About this ebook
This gripping collection begins with “Rita Hayworth and the Shawshank Redemption,” in which an unjustly imprisoned convict seeks a strange and startling revenge—the basis for the Best Picture Academy Award-nominee The Shawshank Redemption.
Next is “Apt Pupil,” the inspiration for the film of the same name about top high school student Todd Bowden and his obsession with the dark and deadly past of an older man in town.
In “The Body,” four rambunctious young boys plunge through the façade of a small town and come face-to-face with life, death, and intimations of their own mortality. This novella became the movie Stand By Me.
Finally, a disgraced woman is determined to triumph over death in “The Breathing Method.”
“The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make Stephen King the consummate storyteller that he is,” hailed the Houston Chronicle about Different Seasons.
Stephen King
Stephen King es autor de más de sesenta libros, todos ellos best sellers internacionales. Sus títulos más recientes son Holly, Cuento de Hadas, Billy Summers, Después, La sangre manda, El Instituto, Elevación, El visitante (cuya adaptaciónaudiovisual se estrenó en HBO en enero de 2020), La caja de botones de Gwendy (con Richard Chizmar), Bellas durmientes (con su hijo Owen King), El bazar de los malos sueños, la trilogía «Bill Hodges» (Mr. Mercedes, Quien pierde paga y Fin de guardia), Revival y Doctor Sueño.La novela 22/11/63 (convertida en serie de televisión en Hulu) fue elegida por The New York Times Book Review como una de las diez mejores novelas de 2011 y por Los Angeles Times como la mejor novela de intriga del año. Los libros de la serie «La Torre Oscura» e It han sido adaptados al cine, así como gran parte de sus clásicos, desde Misery hasta El resplandor pasando por Carrie, El juego de Gerald y La zona muerta. En reconocimiento a su trayectoria profesional, le han sido concedidos los premios PEN American Literary Service Award en 2018, National Medal of Arts en 2014 y National Book Foundation Medal for Distinguished Contribution to American Letters en 2003. Vive en Bangor, Maine, con su esposa Tabitha King, también novelista.
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Reviews for Different Seasons
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What our readers think
Readers find this title to be a collection of novellas that showcase Stephen King's versatility as an author. While some readers enjoyed three out of the four stories and found them to be evocative and absorbing, others felt that the first two tales were not particularly graceful. However, the last story was described as sensationalized and edge-of-your-seat. Overall, this book is considered a hall-of-fame effort and a good change of pace from classic King.
- Rating: 5 out of 5 stars5/5Apr 22, 2017 Two of the novellas in this collection are among my favorite of all of Stephen King's writing: The Body and Rita Hayworth and the Shawshank Redemption. Anyone who still thinks King is a hack hasn't read them.
- Rating: 4 out of 5 stars4/5Apr 22, 2017 I think I like Stephen King's short fiction better than his novels, but I am biases; I am a fan of short fiction above all else. Stephen King is a definite master of the art.There are four novellas in [book:Different Seasons] and I will briefly address each of them.1. "Rita Hayworth and the Shawshank Redemption". I'd seen (and loved) the movie, but never read the story. Having read the story, I immediately added it to my list of all time favorite stories. It's all about the voice, I think. There are elements that differ from the movie, but the voice is the same and I think it's the voice that made the movie as good as it was. Like all my "all-time favorites" it's the kind of story that I can and will read again with equal enjoyment. 5 stars.2. "Apt Pupil". This was a horrible story--in the traditional sense--I felt a sense of horror reading it. I was in constant discomfort, uneasy. And that's because it was a well-told story. Despite my feeling that it was probably the weakest story of the lot, I still think King demonstrated his ability to make the reader feel something about the characters. 3-1/2 stars.3. "The Body". I'm ashamed to admit that I've never seen "Stand By Me" from beginning to end, but now I don't have to. I liked the story, a kind of coming-of-age tale typified by King's ability at getting deep into a character and his or her surroundings. There was a nostalgia to the story that I didn't quite feel, perhaps because I grew up in the 70s and 80s and not the 50s and 60s, but despite that, I think some of that nostalgia managed to sneak through anyway. 3-1/2 stars.4. "The Breathing Method". This story surprised me the most. It is the shortest of the stories, and while it's not the best story in the book, it is fair second. I loved the setting of the story, and the mystery surrounding the club (which in some ways reminded me of Asimov's Black Widowers). There was an unearthly quality to the story, and it is a story that I imagine could have been written by Jorge Luis Borges. It was perhaps the best page-turner in the book. 4 stars.
- Rating: 5 out of 5 stars5/5Dec 11, 2018 The collection of novellas that prove that Stephen King is not just a horror author, but a damned good author.
- Rating: 4 out of 5 stars4/5Aug 1, 2019 I adored 3/4 of these stories. I felt "Apt Pupil" is best described as "apt."
- Rating: 3 out of 5 stars3/5Jul 24, 2025 I'm definitely in the minority here, and the fact that I didn't love this surprised me. Shawshank is one of my all-time favorite movies and I did enjoy finally reading the source material (it didn't hurt that Morgan Freeman's voice was in my head the whole time).
 But the other stories just didn't do it for me, and I don't know if it's because I wasn't in the right headspace for them or what.
- Rating: 5 out of 5 stars5/5Nov 14, 2024 Maybe This Can Help You
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- Rating: 3 out of 5 stars3/5Nov 28, 2023 The first two Hemingwayesque tales just really hang in there, like a jawbreaker or a rawhide chew. Fortunately for me, I grew up on these brisk and gnarly tales of men among men. Having slogged all the way through both of them, I had to admit that they were evocative, if not particularly graceful on the dance floor. The last, while certainly not subtle, does indeed inspire a sort of shocked paralysis that absorbs the reader entirely for several minutes, in which the reader becomes present at the scene in a way which causes a certain amount of uncomfortable writhing. It definitely fills the bill for sensationalized, edge-of-your-seat, unvegetarianized spook literature with ketchup and a side of fries. God bless America.
- Rating: 5 out of 5 stars5/5Aug 28, 2022 An all-time King classic. A rare novella collection where every story is a hall-of-fame effort.
- Rating: 4 out of 5 stars4/5Mar 26, 2021 I enjoyed three out of the four stories in here. A good change of pace from classic King.
- Rating: 5 out of 5 stars5/5Mar 16, 2025 This is my second time reading Different Seasons by Stephen King. It’s the March selection for my in-person Constant Reader book club. First and foremost, I thoroughly enjoyed this collection of novellas just as much as I did the first time five years ago. However, this re-read revealed something about my preferences for re-reading books. I’ll get to that in a moment.
 Different Seasons is one of Stephen King’s finest collections of novellas. It includes Rita Hayworth and Shawshank Redemption, Apt Pupil, The Body, and The Breathing Method. The movie adaptation of Rita Hayworth and Shawshank Redemption, titled The Shawshank Redemption, is an absolute masterpiece and one of my all-time favorites. In fact, I discovered the movie during a tour of the old Mansfield Reformatory in Mansfield, Ohio, after its release. My fascination with prisons led my family and me to tour the historic prison during my undergraduate years. It was an incredible experience to witness the prison and the movie props and memorabilia.
 So, about the novella. I’ve watched the movie adaptation countless times, so when I first read Rita Hayworth, I was eager to compare the book to the movie. I thoroughly enjoyed the novella and felt my curiosity was satisfied. When my book club chose to read Different Seasons, I didn’t mind because I had already read and loved the collection. However, I found it challenging to finish Rita Hayworth on my second reading. While it’s a great story, I must admit that I still prefer the movie! It’s quite rare for me to have a preference for a book over its movie adaptation.
 I thoroughly enjoyed rereading Apt Pupil, as I had forgotten a significant portion of the story. It’s a highly disturbing novella that delves into the extremely dark minds of its main characters. The plot’s trajectory kept me engaged throughout. The ending was both unexpected and satisfying. Surprisingly, I was unaware that there was a movie adaptation of Apt Pupil. Fortunately, social media users alerted me to the movie, and I watched it shortly after finishing Different Seasons. I found the movie to be well-executed, but the content was quite mild compared to the intricate and disturbing story crafted by King.
 By the time I finished reading Rita Hayworth, I discovered that when I’ve seen a movie countless times, I enjoy reading the book at least once. This allows me to delve into additional details that are omitted from the movie and experience the story as the author intended. However, some of Stephen King’s movie adaptations are so exceptional that I don’t feel the need to read them more than once. The Shining stands as a notable exception to this observation, and I realize that there may be more such exceptions as I continue my journey with the Constant Reader book club.
 Given my revelation, I decided to skip rereading The Body. As a child, I grew up watching the movie adaptation, Stand By Me. Every time I watch the movie as an adult, I’m filled with nostalgic memories of my best friend and me reciting lines from the movie. I thoroughly enjoyed The Body when I first read it and didn’t want to risk potentially tainting my experience with the story, just like I did with Rita Hayworth. Stand By Me is another excellent movie adaptation of King’s work.
 The final novella in the collection, The Breathing Method, was another story I had forgotten many details about. Therefore, I had the opportunity to rediscover and love it all over again. The setting of the club that’s not really a club is dreamy. Imagine being surrounded by storytellers and books that can’t be found anywhere else. The final Christmas Eve story about the woman who would give birth regardless of the circumstances was mind-blowing. I’m surprised there isn’t a movie adaptation of this one yet.
 In conclusion, this book review appears more like a personal journal entry as I’ve come to understand my preferences for rereading books, particularly those that hold significant personal meaning. Different Seasons remains an exceptional collection of novellas by the master storyteller.
 I have photos, videos, and additional information that I'm unable to include here. It can all be found on my blog, in the link below.
 A Book And A Dog
