Witchcraft for Wayward Girls
4/5
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About this ebook
AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER
They were never girls, they were witches . . . .
They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.
Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, frightened, and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.
Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by the adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid . . . and it’s usually paid in blood.
In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).
Grady Hendrix
Grady Hendrix es novelista y guionista y actualmente vive en Nueva York. Ganador del premio Bram Stoker por su ensayo Paperbacks from Hell, ha sido nominado al premio Shirley Jackson y al Locus por Horrorstör, El exorcismo de mi mejor amiga y Vendimos nuestras almas. Ha recibido el elogio unánime de la crítica por Guía del Club de lectura para matar vampiros o Grupo de Apoyo para Final Girls en reseñas de la NPR, el Washington Post, el Wall Street Journal, Los Ángeles Times, A. V. Club, Paste, Buzzfeed y muchas más. Asimismo ha colaborado con Playboy, The Village Boy y Variety. Sus últimos trabajos Cómo vender una casa encantada Y Brujería para chicas descarriadas han sido un fenómeno de ventas en EEUU. gradyhendrix.com @grady_hendrix on Twitter @PaperbacksFromHell on Facebook
Read more from Grady Hendrix
The Final Girl Support Group Rating: 4 out of 5 stars4/5The Southern Book Club's Guide to Slaying Vampires: A Novel Rating: 4 out of 5 stars4/5My Best Friend's Exorcism: A Novel Rating: 4 out of 5 stars4/5Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction Rating: 4 out of 5 stars4/5How to Sell a Haunted House Rating: 4 out of 5 stars4/5Dirt Candy: A Cookbook: Flavor-Forward Food from the Upstart New York City Vegetarian Restaurant Rating: 4 out of 5 stars4/5Howls From Hell: A Horror Anthology Rating: 4 out of 5 stars4/5We Sold Our Souls: A Novel Rating: 4 out of 5 stars4/5Horrorstor: A Novel Rating: 4 out of 5 stars4/5Dead Leprechauns & Devil Cats: Strange Tales of the White Street Society Rating: 3 out of 5 stars3/5BadAsstronauts Rating: 4 out of 5 stars4/5
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Reviews for Witchcraft for Wayward Girls
189 ratings13 reviews
- Rating: 4 out of 5 stars4/5
Aug 12, 2025
As usual, a fun read by Grady Hendrix. More fantasy than horror, except for one early scene, and fairly light. I'd recommend as a beach or vacation read. - Rating: 3 out of 5 stars3/5
Jul 24, 2025
Grady Hendrix has a talent for writing about the dark side of humanity.
It wasn’t uncommon to hear in the early 70s of a young girl in high school being sent away for months. It was a family secret. Yet, we all knew, a girl disappeared when she became pregnant -- always the woman’s fault. It was heartbreaking.
At 15, Fern was pregnant and her father put her in a car and drove her to Florida. She became part of the Wayward Girls where conditions were harsh. You just wanted to wrap your arms around this young girl. She and others met a witch who promised them hope for a better future. Very predictable.
The book would be ideal for young girls with an imagination for horror and witchcraft themes. It wasn’t for me although oddly, it kept my attention. It’s the sign of a good writer. - Rating: 5 out of 5 stars5/5
Apr 12, 2025
Wow! I loved this. Its a subtle start but when things go wrong, it gets you involved. I can't understate just how real the characters felt. They were just normal teens! with problems! - Rating: 4 out of 5 stars4/5
Apr 7, 2025
Chapter one was a little sketchy. It was missing signs of Hendrix's signature tone of horror and humor, and I have difficulty garnering sympathy for people who make bad decisions, no matter what time period they're in. Chapter two was a banger though. That was my green light to settle in.
I usually say that Grady Hendrix is like if Stephen King wore fifteen pieces of flair. But for all the comparisons, King never wrote much about feminism. He did write female POVs, but those stories were always about the horror of being in an abusive situation, usually with something supernatural sprinkled in. Carrie, Dolores Claiborne, Gerald's Game. They're about women versus an evil person, not women versus the patriarchy. This, however, is very feminist, which I have no problem with. But there are good and bad ways to do it. Lessons in Chemistry used a bad way. This one is the good way, although it's light on scares. The true horror comes from being a pregnant teenager, which is more of a social horror, like The Purge or Civil War.
It also comes from being undesirably pregnant in 1970. Roe vs. Wade is still a few years away. Equal rights haven't been codified. When women were sent to a home to have their babies then come back like nothing happened, as if you just needed to shut a window for a while until the bad smell had gone away. It's about being treated like a non-person because of something you can't control, and having no control at all because of that. Dismissed by doctors, harassed by housemothers, ordered around like a prisoner. That's where the witchcraft comes in. It shows them a way to matter, a way that they can have agency again. But like any divine power, there's a price to be paid.
It's like The Craft, but less angsty teen and more How to Make an American Quilt. The ending is not as punchy as his other books. Maybe because witches just aren't that scary (e.g., Sabrina, Hocus Pocus, Wicked, Buffy the Vampire Slayer, Hermione, The Witches). The content isn't as funny as "How to Sell a Haunted House" or "My Best Friend's Exorcism". But you will grind your teeth over how much these girls suffer in their impossible situation and can do nothing about it, like Memento or The Color Purple. - Rating: 5 out of 5 stars5/5
Apr 4, 2025
I have loved every book written so far by Grady Hendrix. I love how perfectly he captures his southern settings (no shocker, considering he grew up here) and I’m consistently impressed by how well he writes women. His protagonists are usually southern women, and none of the creepy, leering, obsessed-with-her-looks kind of characterization here. Did he grow up with five sisters or something? Because he is SPOT ON, every time. These characters feel like women I know, women I grew up with.
This is even more impressive in Witchcraft for Wayward Girls. It’s 1970, and teenage girls who’re unwed and pregnant are sent by their ashamed families to group homes far away, to bear their children in secret before coming home to pretend nothing ever happened. (Thanks, complete lack of sex education!) Fern is one such unlucky girl, but she finds far more that summer at Wellwood House than she expected. She comes into possession of a book of witchcraft, and in a place where every hour of their day is tightly controlled, where every bite of food is strictly watched, the girls jump at the chance to claw back some semblance of control. But power is never free.
