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Never Flinch: A Novel
Never Flinch: A Novel
Never Flinch: A Novel
Ebook610 pages10 hours

Never Flinch: A Novel

Rating: 3.5 out of 5 stars

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Named a Most Anticipated Book of 2025 by The New York Times Book Review, AV Club, Variety, The Boston Globe, The Minnesota Star Tribune, Vulture, Men’s Health, Book Riot, New York Post, Goodreads, AARP, Paste, and more!

From master storyteller Stephen King comes an extraordinary new novel with intertwining storylines—one about a killer on a diabolical revenge mission, and another about a vigilante targeting a feminist celebrity speaker—featuring the beloved Holly Gibney and a dynamic new cast of characters.

When the Buckeye City Police Department receives a disturbing letter from a person threatening to “kill thirteen innocents and one guilty” in “an act of atonement for the needless death of an innocent man,” Detective Izzy Jaynes has no idea what to think. Are fourteen citizens about to be slaughtered in an unhinged act of retribution? As the investigation unfolds, Izzy realizes that the letter writer is deadly serious, and she turns to her friend Holly Gibney for help.

Meanwhile, controversial and outspoken women’s rights activist Kate McKay is embarking on a multi-state lecture tour, drawing packed venues of both fans and detractors. Someone who vehemently opposes Kate’s message of female empowerment is targeting her and disrupting her events. At first, no one is hurt, but the stalker is growing bolder, and Holly is hired to be Kate’s bodyguard—a challenging task with a headstrong employer and a determined adversary driven by wrath and his belief in his own righteousness.

Featuring a riveting cast of characters both old and new, including world-famous gospel singer Sista Bessie and an unforgettable villain addicted to murder, these twinned narratives converge in a chilling and spectacular conclusion—a feat of storytelling only Stephen King could pull off.

Thrilling, wildly fun, and outrageously engrossing, Never Flinch is one of King’s richest and most propulsive novels.
LanguageEnglish
PublisherScribner
Release dateMay 27, 2025
ISBN9781668089354
Author

Stephen King

Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes Never Flinch, the short story collection You Like It Darker (a New York Times Book Review top ten horror book of 2024), Holly (a New York Times Notable Book of 2023), Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King. 

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Reviews for Never Flinch

Rating: 3.5337423466257674 out of 5 stars
3.5/5

163 ratings18 reviews

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  • Rating: 4 out of 5 stars
    4/5

    Jun 12, 2025

    Holly finds herself serving as bodyguard to a woman who is being stalked while a serial killer is seeking vengeance for a man wrongfully convicted.
  • Rating: 5 out of 5 stars
    5/5

    Jun 10, 2025

    Flinch captures the impact of many bad events. Nothing supernatural but the story grabs a reader and the characters come to life - both the good, the bad, and the evil. A serial killer on one side and a fanatical woman’s rights crusader. King IDs a master at bringing a reader into his characters heads which brings them to life and makes one care. The book starts with a prison Murder. The murdered prisoners had been wrongfully convicted after being framed by an envious work colleague.
  • Rating: 4 out of 5 stars
    4/5

    Jul 9, 2025

    This is vintage King. It has a great plot that fully engages with enough twists and turns to satisfy anyone. Unfortunately, it's also filled with clichés—another King trademark. The characters are basically either totally evil or too good to be believed.
  • Rating: 3 out of 5 stars
    3/5

    Jun 9, 2025

    Was very excited for another Holly Gibney story but I didn't really care for this one. The set up was interesting but fell flat at the end, I was expecting more. Reminded me too much of hurry and get it done type of ending. I'm sorry to say that Holly started to annoy me in this one with her cutesy sayings and what is going on with Barbara???? Won't stop me from reading any future books by Stephen King but I hope they are better.
  • Rating: 3 out of 5 stars
    3/5

    Oct 14, 2025

    Another fairly serviceable Holly Gibney adventure has her dividing her attention between to separate killers: one tracking a controversy-courting author's book tour through the Midwest states and the other terrorizing her home town, now known as Buckeye City, Ohio.

    King is always readable, but this goes off the rails a little bit as the two cases slowly converge in the same city in a most ridiculous manner, loaded with contrivance, convenience, and coincidence.

    Oh, and King just cannot suffer a gay character to live. What's up with that, Stephen?
  • Rating: 4 out of 5 stars
    4/5

    Jul 8, 2025

    I enjoyed this wonderful thriller. I loved Holly and Ivy. I did not care too much for Kate but I loved Corrie. I enjoyed that there were two storylines. I loved the ending.
  • Rating: 3 out of 5 stars
    3/5

    Jun 3, 2025

    Decidedly meh. I've never been a big fan of Holly Gibney and now I'm fracking (OMFG!!!) sick of her and the whole Scooby Doo pack of characters. Too many things going on, too much axe grinding with popular v. unpopular opinions (you do not have to make up for every situational gaffe you ever committed by displaying your hyper-woke sensibilities), no supernatural element which is fine if you can actually nail a thriller like this and he didn't. He was channelling John Sandford pretty hard in some ways, but damn it really shows that with this genre, Sandford is the master. I did like the shout out to him with a Toxic Prey sighting. Seriously though, I sometimes had to work to remember which psychotic was which and who was trying to kill who. Holly's out of the blue deductions and flashes of insight came too fast and furious despite her always telling everyone that it wasn't her case. At least she had the one wrong guess, but dammit I'm sick of her. Enough Uncle Steve. Oy vey. Anyway...it's ok, but no where near his best. Somehow the sparkle and the character was missing from the writing. Having just come off The Stand and Duma Key, the difference was pretty glaring.

    Oh and I just realized that Sandford has become enamored with a character of his that I really wish he hadn't - Letty Davenport. Ugh. I just find her humorless and robotic. Come to think of it, Holly is, too, but has additional unpleasant traits. Bleah. What is it with these two?
  • Rating: 5 out of 5 stars
    5/5

    Jul 1, 2025

    4.5 stars. here I am reading these all out of order, but I always know I'm in capable hands with a King novel. This isn't really a mystery since we're following the perpetrators around as much as the crime solvers, but it's still gripping and filled with funny relationships and biting social commentary.
  • Rating: 2 out of 5 stars
    2/5

    May 31, 2025

    So...yet another Holly Gibney novel.

    Yay. Or, whatever.

    With this, the sixth (and my god, I hope final) appearance of Holly Gibney in a Stephen King story, I can officially say I'm really, truly, sick and tired of this character and her world. Yeah, yeah, I know. Shut up, Mr. Crankypants.