- Rating: 4 out of 5 stars4/5Feb 8, 2018 Different Seasons was King’s first Short Story publication which came out in the summer of 1982. In his Afterword, King gives us a brief glimpse into how this collection came about even though he originally never intended them to be published. All were written following the completion of a novel: The Body was written after Salem’s Lot, Apt Pupil was written after The Shining and he said he didn’t write again after that for 3 months, Shawshank Redemption was written after The Dead Zone, and The Breathing Method was written after Firestarter. Each story is clearly different than anything King had put out at that point, and it was just as his editor at the time feared. “First the telekinetic girl, then vampires, now the haunted hotel and the telepathic kid. You’re gonna get typed.” Typed as in, “horror writer”. It’s funny to think at this point in Stephen King’s career that he not only worried about being typed as nothing but a horror writer, but that he worried he wouldn’t be able to make a living writing horror. All four of these stories are between 25,000 and 35,000 words which is what King refers to as “a really terrible place, an anarchy-ridden literary banana republic called the ‘novella'”. Since these novellas weren’t his typical horror and were considered more mainstream, they weren’t exactly marketable, yet somehow King still managed to make it happen.Rita Hayworth and Shawshank Redemption (Hope Springs Eternal) tells the story of Andy Dufresne, a banker who in 1948 is wrongly convicted of killing his wife and her lover. It’s narrated by “Red” Ellis who is also in prison for life for killing his wife, except he wasn’t wrongly convicted. As the years pass, Andy’s story is relayed and despite everything he’s forced to suffer through, his resilience means his spirit won’t break. It’s a hopeful and unforgettable tale of perseverance that is most admirable, just as Kings subtitle suggests. This was by far my favorite of this series.Apt Pupil (Summer of Corruption) is the story of thirteen-year-old Todd Bowden who, after becoming fixated on the horrifying details of World War II, discovers that his neighbor is fugitive Nazi war criminal who’s real name is Kurt Dussander. Todd forces him to divulge the stories of his involvement which subsequently drives them both mad from the horrors. The slowly spiraling mental state of both characters is truly terrifying to watch unfold. Who said there isn’t real horror in reality?The Body (Fall From Innocence) recalls the events of a childhood adventure where a group of boys set out to see a dead body. Fall From Innocence is a fitting depiction for the transformation that these boys underwent by taking this journey, starting out simply innocent and curious. “He was a boy our age, he was dead, and I rejected the idea that anything about it could be natural; I pushed it away with horror.” It was a jarring realization of their own mortality and the loss of their adolescence. This was the most compelling tale of the collection that went beyond entertainment with its resonance of truth.The Breathing Method (A Winter’s Tale) is certainly the closest to horror that King gets in this collection. Within the darkened walls of a private Manhattan club, ghost stories are told at Christmas. Sandra Stansfield is single and pregnant in the 1930s, yet despite the public snubs she receives, she’s determined to have the child no matter what. Her doctor, Dr. McCarron, teaches her what is now known as Lamaze even though it was frowned upon during that time period, and is what leads to the apex of this horrifying tale and completion of this collection.Even though this collection of stories weren’t my favorite of King, I appreciated them for what they meant to show: another side to a typed horror author. While these weren’t true horror, elements of horror still manage to crop up in one way shape or form in all of his tales, and that’s okay. King leaves us with a final note:“I hope that you liked them, Reader; that they did for you what any good story should do—make you forget the real stuff weighing on your mind for a little while and take you away to a place you’ve never been. It’s the most amiable sort of magic I know.”They did, Mr. King. They definitely did.
- Rating: 4 out of 5 stars4/5Oct 20, 2023 3 out of 4 became movies. 1 out of 3 is better as a novella. Some of King's best writing.
- Rating: 5 out of 5 stars5/5Jun 29, 2024 In this book, we find two stories, the first and the best of the two being "Rita Hayworth and Shawshank Redemption," which belongs to the section titled: "Hope, Eternal Spring."
 The second story is called "A Better Student," but it is more commonly known as "Summer of Corruption." I liked it a little less, but it has a very powerful ending.
 I reviewed both stories and shared my opinion on them individually at the time, so here I will focus on discussing the book itself.
 In its original English version, the book "Different Seasons" consists of four stories. For the Spanish-speaking market, it was published in two volumes, this being the first of them.
 Personally, I highly recommend reading "Rita Hayworth and Shawshank Redemption." It is a fascinating story of hope, struggle, and resilience in the face of life's challenges. The second story is not bad, but it does have some unpleasant moments to read; however, the ending is very redeemable.
 It is worth highlighting King's ability to connect two seemingly disparate stories. For example, in the second tale, Dussander (the elderly Nazi) refers to Andy Dufresne, who is the main protagonist of the first story, and recounts how Dufresne helped him with some investments and stocks he owns during his banking profession, and later mentions that Dufresne is imprisoned for killing his wife.
 In summary, I really enjoyed both stories. I place the first one among the top three short stories I have read by King.
 4.5/5 (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Aug 5, 2023 its tough to review a collection of stories like this so i gave the overall star rating a 5 since i think this is a great package. lets go over each story.
 Rita Hayworth and Shawshank Redemption:
 very good and the characters are great but i do think its a tad too short and this is where i think the movie excelled better. i still worth reading as its still very good and i do love me a prison escape.
 Apt Pupil:
 this is the one i always wanted to read about as i think the idea behind it to be fascinating and i think the movie was alright but i always had a feeling that it felt like there was more to it. this one is good but wow this might be the most disturbing King book i read so far its quite shocking. no wonder the movie skipped over some of the content in this book. with that out of the way, this one is worth a read as it has some good character writing and build up but keep in mind that it gets very dark and depressing.
 The Body:
 this is my favorite story in this collection. the characters are top notch and to see them go on a little adventure is fun and you really understand where they came from. lots of fun debates and dialog and even though this story is rooted in the early 60's i feel its still easy to relate to as even when i grew up i always like going on a journey that seems like a life time long and the types of conversations we had as kids is still very true. this one comes highly recommended.
 The Breathing Method:
 ah yes the Breathing Method everyone's favorite haha. ok to be serious this story is not that bad, i think its ok. its weird but unique. now i have not read the Dark tower series yet (i plan on it) but i have heard that you might get more enjoyment if you read that series for a connection but as its own. its ok i was not crazy about it but i think it presented some neat ideas but could have been much more expended on. still worth a read but i think the other 3 are more consistently enjoyable for me
- Rating: 4 out of 5 stars4/5Mar 26, 2023 First part of one of King's most well-known collections. It contains very good stories and offers a smooth read. Being short stories, they lack the typical "filler" found in the author's work. (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Sep 22, 2022 Forty years on, early King novels are nearing 'classic' status in their genre (although nobody quite agrees on how old a book has to be, whether the author can still be living, etc.) This collection of four novellas deserves the status consideration, but whether it belongs to King's typical horror genre is debatable. Three of its four stories have made the leap to screen, two of which are classics in their own right. I've already read more of King's work than I intended to, but I didn't want to miss this one.
 Rita Hayworth and Shawshank Redemption - the character Red in this story is named so for his red hair, so I'd imagine he's white, but I kept hearing Morgan Freeman's voice anyway. It goes much like the movie does, as far as I remember, with the absence of Andy's playing music and maybe some other things. Knowing the ending allows every bit of foreshadowing and dramatic irony to leap out, and there's quite a bit of that to enjoy. Funny to observe, this book is now older than Red's prison sentence is long.
 Apt Pupil - gave me more than I expected, the most gripping read of the four. King offers a study of how easily anyone (anyone!) can be brought under the sway of evil, if they ask the right (wrong) questions and encounter the right (wrong) mentor. Granted, Todd's heart is in the wrong place from go. When I lost all sympathy for him I began to read this as a story about two King villains trapped in a room together, forced to cooperate but unable to trust.
 The Body - four young friends in 1960 embark on their most memorable adventure together, managing to pack nearly every coming-of-age lesson into one 24 hour period. Stephen King is probably evoking his own childhood, including every common expression from that time and place. Some of those are still cute, while others are hopelessly politically incorrect sixty years later. If you're not a Western white male, prepare to get zapped.
 The Breathing Method - this also exceeded my low expectations, which I'd based on its being the only story not transferred to film and its most strongly belonging to the horror genre. Despite its revolving around a central event of that type, the framing story that nests it is engaging and drew me right in. It isn't wrapped up neatly with a bow but leaves some lingering mysteries, making this a good note to end on.
 I read the original 1982 hardcover. In "The Body", Chris tells Teddy and Vern about the pistol but later they don't know anything about it. I'm curious whether that mistake was fixed in a later edition.
- Rating: 4 out of 5 stars4/5Mar 6, 2023 Two stories: Rita Hayworth and the Shawshank Redemption. A gifted student: it was my favorite, what a way to express everything that can happen in the minds of two people who, at first glance, seem so different but little by little, as the story unfolds, something more begins to unite them. One more proof that true terror is not from the supernatural but from what the human mind is capable of doing. (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Aug 31, 2022 King is one of my "fetish" authors, a winning bet. And even though I have read many of his novels, I am still impressed by that incredible construction of a story that manages to capture you from beginning to end. The tale "Second" with the story of the Nazi killer and the perfect young American is spectacular. Highly recommended. Long live Master King. (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Apr 21, 2022 Excellent compilation of stories by the extraordinary Stephen King. Captivating from start to finish. (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Jan 26, 2022 August 2021
 In this book, which consists of two stories, one of spring and the other of summer, I will review the one that King places as spring.
 Normally, I read a review that I like, jot down the book, and leave it in my notebook. If there is a challenge like in this case, which was to read something related to that season, it came in handy, but I didn’t research further; I don’t like to read too much about what a book is about, I prefer to encounter the surprise. Sometimes I stumble upon dreadful reads and other times, like this occasion, I find a good book.
 Right from the beginning, the story is narrated by a narrator who introduces himself as an inmate of Shawshank, who enters at twenty years old with a sentence of three life terms due to a twist of fate. However, it is not his story that the narrator intends to tell us; it is that of Andy Dufresne, a banker who is imprisoned for the murder of his wife and her lover. As is logical and normal, he claims to be innocent (that’s where the name sounds familiar, but I still don’t know why). As the story unfolds, I start connecting the dots and realize it is the story of the movie "The Shawshank Redemption." If you haven’t seen it, I recommend it because if the book is good, the movie is fantastic with splendid performances by Tim Robbins and Morgan Freeman.
 If there is something you learn from this book, it is that patience is the mother of all sciences, and those who have it get what they desire. To know how the book unfolds, you know you start from the beginning and have patience until the end, and you will achieve a remarkable read that I recommend without hesitation.
 The song that comes to my mind with this book is by José Luis Perales. "A sailboat called freedom"
 ?...And he left, and he named his boat "freedom," and in the sky, he discovered seagulls and painted trails in the sea... ?
 ? Musical clarification ?
 The song may have as much to do with the book as an ? does with a ?, but if a verse or the chorus reminds me of it, that is already valid enough for me to hum a little while reading. ?
 ? IF YOU LIKED MY REVIEW OR ANY OTHER USER’S FROM ALIBRATE, CLICK THE LIKE IN THE CIRCLE ?WITH A ?BIG BLUE HEART JUST ⬇️⬇️⬇️ TO THE RIGHT, NEXT TO WHERE IT SAYS: DID YOU LIKE THIS REVIEW? ?? (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Dec 23, 2021 Two different stories in the same book. The first one inspired the script for the movie "The Shawshank Redemption," and I don't know if a movie has been made from the second one (Smart Student), but it deserves one. In this second story, a boy discovers a former Nazi soldier who has escaped to the United States and blackmails him. Both are highly recommended. In the style of King, but in these cases with little horror and several deaths. (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Dec 10, 2021 I think I already wrote about this book, but apparently I did not...
 I do have reviews of the two separate stories. Anyway, this book has been one of my best reads, I assure you. I have loved Andy with all my soul and I still have mixed feelings towards Dussander and Todd (the story of these last two characters gives the title to the novel, "Summer of Corruption," as I read the book before it was renamed "The Four Seasons").
