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Vogue Knitting International Magazine - Holiday 2014

Some ideas on knitting clothes on 2014
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100% found this document useful (17 votes)
3K views77 pages

Vogue Knitting International Magazine - Holiday 2014

Some ideas on knitting clothes on 2014
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
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- BING W B & FLAIR ee A FINE WINE - oo a Mast ER’ KNITTERS: ; 2 MEG SWANSEN Ae EBORAH.NEWTON - » <7? PINANCY MARCHANT, Mf in this He@©.L: TD A Negpelp2eOnly4 FASHION 48 _ BLACK, WHITE AND A LITTLE BIT oF cuirrer ‘touch of sparkle ehede a soft kht arate back 54 COMFORT & JOY Curie uo in sof, tactile krts—just right for wookonc lounging that rt up acy in buy yams. Wd eno. on racesoox ISSUC “Tus the nan to embrace color—everything from sft pastels to burgundy shades, in every combination imaginable, 60 WINE WITH EVERYTHING Pair bold yet neutral burgundy wih all you wardrobe stapes 70 MERRY & BRIGHT Spin the color whee ight céthe moment shades kek ‘ssc colcrwork techniques up toh FEATURES 30 MEG SWANSEN Embracing the Provisional Cast On, ne ofthe quickest ways to get stated 32 DEBORAH NEWTON: ‘WINTER WHIMSY Eventing you alvays wanted to know about bobble, Deborah Newton's "good kick charm” 36 _LaciNe uP wiTH BRIOCHE (On a questo ply as many kiting techriques as posse o roche reiting, Nancy Marchant ars her sgh to bioche lace. N EVERY IS 4 dtors Lotter B NewsNow 26 inspirational Yam Shop 28 Lay 76. Patom ist 104 Mat Orr 108 Autnorized Retator/Fasion 108 Techniques and Abbreviations UE OUR COVER Marge Sob rhbed-ollar allover ie warm and cryin Zumle ‘rom Hikoo/Shacel Callction. Photograph by Rove Callahan Hate ‘ndmakeup styled by Bena bye, Vin a Cover Kit For achance twin, at oa abit at snvmnroguckting com. “The decline Decenber20,2016. | NEW 8 y ss Sp olled The HOTTEST FINDS in knitting a Se 9 Erol e wk Sree So CacrasetBetto)et trend? Sport Pree aes on—and in— your project bag. ] ie Neutral Territory Satisfy utilitarian aesthetics “ with sleek shapes and subdued palettes. sttached ine brush 1. MllaMia/Clanse Elite Yarns Chriss Omament Kit furball ie bon china YARN By Leslie Petrowski chain Get on the chain train 5 with these irresistible Teords. * Lima, ROWAN: 84% baby alpaca 8 ‘etna wee, 8% ron; S0g20)¢5, Thiel balls so ridiculously potable, yout Beas tempted to get it a dog ed tstead a cabled cardi—you'l love the stitch elle tion—that will make you the object atten tin. 14 coors. wi hritowan comm” ey * The super bulky knit a YARNS Baby Aipsca Magna (100944 alpaca 1003555) ap aly Ai of 2 yam, ideal fr tat gtarpras eads band or turban yolve Bagh exe. 10 calor ven ymeutyan.om * Add CASCADE YARNS loud UR merind weol, 30% baby alpaca TODa/TgAW) to your arsanal of worsted, With atte of Saturated colors to slect emia a cle, Chains constuction that ads lity to this blend (and prety texture tbr fabric Your size 9s havea new go. 32 clos wmowcascadeyarns.com * Diamante, S. CHARLES COLLEZIONE/ TAHKLSTACY CHARLES: 63% woo, 32% nylon, 5% polyester 50p/104yds, Take 2 wool chaintte yan, un a strand though the center (punctuated with bingy nuggets) and you get this next gen novelty. Add it to cuffs and collars or go full-out and knit ‘an evening sweater or wrap. 6 coos, Byer rtoenr wnvatahkistacycharls.com Seen * Maya, BERROCO: 85% pima cotton, 15% y Sea baby alpaca; 509/137yds. Wart alittle ounce eee inyurcton? Mest ne Te nt con eee struction lends lof and stretch tothe usualy ita A he ayaa? ets ee of “cull oe for warmer climes. 