    She was interesting in MR. MERCEDES. I'll give you that. But each subsequent appearance dimmed my like for her just a little more. And HOLLY seemed to removed anything that was fun about her. I will say, this novel seemed to bring back some of the quirks that had been tamped down, but still, it's not enough to save this book.

    King's note at the end let's us know this book had a difficult birth, and I can see why. It's got a huge cast of characters, two full, novel-length stories going on at the same time that get coincidentally—but not very neatly—shoehorned together toward the end. King says his wife Tabitha read the first draft and her comment was, "You can do better."

    She's not wrong, and I stand by her statement with this final draft. He can—and has—done much better. Hell, he's done better with Holly, specifically in the "If It Bleeds" novella.

    Anyway, overall, this is an overly complicated story of one man turning into a serial killer and another LGBTQ character stalking someone for...reasons. Along the way, King has commentary on alcoholism, on addiction in the broader sense, on abortion rights, women's rights, religion, the Right and the Left, and the acceptance (or not) of non-cisgendered people...

    ...as well as those two many storylines.

    To be honest, I'm shocked this isn't one of King's trademark 900-page, four pound doorstop novels, with all that going on, but thank god it's not, because he busts out some arguments too often already (the ex-alcoholic, soon-to-be-serial-killer who keeps ruminating on how he's getting addicted to killing). There's just...too much happening in this book and, unfortunately, very little of it is truly engaging.

    A solid three-quarters of the way through this story, I remember thinking that this is, at best, one of those books that everyone reads because the author has become the hot topic on Tik Tok for a week, but their next book bombs because everyone that read this one realized it wasn't that good in the first place.

    It's an average book from an author who never used to write average books, and that saddens me. The new King book used to be an event. It used to be a "first thing in the morning trip to the bookstore, then hide from everyone until the book is read" event.

    But unfortunately, this one's got all the hallmarks of a 2020s King story...characters "beat feet" and wear "gimme caps" and spout sayings that are at least forty years out of date. They reference things like Roy Rogers and his horse Trigger, and music that was popular in the Sixties. And honestly? I wouldn't care anything about that, if King was setting his books in the Sixties or Seventies...but now? The only people who talk like that? Who use those expressions and callbacks?

    They're characters in a King novel.

    The only sections I truly enjoyed in this novel were the Barbara/Sista Bessie scenes, because—likely due to his Rock Bottom Remainders experiences—King brings the music and the stage antics alive. It's the one plotline in the book that I felt like King didn't have to think or plot, but just flow.

    I wish the rest of the book had that flow.

    Anyway, here's hoping King's scratched his mystery/Holly itch enough (as well as his fantasy itch) and gives us a story that makes us flinch.

    Because, like the title, with this one I never flinched, but I did wince on more than one occasion.
  • Rating: 3 out of 5 stars
    3/5

    Oct 5, 2025

    This one was a meh. Not the worst Stephen King book I've read, or even the worst Holly Gibney book, but this does not feel like his genre. The plot line was overly convoluted, yet with some convenient deus ex machina, the villains felt cartoony, and most of the rest of the characters seemed one-dimensional. Plus, I never felt anything was at stake because I didn't believe the recurring characters were in real danger. I should go back and reread Mr. Mercedes to see how it compares. I'll bet it comes off a lot more favorably in retrospect. Anyway, even though Gibney's character seemed somewhat more developed to me in this book than in the previous two, I think it's time to retire her--and maybe get back to horror?
  • Rating: 4 out of 5 stars
    4/5

    Aug 4, 2025

    This book was my first on audio from Stephen King; and actually my first by this author since 1978's The Stand. I believe that some of the characters are known to King devotees, and I enjoyed following the deductive skills of Holly and Izzy, a PI and a detective. They are tracking a serial killer and an anti-abortion fanatic. Trig is haunted by the ghost of his brutal father and Chris/Chrissy by his deceased sister, who died of a genetic disease, and is driven by his pastor to the attempted murder of Kate McKay, a renowned feminist. There are truly enjoyable interludes, like the Guns 'n' Hoses softball playoff between police and firefighters, and the return of beloved soul singer Sister Bessie, but mostly there's the persistent gun violence of warped men.
  • Rating: 3 out of 5 stars
    3/5

    Sep 30, 2025

    Stephen King Book number 83, and 7/7 of the Holly Gibney series. last one was In the The Tall Grass in Feb25. Was great returning to the world of SK and the next in the Holly Gibney storyline.
  • Rating: 4 out of 5 stars
    4/5

    Jun 23, 2025

    Stephen King's latest novel, NEVER FLINCH, is the fourth book featuring Holly Gibney, a main character I both like and enjoy following. In great excitement, I preordered the audiobook, my favorite method of experiencing Mr. King's novels, and finally got down to listening to it. Only to discover that NEVER FLINCH is not one of Mr. King's strongest stories.

    Holly Gibney has demonstrated tremendous growth over the first three books, excluding her role in Mr. King's Mr. Mercedes series. She has emerged from her timid and rigid shell to become a strong, decisive, fair, and competent character. For the most part, in NEVER FLINCH, Holly continues to exhibit those traits as she works to protect her client and solve a serial killer's murder spree in her spare time, until she doesn't. The switch from capable and decisive Holly to indecisive and fearful Holly is as abrupt as it is disconcerting. The whole shift is so out of character for Holly, especially the Holly as we now know her to be.

    Holly's regression is particularly irksome because half of the plot surrounds women's rights. And, for most of the novel, she is a powerful woman in her own right. As a hired security guard for a feminist, it is as if Mr. King is emphasizing that Holly has grown into her role as a private investigator, business owner, and friend, and that she is no longer meek but wily, highly observant, and unafraid to act on intuition. Holly blends well with Kate McKay's bombastic nature, providing some much-needed calm against Kate's storm. Together, they are the perfect example of why women continue to fight for equal rights and against the patriarchy. Yet, Mr. King undoes that powerful portrayal in one short scene.

    The issue here is that Mr. King did not need to betray Holly that way. I recognize that in this one scene, Holly's indecision becomes a crucial moment of suspense, akin to a bomb ticking down while someone waffles over which color of wire to cut. However, the scene does not need any more tension. The other threads of the story are also ratcheting up in suspense, building the necessary crescendo before the final confrontation between hero and villain. We don't need Holly to waffle; it doesn't add anything to the story. Instead, this one scene subtracts so much from who Holly has become.

    Mr. King's novels always have multiple story threads, and he usually excels at coalescing them into one coherent finale. In NEVER FLINCH, the multiple stories don't quite work together. The build-up to the big fire versus police charity softball game is more distracting than anything. The Sista Bessie storyline is also a bit unnecessary. Don't get me wrong. Sista Bessie is a GREAT character, and I loved her scenes. But they didn't provide much other than a fun side story.