 Andy shows us the most invincible hope, although it is another inmate of Shawshank, Red, who narrates this story. Right from the first pages of the book, you doubt his innocence because of his personality, but the character is so well defined that it is impossible not to love him.
 Between the two stories, Stephen King floods us with feelings and incessant suspense. I really mean it, it is one of the best things I have ever held in my hands. (Translated from Spanish)
- Rating: 4 out of 5 stars4/5Jul 12, 2021 I don't know why they split it in two. I have the complete edition that includes all four stories. I really enjoyed "Rita," but my favorite is "A Better Student," which gave me nightmares. (Translated from Spanish)
- Rating: 4 out of 5 stars4/5Jul 11, 2021 First part of one of King's most well-known collections. It contains very good stories and is easy to read. Being short stories, they lack the typical "filler" of the author. (Translated from Spanish)
- Rating: 4 out of 5 stars4/5Jun 21, 2021 I had never read Stephen King before. I always had him on my to-read list, but with the hefty books he releases, I felt a bit intimidated. Starting my reading with this book of short stories (which are not horror) might lead me to confusion about the author's work. But the truth is that I enjoyed it a lot.
 In my plan to read some of the books that inspired some of my favorite movies, I had two of Stephen King's on my list: on one hand, this book of stories that includes "Rita Hayworth and Shawshank Redemption" (adapted into the movie "The Shawshank Redemption") and on the other, "The Green Mile," which I will read very soon.
 So when I started reading it, I can't deny that I was totally predisposed to love it. Because the story seems perfect to me. I even played the excellent soundtrack by Thomas Newman in the background. The truth is that it didn’t disappoint me. Even at some moments, I had goosebumps. Exciting and sensational. It's true that there are some differences with the movie that, while maintaining the essence, adapts the order in which certain scenes are narrated and some characters that are important in the novel are not as significant in the film adaptation. The almost one hundred and forty pages fell in one day. And then I had to watch the movie again, for the "I don’t know how many" time. Frank Darabont has made, for me, the three best adaptations of Stephen King’s work on the big screen. "The Shawshank Redemption" is, for me, the best. A delight.
 The second story in this book is twice as long as the first: "Apt Pupil," which also has a film adaptation called "Summer of Corruption." A very interesting thriller in which a teenager recognizes in his neighbor a former SS officer and blackmails him to recount the atrocities he committed in the concentration camp. The story is very good, quite wild and well-executed. Perhaps it gets a bit too lengthy at a point.
 In the Spanish edition, the original book "Four Seasons" has been divided into two volumes (money is a powerful gentleman). So if you want to read the four stories that are meant to go together, you need to buy the second part.
 I liked Stephen King's style. It is straightforward, unafraid to delve into tricky situations, enjoying unique characters and compromising situations. I'll be picking it back up soon. (Translated from Spanish)
- Rating: 4 out of 5 stars4/5Jun 7, 2021 One does not need to be a fan of Stephen King to appreciate his immense talent for creating stories that will stay with us forever. Fortunately for those who do not read, the world of cinema has recognized him, and it has likely pushed millions of readers, myself included, to give a chance to the greatest creator of bestsellers in history. Discounting the lesser yet interesting winter tale, the other three seasons are among the great stories created by literature:
 The spring tale, adapted into cinema under the Spanish title "Cadena perpetua," is a magnificent and inspiring story.
 Summer, whose film adaptation, while interesting, went unnoticed, is a story that explores the human relationship with evil in an extraordinary way; it would be worth everyone interrogating themselves with the questions this exciting story suggests.
 The autumn tale, adapted into film as "Cuenta conmigo," creates one of the most influential universes in cinema since the 80s. All those born from the late 60s onwards... (Translated from Spanish)
- Rating: 5 out of 5 stars5/5May 17, 2021 Rita Hayworth & the Shawshank Redemption is a great story, but the movie is nearly perfect; The Body/Stand By Me is a great story and a great movie; The Apt Pupil is sort of meh; The Breathing Method is a weird little story that would make a great creepy little movie!
- Rating: 4 out of 5 stars4/5Feb 16, 2021 Very good short novels, especially the first one whose film adaptation is quite faithful and features great performances (highly recommended if you haven't seen "The Shawshank Redemption" yet). Very entertaining and with interesting historical references that serve as a basis for the development of the stories. Recommendable. (Translated from Spanish)
- Rating: 5 out of 5 stars5/5Feb 11, 2021 A book that includes two stories, the second one longer than the first.
 The first story: Rita Hayworth and the Shawshank Redemption, is simply brilliant; it tells the story of a prisoner, Andy Dufresne, about how he survives in prison, under the ever-watchful eyes of the guards and the "Sisters," how he manages to survive in that hell. Cold and composed, without losing hope; hope is the last thing to be lost, a saying that fits the story perfectly.
 The second story: A Good Student, this one a bit more raw than the previous one, tells the story of a boy; Todd, curious about certain things, which is normal at his young age, becomes obsessed with the Nazi era; Dussander, an elderly German who was a macabre participant of that era, "falls" into a gruesome game with Todd, threatened by certain things that I obviously won’t mention, is forced to play along with the young man, a game that, as the story progresses, increasingly takes the side of the elderly man.
 Two very different stories, but equally good. King's imagination seems to have no limits. (Translated from Spanish)
- Rating: 4 out of 5 stars4/5Oct 1, 2020 This book consists of two stories, the first: Hope, Eternal Spring. Rita Hayworth and Shawshank Redemption, which tells the life of Red, a man sentenced to life in prison, and his friend Andy, who never loses hope of one day being free. The second, Summer of Corruption. A Gifted Student, narrates the sinister relationship between a brilliant teenager and a perverse old man, a former Nazi officer.
 While they depart from the typical horror stories of Stephen King, both tales have a sinister component. Two contrasting stories, the first reflecting hope and perseverance, and the second exploring the dark side of people, have a slow pace at first before becoming addictively interesting.
 Personally, I liked the second story more, but I enjoyed both a lot and this facet of King, unknown to me. (Translated from Spanish)
Book preview
Different Seasons - Stephen King
HOPE SPRINGS ETERNAL
For Russ and Florence Dorr
Rita Hayworth and Shawshank Redemption
There’s a guy like me in every state and federal prison in America, I guess—I’m the guy who can get it for you. Tailor-made cigarettes, a bag of reefer if you’re partial to that, a bottle of brandy to celebrate your son or daughter’s high school graduation, or almost anything else… within reason, that is. It wasn’t always that way.
I came to Shawshank when I was just twenty, and I am one of the few people in our happy little family willing to own up to what they did. I committed murder. I put a large insurance policy on my wife, who was three years older than I was, and then I fixed the brakes of the Chevrolet coupe her father had given us as a wedding present. It worked out exactly as I had planned, except I hadn’t planned on her stopping to pick up the neighbor woman and the neighbor woman’s infant son on their way down Castle Hill and into town. The brakes let go and the car crashed through the bushes at the edge of the town common, gathering speed. Bystanders said it must have been doing fifty or better when it hit the base of the Civil War statue and burst into flames.
I also hadn’t planned on getting caught, but caught I was. I got a season’s pass into this place. Maine has no death-penalty, but the District Attorney saw to it that I was tried for all three deaths and given three life sentences, to run one after the other. That fixed up any chance of parole I might have for a long, long time. The judge called what I had done a hideous, heinous crime,
 and it was, but it is also in the past now. You can look it up in the yellowing files of the Castle Rock Call, where the big headlines announcing my conviction look sort of funny and antique next to the news of Hitler and Mussolini and FDR’s alphabet soup agencies. 
Have I rehabilitated myself, you ask? I don’t even know what that word means, at least as far as prisons and corrections go. I think it’s a politician’s word. It may have some other meaning, and it may be that I will have a chance to find out, but that is the future… something cons teach themselves not to think about. I was young, good-looking, and from the poor side of town. I knocked up a pretty, sulky, headstrong girl who lived in one of the fine old houses on Carbine Street. Her father was agreeable to the marriage if I would take a job in the optical company he owned and work my way up.
 I found out that what he really had in mind was keeping me in his house and under his thumb, like a disagreeable pet that has not quite been housebroken and which may bite. Enough hate eventually piled up to cause me to do what I did. Given a second chance I would not do it again, but I’m not sure that means I am rehabilitated. 
Anyway, it’s not me I want to tell you about; I want to tell you about a guy named Andy Dufresne. But before I can tell you about Andy, I have to explain a few other things about myself. It won’t take long.
As I said, I’ve been the guy who can get it for you here at Shawshank for damn near forty years. And that doesn’t just mean contraband items like extra cigarettes or booze, although those items always top the list. But I’ve gotten thousands of other items for men doing time here, some of them perfectly legal yet hard to come by in a place where you’ve supposedly been brought to be punished. There was one fellow who was in for raping a little girl and exposing himself to dozens of others; I got him three pieces of pink Vermont marble and he did three lovely sculptures out of them—a baby, a boy of about twelve, and a bearded young man. He called them The Three Ages of Jesus, and those pieces of sculpture are now in the parlor of a man who used to be governor of this state.
Or here’s a name you may remember if you grew up north of Massachusetts—Robert Alan Cote. In 1951 he tried to rob the First Mercantile Bank of Mechanic Falls, and the holdup turned into a bloodbath—six dead in the end, two of them members of the gang, three of them hostages, one of them a young state cop who put his head up at the wrong time and got a bullet in the eye. Cote had a penny collection. Naturally they weren’t going to let him have it in here, but with a little help from his mother and a middleman who used to drive a laundry truck, I was able to get it for him. I told him, Bobby, you must be crazy, wanting to have a coin collection in a stone hotel full of thieves. He looked at me and smiled and said, I know where to keep them. They’ll be safe enough. Don’t you worry. And he was right. Bobby Cote died of a brain tumor in 1967, but that coin collection has never turned up.
I’ve gotten men chocolates on Valentine’s Day; I got three of those green milkshakes they serve at McDonald’s around St. Paddy’s Day for a crazy Irishman named O’Malley; I even arranged for a midnight showing of Deep Throat and The Devil in Miss Jones for a party of twenty men who had pooled their resources to rent the films… although I ended up doing a week in solitary for that little escapade. It’s the risk you run when you’re the guy who can get it.
I’ve gotten reference books and fuck-books, joke novelties like handbuzzers and itching powder, and on more than one occasion I’ve seen that a long-timer has gotten a pair of panties from his wife or his girlfriend… and I guess you’ll know what guys in here do with such items during the long nights when time draws out like a blade. I don’t get all those things gratis, and for some items the price comes high. But I don’t do it just for the money; what good is money to me? I’m never going to own a Cadillac car or fly off to Jamaica for two weeks in February. I do it for the same reason that a good butcher will only sell you fresh meat: I got a reputation and I want to keep it. The only two things I refuse to handle are guns and heavy drugs. I won’t help anyone kill himself or anyone else. I have enough killing on my mind to last me a lifetime.