2 colors. wnnberococom We dare you to squeeze DEBBIE BLISS! FIs Paloma (60% baby alpaca, 40% merino woo; 509/7lyds) and not (orgie us) bliss (ut. This bllomy buy offers high-cetinton stitches, eat drape and sumptuous warmth 22 colors. ww debbieblissonine.com 4. Modern Country Knits: 30 Designs From Juniper Moon Farm By Susan Gibbs (Sixth Spring Books; 819.85) Not every urbar-ituned-sheep-farme na fave tuns out as successfully (or scenicaly) as Suson Gibbs's The thought leader behind the fist yaer-and-ber CSA, Gb no only created new fnncial model for growers she also made realy prety yar. These days her ck and CSA are rearing retmert, but she continues to develop yams sourced rom Peru, Argentina, Nepal ard tay, coupling them with patterns ike the anes youl find here: Caroline Fry's nuppy lace Dryer Brook blouse and ombyé Daringon cress, Melissa Leap man's nature-inspired pullover vest wih remov abl cow, and Tabatha Hendck’sietrguinaly exiged Edgewater shawl Tere are aso its, stles, has and cara, sylically photographed by Gis inthe company of lambs, horses, gs and other icons ofa ite 2. The Spinner’s Book of Fleece: A Breed by Breed Guide to Choosing and Spinning the Perfect Fibe Every Purpose By Beth Smith (Storey Publishing: $28.08) So you want to buy a fleece? Or maybe youve cornered a braid of hand-yed roving you can't lve without. For those who think BFL must bea texting abbreviation, Beth Sith is hereto isabuse: Taking on nineteen popular sheep breeds, she provides history, thoughts on spin fing methods, project ideas, technical notes {and photos foreach type. Sampling the srin- re's swatch) fs a must in Smith's book. 80 fr every breed encountered, she advises using diferent preparation and spinning methads create smal amounts of sample yams, thereby selecting the bes technique for your proc. (keep good notes!) if you'e a knit frst and a spinner second and given to drafing stu through your orife with nary a thought to out come, this your guide to conscious yarn making 3. Viking Knits & Ancient Omaments: Interlacing Patterns from Around the World in Modern Knitwear By Esbeth Lavold (Frafalgar Square Books: $29.99) You know youre a cabling nerd when 2 new ‘book by Elsebeth Lavo finds its way to your desk and you get alte gy. That's because when you enter Lavole’s word, you wort find typical stich dletonary cables. Rather, youll enter a realm informed by her Viking lke exploration ofthe history of decorative arts. From swing-shaped jacket Rusia (cables inspired by a Roman building detai) ‘and the cropped Signild cardigan adored with inticatefgure eights tothe fatering Fula, a stitchwork sit, you'l not only find striking pattern designs; youll also discover ew twists and turns—all charted out—for you to incorporate ito your own work 4 Vest Bets: 30 Designs to Knit for Now Featuring 220 Superwash ‘Aran from Cascade Yarns (GinthaSpring Books 81795) Who hasrit been marconed on Sleeve Isiand ‘and wished the project was a vest? Or made it 9? Wonderful for obscuring the ove indulgences ofthe season wile elevating trea work unitorms, vests ae also a great steppingstone to garments for kriters co vinced that cardigans are their own personal Everest, Using Cascade's new washable Aran-veight, a host of talented designers have \woighed in with designs ranging from nom- core ease (the wear everywhere, cabled Rut- fan) to Valentina Devine’ textured, cropped waistcoat, Princess Rooney, Vote yourset cf the island by tucking int this high-value volume: There's 3 project for every kil evel, all named ater raceherses in hone of the {uiek-knting nature ofthe yam. 5. Ame & Carlos's Norwegian Knits With a Twist: Socks Sweaters, Hat Pillows, Blankets and a Whole Lot More By Ame Nerjordet and Carlos Zachison (Trafalgar Square Book; #94:98) ‘After warming up with books featuring Christmas omaments, Easter décor, dls and vena crocheted garden the irepressible Seanginaian design do have gore big. turing ther attention o garments and acces sores. inspired by the embroidery, apesty and kiting mais (cluding the famous Norwegian