This feels like a different kind of horror than we usually get from Hendrix. It’s dark and occult, but I feel like the horror is more psychological and emotional. (Although there’s an element of physical terror/body horror that goes along with pregnancy, especially for an unprepared teenager, and how did a man capture that fear, from a woman's perspective, so well?!! Well done!!) This book is about betrayal, power, isolation, loss and grief, love, and found family. It was powerful, the ending was so perfect, and it’s a fantastic witchy horror.
Thank you NetGalley and Berkley Publishing Group for an advanced copy in exchange for my honest review! - Rating: 4 out of 5 stars4/5
Mar 10, 2025
story of unwed mothers with a side of light horror. Ending was better than I expected. - Rating: 3 out of 5 stars3/5
Mar 6, 2025
Decent enough plot, which ultimately boils down to the strength of women, be they witches, or pregnant teenagers, when faced with tough situations. It’s such a female centered story, and such a specific age/ time for the girls who are the central characters, that I was curious to see how a male writer would handle it. Mr Grady did the girls justice. The plot slipped between fiction, a weird piece if coming of age, witchcraft, and the appearance of Nurse Rachett-like adults, with a couple of caring ones to balance things out. Not my favorite of the author’s novels, but having been a teenager in the pre Roe days, it was interesting to see one slice of life delivered in a Grady Hendrix fashion. - Rating: 4 out of 5 stars4/5
Feb 10, 2025
I think it's time I finally give up on Grady Hendrix. I've tried for a while. I'm torn between 3.5 and 4 stars for this one though. Of all his books, this was definitely my favorite. And also interesting topic for a guy to deep dive into 15 year old pregnancies. It gets a little graphic. This one had a lot of great themes and brought attention to a very real time and a very real topic that is now concerning us again. Girls that don't have options to have abortions and are forced to go through childbirth while the boys can just continue on with their lives. It takes 2 my friends. But like all of Grady Hendrix, it starts to get a little weird at the end, a little too weird and ruined the story for me. But it was a solid 4 or maybe even 4.5 star for about 75% of the book. I understand it stays "witchcraft" in the title. But it just goes a little too far for me. And people being taken over by witches and their bodies taken over it sounded like. I was cool with the beginning when they start to play with witchraft and do spells, that was kinda fun, but then it just got real weird. Nothing against Grady Hendrix, I just think it's too far out there for me. This book also could've been about half the size. It's a really, really long book. As someone once said to me about a different male author, it seems like he isn't getting enough attention at home so he had to put all the words into one book because he needs attention.
[spoilers] The main character goes to basically a halfway house for girls who are pregnant. They go there to have babies and give them up for adoption (whether they like it or not, pretty much). She meets other girls there and they become friends and close. The bookmobile comes to the house and the "librarian" (we found out later she's a witch) gives her a book of spells. And they try one of the spells to make the doctor sick instead of one of the girls who is constantly sick. The doctor had told her it was all her in head. And it actually worked. They did another spell and got another lady who works there pregnant basically and she gives birth to some eels (this is the far-fetched I was mentioning). And then there is Holly that shows up and we find out she's been raped since she was 8 years old by a reverend. And his wife helped. She finally gets knocked up, which is what they wanted so they could adopt the baby. Holly is mute until she finally speaks up to them and she doesn't want to go back to the reverend or give him the baby. In the end, the librarian witch is dying and she wants to take over Fern's (the main character's) body it sounds like. But Fern doesn't want to. And then she wants to take her baby. In the end, Holly ends up going with the witches and Fern goes back to her life. She never forgets her daughter and they end up reconnecting when Fern is old. She also reconnects with some of the girls from the house. Obviously, more than this happens, but this is the main gist. I listened to this on audio and to be honest, it was just so long that I may have missed out on some details here. If this book was shorter, honestly, it may have been 4 stars. It just sort of dragged on and then got super weird. Again, I liked a lot of the messages in the book overall, but sadly, I think this is the last Grady Hendrix. I really, really want to like them though! - Rating: 5 out of 5 stars5/5
Feb 4, 2025
WITCHCRAFT FOR WAYWARD GIRLS is Grady Hendrix's best novel so far. This is for several reasons. Sure, setting the story in a Pre-Roe and still segregated South helps with his messaging. There is just enough distance to comfortably declare that what happens is the past and things are better now. Yet, there is plenty of uncertainty today around women's rights, especially medical. This uncertainty creates a frisson of discomfort while reading.
To that, he layers on the fantastical elements of the story. He uses characters, one generation removed from enslavement and their strong belief system in Hoodooism, to build an atmosphere where it is difficult to separate fantasy and fiction, real and magic. Nothing of what the girls experience is implausible. If anything, you can logically explain every "otherworldly" scene in the book. But that setting, summer in the Deep South, living in an old plantation, a Mammy-like figure who is just as likely to smack you as help you but who firmly believes in magic, it all converges into a film that blurs the finest of details and makes the impossible possible.
If that weren't enough, Mr. Hendrix uses the real-life historical horrors of being unmarried and pregnant in the early seventies. While it is easy to say you understand the pressures women faced to remain "pure" and the depths to which society kept girls and women ignorant of simple biology. It is another thing entirely to see it happen over and over again, and that is just what Mr. Hendrix does.
It doesn't matter the age or the fact that the girl might have a serious boyfriend. Every girl is in that home because their family cannot bear the consequences of having an unwed pregnant daughter. It doesn't matter how a girl gets pregnant in WITCHCRAFT FOR WAYWARD GIRLS. There is no such thing as rape. Every girl got pregnant simply because they were wicked or bad or promiscuous or troubled or slutty. The levels of disgust you feel from Mr. Hendrix's words are beyond expectations.