Yeah, I’m a regular Neiman-Marcus. And so when Andy Dufresne came to me in 1949 and asked if I could smuggle Rita Hayworth into the prison for him, I said it would be no problem at all. And it wasn’t.
When Andy came to Shawshank in 1948, he was thirty years old. He was a short, neat little man with sandy hair and small, clever hands. He wore gold-rimmed spectacles. His fingernails were always clipped, and they were always clean. That’s a funny thing to remember about a man, I suppose, but it seems to sum Andy up for me. He always looked as if he should have been wearing a tie. On the outside he had been a vice-president in the trust department of a large Portland bank. Good work for a man as young as he was especially when you consider how conservative most banks are… and you have to multiply that conservatism by ten when you get up into New England, where folks don’t like to trust a man with their money unless he’s bald, limping, and constantly plucking at his pants to get his truss around straight. Andy was in for murdering his wife and her lover.
As I believe I have said, everyone in prison is an innocent man. Oh, they read that scripture the way those holy rollers on TV read the Book of Revelation. They were the victims of judges with hearts of stone and balls to match, or incompetent lawyers, or police frame-ups, or bad luck. They read the scripture, but you can see a different scripture in their faces. Most cons are a low sort, no good to themselves or anyone else, and their worst luck was that their mothers carried them to term.
In all my years at Shawshank, there have been less than ten men whom I believed when they told me they were innocent. Andy Dufresne was one of them, although I only became convinced of his innocence over a period of years. If I had been on that jury that heard his case in Portland Superior Court over six stormy weeks in 1947–48, I would have voted to convict, too.
It was one hell of a case, all right; one of those juicy ones with all the right elements. There was a beautiful girl with society connections (dead), a local sports figure (also dead), and a prominent young businessman in the dock. There was this, plus all the scandal the newspapers could hint at. The prosecution had an open-and-shut case. The trial only lasted as long as it did because the DA was planning to run for the U.S. House of Representatives and he wanted John Q. Public to get a good long look at his phiz. It was a crackerjack legal circus, with spectators getting in line at four in the morning, despite the subzero temperatures, to assure themselves of a seat.
The facts of the prosecution’s case that Andy never contested were these: that he had a wife, Linda Collins Dufresne; that in June of 1947 she had expressed an interest in learning the game of golf at the Falmouth Hills Country Club; that she did indeed take lessons for four months; that her instructor was the Falmouth Hills golf pro, Glenn Quentin; that in late August of 1947 Andy learned that Quentin and his wife had become lovers; that Andy and Linda Dufresne argued bitterly on the afternoon of September 10th, 1947; that the subject of their argument was her infidelity.
He testified that Linda professed to be glad he knew; the sneaking around, she said, was distressing. She told Andy that she planned to obtain a Reno divorce. Andy told her he would see her in hell before he would see her in Reno. She went off to spend the night with Quentin in Quentin’s rented bungalow not far from the golf course. The next morning his cleaning woman found both of them dead in bed. Each had been shot four times.
It was that last fact that militated more against Andy than any of the others. The DA with the political aspirations made a great deal of it in his opening statement and his closing summation. Andrew Dufresne, he said, was not a wronged husband seeking a hot-blooded revenge against his cheating wife; that, the DA said, could be understood, if not condoned. But this revenge had been of a much colder type. Consider! the DA thundered at the jury. Four and four! Not six shots, but eight! He had fired the gun empty… and then stopped to reload so he could shoot each of them again! FOUR FOR HIM AND FOUR FOR HER, the Portland Sun blared. The Boston Register dubbed him The Even-Steven Killer.
A clerk from the Wise Pawnshop in Lewiston testified that he had sold a six-shot .38 Police Special to Andrew Dufresne just two days before the double murder. A bartender from the country club bar testified that Andy had come in around seven o’clock on the evening of September 10th, had tossed off three straight whiskeys in a twenty-minute period—when he got up from the bar-stool he told the bartender that he was going up to Glenn Quentin’s house and he, the bartender, could read about the rest of it in the papers.
 Another clerk, this one from the Handy-Pik store a mile or so from Quentin’s house, told the court that Dufresne had come in around quarter to nine on that same night. He purchased cigarettes, three quarts of beer, and some dishtowels. The county medical examiner testified that Quentin and the Dufresne woman had been killed between 11:00 P.M. and 2:00 A.M. on the night of September 10th–11th. The detective from the Attorney General’s office who had been in charge of the case testified that there was a turnout less than seventy yards from the bungalow, and that on the afternoon of September 11th, three pieces of evidence had been removed from that turnout: first item, two empty quart bottles of Narragansett Beer (with the defendant’s fingerprints on them); second item, twelve cigarette ends (all Kools, the defendant’s brand); third item, a plaster moulage of a set of tire tracks (exactly matching the tread-and-wear pattern of the tires on the defendant’s 1947 Plymouth). 
In the living room of Quentin’s bungalow, four dishtowels had been found lying on the sofa. There were bullet-holes through them and powder-burns on them. The detective theorized (over the agonized objections of Andy’s lawyer) that the murderer had wrapped the towels around the muzzle of the murder-weapon to muffle the sound of the gunshots.
Andy Dufresne took the stand in his own defense and told his story calmly, coolly, and dispassionately. He said he had begun to hear distressing rumors about his wife and Glenn Quentin as early as the last week in July. In late August he had become distressed enough to investigate a bit. On an evening when Linda was supposed to have gone shopping in Portland after her golf lesson, Andy had followed her and Quentin to Quentin’s one-story rented house (inevitably dubbed the love-nest
 by the papers). He had parked in the turnout until Quentin drove her back to the country club where her car was parked, about three hours later. 
Do you mean to tell this court that you followed your wife in your brand-new Plymouth sedan?
 the DA asked him on cross-examination. 
I swapped cars for the evening with a friend,
 Andy said, and this cool admission of how well-planned his investigation had been did him no good at all in the eyes of the jury. 
After returning the friend’s car and picking up his own, he had gone home. Linda had been in bed, reading a book. He asked her how her trip to Portland had been. She replied that it had been fun, but she hadn’t seen anything she liked well enough to buy. That’s when I knew for sure,
 Andy told the breathless spectators. He spoke in the same calm, remote voice in which he delivered almost all of his testimony. 
What was your frame of mind in the seventeen days between then and the night your wife was murdered?
 Andy’s lawyer asked him. 
I was in great distress,
 Andy said calmly, coldly. Like a man reciting a shopping list he said that he had considered suicide, and had even gone so far as to purchase a gun in Lewiston on September 8th. 
His lawyer then invited him to tell the jury what had happened after his wife left to meet Glenn Quentin on the night of the murders. Andy told them… and the impression he made was the worst possible.
I knew him for close to thirty years, and I can tell you he was the most self-possessed man I’ve ever known. What was right with him he’d only give you a little at a time. What was wrong with him he kept bottled up inside. If he ever had a dark night of the soul, as some writer or other has called it, you would never know. He was the type of man who, if he had decided to commit suicide, would do it without leaving a note but not until his affairs had been put neatly in order. If he had cried on the witness stand, or if his voice had thickened and grown hesitant, even if he had started yelling at that Washington-bound District Attorney, I don’t believe he would have gotten the life sentence he wound up with. Even if he had’ve, he would have been out on parole by 1954. But he told his story like a recording machine, seeming to say to the jury: This is it. Take it or leave it. They left it.
He said he was drunk that night, that he’d been more or less drunk since August 24th, and that he was a man who didn’t handle his liquor very well. Of course that by itself would have been hard for any jury to swallow. They just couldn’t see this coldly self-possessed young man in the neat double-breasted three-piece woollen suit ever getting falling-down drunk over his wife’s sleazy little affair with some small-town golf pro. I believed it because I had a chance to watch Andy that those six men and six women didn’t have.
Andy Dufresne took just four drinks a year all the time I knew him. He would meet me in the exercise yard every year about a week before his birthday and then again about two weeks before Christmas. On each occasion he would arrange for a bottle of Jack Daniel’s. He bought it the way most cons arrange to buy their stuff—the slave’s wages they pay in here, plus a little of his own. Up until 1965 what you got for your time was a dime an hour. In ’65 they raised it all the way up to a quarter. My commission on liquor was and is ten per cent, and when you add on that surcharge to the price of a fine sippin whiskey like the Black Jack, you get an idea of how many hours of Andy Dufresne’s sweat in the prison laundry was going to buy his four drinks a year.
On the morning of his birthday, September 20th, he would have himself a big knock, and then he’d have another that night after lights-out. The following day he’d give the rest of the bottle back to me, and I would share it around. As for the other bottle, he dealt himself one drink Christmas night and another on New Year’s Eve. Then that bottle would also come to me with instructions to pass it on. Four drinks a year—and that is the behavior of a man who has been bitten hard by the bottle. Hard enough to draw blood.
He told the jury that on the night of the tenth he had been so drunk he could only remember what had happened in little isolated snatches. He had gotten drunk that afternoon—I took on a double helping of Dutch courage
 is how he put it—before taking on Linda. 
After she left to meet Quentin, he remembered deciding to confront them. On the way to Quentin’s bungalow, he swung into the country club for a couple of quick ones. He could not, he said, remember telling the bartender he could read about the rest of it in the papers,
 or saying anything to him at all. He remembered buying beer in the Handy-Pik, but not the dishtowels. Why would I want dishtowels?
 he asked, and one of the papers reported that three of the lady jurors shuddered. 
Later, much later, he speculated to me about the clerk who had testified on the subject of those dishtowels, and I think it’s worth jotting down what he said. Suppose that, during their canvass for witnesses,
 Andy said one day in the exercise yard, "they stumble on this fellow who sold me the beer that night. By then three days have gone by. The facts of the case have been broadsided in all the papers. Maybe they ganged up on the guy, five or six cops, plus the dick from the Attorney General’s office, plus the DA’s assistant. Memory is a pretty subjective thing, Red. They could have started out with ‘Isn’t it possible that he purchased four or five dishtowels?’ and worked their way up from there. If enough people want you to remember something, that can be a pretty powerful persuader." 
I agreed that it could.
But there’s one even more powerful,
 Andy went on in that musing way of his. "I think it’s at least possible that he convinced himself. It was the limelight. Reporters asking him questions, his picture in the papers… all topped, of course, by his star turn in court. I’m not saying that he deliberately falsified his story, or perjured himself. I think it’s possible that he could have passed a lie detector test with flying colors, or sworn on his mother’s sacred name that I bought those dishtowels. But still… memory is such a goddam subjective thing. 
I know this much: even though my own lawyer thought I had to be lying about half my story, he never bought that business about the dishtowels. It’s crazy on the face of it. I was pig-drunk, too drunk to have been thinking about muffling the gunshots. If I’d done it, I just would have let them rip.
 