ice” pttrn of Setesdaln south Norway, Are, whose grandmether was fom the area, and Carlos, wha’ from Sweden, have reimagined these tratona designs in ner own whimsical syle, To wit: Rather than en to the heavily patterned yoke trope, they pended the women's sweater, placing ll calor ork on the bottom half f the sleeves and oy. The Five Wise Virgins embroidery mat ds up on pillows, wrist warmers, a hat, com Jd mens. Ad ball mats on a fok costume me a fun, colorful necklace. Guys, We anit wait to sae what's next. 3. Knitted Shawls of Helga Rat y Helga Rute Saara Publishing House; 60) sequel to that ether breathtaking homage, /aapsalu Shaws, this remarkable tome hgh ents the work of Helga Rutt, who in later fe et about designing and knitting these nasterworks inthe Estonian tradition. Allin 2, Riel has designed some 200 shawls, Seventy-five patterns of which are showcased ‘ut here, Don't expecta detalles ow-o (turn rather tothe aforementioned lume for architectural details). Instead, look J Helga for pattern inspiration, including a ace-and-nupe lustraton of musical staves and notes, paisley, hears, oak eaves tulip, interpreted embroidery patterns and other wonders. (Some mois have as mary 2s 100 nupps!) How lucky we are that Estonia's ssara Publishing discovered Ms. Rootes siaphanous hidden treasures and chose to Shae them with the kiting world sd char New Vintage Lace: Knits Inspired by the Past By Andrea Jurgrau Cnterwenre Prese/F-W $24.99) Fascinated by vintage lace doles and table- clots, particularly German Kunststricken (art knitng), Andrea Jurgrau has translated these retro knits into twenty modem projects that include shaws, has, scans, stles, beaded shandettes and even a dally oF two, Imp- ising on historical dlies and obscure pattern pamphlets, Jurgau has created a dramatic collection of lace goods ilustrated with helpful schematics and clear chart. The stars: Coeur d'Amour, 2 gob-smacking semi-circular shawl shown in crimson, the prety Blue Dahlia and the remarkable Ghost Orchid, a breath- taking floral masterwork perect for bride or chuppah, Then walkthrough Chapter 5 on dolly dissection fr @ window inte how you can awli2e" something yourselt Tatras Fingerless Mitts Blue Sky Extra | 9510 butter cream Embracing the Provisional Cast-On Meg sings the praises of “the world’s fastest cast-on.” hen did Invisible Cast-On change ts name to Provisional; does anyone know? It seemed to slip. ‘subly nto ur vocabulary a number of years ago, with no fanfare ‘A present, Invisible Cast-On is analogous to the magical Tubular Cat-On (see the Spring! ‘Summer 2012 isu for Meg’ article), “Provisional” refers to a cast-on that ‘allows you access to the raw stitches later on. Remain alert, asthe former name, Invisible, is stil used in older kniting books to refer tothe Provisional technique. | emember being bewildered as @ young kniter bythe concept of & Provisional Cast-On, so | copped out. | would use regular old Long Tal Cast-On with an auxiliary woo! aver my thumb, then laboriously unpick that sitand when | needed the raw sttches. However, that cop-out led to my elberate use of two colors for Long Tal as @ design feature; it provides the smallest possibie bit of contrast color around the lower edge—s good ‘example of No Wrong in Knitting, or A Use for Every Mistake. Provisional Cast-On is advantageous in myriad ways. | often use ito begin a sweater when I haven't decided onthe final lower-edge treatment or if am unsure ofthe final ength ofthe body, Or maybe I'm adding a border ‘around a blanket and want to weave the end tothe beginning, To knit @ ‘Crochet Method: 1) Chains fw ats with th aux woo, With need inlet hind and sux woo! behind needle chain another re cst on chain e few more sts but donot keep on the needle 3) With the woking yarn kal the ts from back ofthe needle as shown, and chain anothers. After als the needle. 