    While NEVER FLINCH is one of Mr. King's more mediocre stories, I have to say the audiobook production is outstanding. As the narrator, Jessie Mueller provides a remarkable performance. She not only manages to embody prissy Holly, free-spirited Barb and Jerome, and blustery Kate, but she is glorious as Sista Bessie. Her singing is simply gorgeous. By the end of the novel, I forgot that she was narrating and thought that Sista Bessie was a real person. If ever there was an audiobook production you must experience, it is this one.

    NEVER FLINCH is both a disappointment and a delight. I remain frustrated with how Mr. King showed Holly at the end of the story because I like her growth. It is why I keep coming back to the series. Holly has always been somewhat of an underdog, and this was the first novel where I felt that she was a reckoning force. To kick her back to where she started so suddenly like that is doing Holly a major injustice, and it was just too abrupt and unnecessary for me to be able to overlook it. Combine that with the side stories that were good entertainment but made a long novel feel even longer, and there are the disappointments. However, I enjoyed Jessie Mueller as Sista Bessie so much that I can only delight in her performance and relisten to those singing sections as often as possible!
  • Rating: 3 out of 5 stars
    3/5

    Jun 20, 2025

    Eh, it’s okay, a bit over the top without as much of King’s usual flair for description that enables the over-the-topness to work. Holly Gibney is protecting a feminist comic/provocateur against religious zealots while also helping investigate a serial killer who is deliberately killing innocents to protest the wrongful conviction of a guy who was framed by a jealous colleague. These stories intersect in the climax.
  • Rating: 5 out of 5 stars
    5/5

    Jun 15, 2025

    This was a five star read for me, but, if you're not a Stephen King fan you definitely won't agree with me. The reviews are mixed and for a minute, I hesitated to jump in since I have so many books to read! But, luckily, I decided not to pay attention to the less than stellar reviews. Once again, once I got started, I read it straight through! There's definitely a lot going on in this book with intertwining storyline - one about killer on a revenge mission and another about a vigilante targeting a feminist celebrity speaker. Once again, featuring Holly Gibney with a large cast of characters, both old and new. I loved it!!!
  • Rating: 3 out of 5 stars
    3/5

    Sep 17, 2025

    I read over some of the reviews I've written for Stephen King's books the last few years, and the theme is common - they're boring, not nearly as good as his earlier work, and they're too long. His stories used to be terrifying or horrifying, and now they're neither - EXCEPT his short stories which are far better. Unfortunately, I found this book to be more of the same. I plodded through it and once again it was pretty boring. Also, the character of Holly Gibney is not engaging - please, no more of her. I wish I had liked it better.
  • Rating: 2 out of 5 stars
    2/5

    Aug 24, 2025

    Ah, I wish I could give this book an extra star, but that wouldn't be fair to the "Holly" novels that I awarded three stars. This one didn't have the particular qualities of Holly Gibney that I have enjoyed, plus I felt like King sort of condescended to his readers by driving home the meaning of the title (as well as the "bossy" nature of one of the characters) and resorting to "single character has a dialogue with a dead family member"...King always keeps me reading, but i was hoping the payoff would be greater.
  • Rating: 4 out of 5 stars
    4/5

    Aug 16, 2025

    This is the first Stephen King novel I have read, and I think it was a mistake to come in at number 4 in this Holly Gibney series. Some of the characters (e.g. Jerome and Barbara) were a bit superfluous and made the book longer than it needed to be, but they seemed to be adored recurring characters. It was cleverly done, but most of the mysteries were revealed by the two-thirds mark and I skimmed the last third because I knew everything I needed to.

Book preview

Never Flinch - Stephen King

Trig

1

March, and the weather’s miserable.

The Straight Circle meets in the basement of the Buell Street Methodist Church every weekday from four to five PM. It’s technically a Narcotics Anonymous meeting, but plenty of alcoholics also attend; Straight Circle is usually packed. It’s calendar spring, has been for almost a week, but in Buckeye City—sometimes known as the Second Mistake on the Lake, Cleveland being the first—actual spring comes late. When the meeting lets out, a fine drizzle is hanging in the air. By nightfall it will thicken and turn to sleet.

Two or three dozen attendees gather near the butt can by the entrance and light up, because freebasing nicotine is one of two addictions left to them, and after an hour in the basement they need that hit. Others, the majority, turn right and head for The Flame, a coffee shop a block down. Coffee is the other addiction they can still indulge.

One man is stopped by Reverend Mike, who also attends this meeting and many others on a regular basis; the Rev is a recovering opioid addict. In meetings (he attends two or three every day, weekends included) he introduces himself by saying, I love God, but otherwise I’m just another fiend. This always gets nods and murmurs of approval, although some oldtimers find him a bit tiresome. They call him Big Book Mike for his habit of quoting (verbatim) long passages from the AA handbook.

Now the Rev gives the man a soul shake. Not used to seeing you around these parts, Trig. You must live upstate.

Trig doesn’t but doesn’t say so. He has his reasons for going to meetings out of the city where recognition is unlikely, but today was an emergency: hit a meeting or drink, and after taking the first drink, all choices would be gone. He knows this from personal experience.

Mike puts a hand on the other man’s shoulder. In your share, Trig, you sounded upset.

Trig is a childhood nickname. It’s how he introduces himself at the start of meetings. Even at out-of-town AA and NA, he rarely speaks other than that initial identification. In tag-team meetings he mostly says, I just want to listen today, but this afternoon he raised his hand.

I’m Trig, and I’m an alcoholic.

Hi, Trig, the group responded. They were in the basement instead of the church, but there’s still that revival meeting call-and-response. Straight Circle is, in fact, the Church of the Crashed and Burned.

I just want to say that I’m pretty shaken up today. I don’t want to say any more, but I had to share that much. That’s all I’ve got.

There were murmurs of Thanks, Trig and Hang in there and Keep coming back.

Now Trig tells the Rev he’s upset because he found out he lost someone he knew. The Rev asks for more details—pries for them, actually—but all Trig will say is that the person he’s mourning died in lockup.

I’ll pray for him, the Rev says.

Thanks, Mike.

Trig starts away, but not toward The Flame; he walks three blocks and climbs the steps to the public library. He needs to sit and think about the man who died on Saturday. Who was murdered on Saturday. Was shanked on Saturday, in a prison shower.

He finds a vacant chair in the Periodicals Room and picks up a copy of the local paper, just to have something to hold. He opens it to a page-four story about a lost dog recovered by Jerome Robinson of the Finders Keepers Agency. There’s a picture of a smiling and handsome young Black man with his arm around some kind of big dog, maybe a Labrador Retriever. The headline is one word: FOUND!