He went up to the turnout and parked there. He drank beer and smoked cigarettes. He watched the lights downstairs in Quentin’s place go out. He watched a single light go on upstairs… and fifteen minutes later he watched that one go out. He said he could guess the rest.
Mr. Dufresne, did you then go up to Glenn Quentin’s house and kill the two of them?
 his lawyer thundered. 
No, I did not,
 Andy answered. By midnight, he said, he was sobering up. He was also feeling the first signs of a bad hangover. He decided to go home and sleep it off and think about the whole thing in a more adult fashion the next day. At that time, as I drove home, I was beginning to think that the wisest course would be to simply let her go to Reno and get her divorce.
 
Thank you, Mr. Dufresne.
 
The DA popped up.
You divorced her in the quickest way you could think of, didn’t you? You divorced her with a .38 revolver wrapped in dishtowels, didn’t you?
 
No, sir, I did not,
 Andy said calmly. 
And then you shot her lover.
 
No, sir.
 
You mean you shot Quentin first?
 
I mean I didn’t shoot either one of them. I drank two quarts of beer and smoked however many cigarettes the police found at the turnout. Then I drove home and went to bed.
 
You told the jury that between August twenty-fourth and September tenth you were feeling suicidal.
 
Yes, sir.
 
Suicidal enough to buy a revolver.
 
Yes.
 
Would it bother you overmuch, Mr. Dufresne, if I told you that you do not seem to me to be the suicidal type?
 
No,
 Andy said, "but you don’t impress me as being terribly sensitive, and I doubt very much that, if I were feeling suicidal, I would take my problem to you." 
There was a slight tense titter in the courtroom at this, but it won him no points with the jury.
Did you take your thirty-eight with you on the night of September tenth?
 
No; as I’ve already testified—
 
Oh, yes!
 The DA smiled sarcastically. You threw it into the river, didn’t you? The Royal River. On the afternoon of September ninth.
 