4) You may unzip all the ets at once and then pick them up. Oi you are iting with slippery wool you can takeout one stat time and grab it ‘Swedish Dubbelmossa cap, you are directed to cast on Provisienaly $0 you ‘can decrease each of the two tops down to nothin, Think ofa lace scart with a mot that yields a scalloped border. yau Knit from one end tothe ‘othe, the two lower borders wil not match, and the two sides ofthe scarf wil be upside down to each other. Aha! Start in the middle with Provisional Cast- ‘On and knit down to each end fora perfect match, ‘There are two main ways to doa Provisional Cast-On, The fst has been referred to as the word's fastest cast-on. Its no proper name that | can find, but Carol Anderson of Cottage Creations calli Itsy Bitsy Spider because ofthe hand movements. We calli Twisty-Wraplilusrations shown opposite Make « loose sioknot with the working wool (ww) and a length of auliary (aux) wool Hold the knot and the needle in your right hand, Separate the two strands with your lft and and hold the aux woo! above the ww. *Come in front ofthe aux wool and scoop up the ww; now go behind the aux wool and 5£000 up the ww. Repeat from *. ‘Yu are really ust wrapping the ww round and round the needle, separ ating each weap with a twist of aux woo), allowing you to go ike the wind. you are casing on hundreds of stiches in this manner, make sure the aux ‘wool considerably thicker than the w to help you easly see that all stiches are straight before joining to rit ‘Avatiation ofthis method, in which the auliary woo is held below the ‘working woo, also works beautiful: “Come up under the aux woo! and ‘scoop the ww go back below the aux to starting postion. Now work a yarn ‘over (yo). Repeat fom *. Plus, clever Cat Bord has devised @ way to use the cable section ofa 40” needle as the aux “woo,” which you can watch (on YouTube. When you need the original stitches again, simply undo the slipknot and pullout the aux woo! with a flourish. Pick up the raw stitches and weave, ‘or knit inthe other direction, or cast of. Note that because of the Plars-and ‘Spaces illusion, you will have one fewer stich going dawn than up. You have my permission to fudge. | recently used this methed to cast on hundreds of stiches to test a yoke 4 Jeaving ston noel. 2) Bring the yarn tthe Etsy ‘design. The design was pleasing, and | removed the aux woo so I could kit the body and sleeves. The revealed stitches area series of loops, and if you pick them up as presented, every cther one has the lft eg in front; knit in to the backs of those stitches to straighten them. To be truthful, | never quite believe thatthe wrapped stitches are real, and invariably | rip out the very fist row of stitches so 'm abe to pick up “real” stitches. Knit’ choice. The second technique isthe crochet method, which has benefited from 2 vast improvement, thanks to an astute knitter (whose name I wish | knew). (One used to crochet (wth auxiliary wool @ chain of 10 mare crochets than ‘one needed stitches. Then tur the crechet chain ver and careful pick up laop from the underside of the chain, Several times | chose the wrong and the chain would not unzip. Ener: Clever Krier. Why not chain the num of wanted stitches directly over the needle jn and end with a short chain? Then the #o-be-picked-up will automatically be onthe Je with no possibilty of eror (se photos at fh. Lovey, Amy Detien discovered that f you he sweater wool for ths crochet method, it sa lvelycast-on uni sel, Fkmay be useful tote knot in the final end fe crochet aux wool, to remind yourself which fo pull when you eventually unzip the chain fevel raw siiches, though if you must ess, havea 50 percent chance of being corec. When working with woo, do not wory about sitches escaping when you remove the aux They most kely