Yet, for all those layers upon layers of the story he weaves into WITCHCRAFT FOR WAYWARD GIRLS, Mr. Hendrix's true magic lays in the mirror he holds up to the hypocrisy of a patriarchal, Christian, and righteous society. The only allies the girls have are each other and the one or two individuals they meet who do not conform to the patriarchal and Christian parts of that society. The girls face anger, disgust, condescension, fear, and a shit-ton of mansplaining almost every minute of every day, and therein lies the true horror of the story. It is not in the supernatural and scary parts of the story. It is in the fact that girls really did experience that smugness of religious "purity" and that we are one small step away from having to endure it all again.
I could go on to say how I loved how Mr. Hendrix played around with the narrator, sliding seamlessly from one point of view to another as the main character drifted into and around the action. I could say that the feelings Mr. Hendrix brings to the story are so vivid and so extreme that my stomach gets upset just thinking about certain scenes (SO. MUCH. ANGER. Deserved but still.) In the end, what makes WITCHCRAFT FOR WAYWARD GIRLS so impressive a story is that you could take away the witch stuff and it would still be a horror story. Because men have always been more vicious and crueler than any mythical beast, and they do so with smiles on their faces and benevolence in their hearts.
WITCHCRAFT FOR WAYWARD GIRLS was, for me, a novel that devoured me as much as I devoured it. The story took me in and spat me out, emotionally drained and terrified. Terrified of the past and what women went through simply to give birth, let alone if you were a teen mom-to-be. Petrified of a future that sees those sentiments, the ignorance, and the lack of agency arise again. Powerful. Masterful. WITCHCRAFT FOR WAYWARD GIRLS is a must-read for all. - Rating: 4 out of 5 stars4/5
Feb 2, 2025
They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.
I honestly didn't know where to start reviewing this book. First of all, know that I really, really like this author. I recently saw him at my local library and so enjoyed his presentation of his book How To Sell A Haunted House, so when I saw this one...I thought "Great...another good book by this really talented author" I'm not at all intending to downgrade his writing ability or the books worthiness, but this book is absolutely NOT going to be the favorite that his others have been. 15-year-old Fern is pregnant in the pre-Roe vs. Wade era, (1970's) and she is sent to a home that basically is a warehouse for pregnant teenagers. They’re kept out of sight, away from the judgement of their hometown residents, until their babies are born and adopted out to more “worthy” parents. You can imagine how Fern feels. Absolutely hopeless and very, very bored...until a librarian gives her a book on witchcraft. When Fern learns that one of her fellow teen mothers needs help escaping a desperate situation, she thinks casting a spell just might be the only way to save her new friend. However, Fern soon learns that magic and freedom come at a terrific price....and that price is always collected. This book seemed set to appeal to a particular audience and is certainly not for everyone. Bleak, dark, emotionally intense and sometimes heartbreaking, requiring a great amount of patience...would best describe it. Is it a bad story? Diffidently not. You'll learn that the attitudes held at that time about unwed mothers haven't changed much in 50-years in some places, and those judgments are sometimes grim and depressing, but yet, still fascinating, as we are reminded that this is something that women to this day are still sometimes harshly judged for. Could it be that these girls were not so much "wayward", but victims of the adult world? - Rating: 5 out of 5 stars5/5
Jan 13, 2025
This book made me feel so many things, and I loved every minute of it. I did go into it thinking it was going to be a straight up spooky witchy tale, and while it wasn't that, it was so good for what it was. Those poor girls were told repeatedly that they were nothing but sluts and that the only moral thing they could do was give their babies up for adoption, forget about all the ugliness and shame of their situation, and then go back to their lives as if nothing had happened. Most of the girls don't question that, but a few do when they meet a librarian who gives them a book on witchcraft and tells them that they can be in control of their own power and make their own decisions. But is that a good thing or a bad thing?
This was a unique and emotionally draining story at times, but I couldn't help but continue reading it. The girls were all unique and from different places and situations, but they weren't allowed to talk about that. They were only able to go by the name provided them when they got to the home, whether they liked it or not. That was their first lesson in how things would be and the first right taken away from them. Another huge part of the story was the setting, Florida in 1970, oppressive and sweltering. It set so much of the tone of the book and added to the suspense, as weird as that might sound.
All in all, I'm glad I read this book and highly recommend it to others.
5/5 stars.
*** I would like to thank NetGalley, Berkley Publishing Group, and Grady Hendrix for the opportunity to read and review Witchcraft for Wayward Girls. - Rating: 5 out of 5 stars5/5
Nov 25, 2024
Witchcraft for Wayward Girls
By Grady Hendrix
OMG! I want to thank the publisher and NetGalley for letting me read this amazing book! It touched on so many emotions, and all are relevant today in this political atmosphere. The year in the book was 1969 to 1970.
Wayward girls, girls made to feel shamed because they become pregnant out of wedlock. They are not allowed to get an abortion back then but sent out of state, deep in the country, and hidden until they give birth. Then, the baby is taken from them. No choice.
The only person they see is the librarian and her book mobile every two weeks. One day, the librarian has a special book for Fern, our main character. It's a book of witchcraft. Things begin to change.
Exceptional book! Loved it from the beginning to the very end! - Rating: 2 out of 5 stars2/5
Oct 22, 2024
Thank you to Netgalley for the ARC!
This was not what I was expecting, and maybe that's the reason for the review! The main character was just hard to sit through, and the plot beats felt repetitive. I felt like it really could have leaned into the witch angle, but it was constantly fighting against it. Unsure, didn't hit the right note for me.
Book preview
Witchcraft for Wayward Girls - Grady Hendrix
- May 1970 -
26 Weeks
Chapter 1
She didn’t think things could get any worse, then she saw the sign.
Welcome to Florida, it read. The Sunshine State.
She knew she shouldn’t ask. She knew she stood in a puddle of gasoline and every word was a lit match falling from her lips. She knew her dad hated her. But that sign made her throat squeeze shut so tight she couldn’t breathe, and her bloated stomach pressed on her lungs so hard she couldn’t get enough air, and she’d suffocate if she didn’t say something.
Dad,
she said. Why’re we in Florida?
His hands tightened around the steering wheel until it creaked, but he kept his eyes on the road.
Huntsville’s the opposite way,
she said, trying to stay calm.