Trig stares through it, thinking.

His real name was in this same paper three years ago, but no one has made the connection between that man and the one who attends out-of-town recovery meetings. Why would they, even if there had also been a picture of him (which there wasn’t)? That man had a slightly graying beard and wore contacts. This version is clean-shaven, wears glasses, and looks younger (quitting the booze will do that). He likes the idea of being someone new. It also weighs on him. That is the paradox he lives with. That, and thinking about his father, which he does more and more frequently these days.

Let it go, he thinks. Forget it.

That is on March 24th. Forgetting lasts just thirteen days.

2

On April 6th, Trig sits in the same Periodicals Room chair, staring at the feature story in today’s Sunday paper. The headline doesn’t just speak, it shouts. BUCKEYE BRANDON: MURDERED PRISON INMATE MAY HAVE BEEN INNOCENT! Trig has read the feature, and listened to Buckeye Brandon’s podcast three times. It was the self-proclaimed outlaw of the airwaves who broke the story, and according to Buckeye, there was no may have been about it. Is the story true? Trig thinks that, given the source, it must be.

What you’re thinking of doing is crazy, he tells himself. Which is true.

If you do it, you can never go back, he tells himself. That’s also true.

Once you start, you must keep on, he tells himself, and that’s truest of all. His father’s mantra: You have to push through to the bitter end. No flinching, no turning away.

And… what would it be like? What would it be like for him to do such things?

He needs to consider some more. Not just to get clarity on what he’s thinking of doing, but to put a space of time between what he found out courtesy of Buckeye Brandon (also this feature article) and the acts—the horrors—he may commit, so no one will make the connection.

He finds himself remembering the headline about the young man who recovered the stolen dog. It was simplicity itself: FOUND! All Trig can think about is what he’s lost, what he did, and the amends he must make.

Chapter 1

1

It’s April now. In the Second Mistake on the Lake, the last of the snow is finally melting.

Izzy Jaynes gives a one-knuckle courtesy knock on her lieutenant’s door and goes in without waiting. Lewis Warwick is tilted back in his chair, one foot resting on the corner of his desk, hands loosely clasped on his midsection. He looks like he’s meditating or dreaming awake. For all Izzy knows, he is. At the sight of her he straightens and puts his foot back on the floor where it belongs.

Isabelle Jaynes, ace detective. Welcome to my lair.

At your service.

She doesn’t envy him his office, because she’s aware of all the bureaucratic bullshit that comes with it, accompanied by a salary bump so small it might be called ceremonial. She’s happy enough with her humble cubicle downstairs, where she works with seven other detectives, including her current partner, Tom Atta. It’s Warwick’s chair that Izzy lusts after. With its high, spine-soothing back and reclining feature, it’s meditation-ready.

What can I do for you, Lewis?

He takes a business envelope from his desk and hands it to her. You can give me an opinion on this. No strings attached. Feel free to touch the envelope, everybody from the postman to Evelyn downstairs and who knows who else has had their paws on it, but the note should maybe be fingerprinted. Partly depending on what you say.

The envelope is addressed in capital block letters to DETECTIVE LOUIS WARWICK at 19 COURT PLAZA. Below the city, state, and zip, in even larger capitals: CONFIDENTIAL!

"What I say? You’re the boss, boss."

I’m not passing the buck, it’s my baby, but I respect your judgement.

The end of the envelope has been torn open. There’s no return address. She carefully unfolds the single sheet of paper inside, holding it by the edges. The message has been printed, almost certainly on a computer.

To: Lieutenant Louis Warwick

From: Bill Wilson

Cc: Chief Alice Patmore

I think there should be a corollary to the Blackstone Rule. I believe the INNOCENT should be punished for the needless DEATH of an innocent. Should those who caused that death be put to death themselves? I think not, because then they would be gone and the suffering for what they did would be at an end. This is true even if they acted with the best will in the world. They need to think about what they did. They need to Rue the Day. Does that make sense to you? It does to me, and that is enough.

I will kill 13 innocents and 1 guilty. Those who caused the innocent to die will therefore suffer.

This is an act of ATONEMENT.

Bill Wilson

Whoa, Izzy says. Still being careful, she refolds the note and slips it back into the envelope. Someone has donned their crazy pants.

Yes indeed. I googled the Blackstone Rule. It says—

I know what it says.

Warwick puts his foot up on the desk again, hands this time laced together at the nape of his neck. Elucidate.

Better for ten guilty men to go free rather than for one innocent man to suffer.

Lewis nods. Now for Double Jeopardy, where the scores can really change. What innocent man might our crazy-pants correspondent be talking about?

At a guess, I’d say Alan Duffrey. Shanked last month at Big Stone. Died in the infirmary. Then that podcaster, Buckeye Brandon, blowing off his bazoo, and the follow-up piece in the paper. Both about the guy who came forward to say he framed Duffrey.

Cary Tolliver. Got hit with the cancer stick, late-stage pancreatic, and wanted to clear his conscience. Said he never intended Duffrey to die.

So this note isn’t from Tolliver.

Not likely. He’s in Kiner Memorial, currently circling the drain.

Tolliver making a clean breast was sort of like locking the barn door after the horse was stolen, wouldn’t you say?

Maybe yes, maybe no. Tolliver claims he fessed up in February, days after he got his terminal diagnosis. Nothing happened. Then, after Duffrey was killed, Tolliver went to Buckeye Brandon, aka the outlaw of the airwaves. ADA Allen says it’s all attention-seeking bullshit.

What do you think?

I think Tolliver makes a degree of sense. He claims he only wanted Duffrey to do a couple of years. Said Duffrey going on the Registry would be the real punishment.

Izzy understands. Duffrey would have been forbidden to reside in or near child safety zones—schools, playgrounds, public parks. Forbidden to communicate with minors by text, other than his own children. Forbidden to have pornographic magazines or access porn online. Have to inform his supervising officer of an address change. Being on the National Sex Offender Registry was a life sentence.

If he had lived, that was.

Lewis leans forward. Blackstone Rule aside, which really doesn’t make much sense, at least to me, do we have to worry about this Wilson guy? Is it a threat or empty bullshit? What do you say?

Can I think it over?

Of course. Later. What does your gut tell you right now? It stays in this office.

Izzy considers. She could ask Lew if Chief Patmore has weighed in, but that’s not how Izzy rolls.

"He’s crazy, but he’s not quoting the Bible or The Protocols of the Elders of Zion. Not suffering Tin Hat Syndrome. Could be a crank. If it isn’t, it’s someone to worry about. Probably someone close to Duffrey. I’d say his wife or kids, but he didn’t have either."