have been in captivity for time and wil remaln in place unt you can pthe needle through them. Jeontinue to atemate between both methods. crochet i a bit slower, but | used it on an ut Surprise Jacket | am knitting now because pumited me to unzip just the beginning and ig cast-on sections so | could lengthen the vile keeping the remaining stitches reand tidy. ‘Mog Swaneen is the owner of Schoolhouse Pres Provisional Cast-On and 150 additional techniques ae all demonstrated onthe [Rksiting Glossary DVD with Meg Swansen. land Elizabeth Zimmermar, available at ‘now schoolhousepress con. sie PERFECT GIFT FOR THE FESTIVE SEASON ame! 3.5). pe @ KNITTED MEASUREMENTS + Width at top edge 52/1326, * Length at center point 207/Stem MATERIALS ‘TRENDSETTER YARNS wwwitrendsetteryarns.com +3 1?\oz!50g hanks (each approx 330ya/302m) ‘of Lotus Yarms/Trendsetter Yams Mimi (mink) {in #21 black + Size 3 G.25mm) circular needle 40°/100em long, OR SIZE TO OBTAIN GAUGE. + Size 10 (13mm) steel crochet hook or small piece of wire bent in half + Stitch markers and holders +452 3mm Crystalets rystal buttons with ‘Swarovski crystals in color erystal (clea) GAUGE 32 sts and 32 rows ~ 5/12 Som over chart 2 using size 3 3.2Smm) neces. ‘TAKE TIME TO CHECK GAUGE. STITCH GLOSSARY Knit with bead If using crochet hook, pace bead ‘on crochet hook. Slip next st onto crochet hook and pull bead onto base of stitch. If using bent wire, slip next st onto one end of wire and pull itch to center bend. Pull both ends of wire through bead and pall bead onto base of stitch. For both methods, place st back on LH needle and kat, pushing top of ead through to RS if neces. say, NOTES 1 Crystalets are small bead-ike buttons with 2 shank, A twtorial for adding them using a pice fof bent wire can be found at this link Intps/wn. youtube omni ZAAZQ RQ. 2 Circular needle is used to accommodate large ‘number of st, Do not join, SHAWL Cast on 3 sts. Beg with a RS row, work 4 rows in Stst (kon RS, pon WS). Next row (RS) K3, pick up and k 3 sts 39 along side edge, pick up 9g and k 3st along easton edge—9 sts. Next row (WS) P3, place marker (pm), [pl pm] 3 times, p3 Beg chart 1 ow 1 K3 (selvag ss), sl mark cz, workchart to marke, sImark- et, KI (centr st), st marker, work chart 1 9 marker, s] marker, 13 (sl- vage st). Row 2 Pur ‘Cont to work chart 1 inthis way, working selvage and center ss in St st, through row 38-85 a, Beg first chart 2 rep [Note Disregard rep lines forthe first rep of chart 2, work ene row. CHART 2 FRow 1 K3, sl marker, work chart 2 to marker, marker, kl, sl marke, work chart 2 to marker, K3, Row 2 Pur Cont to work chart 2 in this way, working seh and center sts in St st, through row 32—149 Bog second chart 2 rop Row 1 K3, sl marker, work 32-t ep twice, work ‘end of cat, sf marke, Kt, sl marker, wore rep twice, work to end of charts marke, I, Row 2 Put. ‘Cont to work chat 2 inthis way, working se and center sts in St st through row 32-213. ‘Bog third chart 2 rep ‘Mote Chart is worked only through row 24, Row 1 K3, sl marker, work 32st ep 3 work to end of chart, s1 marker, kl, st work 32-t rep 3 times, work to end of char, CHART Stitch Key 1D kon RS, pon Ws: B kw ‘sk By BS skor (2) kit with bead 9 t f H 1 (13, Row 2 Put to work char 2 inthis way, working selvage center sts in St st, through row 24, removing around center son last row 261 st. chart 3 (Chart 3 is worked across ll sts excluding 413, work to rep line, work 32st ep 7 , work to end of chat, K3. Row 2 Put 0 work chart 3 i this way through row 22, selvage sts in Sts. off loosely knitwise. Block to measure- ° Beaded Scoop-Neck Tee cel oes pein dat Boe cod bck pool Sed fi Be aestXingeanistoenin Bast 34 (38, 42, 46)786.5 (96.5, 106.5, 117)em * Length 20 21%, 23, 2414751 (55, $85, 61.5em + Upper arm 11 (12, 13, 14)"28 0.5, 33, 35.5}em ‘MATERIALS ROWAN werw.kenitrowan.com +4 (5, 6, 7) .8802/25g balls (cach approx 20yd/210m) of Rowan Kidilt Haze (mohait! silk) in #599 wicked (A) +2, 3,4) balls in #664 steel (B) +34, 4, 8) .8802/25g balls (each approx 109yd/100m) of Rowan Anchor Artiste Metal (iscosermetallizd polyester) in #301 silver (C) + One air size 3 (3.25mm) needles, OR SIZE TO OBTAIN GAUGE + One size 2 (275mm) circular needle, Jone, + Stich markers and holders + Approx 2120 (2340, 2610, 2830) size 8 silver lined clear glass beads GAUGES +35 sts and 36 rows, larger noodles. + 31/ats and 46 rows = 4°/100m over chart pat 406m 1 /l0em over pat st using er eee using larger needles. ‘TAKE TIME TO CHECK GAUGES. BEADING YARN ‘Thread approx 2120 (2340, 2610, 2830) beads ‘onto a ball of & before beg to knit. Thread a ine sewing needle with thread, knot ends of thread snd pass end of yarn through thread loop. Thread teach bead onfo sewing thread and then gently slide ont yarn STITCH GLOSSARY Place bead Bring yam to RS of werk and pull ‘bead up next ost just worked sl next st puriwise, ‘bing yan to WS. Bead will sit in font of slipped st on RS of fabric. Where multiple ‘place bead” ‘sts are worked together, bring yarn to RS of work, pull the total numberof beads needed for the sts up next to st just worked sl same numberof ts puslwise, bring yar to WS. One bead will sit in front of each slipped ston RS of fabric. ‘WIDE STRIPE SEQUENCE Work 4 rows A, 2 rows B, 2 ows C Rep las 8 rows for wide stripe sequence. NARROW STRIPE SEQUENCE Work 2 rows A, 2 rows B,2 rows C Rep las 6 rows for narrow stripe sequence. BACK [Note First 2 rows begin wide stripe sequence. ‘With larger needles and A, cast on 133 (147,163, 179) st. FRow 1 (RS) K1 (3, 1,4), *kIb, 3, SK2P,K2, kb; rep from * to last 2 (4,2, 5) sts, 12 4,2, 5). Row 2 Pur. Rep rows | and 2 for pat st, contin wide stripe sequence for 6 rows more ‘Contin pat and wide stripe sequence, dec 1 st ‘each side of next row, then every 6th row S times rmore—121 (135, 151, 167) sts. Work 15 rows even, end with a WS row. Tne 1 st each side of next row, then every 10th row ones, then every Sth row 3 times more, AT SAME TIME, when 8 full reps (8 rows each) of wide stripe Sequence have been worked, bepin narrow stripe sequence. Cont in pat and nattow stripe sequence until 4 (5, 6, 7) eps of -row sequence have been worked, then work 2 rows in A once more—131 (145, 161, 177) sts when shaping is complete. Piece measures approx 10 (10%, 1105, 128)"25.5 (275, 29, 31}em from ber. Beg chart Note Border rows and chart are worked with pre beaded ball of A only. Do not place beads on edge sts, work in St st fa ‘place bead falls on frst or last st of row. Border row 1 (RS) With beaded ball of A, k2, ‘place bead, kl; rep from * to lasts, kl. Border row 2 (WS) With beaded bal ofA, pur. CChart row 1 (RS) With beaded ball of A, work to rep line, work I1-st rep 4 times, work to next ‘ep line, work 11st rep 4 times, work to end. ‘Cont to work chart in this way, foll shaping by incing 1 st each side of row 7—133 (147, 163, 179) sis, Work even fll chart through row 24, ‘Armhole shaping ‘Cont to fll chart, bind off $ (5, 6,7) ss at beg of, next 2 tows, Dec | st each side every row 5 times, ‘when row 30 of chart is complete work border rows | and 2 once more—113 (127,141, 188)sts. Cut beaded ball of A. Join unbeaded ball of A and beg narrow stipe sequence as fol Next row (dee RS) With A, King, k4 (6, 3, 5), tog, K2, kb, *kfb,k3, SK2P, 42, kb; rep from * 4g last 12 (14, 11, 13) sts, kf, 13, SKP, K4 (6, 3,5), k2tog—2 ts decd. Next row Purl ‘Cont in pat as established and narow stripe seaquene, rep dec each side every other row 3 (4, 5,6) times, then every th row | (2, 2,2) times— 103 (113, 125, 137) sts Work even in pats until armhole measures 7 (8, 81s, 9YVI8 (205, 21.5, 23)em, end with a WS. row. Mark center 59 (61,61, 65) sts on las ow. Neck