They’d been driving for hours and in all that time he hadn’t looked at her once. He’d shown up at Aunt Peggy’s that morning so angry his hands shook as he snatched her clothes and stuffed them in her suitcase and slammed it shut. One of her bra straps stuck out the side, but she didn’t think it was smart to say anything.
It isn’t too smart for a girl to be smart, her mom had always said.
So she just made herself very, very small. For hours and hours she made herself so incredibly small. But they didn’t know anyone in Florida. They didn’t have any relatives in Florida. This was kidnapping unless he told her where they were going. He had to tell her where they were going. So she resorted to the one thing she knew could reach him.
"I saw the trailer for that Planet of the Apes sequel, she said because he loved science fiction.
It’s about nuclear war. I bet they got the rockets all wrong."
Goddammit, Neva!
he exploded. Do you understand what you’ve done? You have ruined your mother’s health, God knows what you’ve done to your brother and sister, and now you’ve ruined your aunt Peggy’s good name. I don’t even know who you are anymore. It’d have been better if you’d never been born!
Where are you taking me?
she bawled, terrified.
I’m taking you wherever I want!
he bawled back.
What’s happening, Dad?
she asked, and she couldn’t help it, she was so scared. Why are we in Florida?
He shifted from side to side in his seat, adjusted his hands on the wheel, then addressed the windshield like it really needed to understand this was for its own good.
We found a place for you to stay,
he explained to the windshield. With other girls in your condition. After you’re better, I’ll come get you and we can put all this behind us.
The full horror of it hit her.
You’re sending me to a Home?
she asked.
Headlines from confession magazines streaked through her brain: Disgraced Debutante Left to Rot in House of Shame! Good Girls Say No—Bad Girls Go Here! They Gave Away Their Own Flesh and Blood! During rehearsals for Arsenic and Old Lace Margaret Roach had told them about the Homes. They were run by nuns who beat the girls, made them work in industrial laundries, and sold their babies, and Margaret Roach was a Catholic so she would know. The Homes were for poor girls, trashy girls, fast girls. They were for sluts.
Daddy, you can’t do this,
she begged, because he had to understand, he had to turn the car around, there had to be another way. Please, please, please, take me home, or to Granny Craven’s, or talk to Aunt Peggy again. I promise I’ll stay in the bedroom and I won’t make a sound and I’ll vacuum and wash dishes and I’ll do whatever she says, but you can’t take me to a Home. They aren’t for people like us. They’re for Catholics!
He turned to face her, briefly, and in that moment she saw how much he hated her.
You’ve ruined everything,
he said, cold and flat. A simple statement of fact.
He was right. She had ruined everything. Her mom had always told her she was going to ruin her grades by spending too much time on dramatics, she was going to ruin her eyes by reading in the dark, ruin her reputation by riding in a car with boys, ruin her figure by eating two desserts, and every time she did it anyway and nothing bad ever happened, but now she’d finally done it. Now she’d finally done something so bad nothing would ever be the same again. Now she’d finally ruined her life.
She was being sent to a Home.
She wasn’t one of those wilting violets who cried at every loud noise but she couldn’t help it, her body did whatever it wanted these days, and now she leaned her head against the hot window and wept—big, ugly, racking sobs.
Her dad clicked on the radio.
…Brother, you are not prepared for Hell. You thought life was one big sinning party and there’d be no price to pay and now you’re burning in the pit and finding out how wrong you were. Look up and ask for help, but what kind of help can there be in Hell…
Florida was Hell. Back in Alabama they had hills and trees and lakes, but Florida was an endless flat tabletop with no escape from the sun. It beat down on the highway, cooked the roof of the station wagon, sent sweat slicking down her bulging stomach, trickling into her rubber girdles, pooling underneath her butt.
Her dad fiddled with the radio and a comforting ballpark voice cut through the static:
…sets up, and here’s the pitch. It’s a fastball on the outside corner, and it’s a ball. Ty walked him. That is the first walk he’s given up and…
She stopped crying somewhere around Tallahassee. Pretty soon after that, her dad pulled over at a Burger King and left her in the car. Sitting for so long had made her feet swell and her kidneys bruise, but she couldn’t make herself get out and walk around. Whenever they stopped at a rest area people saw her protruding stomach and at first they smiled, but then they saw the bare ring finger on her left hand and looked away or shook their heads or stared back at her over their shoulders, like she was an animal in the zoo.
Wasn’t that what they’d all said about Donna Havermeyer last year? All she’d done was gain a lot of weight and skip graduation and suddenly all the girls were talking about how she’d gotten pregnant by an officer up at the Arsenal, and then Racee Tucker said what did you expect, her whole family’s nothing but Arkansas trash, and she’d laughed, too, and now here she was. She bet that was what all those people at the rest stops thought: Look at that Alabama trash.
Her dad got back in and handed her a single skinny cheeseburger from the bag. He pulled out a Whopper for himself. She used to eat a single cheeseburger when they went to Sno Wite’s because she was an actress and cared about her figure, but she didn’t have a figure anymore. Now she wore her mom’s old deck shoes because they were the only ones that fit her swollen feet, and her mom’s old plaid maternity dress, and she had two chins and they were both covered in pimples, and her bust had popped a button on her dress yesterday. She tried to make the cheeseburger last a ladylike amount of time, but it was gone in three bites.
* * *
They drove through Florida for hours, and there was still more Florida to go. They passed a yellow painted billboard for Gatorland (SEE All Kinds of Animals), then one for the Fountain of Youth (Beautiful Ladies Will Give You a Drink of This Famous Water!), then more alligators (SEE—Tons of Gators!). Above them, buzzards circled in the merciless blue sky.