Yes, sir.
 
One day before the murders.
 
Yes, sir.
 
That’s convenient, isn’t it?
 
It’s neither convenient nor inconvenient. Only the truth.
 
I believe you heard Lieutenant Mincher’s testimony?
 Mincher had been in charge of the party which had dragged the stretch of the Royal near Pond Road Bridge, from which Andy had testified he had thrown the gun. The police had not found it. 
Yes, sir. You know I heard it.
 
Then you heard him tell the court that they found no gun, although they dragged for three days. That was rather convenient, too, wasn’t it?
 
Convenience aside, it’s a fact that they didn’t find the gun,
 Andy responded calmly. But I should like to point out to both you and the jury that the Pond Road Bridge is very close to where the Royal River empties into the Bay of Yarmouth. The current is strong. The gun may have been carried out into the bay itself.
 
And so no comparison can be made between the riflings on the bullets taken from the bloodstained corpses of your wife and Mr. Glenn Quentin and the riflings on the barrel of your gun. That’s correct, isn’t it, Mr. Dufresne?
 
Yes.
 
That’s also rather convenient, isn’t it?
 
At that, according to the papers, Andy displayed one of the few slight emotional reactions he allowed himself during the entire six-week period of the trial. A slight, bitter smile crossed his face.
Since I am innocent of this crime, sir, and since I am telling the truth about throwing my gun into the river the day before the crime took place, then it seems to me decidedly inconvenient that the gun was never found.
 
The DA hammered at him for two days. He re-read the Handy-Pik clerk’s testimony about the dishtowels to Andy. Andy repeated that he could not recall buying them, but admitted that he also couldn’t remember not buying them.
Was it true that Andy and Linda Dufresne had taken out a joint insurance policy in early 1947? Yes, that was true. And if acquitted, wasn’t it true that Andy stood to gain fifty thousand dollars in benefits? True. And wasn’t it true that he had gone up to Glenn Quentin’s house with murder in his heart, and wasn’t it also true that he had indeed committed murder twice over? No, it was not true. Then what did he think had happened, since there had been no signs of robbery?
I have no way of knowing that, sir,
 Andy said quietly. 
The case went to the jury at 1:00 P.M. on a snowy Wednesday afternoon. The twelve jurymen and -women came back in at 3:30. The bailiff said they would have been back earlier, but they had held off in order to enjoy a nice chicken dinner from Bentley’s Restaurant at the county’s expense. They found him guilty, and brother, if Maine had the death-penalty, he would have done the airdance before that spring’s crocuses poked their heads out of the snow.
The DA had asked him what he thought had happened, and Andy slipped the question—but he did have an idea, and I got it out of him late one evening in 1955. It had taken those seven years for us to progress from nodding acquaintances to fairly close friends—but I never felt really close to Andy until 1960 or so, and I believe I was the only one who ever did get really close to him. Both being long-timers, we were in the same cellblock from beginning to end, although I was halfway down the corridor from him.
What do I think?
 He laughed—but there was no humor in the sound. I think there was a lot of bad luck floating around that night. More than could ever get together in the same short span of time again. I think it must have been some stranger, just passing through. Maybe someone who had a flat tire on that road after I went home. Maybe a burglar. Maybe a psychopath. He killed them, that’s all. And I’m here.
 
As simple as that. And he was condemned to spend the rest of his life in Shawshank—or the part of it that mattered. Five years later he began to have parole hearings, and he was turned down just as regular as clockwork in spite of being a model prisoner. Getting a pass out of Shawshank when you’ve got murder stamped on your admittance-slip is slow work, as slow as a river eroding a rock. Seven men sit on the board, two more than at most state prisons, and every one of those seven has an ass as hard as the water drawn up from a mineral-spring well. You can’t buy those guys, you can’t sweet-talk them, you can’t cry for them. As far as the board in here is concerned, money don’t talk, and nobody walks. There were other reasons in Andy’s case as well… but that belongs a little further along in my story.
There was a trusty, name of Kendricks, who was into me for some pretty heavy money back in the fifties, and it was four years before he got it all paid off. Most of the interest he paid me was information—in my line of work, you’re dead if you can’t find ways of keeping your ear to the ground. This Kendricks, for instance, had access to records I was never going to see running a stamper down in the goddam plate-shop.
Kendricks told me that the parole board vote was 7–0 against Andy Dufresne through 1957, 6–1 in ’58; 7–0 again in ’59, and 5–2 in ’60. After that I don’t know, but I do know that sixteen years later he was still in Cell 14 of Cellblock 5. By then, 1975, he was fifty-seven. They probably would have gotten big-hearted and let him out around 1983. They give you life, and that’s what they take—all of it that counts, anyway. Maybe they set you loose someday, but… well, listen: I knew this guy, Sherwood Bolton, his name was, and he had this pigeon in his cell. From 1945 until 1953, when they let him out, he had that pigeon. He wasn’t any Birdman of Alcatraz; he just had this pigeon. Jake, he called him. He set Jake free a day before he, Sherwood, that is, was to walk, and Jake flew away just as pretty as you could want. But about a week after Sherwood Bolton left our happy little family, a friend of mine called me over to the west corner of the exercise yard, where Sherwood used to hang out. A bird was lying there like a very small pile of dirty bedlinen. It looked starved. My friend said: Isn’t that Jake, Red?
 It was. That pigeon was just as dead as a turd. 
I remember the first time Andy Dufresne got in touch with me for something; I remember like it was yesterday. That wasn’t the time he wanted Rita Hayworth, though. That came later. In the summer of 1948 he came around for something else.
Most of my deals are done right there in the exercise yard, and that’s where this one went down. Our yard is big, much bigger than most. It’s a perfect square, ninety yards on a side. The north side is the outer wall, with a guard-tower at either end. The guards up there are armed with binoculars and riot guns. The main gate is in that north side. The truck loading-bays are on the south side of the yard. There are five of them. Shawshank is a busy place during the work-week—deliveries in, deliveries out. We have the license-plate factory, and a big industrial laundry that does all the prison wetwash, plus that of Kittery Receiving Hospital and the Eliot Nursing Home. There’s also a big automotive garage where mechanic inmates fix prison, state, and municipal vehicles—not to mention the private cars of the screws, the administration offices… and, on more than one occasion, those of the parole board.
The east side is a thick stone wall full of tiny slit windows. Cellblock 5 is on the other side of that wall. The west side is Administration and the infirmary. Shawshank has never been as overcrowded as most prisons, and back in ’48 it was only filled to something like two-thirds capacity, but at any given time there might be eighty to a hundred and twenty cons on the yard—playing toss with a football or baseball, shooting craps, jawing at each other, making deals. On Sunday the place was even more crowded; on Sunday the place would have looked like a country holiday… if there had been any women.
It was on a Sunday that Andy first came to me. I had just finished talking to Elmore Armitage, a fellow who often came in handy to me, about a radio when Andy walked up. I knew who he was, of course; he had a reputation for being a snob and a cold fish. People were saying he was marked for trouble already. One of the people saying so was Bogs Diamond, a bad man to have on your case. Andy had no cellmate, and I’d heard that was just the way he wanted it, although people were already saying he thought his shit smelled sweeter than the ordinary. But I don’t have to listen to rumors about a man when I can judge him for myself.
Hello,
 he said. I’m Andy Dufresne.
 He offered his hand and I shook it. He wasn’t a man to waste time being social; he got right to the point. I understand that you’re a man who knows how to get things.
 
I agreed that I was able to locate certain items from time to time.
How do you do that?
 Andy asked. 
Sometimes,
 I said, things just seem to come into my hand. I can’t explain it. Unless it’s because I’m Irish.
 
He smiled a little at that. I wonder if you could get me a rock-hammer.
 
What would that be, and why would you want it?
 
Andy looked surprised. Do you make motivations a part of your business?
 With words like those I could understand how he had gotten a reputation for being the snobby sort, the kind of guy who likes to put on airs—but I sensed a tiny thread of humor in his question. 
I’ll tell you,
 I said. If you wanted a toothbrush, I wouldn’t ask questions. I’d just quote you a price. Because a toothbrush, you see, is a non-lethal sort of an object.
 
You have strong feelings about lethal objects?
 
I do.
 
An old friction-taped baseball flew toward us and he turned, cat-quick, and picked it out of the air. It was a move Frank Malzone would have been proud of. Andy flicked the ball back to where it had come from—just a quick and easy-looking flick of the wrist, but that throw had some mustard on it, just the same. I could see a lot of people were watching us with one eye as they went about their business. Probably the guards in the tower were watching, too. I won’t gild the lily; there are cons that swing weight in any prison, maybe four or five in a small one, maybe two or three dozen in a big one. At Shawshank I was one of those with some weight, and what I thought of Andy Dufresne would have a lot to do with how his time went. He probably knew it, too, but he wasn’t kowtowing or sucking up to me, and I respected him for that.
Fair enough. I’ll tell you what it is and why I want it. A rock-hammer looks like a miniature pickaxe—about so long.
 He held his hands about a foot apart, and that was when I first noticed how neatly kept his nails were. It’s got a small sharp pick on one end and a flat, blunt hammerhead on the other. I want it because I like rocks.
 