A loner, Lewis says. Allen made a big deal of that at the trial.

Izzy and Tom both know Doug Allen, one of the Buckeye County ADAs. Izzy’s partner calls Allen a Hungry Hungry Hippo, after a board game Tom’s children like. Ambitious, in other words. Which also suggests Tolliver may have been telling the truth. Ambitious ADAs don’t like to see convictions overturned.

Duffrey wasn’t married, but what about a partner?

"Nope, and if he was gay, he was in the closet. Deep in the closet. No rumors. Chief loan officer at First Lake City Bank. And we’re assuming it’s Duffrey this guy’s talking about, but without a specific name…"

It could be someone else.

"Could be, but unlikely. I want you and Atta to talk to Cary Tolliver, assuming he’s still in the land of the living. Talk to all Duffrey’s known associates, at the bank and elsewhere. Talk to the guy who defended Duffrey. Get his list of known associates. If he did his job, he’ll know everyone Duffrey knew."

Izzy smiles. I suspect you wanted a second opinion that echoes what you already decided.

Give yourself some credit. I wanted the second opinion of Isabelle Jaynes, ace detective.

If it’s an ace detective you want, you should call Holly Gibney. I can give you her number.

Lewis lowers his foot to the floor. "We haven’t sunk to the level of outsourcing our investigations yet. Tell me what you think."

Izzy taps the envelope. I think this guy could be the real deal. ‘The innocent should be punished for the needless death of an innocent’? It might make sense to a nut, but to a sane person? I don’t think so.

Lewis sighs. The really dangerous ones, the ones who are crazy and not crazy at the same time, they give me nightmares. Timothy McVeigh killed over a hundred and fifty people in the Murrah Building and was perfectly rational. Called the little kids who died in the daycare collateral damage. Who’s more innocent than a bunch of kids?

So you think this is real.

"Maybe real. I want you and Atta to spend some time on it. See if you can find someone so outraged by Duffrey’s death—"

Or so heartbroken.

Sure, that too. Find someone mad enough—I mean it both ways—to make a threat like this.

Why thirteen innocent and one guilty, I wonder? Is that a total of fourteen, or is the guilty one of the thirteen?

Lewis shakes his head. No idea. He could have picked the number out of a hat.

Something else about this letter. You know who Bill Wilson was, right?

Rings a faint bell, but why wouldn’t it? Maybe not as common as Joe Smith or Dick Jones, but not exactly Zbigniew Brzezinski, either.

The Bill Wilson I’m thinking of was the founder of AA. Maybe this guy goes to AA and he’s tipping us to that.

Like he wants to be caught?

Izzy shrugs, sending him a no opinion vibe.

I’ll send the letter to forensics, much good it’ll do. They’re going to say no fingerprints, computer font, common form of printer paper.

Send me a photo of it.

I can do that.

Izzy gets up to go. Lewis asks, Have you signed up for the game yet?

What game?

Don’t play dumb. Guns and Hoses. Next month. I’m going to captain the PD team.

Gee, I haven’t got around to that, boss. Nor does she mean to.

The FD has won three in a row. Going to be a real grudge match this year, after what happened last time. Crutchfield’s broken leg?

Who’s Crutchfield?

Emil Crutchfield. Motor patrolman, mostly works on the east side.

Oh, Izzy says, thinking, Boys and their games.

Didn’t you used to play? At that college you went to?

Izzy laughs. Yeah. Back when dinosaurs walked the earth.

You should sign up. Think about it.

I will, Izzy says.

She won’t.

2

Holly Gibney raises her face into the sun. T.S. Eliot said April is the cruelest month, but this doesn’t seem very cruel to me.

Poetry, Izzy says dismissively. What are you having?

Fish tacos, I think.

"You always have fish tacos."

Not always, but mostly. I’m a creature of habit.

No shit, Sherlock.

Soon one of them will get up and join the line at Frankie’s Fabulous Fish Wagon, but for the time being they just sit quietly at their picnic table, enjoying the warmth of the sun.

Izzy and Holly have not always been particularly close, but that changed after they had dealings with a pair of elderly academics, Rodney and Emily Harris. The Harrises were insane and extremely dangerous. It could be argued that Holly got the worst of it, having to deal with them face to face, but it was Detective Isabelle Jaynes who had to inform many of the loved ones of those who had been victims of the Harrises. She also had to tell those loved ones what the Harrises had done, and that was no night at the opera, either. Both women bore scars, and when Izzy called Holly after the newspaper coverage (national as well as local) died down, asking if she wanted to do lunch, Holly agreed.

Doing lunch became a semi-regular thing, and the two women formed a cautious bond. At first they talked about the Harrises, but less so as time went by. Izzy talked about her job; Holly talked about hers. Because Izzy was police and Holly a private investigator, they had similar, if rarely overlapping, areas of interest.

Nor had Holly entirely given up the idea of luring Izzy over to the dark side, especially since her partner, Pete Huntley, had retired and left Holly to run Finders Keepers singlehanded (with occasional help from Jerome and Barbara Robinson). She was at pains to tell Izzy that Finders didn’t do divorce work. Keyhole peeping, social media tracking. Text messages and telephoto lenses. Oough.

When Holly brought up the possibility, Izzy always said she’d keep it in mind. Which meant, Holly thought, that Iz would put in her thirty on the city police force and then retire to a golfside condo in Arizona or Florida. Probably on her own. A two-time loser in the marriage sweepstakes, Izzy said she wasn’t looking for another hookup, especially of the marital variety. How, she said to Holly during one of their lunches, could she come home and tell her husband about the human remains they had found in the Harrises’ refrigerator?

Please, Holly had said on that occasion, not while I’m trying to eat.

Today they’re doing lunch in Dingley Park. Like Deerfield Park on the other side of the city, Dingley can be a rather sketchy environment after dark (a fucking drug mart is how Izzy puts it), but in the daytime it’s perfectly pleasant, especially on a day like this. Now that warm weather is on the come, they can eat at one of the picnic tables not far from the pines that circle the old ice rink.

Holly is vaccinated up the ying-yang, but Covid is still killing someone in America every four minutes, and Holly doesn’t want to take chances. Pete Huntley is even now suffering the aftereffects of his bout with the bug, and Holly’s mother died of it. So she continues to take care, masking up in close indoor situations and carrying a bottle of Purell in her purse. Covid aside, she likes dining al fresco when the weather is nice, as it is today, and she’s looking forward to her fish tacos. Two, with extra tartar sauce.