A curtain of static ate the baseball game, then a jolly grandfather said:
…demonstrations on a number of the nation’s college campuses, most of the protests related to the U.S. involvement in Cambodia…
The radio chewed static, then:
…is one for eleven at the plate this year, his batting average is point one nine zero one. Here’s the shoe strike delivery, it’s on the outside corner, it’s a fastball, and that’s…
She’d tried everything to fix this. She’d searched for Humphreys 11 but couldn’t find it anywhere. She’d bought a bottle of castor oil and drunk the whole thing, but it only gave her the runs. She’d jumped off her dad’s worktable in the basement over and over until her legs gave out, lifted the dictionary above her head until her arms cramped; she’d even drunk turpentine, but she barely managed a capful before throwing up. She’d closed her eyes when she crossed the street and prayed she’d get hit by a car until she realized they’d probably do an autopsy and everyone would find out.
No matter what she did her stomach kept growing like it wanted everyone to see how stupid she was. They all kept finding ways to make her feel stupid. That second night at Aunt Peggy’s after dinner, they’d told her she could ask anything, and she’d asked how they covered up the scar where they took out the baby, and her uncle Albert had busted a gut laughing and said it came out the same way it went in.
But,
Neva said, because it had to be more scientific than that, it can’t fit!
Then her aunt Peggy had said Enough of that kind of talk and excused her from the table.
No one would tell her anything. They’d shown films in school about emotional maturity, and fire safety, and getting along with others, but no one had ever shown them a film about having a baby.
Another burst of static stabbed her in the bladder, and she realized she had to go to the bathroom again. No, no, no, no, no. She couldn’t ask her dad to pull over now, not when he’d finally stopped yelling at her. She clenched everything inside herself as hard as she could.
…Guardsmen moved in after the students smashed windows and set fires on the campus and the surrounding…
Up north, soldiers were shooting students, and kids were smashing up their schools. The Weathermen were blowing up buildings in New York City, and her dad thought he was going to lose his job because Apollo 13 had blown up in space. Out in California, freaks were murdering people in their houses and shooting them in their cars. Everything was spinning out of control. Even her body was revolting.
…Look out, Tonto! It’s the Lawn Ranger! The Lawn Ranger, here to save you from yellow lawns, wilting bushes, and dead flowerbeds…
The sound of the Lawn Ranger’s automatic sprinkler system sprayed from the speakers. Her bladder throbbed.
Dad?
she tried.
He ignored her. A wave of static.
…lift up your eyes and beg for water, just a drop, just a trickle on your parched lips, and know that in Heaven there is a fountain…
She’d taken him to the fountain on Valentine’s Day.
She’d gone with Guy to the drugstore to get a Clark bar. He always needed sugar when he studied, and on the walk back she insisted they go through the park and made him sit near the fountain.
What’s with all this sappy stuff?
He smiled.
Then he kissed her. Her bosom had been getting bigger and she knew he liked that, so she leaned into him and they necked for a minute, and then he said:
Dad gave me the car tonight.
It should have been perfect. This was the first time she was actually going steady with a boy on Valentine’s Day, even though he didn’t hold her hand at school or give her his varsity letter or sit with her at lunch, but she knew that was because he was seventeen and she was fifteen and he didn’t want to get razzed.
Last year it had been perfect, and when the world got scary at the end of the summer Guy told her he’d always keep her safe. Always. She watched him play football, and they went to see 2001 at the drive-in where they mostly necked, and at the Splashdown Whoop Up in Courthouse Square he took her hand, and it felt like a bubble named Always protected them, and so she told him, right there by the fountain.
She knew he’d be scared at first but she also knew that when he got over his surprise he’d squeeze her hand and say What are we going to do, Nev? or maybe Do you think we’re too young to get married? or maybe put his arm around her and tell her they’d get through it together. Instead, he pulled away from her and stared into the fountain.
Her dad stared straight ahead at the road. The station wagon jolted over roadkill and lightning forked through her bladder. The sound of a waterfall filled the car:
…tropical Hawaiian vacations, hear the waterfalls, see the sun going down over the waves, dive into one of our three swimming pools…
Finally, Guy turned to her and his eyes were full of tears and he said, How could you do this to me?
Then he got up and left.
After that, she was scared all the time—scared that Guy would tell his parents, scared her parents would find out, scared Hilda would figure it out, scared Deb had figured it out and that was why she wasn’t talking to her.
Her heart stopped beating normally and just fluttered inside her chest. She couldn’t eat but her body betrayed her and she found herself standing in front of the fridge in the middle of the night scooping up leftover meat loaf with her hands and cake icing with her fingers. She started throwing up every morning before school, hugging the toilet in absolute misery, a towel draped over her head so no one could hear.
Her stomach kept growing, even when she wore two girdles. She kept letting out the waist of her plaid skirt until she couldn’t let it out any more, and then she used safety pins, and when those stopped working she found a big kilt pin. For Christmas she’d gotten a red plaid poncho and she wore it all the time. When people pointed out it was seventy degrees she told them she was reducing. Her face got hairy like Michael Landon in I Was a Teenage Werewolf and she quit the school play because how could she go onstage like this? She started playing hooky, sneaking out and buying a ticket to the matinee where she’d sit through the same show over and over again, ducking into the restroom whenever the manager came down the aisles with his flashlight.
Of course they found out. She’d had to go to school for her biology presentation (The Fossils of Alabama
) and when she fainted in the ladies’, Hilda took her to the infirmary, where the nurse examined her, then sent Hilda away, locked the door, and said, Either you tell your parents or I will.
That night her dad had dinner at home for once. After, she waited until Chip and Midge were watching TV, then sat her parents down at the kitchen table and told them calmly what had happened and how she didn’t think it meant anything had to change. They could tell school she had mono. She could do her classwork from home. She wouldn’t go outside. When she had the baby it could go straight to the orphanage.
They sent Chip and Midge to Granny Craven’s that night, like they didn’t want her contaminating them. Of course they called Guy’s parents. Of course they all had a meeting to decide what should be done. Of course she wasn’t allowed to attend.
She felt her grip slipping on her bladder. It was becoming life or death.
Dad?
she asked, and her voice sounded too loud in the car. Could we maybe pull over for a minute? At a gas station or something?
He stared straight ahead, and she was too scared to repeat herself.
