, 1962, leaving fans stunned
Beach. This belted cardigan inspired the Summer 2018 issue of and heartbroken. I think her early death is a large part of why we will
Interweave Knits. always be fascinated by Marilyn, we never got enough—she left us
“This source of inspiration may seem surprising, considering that too soon.
the Marilyn Monroe photo shoot took place on a Santa Monica beach in
the 1960s. However, the core inspiration was the sweater itself and the SARAH ROTHBERG is the assistant editor for all of the Inter-
seasonal appeal of a chunky, warm sweater. The Mexican/Southwestern weave knitting titles. She loves every dog she meets and can’t
aesthetic and the timelessness of this sweater intersected with my own believe she gets to knit at work (sometimes).
love of Southwestern art, textiles, and colors, which in turn sparked the
mood board for this issue’s collection,” said Meghan Babin, editor of
Interweave Knits.