Rocks,
 I said. 
Squat down here a minute,
 he said. 
I humored him. We hunkered down on our haunches like Indians.
Andy took a handful of exercise yard dirt and began to sift it between his neat hands, so it emerged in a fine cloud. Small pebbles were left over, one or two sparkly, the rest dull and plain. One of the dull ones was quartz, but it was only dull until you’d rubbed it clean. Then it had a nice milky glow. Andy did the cleaning and then tossed it to me. I caught it and named it.
Quartz, sure,
 he said. And look. Mica. Shale. Silted granite. Here’s a piece of graded limestone, from when they cut this place out of the side of the hill.
 He tossed them away and dusted his hands. "I’m a rockhound. At least… I was a rockhound. In my old life. I’d like to be one again, on a limited scale." 
Sunday expeditions in the exercise yard?
 I asked, standing up. It was a silly idea, and yet… seeing that little piece of quartz had given my heart a funny tweak. I don’t know exactly why; just an association with the outside world, I suppose. You didn’t think of such things in terms of the yard. Quartz was something you picked out of a small, quick-running stream. 
Better to have Sunday expeditions here than no Sunday expeditions at all,
 he said. 
You could plant an item like that rock-hammer in somebody’s skull,
 I remarked. 
I have no enemies here,
 he said quietly. 
No?
 I smiled. Wait awhile.
 
If there’s trouble, I can handle it without using a rock-hammer.
 
Maybe you want to try an escape? Going under the wall? Because if you do—
 
He laughed politely. When I saw the rock-hammer three weeks later, I understood why.
You know,
 I said, if anyone sees you with it, they’ll take it away. If they saw you with a spoon, they’d take it away. What are you going to do, just sit down here in the yard and start bangin away?
 
Oh, I believe I can do a lot better than that.
 
I nodded. That part of it really wasn’t my business, anyway. A man engages my services to get him something. Whether he can keep it or not after I get it is his business.
How much would an item like that go for?
 I asked. I was beginning to enjoy his quiet, low-key style. When you’ve spent ten years in stir, as I had then, you can get awfully tired of the bellowers and the braggarts and the loud-mouths. Yes, I think it would be fair to say I liked Andy from the first. 
Eight dollars in any rock-and-gem shop,
 he said, but I realize that in a business like yours you work on a cost-plus basis—
 
Cost plus ten per cent is my going rate, but I have to go up some on a dangerous item. For something like the gadget you’re talking about, it takes a little more goose-grease to get the wheels turning. Let’s say ten dollars.
 
Ten it is.
 
I looked at him, smiling a little. "Have you got ten dollars?"
I do,
 he said quietly. 
A long time after, I discovered that he had better than five hundred. He had brought it in with him. When they check you in at this hotel, one of the bellhops is obliged to bend you over and take a look up your works—but there are a lot of works, and, not to put too fine a point on it, a man who is really determined can get a fairly large item quite a ways up them—far enough to be out of sight, unless the bellhop you happen to draw is in the mood to pull on a rubber glove and go prospecting.
That’s fine,
 I said. You ought to know what I expect if you get caught with what I get you.
 
I suppose I should,
 he said, and I could tell by the slight change in his gray eyes that he knew exactly what I was going to say. It was a slight lightening, a gleam of his special ironic humor. 
If you get caught, you’ll say you found it. That’s about the long and short of it. They’ll put you in solitary for three or four weeks… plus, of course, you’ll lose your toy and you’ll get a black mark on your record. If you give them my name, you and I will never do business again. Not for so much as a pair of shoelaces or a bag of Bugler. And I’ll send some fellows around to lump you up. I don’t like violence, but you’ll understand my position. I can’t allow it to get around that I can’t handle myself. That would surely finish me.
 
Yes. I suppose it would. I understand, and you don’t need to worry.
 
I never worry,
 I said. In a place like this there’s no percentage in it.
 
He nodded and walked away. Three days later he walked up beside me in the exercise yard during the laundry’s morning break. He didn’t speak or even look my way, but pressed a picture of the Hon. Alexander Hamilton into my hand as neatly as a good magician does a card-trick. He was a man who adapted fast. I got him his rock-hammer. I had it in my cell for one night, and it was just as he described it. It was no tool for escape (it would have taken a man just about six hundred years to tunnel under the wall using that rock-hammer, I figured), but I still felt some misgivings. If you planted that pickaxe end in a man’s head, he would surely never listen to Fibber McGee and Molly on the radio again. And Andy had already begun having trouble with the sisters. I hoped it wasn’t them he was wanting the rock-hammer for.
In the end, I trusted my judgment. Early the next morning, twenty minutes before the wake-up horn went off, I slipped the rock-hammer and a package of Camels to Ernie, the old trusty who swept the Cellblock 5 corridors until he was let free in 1956. He slipped it into his tunic without a word, and I didn’t see the rock-hammer again for nineteen years, and by then it was damned near worn away to nothing.
The following Sunday Andy walked over to me in the exercise yard again. He was nothing to look at that day, I can tell you. His lower lip was swelled up so big it looked like a summer sausage, his right eye was swollen half-shut, and there was an ugly washboard scrape across one cheek. He was having his troubles with the sisters, all right, but he never mentioned them. Thanks for the tool,
 he said, and walked away. 
I watched him curiously. He walked a few steps, saw something in the dirt, bent over, and picked it up. It was a small rock. Prison fatigues, except for those worn by mechanics when they’re on the job, have no pockets. But there are ways to get around that. The little pebble disappeared up Andy’s sleeve and didn’t come down. I admired that… and I admired him. In spite of the problems he was having, he was going on with his life. There are thousands who don’t or won’t or can’t, and plenty of them aren’t in prison, either. And I noticed that, although his face looked as if a twister had happened to it, his hands were still neat and clean, the nails well-kept.
I didn’t see much of him over the next six months; Andy spent a lot of that time in solitary.
A few words about the sisters.
In a lot of pens they are known as bull queers or jailhouse susies—just lately the term in fashion is killer queens.
 But in Shawshank they were always the sisters. I don’t know why, but other than the name I guess there was no difference. 
It comes as no surprise to most these days that there’s a lot of buggery going on inside the walls—except to some of the new fish, maybe, who have the misfortune to be young, slim, good-looking, and unwary—but homosexuality, like straight sex, comes in a hundred different shapes and forms. There are men who can’t stand to be without sex of some kind and turn to another man to keep from going crazy. Usually what follows is an arrangement between two fundamentally heterosexual men, although I’ve sometimes wondered if they are quite as heterosexual as they thought they were going to be when they get back to their wives or their girlfriends.
There are also men who get turned
 in prison. In the current parlance they go gay,
 or come out of the closet.
 Mostly (but not always) they play the female, and their favors are competed for fiercely. 
And then there are the sisters.
They are to prison society what the rapist is to the society outside the walls. They’re usually long-timers, doing hard bullets for brutal crimes. Their prey is the young, the weak, and the inexperienced… or, as in the case of Andy Dufresne, the weak-looking. Their hunting grounds are the showers, the cramped, tunnel-like areaway behind the industrial washers in the laundry, sometimes the infirmary. On more than one occasion rape has occurred in the closet-sized projection booth behind the auditorium. Most often what the sisters take by force they could have had for free, if they wanted it that way; those who have been turned always seem to have crushes
 on one sister or another, like teenage girls with their Sinatras, Presleys, or Redfords. But for the sisters, the joy has always been in taking it by force… and I guess it always will be. 
Because of his small size and fair good looks (and maybe also because of that very quality of self-possession I had admired), the sisters were after Andy from the day he walked in. If this was some kind of fairy story, I’d tell you that Andy fought the good fight until they left him alone. I wish I could say that, but I can’t. Prison is no fairy-tale world.
The first time for him was in the shower less than three days after he joined our happy Shawshank family. Just a lot of slap and tickle that time, I understand. They like to size you up before they make their real move, like jackals finding out if the prey is as weak and hamstrung as it looks.
Andy punched back and bloodied the lip of a big, hulking sister named Bogs Diamond—gone these many years since to who knows where. A guard broke it up before it could go any further, but Bogs promised to get him—and Bogs did.
The second time was behind the washers in the laundry. A lot has gone on in that long, dusty, and narrow space over the years; the guards know about it and just let it be. It’s dim and littered with bags of washing and bleaching compound, drums of Hexlite catalyst, as harmless as salt if your hands are dry, murderous as battery acid if they’re wet. The guards don’t like to go back there. There’s no room to maneuver, and one of the first things they teach them when they come to work in a place like this is to never let the cons get you in a place where you can’t back up.
Bogs wasn’t there that day, but Henley Backus, who had been washroom foreman down there since 1922, told me that four of his friends were. Andy held them at bay for awhile with a scoop of Hexlite, threatening to throw it in their eyes if they came any closer, but he tripped trying to back around one of the big Washex four-pockets. That was all it took. They were on him.
I guess the phrase gang-rape is one that doesn’t change much from one generation to the next. That’s what they did to him, those four sisters. They bent him over a gear-box and one of them held a Phillips screwdriver to his temple while they gave him the business. It rips you up some, but not bad—am I speaking from personal experience, you ask?—I only wish I weren’t. You bleed for awhile. If you don’t want some clown asking you if you just started your period, you wad up a bunch of toilet paper and keep it down the back of your underwear until it stops. The bleeding really is like a menstrual flow; it keeps up for two, maybe three days, a slow trickle. Then it stops. No harm done, unless they’ve done something even more unnatural to you. No physical harm done—but rape is rape, and eventually you have to look at your face in the mirror again and decide what to make of yourself.
Andy went through that alone, the way he went through everything alone in those days. He must have come to the conclusion that others before him had come to, namely, that there are only two ways to deal with the sisters: fight them and get taken, or just get taken.
He decided to fight. When Bogs and two of his buddies came after him a week or so after the laundry incident (I heard ya got broke in,
 Bogs said, according to Ernie, who was around at the time), Andy slugged it out with them. He broke the nose of a fellow named Rooster MacBride, a heavy-gutted farmer who was in for beating his stepdaughter to death. Rooster died in here, I’m happy to add. 
They took him, all three of them. When it was done, Rooster and the other egg—it might have been Pete Verness, but I’m not completely sure—forced Andy down to his knees. Bogs Diamond stepped in front of him. He had a pearl-handled razor in those days with the words Diamond Pearl engraved on both sides of the grip. He opened it and said, I’m gonna open my fly now, mister man, and you’re going to swallow what I give you to swallow. And when you done swallowed mine, you’re gonna swallow Rooster’s. I guess you done broke his nose and I think he ought to have something to pay for it.
 