How’s Jerome? Izzy asks. I saw that book about his hoodlum great-grandfather landed on the bestseller list.

Only for a couple of weeks, Holly says, "but they’ll be able to put New York Times Bestseller on the paperback, which will help the sales. She loves Jerome almost as much as she loves his sister, Barbara. Now that his book tour is over, he’s been asking to help me around the shop. He says it’s research, that his next book is going to be about a private eye." She grimaces to show how much she dislikes the term.

And Barbara?

Going to Bell, right here in town. Majoring in English, of course. Holly says this with what she believes is justifiable pride. Both Robinson sibs are published authors. Barbara’s book of poems—for which she won the Penley Prize, no small hill of beans—has been out for a couple of years.

So your kids are doing well.

Holly doesn’t protest this; although Mr. and Mrs. Robinson are alive and perfectly fine, Barb and Jerome sort of are her kids. The three of them have been through the wars together. Brady Hartsfield… Morris Bellamy… Chet Ondowsky… the Harrises. Those were wars, all right.

Holly asks what’s new in Blue World. Izzy looks at her thoughtfully, then asks, Can I show you something on my phone?

Is it porno? Izzy is one of the few people Holly feels comfortable joking with.

I guess in a way it is.

Now I’m curious.

Izzy takes out her phone. Lewis Warwick got this letter. So did Chief Patmore. Check it out.

She passes the phone to Holly, who reads the note. Bill Wilson. Huh. You know who that is?

The founder of AA. Lew called me into his office and asked for my opinion. I told him I’d err on the side of caution. What do you think, Holly?

The Blackstone Rule. Which says—

Better ten guilty go free rather than one innocent suffer. Blackstone was a lawyer. I know because I took pre-law at Bucknell. Do you think this guy might be in the legal profession?

Probably not a good deduction, Holly says, rather kindly. I never took a law course in my life, and I knew. I’d put it in the category of semi-common knowledge.

You’re a sponge for info, Izzy says, but point taken. Lew Warwick at first thought it came from the Bible.

Holly reads the letter again. She says, I think the man who wrote this could be religious. AA puts a lot of emphasis on God—‘let go and let God’ is one of their sayings—and the alias, plus this thing about atonement… that’s a very Catholic concept.

That narrows it down to, I’m going to say, half a million, Izzy says. Big help, Gibney.

Could this person be angry about, just a wild guess, Alan Duffrey?

Izzy pats her palms together in quiet applause.

Although he doesn’t specifically mention—

I know, I know, our Mr. Wilson doesn’t mention a name, but it seems the most likely. Kiddie fiddler killed in prison, then it comes out he maybe wasn’t a kiddie fiddler after all. The timing fits, more or less. I’m going to buy your tacos for that.

It’s your turn, anyway, Holly says. Refresh me on the Duffrey case. Can you do that?

Sure. Just promise you won’t steal it from me and figure out who Bill Wilson is on your own.

Promise. Holly means it, but she’s engaged. This is the sort of thing she was born to do, and it’s led her down some strange byways. The only problem with her day-to-day workload is that it involves more filling out forms and talking to bail bondsmen than solving mysteries.

Long story short, Alan Duffrey was the chief loan officer at the First Lake City Bank, but until 2022 he was just another loan department guy in a cubicle. It’s a very big bank.

Yes, Holly says. I know. It’s my bank.

It’s also the Police Department’s bank, and any number of local corporations, but never mind that. The chief loan officer retired, and two men were in competition for the job, which meant a hefty salary bump. Alan Duffrey was one. Cary Tolliver was the other. Duffrey got the job, so Tolliver got him sent to prison for kiddie porn.

That seems like an overreaction, Holly says, then looks surprised when Izzy bursts out laughing. What? What did I say?

Just… that’s you, Holly. I won’t say it’s what I love about you, but I may come to love it, given time.

Holly is still frowning.

Izzy leans forward, still smiling. You’re a deductive whiz-kid, Hols, but sometimes I think you lose your grip on what criminal motivation really is, especially criminals with their screws loosened by anger, resentment, paranoia, insecurity, jealousy, whatever. There was a monetary motive for what Cary Tolliver says he did, of course there was, but I’m sure other things played a part.

He came forward after Duffrey got killed, didn’t he? Holly says. Went to that podcaster who’s always digging dirt.

"He claims he came forward before Duffrey was killed. In February, after getting a terminal cancer diagnosis. Wrote the ADA a confession letter and claims the ADA sat on it. So he eventually spilled everything to Buckeye Brandon."

That could be your atonement motive.

He didn’t write this, Izzy says, tapping the screen of her phone. Cary Tolliver’s dying, and it won’t be long. Tom and I are going to interview him this afternoon. So I better get our lunch.

Extra tartar sauce for me, Holly says as Izzy gets up.

Holly, you never change.

Holly looks up at her, a small woman with graying hair and a faint smile. It’s my superpower.

3

Holly is in her office that afternoon, filling out insurance forms. She sees the futility of hating big insurance companies, but they are definitely on her Poopy List, and she loathes the ads they show on TV. It’s hard to hate Flo, the Progressive Insurance lady—not in the least because Jerome Robinson once said, She looks a little like you, Holly!—but it’s easy to hate Doug and his silly Limu Emu, and Allstate’s Mayhem Guy. She detested the Aflac Duck… who has been mercifully retired, along with the GEICO Caveman (although it’s not impossible that both duck and caveman will make a comeback). As an investigator who has worked with adjusters from many companies, she knows their big secret: the fun stops once a claim, especially a big one, is lodged with the company.

This afternoon’s forms are from Global Insurance, whose TV pitchman is Buster the Talking Donkey, with his irritating hee-haw laugh. Buster is on every form, grinning at her with his big (and somehow insolent) teeth. Holly hates the forms but is delighted to know that in this case Global’s Talking Donkey will soon be on the hook to reimburse for a cache of jewelry taken in a home invasion. Sixty or seventy thousand dollars’ worth, minus the deductible. Unless she can locate the missing gems, that is. So who’s the donkey’s behind today? Holly says to her empty office, and just has to laugh.

Her phone rings, not the one for business calls but her personal. She sees Barbara Robinson’s face on her screen.

Hello, Barbara, how are you?

Great! I’m great! And she sounds it, absolutely bubbling over. I’ve got the most wonderful news!

Your book hit the bestseller list? That would be fine news indeed. Her brother’s book peaked at number eleven on the Times list, didn’t quite make it into the top ten, but still not bad.

Barbara laughs. With the exception of Amanda Gorman, poetry books don’t chart. I’ll have to be content with four stars on Goodreads. She pauses. "Almost four."