…whatever goes to Hell, stays in Hell. It’s permanent. It’s over with. Judgment has been rendered. And let me tell you something, brother, there is no forgiveness in Hell, there are no second chances…
They’d sent her to Aunt Peggy’s in Montgomery. At first it was okay. She had to hide in the back room and not make a sound when people came over, and she couldn’t call home, and the only thing to read was Uncle Arthur’s magazines, but she could handle it. Then it felt like the days were getting longer, and she hadn’t brought any books because it felt frivolous to pack books, and she sat in that bedroom on her lumpy sofa bed, staring at the wall, starting to come unwound.
Aunt Peggy wouldn’t let her leave the house, not even to go to the library, so she’d snuck out to the drugstore for some paperbacks. She didn’t have any money, but there was loads of room under her poncho. How was she supposed to know Aunt Peggy would search her room while she was taking a bath? Her mom always said she had the devil in her, and she knew she needed to do a better job controlling her impulses, but Aunt Peggy could have just loaned her the money to pay for those books. She didn’t have to call Dad.
She couldn’t help it. Her body betrayed her.
Daddy,
she said, and it came out in a little kid’s whine that she hated. I really have to go to the bathroom or I’m going to have an accident.
Nothing happened, then he sped up. Up ahead was a gas station with a souvenir stand outside, and he pulled into their parking lot and shut off the engine. Immediately, the inside of the car started to bake. Outside, families on vacation in plaid shorts and Hawaiian shirts walked back and forth from the gas station to the souvenir shack to their cars.
She reached for the door handle and he grabbed her arm.
Here.
He took a quick look to make sure no one was watching, then put his entire ring finger in his mouth, slicked it with spit, and worked his wedding ring over his knuckles. He handed it to her, warm and wet, and she slid it over her ring finger, then opened the door and hauled herself out of the car.
She walked to the gas station on swollen legs, the Florida sun baking the top of her head, the hot asphalt frying the bottoms of her feet. A woman in sunglasses smiled at her pregnant stomach. She held her left hand up near her belly so they could all see the ring on her finger, but she was fifteen years old and six months pregnant and she wasn’t at all confused about what they actually thought. Her dad had laid it out pretty straight.
It would be better if she was dead.
Chapter 2
Finally, they veered off the highway onto a narrow road cutting through pines. As the houses got fewer and farther between, her heart shriveled. They passed a trailer with too many children in the front yard wearing nothing but diapers, and then the pines got closer together, and the road got darker, and her dad slowed at a mailbox labeled 462, put on his turn signal, and eased into a gloomy tunnel of trees.
They crunched along slowly, tires popping pine cones, until they emerged and came face-to-face with the thing she’d read about, the thing she’d had nightmares about, the thing Margaret Roach had warned her about, the thing she’d heard her mother’s friends whisper about: the Home for Unwed Mothers.
It needed paint.
Three stories of long dismal planks, with four big Gone with the Wind columns spaced across its dismal front porch, holding up its dismal roof. Once upon a time it might have been on a local tour of historic homes, but now it looked like Bette Davis’s face in What Ever Happened to Baby Jane? She couldn’t imagine having to live in this peeling wreck for the next three months.
Her dad got out of the car, slamming the door. Her fingers dug into the vinyl. If she refused to get out, eventually her dad would have to give up and take her home. He couldn’t leave her in this place all alone, surrounded by hillbillies who couldn’t outrun their cousins, and hippies who probably couldn’t even remember the name of their baby’s father. They’d all have VD and blow grass and laugh at her for being square.
The rear gate of the station wagon crashed open and her dad grabbed her suitcase.
Get out of the car,
he said. Now.
She didn’t want to get yelled at again, so she pushed open the heavy door and hauled herself out into a storm of screaming cicadas. Humid air flooded her lungs and sucked the strength from her body. Her sinuses melted into a waterfall and she wiped her nose with the back of her hand. Her kidneys hurt, her hips ached, and her legs felt too weak to propel her all the way to the front porch.
The rear gate slammed and a second later her dad trudged by, her red plaid suitcase in one hand, bra strap sticking out the side and bouncing with every step like it was real jazzed to be here. He stomped up the brick steps onto the porch and she followed, stumbling over tree roots and anthills, because she didn’t know what else to do.
The double front doors stood wide open behind a pair of closed screen doors. Behind their dirty mesh she saw a long, dark hall disappearing deep into the house. Her dad searched for a doorbell, then gave up and banged on the wooden frame. The sound got lost inside the enormous old house. He tried again.
The butler got drafted,
a voice over their heads said.
They both looked up and saw a waterfall of hair so blond it was almost white hanging over the wrought-iron railing of a little Juliet balcony directly above them.
Pardon?
her dad called.
The butler,
the girl called down. He’s busy getting his ass shot off in Vietnam, so you’ll have to let yourselves in.
Her dad didn’t approve of women cursing, and his jaw clenched for a moment, then he licked his lips and forged ahead.
We’re here to see Miss Wellwood,
he said.
Never heard of her,
the blonde said.
Look—
her dad started, but the blonde pulled her head back over the railing and they heard the slap of a screen door from upstairs and she was gone.
A surge of hope ran through Neva. They’d come to the wrong place! They had the wrong address! Now they’d have to go home.
Her dad picked up her suitcase, pulled open the screen door, and ushered her inside. She went because she knew they’d be back out in a minute.
The house felt distant and quiet, like a library. The muffled sound of a woman talking came through the closed double doors on their left. Through the open door on their right lay a dark room, its heavy drapes pulled against the sun, old-fashioned furniture crouching in its shadows. Halfway down the hall a gargantuan brass chandelier hung in midair like a spider, and beneath it a big industrial floor fan turned its head from side to side, pushing warm air around.
The hall terminated at a faraway frosted glass door bearing a hand-lettered card reading Office. Attracted to any sign of authority, her dad headed down the faded red runner, making the floorboards creak. She followed because she wanted to see how he’d react when they told him there wasn’t any such Home here, and no sir, they’d never heard of one like that around these parts.
The hall was lined with pictures in complicated gold frames: hunting scenes full of ducks and dogs, portraits of important men no one remembered, a faded print of a river. They were all so clean. Every twisty curlicue in every gold frame, every inch of carpet, everything had been scrubbed until it was spotless.
