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Francisco Balagtas

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Francisco Balagtas

Francisco Balagtas y de la Cruz (April 2, 1788 – February 20, 1862), commonly known
as Francisco Balagtas and also as Francisco Baltazar, was a prominent Filipino poet during the
Spanish colonial period of the Philippines. He is widely considered one of the greatest Filipino
literary laureates for his impact on Filipino literature. The famous epic Florante at Laura is
regarded as his defining work.
The surname "Baltazar", sometimes misconstrued as a pen name, was a legal surname Balagtas
adopted after the 1849 edict of Governor-General Narciso Claveria y Zaldua, which mandated
that the native population adopt standard Spanish surnames instead of native ones. His surname
is also sometimes given as "Balagtas Baltazar" when instead he used one or the other but not
both at the same time. His mentor was José de la Cruz, otherwise known as Joseng Sisiw.

Francisco Balagtas/Francisco Baltazar

Born Francisco Balagtas y de la Cruz


April 2, 1788
Bigaa, Bulacan, Captaincy General
of the Philippines, Spanish Empire

Died February 20, 1862 (aged 73)


Udyong, Bataan, Captaincy General
of the Philippines, Spanish Empire

Nickname Kiko Balagtas

Occupation Poetry

Language Tagalog

Citizenship Spanish (1812 Spanish


Constitution granted Filipino natives
Spanish citizenship)

Alma mater Colegio de San Jose (now San Jose


Seminary)

Notable Florante at Laura


works

Spouse Juana Tiambeng

Life as a poet

Balagtas learned to write poetry from José de la Cruz (Joseng Sisiw), one of the most famous
poets of Tondo, in return for chicks. It was De la Cruz himself who personally challenged
Balagtas to improve his writing. Balagtas swore he would overcome Huseng Sisiw as he would
not ask for anything in return as a poet.
In 1835, Balagtas moved to Pandacan, Manila, where he met María Asunción Rivera, who would
effectively serve as the muse for his future works. She is referenced in Florante at Laura as
'Selya' and 'MAR'.
Balagtas' affections for MAR were challenged by the influential Marian Capule. The latter won
the battle for MAR when he used his wealth to get Balagtas imprisoned. It was here that he
wrote Florante at Laura—in fact, the events of this poem were meant to parallel his own
situation.
He wrote his poems in the Tagalog language, during an age when Filipino writing was
predominantly written in Spanish.
Balagtas published "Florante at Laura" upon his release in 1838. He moved to Balanga, Bataan,
in 1840 where he served as the assistant to the Justice of the Peace. He was also appointed as the
translator of the court. He married Juana Tiambeng on July 22, 1842, in a ceremony officiated by
Fr. Cayetano Arellano, uncle of future Chief Justice to the Supreme Court of the Philippines—
Chief Justice Arellano. They had eleven children but only four survived to adulthood. On
November 21, 1849, Governor General Narciso Clavería y Zaldua issued a decree that every
Filipino native must adopt a Spanish surname. In 1856, he was appointed as the Major
Lieutenant, but soon after was convicted and sent to prison again in Bataan under the accusation
that he ordered Alferez Lucas' housemaid's head to be shaved.
He sold his land and all of his riches, in order for him to be imprisoned in 1861, and continued
writing poetry, along with translating Spanish documents, but he died a year later—on February
20, 1862, at the age of 73. Upon his deathbed, he asked the favor that none of his children
become poets like him, who had suffered under his gift as well as under others. He even went as
far as to tell them it would be better to cut their hands off than let them be writers.
Balagtas is greatly idolized in the Philippines that the term for Filipino debate in extemporaneous
verse is named after him: Balagtasan.
Complete works
Only 3 of Balagtas' works survived complete and intact to this day. Out of the 3, "Florante at
Laura" is considered Balagtas' defining work and is a cultural touchstone for the Philippines.

 Florante at Laura or Pinagdaanang Buhay ni Florante at Laura sa Kaharian ng Albanya,


an awit (metrical narrative poem with dodecasyllabic quatrains [12 syllables per line, 4 lines
per stanza]); Balagtas' masterpiece
 La India elegante y el negrito amante – a short play in one part
 Orosman at Zafira – a comedia in three parts

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