Andy said, Anything of yours that you stick in my mouth, you’re going to lose it.
 
Bogs looked at Andy like he was crazy, Ernie said.
No,
 he told Andy, talking to him slowly, like Andy was a stupid kid. You didn’t understand what I said. You do anything like that and I’ll put all eight inches of this steel into your ear. Get it?
 
"I understood what you said. I don’t think you understood me. I’m going to bite whatever you stick into my mouth. You can put that razor into my brain, I guess, but you should know that a sudden serious brain injury causes the victim to simultaneously urinate, defecate… and bite down."
He looked up at Bogs smiling that little smile of his, old Ernie said, as if the three of them had been discussing stocks and bonds with him instead of throwing it to him just as hard as they could. Just as if he was wearing one of his three-piece bankers’ suits instead of kneeling on a dirty broom-closet floor with his pants around his ankles and blood trickling down the insides of his thighs.
In fact,
 he went on, I understand that the bite-reflex is sometimes so strong that the victim’s jaws have to be pried open with a crowbar or a jackhandle.
 
Bogs didn’t put anything in Andy’s mouth that night in late February of 1948, and neither did Rooster MacBride, and so far as I know, no one else ever did, either. What the three of them did was to beat Andy within an inch of his life, and all four of them ended up doing a jolt in solitary. Andy and Rooster MacBride went by way of the infirmary.
How many times did that particular crew have at him? I don’t know. I think Rooster lost his taste fairly early on—being in nose-splints for a month can do that to a fellow—and Bogs Diamond left off that summer, all at once.
That was a strange thing. Bogs was found in his cell, badly beaten, one morning in early June, when he didn’t show up in the breakfast nose-count. He wouldn’t say who had done it, or how they had gotten to him, but being in my business, I know that a screw can be bribed to do almost anything except get a gun for an inmate. They didn’t make big salaries then, and they don’t now. And in those days there was no electronic locking system, no closed-circuit TV, no master-switches which controlled whole areas of the prison. Back in 1948, each cellblock had its own turnkey. A guard could have been bribed real easy to let someone—maybe two or three someones—into the block, and, yes, even into Diamond’s cell.
Of course a job like that would have cost a lot of money. Not by outside standards, no. Prison economics are on a smaller scale. When you’ve been in here awhile, a dollar bill in your hand looks like a twenty did outside. My guess is that, if Bogs was done, it cost someone a serious piece of change—fifteen bucks, we’ll say, for the turnkey, and two or three apiece for each of the lump-up guys.
I’m not saying it was Andy Dufresne, but I do know that he brought in five hundred dollars when he came, and he was a banker in the straight world—a man who understands better than the rest of us the ways in which money can become power.
And I know this: after the beating—the three broken ribs, the hemorrhaged eye, the sprained back, and the dislocated hip—Bogs Diamond left Andy alone. In fact, after that he left everyone pretty much alone. He got to be like a high wind in the summertime, all bluster and no bite. You could say, in fact, that he turned into a weak sister.
 
That was the end of Bogs Diamond, a man who might eventually have killed Andy if Andy hadn’t taken steps to prevent it (if it was him who took the steps). But it wasn’t the end of Andy’s troubles with the sisters. There was a little hiatus, and then it began again, although not so hard or so often. Jackals like easy prey, and there were easier pickings around than Andy Dufresne.
He always fought them, that’s what I remember. He knew, I guess, that if you let them have at you even once without fighting, it got that much easier to let them have their way without fighting next time. So Andy would turn up with bruises on his face every once in awhile, and there was the matter of the two broken fingers six or eight months after Diamond’s beating. Oh yes—and sometime in late 1949, the man landed in the infirmary with a broken cheekbone that was probably the result of someone swinging a nice chunk of pipe with the business-end wrapped in flannel. He always fought back, and as a result, he did his time in solitary. But I don’t think solitary was the hardship for Andy that it was for some men. He got along with himself.
The sisters was something he adjusted himself to—and then, in 1950, it stopped almost completely. That is a part of my story that I’ll get to in due time.
In the fall of 1948, Andy met me one morning in the exercise yard and asked me if I could get him half a dozen rock-blankets.
What the hell are those?
 I asked. 
He told me that was just what rockhounds called them; they were polishing cloths about the size of dishtowels. They were heavily padded, with a smooth side and a rough side—the smooth side like fine-grained sandpaper, the rough side almost as abrasive as industrial steel wool (Andy also kept a box of that in his cell, although he didn’t get it from me—I imagine he kited it from the prison laundry).
I told him I thought we could do business on those, and I ended up getting them from the very same rock-and-gem shop where I’d arranged to get the rock-hammer. This time I charged Andy my usual ten per cent and not a penny more. I didn’t see anything lethal or even dangerous in a dozen 7 x 7
 squares of padded cloth. Rock-blankets, indeed. 
It was about five months later that Andy asked if I could get him Rita Hayworth. That conversation took place in the auditorium, during a movie-show. Nowadays we get the movie-shows once or twice a week, but back then the shows were a monthly event. Usually the movies we got had a morally uplifting message to them, and this one, The Lost Weekend, was no different. The moral was that it’s dangerous to drink. It was a moral we could take some comfort in.
Andy maneuvered to get next to me, and about halfway through the show he leaned a little closer and asked if I could get him Rita Hayworth. I’ll tell you the truth, it kind of tickled me. He was usually cool, calm, and collected, but that night he was jumpy as hell, almost embarrassed, as if he was asking me to get him a load of Trojans or one of those sheepskin-lined gadgets that are supposed to enhance your solitary pleasure,
 as the magazines put it. He seemed overcharged, a man on the verge of blowing his radiator. 
I can get her,
 I said. No sweat, calm down. You want the big one or the little one?
 At that time Rita was my best girl (a few years before it had been Betty Grable) and she came in two sizes. For a buck you could get the little Rita. For two-fifty you could have the big Rita, four feet high and all woman. 
The big one,
 he said, not looking at me. I tell you, he was a hot sketch that night. He was blushing just like a kid trying to get into a kootch show with his big brother’s draftcard. Can you do it?
 
Take it easy, sure I can. Does a bear shit in the woods?
 The audience was applauding and catcalling as the bugs came out of the walls to get Ray Milland, who was having a bad case of the DT’s. 
How soon?
 
A week. Maybe less.
 
Okay.
 But he sounded disappointed, as if he had been hoping I had one stuffed down my pants right then. How much?
 
I quoted him the wholesale price. I could afford to give him this one at cost; he’d been a good customer, what with his rock-hammer and his rock-blankets. Furthermore, he’d been a good boy—on more than one night when he was having his problems with Bogs, Rooster, and the rest, I wondered how long it would be before he used the rock-hammer to crack someone’s head open.
Posters are a big part of my business, just behind the booze and cigarettes, usually half a step ahead of the reefer. In the sixties the business exploded in every direction, with a lot of people wanting funky hang-ups like Jimi Hendrix, Bob Dylan, that Easy Rider poster. But mostly it’s girls; one pin-up queen after another.
A few days after Andy spoke to me, a laundry driver I did business with back then brought in better than sixty posters, most of them Rita Hayworths. You may even remember the picture; I sure do. Rita is dressed—sort of—in a bathing suit, one hand behind her head, her eyes half-closed, those full, sulky red lips parted. They called it Rita Hayworth, but they might as well have called it Woman in Heat.
The prison administration knows about the black market, in case you were wondering. Sure they do. They probably know almost as much about my business as I do myself. They