They reached the office door and her dad knocked. He’d barely finished when someone behind them said, Got a smoke?
They turned and Neva recognized the girl from the balcony and she couldn’t help herself—she stared. This was the first pregnant girl her own age she’d seen outside a mirror. She was a couple of years older, but not out of high school, wearing a white peasant blouse and a harvest-gold, floor-length skirt, and her thick blond hair hung straight to her waist.
Being pregnant had made Neva a swollen, lumpy potato with a runny nose and pimples, but this girl held her stomach high and tight in front of her. Her arms looked long and strong, her shoulders were wide, and she had heavy eyebrows, a delicate chin, and clear skin. She looked powerful. Her left hand was held out for a cigarette. She didn’t wear a ring.
No?
She swiveled her hand. What about you, sister? Any smokes?
Before they could answer, the office door swung open to reveal a mature woman dressed entirely in lavender. Her thick blue hair was piled in a high bouffant, and she looked exactly like President Nixon if he’d ever dressed as a woman. Delicious cold air spilled out of the door around her.
May I help you?
Mrs. Richard Nixon asked.
I don’t think they speak English,
the blond goddess said.
Go to class, Rose,
Mrs. Nixon said.
I’m reading your fascinating notices, Ethel,
Rose replied, pretending to study a typewritten sheet pinned to a bulletin board.
I called Friday?
her dad apologized. To say we were coming? From Alabama? With my daughter?
That made Mrs. Nixon’s face go sour.
We were expecting you earlier.
I’m afraid we didn’t make very good time,
her dad said. There were a lot of stops along the way.
Mrs. Nixon turned her hard stare on Neva. She saw everything: the endless bathroom stops, her pimples, her body growing out of control, her baby getting bigger every day. She saw Guy on top of her in the back seat of his father’s car, his hands unzipping her corduroy skirt, his sweat dripping on her face, fumbling at the hook of her brassiere. She saw how stupid she was, how she’d ignored all the signs that Guy only wanted her for one thing, how desperate she’d been for someone to like her.
Mrs. Richard Nixon turned back to her father and pulled her lips away from her teeth in a smile, revealing lavender lipstick caked around an incisor.
Yes,
she said. They can be quite inconvenient. Come in.
She retreated into her office and her dad followed and just like that, all the hope drained from Neva’s body. They had come to the right place, after all. This was the Home for Unwed Mothers and they had a bed waiting for her.
Inside the office a gray metal desk loaded with gray metal office equipment stood on a shocking scarlet carpet. A window-unit air conditioner rumbled away, making the air crisp.
Miss Wellwood?
Mrs. Richard Nixon called through an open door. The new girl has arrived.
A tall gray lady emerged from the inner office, manila folder clutched in her left hand, her right hand already extended.
Thank you, Mrs. Deckle,
she said, shaking Neva’s father’s hand, efficiently and professionally, like a machine designed for handshaking. I’m Miss Wellwood. So pleased to meet you. You must be tired after your drive. May I offer you coffee?
She looked like a piece of office equipment, from her short gray hair to her hard gray eyes. Her polyester skirt suit was beige, she wore a single pearl in each ear, and around her throat she wore a brown-and-yellow kerchief.
No, thank you,
her dad said.
Miss Wellwood dispensed a smile to Neva and even her teeth were gray.
Welcome to my Home,
she said. One of the girls will show you around while I speak with your father.
Her father was the only familiar thing she had left. Even if he hated her, the thought of being separated from him made her chest tighten.
I’d like to stay,
she said. Please.
Miss Wellwood called through the office door.
Rose,
she said to the blond goddess who was still pretending to read the bulletin board. Please show our new arrival around.
I’m on strike,
Rose said.
It is not a request.
Miss Wellwood smiled, and then in a swirl of choreography she pulled Neva’s dad deeper into the office and propelled Neva out into the hall.
Dad,
she called, louder than she meant. She sounded like a baby but she didn’t care. He froze in the inner doorway and turned his head the bare minimum. You’ll say goodbye? Before you go?
He nodded as Miss Wellwood stepped between them.
Don’t be a goose,
she said. You’ll both have plenty of time to say goodbye.
The office door closed in her face, leaving Neva in the hall. She felt the blond goddess sizing her up, and she had to say something so she didn’t seem like an idiot. What did people talk about in a place like this? Names. Her mother always told her that people liked to talk about themselves.
Is Rose short for Rosemary?
she asked.
How the hell would I know?
Rose said. No one uses their real name in here. Got any smokes?
I don’t smoke,
she apologized.
You better get some cigarette money from your old man before he splits,
Rose said. Everyone in here smokes.
Something crashed into the hall behind them, and Neva flinched and pressed herself against the wall, sending the bulletin board swinging, as a tiny girl with an enormous haystack of blond hair came barreling through, leading with her huge stomach. She blew past both of them, headed for the front door, then swerved into a door halfway down the hall, slamming it behind her. The lock snapped shut just as a tall nurse in a white skirt came speed-walking after her from the same direction.
What’s eating Daisy?
Rose asked the nurse as she passed.
The nurse ignored Rose and knocked on the closed door.
Daisy, you need to open this door right now.
She bought a big bag of potato chips in town yesterday,
a voice behind them said.
A pregnant brunette leaned against the wall. She wore round tortoiseshell glasses that made her look like a bookworm. Her stomach tented her brown maternity dress way out in front of her.
She’s supposed to be off salt,
the bookworm explained. But she ate the whole bag and now she’s toxic.
Neva knew it was rude but she couldn’t stop staring at this girl’s stomach. It looked like it was going to explode.
I’m due tomorrow,
the bookworm said. Finally. Pregnancy’s for the birds.
Down the hall, the nurse rapped on the door again. She had something in her hand.
Daisy,
she called. You need to have a water shot before you get sicker than you already are.
I’m not sick!
Daisy shouted through the door.
The thing in the nurse’s hand was a hypodermic needle.
That’s not your decision,
the nurse said, then noticed her audience. Don’t you girls have something better to do?