and shoulder shaping Noxt row (RS) Bind off 4 (5, 7, 8) ss, work to ‘marker sts, slip center $9 (61, 61, 65) ts to st hol cr, join 2nd ball of yar and work o end in pat. ‘Working both sides at once, dec 1 stat each neck cedge every row 4 times, AT SAME TIME, bind off (5,7, 8) sts at beg of next 3 rows, 5 (6,7, 8) sts at beg of next 4 rows. FRONT ‘Work a for back until armhole measures 3 (4, 4%, TS (10, 11.5, Sale 6.8 tear 12.5)em, end with a WS St Pee row. Matk center 33 (3, 35,39) son las row, Neck shaping Next row (RS) Work 10 center marked ss, sl center 33 G5, 35, 39) a8 w st holder, join 2nd bal of yarn, and work to end. ‘Working both sides a once, dec 1 st at each neck edge ‘every tow 8 times, then every ober row 7 times, then every th row twice— 18 22,28, 32) sts rem each side. Work even until arm ole measures same a back to shoulder, shape shoul- ders as for back SLEEVES Note Work inc'd sts in Stst. unt here ar suficint ss cach side to work an adi- ional rep of pat st. Sleves are worked in wie stripe sequence. With larger needles and A, cast on 57 (67,67, 67) 8. FRow 1 (RS) K3, *ki, K3, SK2P, 2, Kb; rep fom * 718,819) 2n@n,23,24u7" [ud crates in, 18,205) 179,213" | swuod'sueoy Aor ypans 1102.13.14", gece 4561,6.057" THT 18 1D nT Fy 34 sts along left font neck edge, K33 (35,35, 39) ss fom front holder, pick up and 34 ss along ‘ght front neck edge, Sst along right back neck ‘edge, kS9 (61, 61, 65) sts from back holder, pick ‘up and K 5 sis along Tet back neck edge—170 (174, 174, 182) st. Knit 4 rows, end with @ RS ind of knitwise on WS, orm ssxeu) eMC keke g ace i to last 4 ts, gige Sew left shoulder and neckband seam. Set in Row 2 Pr a sleeves. Sew slecve and side seams. @ Reprows Vand 2forpas, EE ee 3 Lace Pullover ‘AT SAME TIME, inc 1 st ‘each side of next row, then every 6th 6th, 6th, 4th) row 15 (12, 20, 9) times, then every 8th (8th, 8th, 6th) row 4 (6,2, 18) times, working inc’d sts into pat st—97 (105, 113, 123) sts, Work ‘even until pioee measures 17 (7, 18, 18445 (44.5, 45.5, 47cm from beg. Loose-fiting top worked in allover lace pattern with picked up edges and sleves. Sized for ‘Small Medium, Large/X-Large and XX-Large snd shown in size Small/Medium on page 50. KNITTED MEASUREMENTS + Bust 45 (52, $8)"/114 (132, 147}em “+ Back length 27! (27, 28) (705, 7Dem + Upper am 14 (185, 17)955 395, 43)em Cap shaping MATERIALS Bind off $ (5, 6, 7) sts at ‘CASCADE YARNS www.cascadeyarns beg of next2 rows. Dec I st cach side every row 5 times, then every other row 8 (16, 15, 15) times, then every row 15 (7, 15, 19) times Bind off 4s at beg of next 2-4, 2,2) rows. Bind off rem 23 ss. FINISHING Block pieces lightly to ‘measurements. Sew right +4 (5, 5) 8802/25g hanks (each approx 300yd/275m) of Cascade Yarns Kid Sera {okainsilkwoo! in #01 white (A) +2 hanks in #33 black (B) + Size 3 (3.25mm) circular needle 40°/100em long, OR SIZE TO OBTAIN GAUGE * One spare size 3 (325mm) needle for 3-needle bind-of? + Stich markers and holders GAUGES +22 sis and 38 rows = 4"/10em over chart pat shoulder seam, using size 3 (3.25mm) needles after blocking. Nockband +24 sland 38 tows = 4"/10em over broken rib With RS facing, circular SSE caaek se needle and A, pick up and k ‘sing size 3 (325mm) needles after blocking. TAKE TIME TO CHECK GAUGES, ‘9:NEEDLE BIND-OFF Sec our website for “Binding Of" under “Patter ‘elp,” “How-to” and “The Basics” BROKEN RIB {over an odd number of sts) ow + (WS) PI, *E1, pl: rep ftom * to end ow 2 (RS) Knit. Rep rows 1 and 2 for broken rib, NoTES ‘Front and back are worked and seamed at shoulders, then side border and sleeve sts are picked up and worked 2 Finished measurements and gauge are given for Jace after blocking, block chart swatch thor- ‘oughly to check gauge Gauge for broken nib at yoke after blocking is

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