Holly thinks her friend’s book should have five stars on Goodreads. She certainly gave it five. Twice. So what’s your news, Barb?

I was caller nineteen on K-POP this morning and scored two tickets to see Sista Bessie! Hasn’t even been announced yet!

Not sure I know who that is, Holly says… although she almost knows. Probably would know if her head wasn’t stuffed full of insurance questions, all subtly slanted to favor the company. Remember, I’m getting on in years. My knowledge and enjoyment of popular music pretty much ended with Hall and Oates. I always liked that blond one.

Also, she has zero interest in rap or hip-hop. She thinks she might like it if her ears were younger and sharper (she misses many of the rhymes) and if she were more attuned to the streetlife serenades of the artists Barbara and Jerome listen to, people with exotic names like Pos’ Top, Lil Durk, and—Holly’s favorite, although she has no idea what he’s rapping about—YoungBoy Never Broke Again.

"You should know, she’s from your day, Holly."

Ow, Holly thinks. Soul singer?

Yes! That and gospel.

Okay, I do know, Holly says. Didn’t she cover a song by Al Green? ‘Let’s Stay Together’?

"Yes! It was huge! I karaoke that one! Sang it live at the Spring Hop when I was a senior."

I grew up listening to Q102, Holly says. Lots of Ohio rockers like Devo and Chrissie Hynde and Michael Stanley, but they were white. There wasn’t much Black music on the Q, but that version… I remember that one.

"Sista Bessie’s kicking off her comeback tour here! At the Mingo Auditorium! Two shows, both sold out, but I have two tickets… and backstage passes! Come with me, Holly, please say you will. Wheedling now: She does some gospel, too, and I know you like that."

Holly certainly does. She’s a big fan of the Blind Boys of Alabama, and the Staple Singers, especially Mavis Staples, and although she barely remembers Sista Bessie, or most of the music from the twentieth century’s last decade, she loves that good old solid-gold soul from the 60s, people like Sam Cooke and Jackie Wilson. Wilson Pickett, too. She tried to go to one of the Wicked Pickett’s shows once, but her mother forbade it. And now that Mavis Staples has crossed her mind…

She called herself Little Sister Bessie in the eighties. I used to listen to WGRI back then. Tiny AM station, went off the air at sundown. They played gospel music. Holly only listened to GRI when her mother wasn’t home, though, because many of those groups, like BeBe & CeCe Winans, were Black. I remember Little Sister Bessie doing ‘Sit Down, Servant.’

"That was probably her, before she got like totally famous. The only record she made since retiring was all gospel. Lord, Take My Hand. My mother plays that one a lot, but I like the other stuff. Say you’ll come with me, Holly. Please. It’s the very first show, and we’ll have an awesome time."

Mingo Auditorium has bad associations for Holly, ones having to do with a monster named Brady Hartsfield. Barbara was there, but she wasn’t the one who clobbered Brady; that was Holly herself. Bad associations or not, she can’t refuse Barbara anything. Or Jerome, for that matter. If Barb said she had two tickets to see YoungBoy NBA, she would have said yes. (Probably.)

When is it?

Next month. May thirty-first. Plenty of time to clear your calendar.

Will it be late? Holly hates late evenings.

No, not late at all! Barbara is still bubbling, full of happiness, which cheers Holly’s day up considerably. Starts at seven, it’ll be over by nine, nine-thirty, at the very latest. Sista probably doesn’t want to stay up late, she’s old, got to be pushing sixty-five by now.

Holly, who no longer thinks of sixty-five as particularly old, offers no comment.

Will you come?

Will you learn ‘Sit Down, Servant’ and sing it to me?

Yes. Yes, absolutely! And she’s got a great soul band. Barbara’s voice drops to what’s almost a whisper. "Some of them are from Muscle Shoals!"

Holly doesn’t know Muscle Shoals from a muscle strain, but that’s okay. And she still wants to make Barbara work for it a little. Will you also sing ‘Let’s Stay Together’?

Yes! If it gets you to come, I’ll karaoke the hell out of it!

Then okay. It’s a date.

Hooray! I’ll pick you up. I’ve got a new car, bought it with my Penley Prize money. A Prius, like yours!

They talk a little longer. Barbara tells her she hardly sees Jerome since he came back from his tour. He’s either doing research for his new book or hanging around the Finders Keepers office.

I haven’t seen him the last few days, either, Holly says, and when I did, he was kind of mopey.

Before ending the call, Barbara says (with undisguised satisfaction), He’ll be mopier than ever when he finds out we’re going to see Sista Bessie. Thanks, Holly! Really! We’re going to have an awesome time!

I hope so, Holly says. She adds, Don’t forget you promised to sing for me. You’ve got a very good v—

But Barbara is gone.

4

Izzy and Tom Atta take the elevator to the fourth floor of Kiner Memorial. When they get out, arrows on the wall offer them either Cardiology (right) or Oncology (left). They turn left. At the nurses’ station, they flash their badges and ask for Cary Tolliver’s room. Izzy is interested to see the momentary flash of distaste on the duty nurse’s face—a pulling-down at the corners of the mouth, there and then gone.

He’s in 419, but you’ll probably find him in the solarium, soaking up the sun and reading one of his mystery novels.

Tom doesn’t mince words. I’ve heard pancreatic is one of the bad ones. How long has he got, would you say?

The nurse, an old vet who still wears head-to-toe white rayon, leans forward and speaks in a low tone. His doc says a matter of weeks. I’d guess two, maybe less. He would have been shipped home except for the insurance coverage, which must have been a hell of a lot better than mine. He’ll slip into a coma, and then good morning, good afternoon, goodnight.

Izzy, mindful of Holly Gibney’s pet peeve about insurance companies: "I’m surprised the company didn’t find a way to wiggle out of it. I mean, he did frame a man who got murdered in prison. Did you know about that?"

Of course I know, the nurse says. "He brags about how sorry he is. Seen a minister. I say crocodile tears!"

Tom says, The DA declined to prosecute, says Tolliver’s full of shit, so he gets a pass and his insurance company gets the bill.

The nurse rolls her eyes. He’s full of something, all right. Try the solarium first.

As they walk down the corridor, Izzy thinks that if there’s an afterlife, Alan Duffrey may be waiting there for his one-time colleague, Cary Tolliver. And he’ll want to have a few words.

Tom looks at her. What?

Nothing.

5

Holly pulls the last of the Global Insurance forms in front of her, sighs, grabs her pen—these forms have to be filled out by hand if she wants a chance at finding the missing trinkets, God knows why—and then puts it down. She picks up her phone and looks at the letter from Bill Wilson, whoever he might really be. It’s not her case and she’d never poach it from Isabelle, but Holly can feel her lights turning on, nevertheless. Her job is often boring, there’s too much paperwork, and right now cases—good ones, engaging ones—are thin on the ground, so she’s interested. There’s something else, too, even more important. When her interior lights come on… she loves that. Adores it.