Nope,
Rose said.
Not me,
the bookworm replied.
Daisy,
the nurse sighed, turning back to the door. Don’t make me count to three.
Hey,
the bookworm said to Rose. Is this a new girl?
How the hell should I know?
Rose said. I’m on strike.
Neva stuck out her hand.
Pleased to meet you,
she said. My name’s—
Immediately, the bookworm’s eyes went wide behind her glasses and she mashed her fingers over Neva’s lips.
Don’t!
she said.
Her fingers tasted salty.
Are you deaf?
Rose said. I told you no one uses their real name in here.
Neva felt like an idiot.
Daisy,
the nurse called through the door. I’m counting to three.
Then she turned to the girls. Make yourselves useful and tell Myrtle to stop hiding upstairs and get to the clinic.
If she hasn’t starved herself to death,
the bookworm said.
The nurse turned back to the door.
Daisy? One.
The bookworm took her hand away and pushed her glasses back up her nose.
Don’t ever use your real name in here,
she said. That way no one’ll know you came. I’m Hazel.
I’m…
Neva said, and she didn’t know what to say. I’m nobody, I guess.
She’ll name you soon enough,
Hazel said. Come on, let’s find the Turtle.
Hazel started down the hall, and Neva followed because at least Hazel didn’t seem to hate her as much as Rose did.
What’s your sign?
Hazel asked.
Daisy,
the nurse said to the door as they passed. Now I’m on two…
I’m a Virgo.
Oh, great,
Rose said from behind them, keeping her distance in order to make it clear that she was still on strike and merely happened to be headed in the same direction. Another Virgo.
Who’s making all that racket?
Halfway up the stairs, a prim-looking girl with pin-straight black hair in a dark blue shortie dress stood with one hand on the banister. Her dress had a pristine white collar and perfect white cuffs and she looked totally air-conditioned.
Daisy went toxic,
Hazel said as she started hauling herself up the stairs. Now she’s hiding in the bathroom because she doesn’t want her shot.
Well, she doesn’t have to make such a fuss about it,
the girl said, descending. Some of us were trying to nap.
She looked like a fairy-tale princess, except for the prim little basketball tucked beneath her dress.
Two and a half…
the nurse said behind them.
The new girl’s a Virgo like you,
Rose said as they passed the princess, flashing a grin. Too bad for everyone else, right?
Three!
the nurse said.
The princess sighed as she brushed by.
Just because you’re having a child, it doesn’t mean you have to act like one,
she told Rose.
Briony,
the nurse called to the princess. Watch this door. I’m getting the screwdriver.
The stairs were carpeted in pink and the three girls slogged their way up, not talking because they were too busy breathing. At the top, Rose and Hazel started in about how Virgos couldn’t overcome their egos, but that’s no problem for Leos, or Libras, and probably not Geminis, either. Neva stood behind them, discreetly wiping her nose on the back of her hand and wondering if she could ask for a tissue.
Come on,
Hazel said. The Turtle’s in the Cong.
She didn’t know what those words meant, but she obediently followed them down the hall. The upstairs walls were painted to match the Pepto-Bismol carpet—a peachy-pink color that was supposed to look feminine and sweet but made her feel like she was walking through the inside of someone’s ear. Another industrial fan guarded a corner, pushing warm air down the long pink tunnel lined with endless rows of shiny pink doors.
Her thighs chafed and she was soaking wet inside her girdle. She wanted to lie down. She wanted to take a bath. She wanted to blow her nose. She wanted to go home.
Here we are,
Hazel said, standing in the doorway of a vast room that took up almost the entire front of the house.
In olden times it had probably been the ballroom, but now fluorescent fixtures bolted to the ceiling made it vibrate with queasy industrial light. Closed mustard-yellow curtains covered the windows, and the gray linoleum floor gleamed. Rickety bookshelves lining the walls contained Reader’s Digest condensed classics, worn-out board games, and stacks of old magazines with curling covers.
An avocado-green sofa dominated the middle of the room, its back to the door, facing an old console TV the size of a Cadillac. A pair of bare feet attached to a couple of tree-trunk ankles dangled over one arm.
This is the Congregation Room where we congregate,
Rose said. Your basic boob tube, record player if you like Perry Como, jigsaw puzzles. You like jigsaw puzzles? Because you could jig and saw your life away in here.
A doughy white face, perfectly round beneath its black bangs, struggled up over the back of the sofa.
Hiya!
the face said, spotting the new girl. What’s your sign?
This girl’s pregnancy filled every inch of her body. Her burnt-umber maternity dress bulged at the seams. She pushed herself up onto her knees, facing them over the back of the couch, swaying slightly.
Myrtle,
she said. She meant to tap herself on the bosom but her finger hit her shoulder instead. I’m a Gemini. That means I’m very intellectual. Bob Hope is a Gemini.
Dr. Vincent wants you in the Barn,
Hazel told her. Can you make it without fainting?
Myrtle gave her a shaky A-OK sign and pushed herself to her feet. She tottered toward them, swerving all the way.
I got sent here by mistake,
she said to Neva as she passed. I’m not even pregnant.
Then she was gone, weaving from one side of the pink hall to the other. Rose had drifted over to the screen door leading out onto the little Juliet balcony, leaving her alone with Hazel, who studied her for a minute.
You’ll be okay,
Hazel finally said.
For the first time all day Neva felt like someone was actually talking to her instead of yelling at her.
It doesn’t feel like anything’ll ever be okay again,
she said.
What were you?
Hazel asked. Yearbook? School paper?
Neva shook her head.
Dramatics,
she said.
Well, you’ll find plenty of drama here,
Hazel said. Don’t make any yourself. Follow the rules and you’ll be home before you know it. This place is like everywhere else: you get used to it.
Neva wanted to hug her. She wanted Hazel to tuck her into bed. She wanted to follow her around for the rest of her life.
Hey,
Rose called from the screen door. Does your old man drive a station wagon?
She was staring down at something in the front yard.
Yeah?
Neva said.
Looks like he’s splitting,
Rose said.
It took her a moment to translate Rose’s words, then