This is not my business. Shoemaker, stick to thy last.

One of her father’s sayings. Her late mother, Charlotte, had a thousand pithy aphorisms, her father only a few… but she remembers every one of them. What is a shoemaker’s last, anyway? She has no idea and quashes the urge to google it. She does know what her last is: filling out this last form, then checking pawnshops and fences for a bunch of jewelry stolen from a rich widow in Sugar Heights. If she can find that stuff, she’ll get a bonus from Buster the Talking Donkey. Which he’ll probably poop out of his butt, she thinks. Very reluctantly.

She sighs, picks up her pen again, puts it down, and writes an email instead.

Iz—You’ll know this already, it’s pretty obvious, but the guy you are looking for is smart. He talks about the Blackstone Rule, which isn’t in an uneducated man’s vocabulary. I believe the innocent should be punished for the needless death of an innocent might be a cuckoo sentiment, but you have to admit it’s a nicely turned phrase. Balanced. All his punctuation is perfect. Note the use of colons in the heading and how he uses Cc in reference to Chief Patmore. In the old days, when I was doing office correspondence, that stood for carbon copy. Now it just means also sent to, and is commonly used in business. Suggests to me your Bill Wilson may be a white-collar guy.

Now as to that name, Bill Wilson. I don’t think he picked it out of a hat. (Assuming he is male.) It’s not impossible that he met the murdered man, Alan Duffrey, in AA or NA. (Also assuming it’s Duffrey the letter-writer is on about.) You might be able to reach out to someone who goes to those meetings. If not, I have a source who’s in NA and quite open about it. He’s a bartender (of all things), six years clean and sober. He, or someone you can tap, might be able to spot someone clean-cut and well-spoken. Someone who might even have said something in a meeting about Duffrey, or That guy who got stabbed in prison. The anonymity aspect of AA and NA makes this a long shot, but it might be possible to locate the guy this way. Slim chance, I know, but it’s a line of investigation.

Holly

She puts her cursor on the send button, then adds a few more lines.

PS! Did you notice he misspelled Lewis Warwick’s first name? If you catch someone you think might be your man, don’t ask him to write his name. I repeat, this guy isn’t stupid. Ask him to write something like, I have never liked Lewis Black. See if he spells it Louis. You probably know all this, but I’m sitting here with nothing to do.

H

She reads this over, then adds PPS! Lewis Black is a comedian. She considers this and decides Izzy might think that Holly thinks Izzy is stupid, or a cultural illiterate. She deletes it, then thinks, She really might not know who Lewis Black is, and puts the line back in. These sorts of things torture her.

Bill Hodges, who founded Finders Keepers, once told Holly that she over-empathized with people, and when Holly replied, You say that like it’s a bad thing, Bill said, In this business, it can be.

She sends the email, and tells herself to get off her buttinsky (that one’s all Charlotte Gibney) and start looking for the missing jewelry. But she sits where she is a little longer, because something Izzy said is troubling her.

"No, not Izzy. Barbara."

Holly is computer savvy—it’s how she and Jerome bonded—but she’s old-school about appointments and keeps a datebook in her purse. She hunts it out now and pages through it until she gets to the end of May. There she has written Kate McKay, MA 8 PM. Maybe? MA standing for Mingo Auditorium.

Holly goes to the movies fairly often since Covid abated (always wearing her mask if the theater is even half-full), but she rarely goes to lectures and concerts. She thought she might go to the McKay lecture, though. If, that is, she didn’t have to wait in line too long, and assuming she could get in at all. Holly doesn’t agree with everything McKay espouses, but when she talks about the sexual abuse of women, Holly Gibney is right there with her. She herself was sexually abused as a young woman and knows few women—including Izzy Jaynes—who were not, in one way or another. Also, Kate McKay has what Holly thinks of as strut. Never having been much of a strutter herself, Holly approves of that. She supposes she had some strut when it came to the Harrises, but that was mostly a matter of survival. Also luck.

She decides she’ll sort out the double-booking mystery later. Because she still has a tendency to blame herself for things, she supposes she might have written down the wrong date. Either way, it seems to be her fate to be in the Mingo Auditorium on the night of Saturday, May 31st, and as much as she admires Kate McKay’s strut, on the whole she’d rather be with Barbara.

Jewelry, she says, getting up. Must find jewelry. The Global Insurance forms can wait until later.

6

Izzy has an idea how the First Lake City Bank chief loan officer should look, maybe from a brochure she got in the mail, or a TV show. Slightly pudgy but well-groomed, nice suit, cologne (not too much), pleasant smile, all ready to say, How much do you need?

Cary Tolliver is not that man.

She and Tom find him snoozing in the fourth-floor lounge with a copy of a detective novel called Toxic Prey open on his chest. Instead of a natty three-piece suit, he’s wearing a tired hospital robe over wrinkled pajamas with Hello Kitty faces on them. His hollow cheeks sport a salt-and-pepper beard scruff. His hair is half-long and half-bald. Plates of yellowish eczema shingle the bald spots. The skin of his face not covered with the patchy beard is so white it’s almost green. His body is skeletal except for the bulge of his belly, which is huge. Like a mushroom ready to sporulate, Izzy thinks. There’s a wheelchair on one side of him, an IV pole on the other. As they draw closer, Izzy realizes that Tolliver doesn’t smell very good. Actually, that’s not exactly true. Actually, he stinks.

They split apart without talking about it, Tom standing by the wheelchair and Izzy next to the IV pole, which is drip-drip-dripping some clear liquid into the back of Tolliver’s hand.

Wake up, Cary, Tom says. Wake up, sleeping beauty.

Tolliver opens his eyes, which are red and rheumy. He looks from Tom Atta to Izzy and back to Tom again.

Cops, he says. I told that County Attorney everything I know. Wrote him a letter. Fucker sat on it. I’m sorry Duffrey got killed. That wasn’t supposed to happen. I have nothing else to say.

Well, maybe a little more, Tom says. Show him the letter, Iz.

She takes out her phone and tries to hand it to him. Tolliver shakes his head. I can’t take it. Too weak. Why can’t you let me die in peace?

If you can hold that book, you can hold this, Izzy says. Read it.

Tolliver takes the phone and holds it close to his nose. He reads the Bill Wilson letter and then hands it back. "So? You think this guy believes I’m the guilty one? Fine. Even though I tried to take it back, fine. Let him come and kill

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