[go: up one dir, main page]

Explore 1.5M+ audiobooks & ebooks free for days

From $11.99/month after trial. Cancel anytime.

Everyone in My Family Has Killed Someone: A Novel
Everyone in My Family Has Killed Someone: A Novel
Everyone in My Family Has Killed Someone: A Novel
Ebook461 pages7 hoursThe Ernest Cunningham Mysteries

Everyone in My Family Has Killed Someone: A Novel

Rating: 4 out of 5 stars

4/5

()

Read preview
  • Family

  • Family Relationships

  • Mystery

  • Love

  • Murder Mystery

  • Whodunit

  • Closed Circle of Suspects

  • Love Triangle

  • Dysfunctional Family

  • Serial Killer

  • Forbidden Love

  • Prodigal Son

  • Amateur Sleuth

  • Red Herring

  • Flashback

  • Survival

  • Betrayal

  • Investigation

  • Crime

  • Self-Discovery

About this ebook

Knives Out and Clue meet Agatha Christie and The Thursday Murder Club in this “utterly original” (Jane Harper), “not to be missed” (Karin Slaughter), fiendishly clever blend of classic and modern murder mystery.

“A witty twist on classic whodunits… Stevenson not only 'plays fair,' he plays the mystery game very, very well.” -- Maureen Corrigan, Washington Post

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate.

I’m Ernest Cunningham. Call me Ern or Ernie. I wish I’d killed whoever decided our family reunion should be at a ski resort, but it’s a little more complicated than that.

Have I killed someone? Yes. I have.

Who was it?

Let’s get started.

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

My brother

My stepsister

My wife

My father

My mother

My sister-in-law

My uncle

My stepfather

My aunt

Me

LanguageEnglish
PublisherHarperCollins
Release dateJan 17, 2023
ISBN9780063279049
Author

Benjamin Stevenson

Benjamin Stevenson is an award-winning stand-up comedian and USA Today bestselling author. He is the author of the globally popular Ernest Cunningham Mysteries, including Everyone in My Family Has Killed Someone, which is currently being adapted into a major HBO TV series, and Everyone on This Train Is a Suspect. His most recent mystery is Everyone This Christmas Has a Secret. His books have sold over 750,000 copies in twenty-nine territories and have been nominated for eight “Book of the Year” awards.

Other titles in Everyone in My Family Has Killed Someone Series (3)

View More

Read more from Benjamin Stevenson

Related to Everyone in My Family Has Killed Someone

Titles in the series (3)

View More

Related ebooks

Amateur Sleuths For You

View More

Related categories

Reviews for Everyone in My Family Has Killed Someone

Rating: 3.7780410442338073 out of 5 stars
4/5

633 ratings55 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5

    Apr 9, 2025

    Easy read, interesting story with plot twist that will leave you wondering who done it?!
  • Rating: 5 out of 5 stars
    5/5

    Aug 13, 2025

    Very good book! I am looking forward to the next one!
  • Rating: 4 out of 5 stars
    4/5

    May 11, 2025

    I very much enjoyed reading this book. I was going for a full 5-star based on the refreshing style but settled on 4-star as I got used to it, and the last half of the book felt slower and heavier than the first.

    The storyteller is Ernest who writes books about how to write mystery novels. He both tells the story and educates the reader why and how he has been writing it. And he does that in an entertaining, sometimes very funny way. The story itself revolves around people dying - which one could guess from the title - and a family reunion in an Australian winter resort. It's a complex story but the author is walking the reader carefully along the path, and there are clues along the way before the whodunit-reveal at the end.

    I am always open for a special kind of book, this was definitively one of those, at the risk of finding future mystery novel boring.
  • Rating: 4 out of 5 stars
    4/5

    Jul 31, 2025

    I read these out of order and definitely liked the second one better. This was very disorganized to me, and I don't think that was all on purpose in service to the mystery.
  • Rating: 4 out of 5 stars
    4/5

    May 3, 2025

    Three years ago Ernest testified against his own brother on a murder charge. Now, that same brother is set to get out of prison, and the whole family is meeting for a reunion at a remote ski resort. And then someone no one recognizes is murdered.

    An inventive interpretation on the classic murder mystery, with a narrator who spends the entire novel bending the fourth wall. (He’s an author who writes books on how to write books, including mystery novels, and so repeatedly points out how this particular one follows the rules). And the MC is the best part of the story: utterly likeable and root-for-able. I thought the plot was, in the end, a little too convoluted, but I enjoyed the reveal, and overall thought it was fun.
  • Rating: 3 out of 5 stars
    3/5

    Feb 7, 2025

    This is a very generous 2 and a half stars.
    Sadly all that is needed to get a book published is a creative title or a different way of telling the story. In this case both creative title and different way to tell the story was used.
    News flash if the story drags on and on and on who cares how creative the author was.
    Only the last hundred pages were worth it and even they were a bit of a struggle to get through.
    This book was not funny, not much of a mystery and definitely good enough for me to read anything else from this author.
  • Rating: 4 out of 5 stars
    4/5

    Jan 26, 2025

    This is sort of an English manor house mystery in the style of Agatha Christie but it's set at a ski resort in Australia. The author does give the nod to Dame Agatha by referring to a book in the lodge library written by her under the pen name of Mary Westmacott.

    The Cunningham family is having a reunion to celebrate the release of Michael Cunningham from jail. Ernie Cunningham, Michael's brother, narrates the story starting with why Michael was in jail. Ernie is a student of the mystery genre. He tells us at the very beginning that there are certain rules to writing mysteries "The Ten Commandments of Detective Fiction" and throughout the book he references them again. He introduces each of the other members of the family: his mother, his step-father, his step-sister, his aunt, his uncle, his sister-in-law, and his wife who are at the resort. Also, not there in person because he's dead, but fulfilling the promise of the title is his father who is actually quite pivotal to the story despite being decieased. The morning that Michael is supposed to arrive a body is found in the snow at the resort. No-one seems to know who he is or whether he was murdered or died of natural consequences (of course, this being a mystery, he is a murder victim). The dim police constable who arrives in response to the owner's call just wants to wait until his superiors arrive but that could be a while since there is a big winter storm on the way. Meanwhile, Michael arrives in a big truck and it turns out he was released from prison the day before. That's enough for the constable to put him under arrest and Ernie has to investigate to clear Michael's name. That mystery victim is not the first dead body to appear but you really don't expect me to give away any more details, do you?

    Clever idea for the plot construction and just enough clues to give someone a chance at solving it as well as enough red herrings to throw most people off track.
  • Rating: 4 out of 5 stars
    4/5

    Jul 9, 2024

    I liked this a lot. The concept is just fantastic. I thought the ending was kind of convoluted, but I guess it all basically made sense. My biggest gripe was that the title is not true. At LEAST two of the family members objectively didn't kill anybody and to say that they did is just... not true. The mother and stepfather objectively never killed anybody. Jeremy didn't die in the car. Ernest didn't die from the van in the lake. There's also a few more murders that I'm on the fence about whether or not they count. I guess it's hard to write a family of killers that are also all (mostly) good/sympathetic. For me, the best part was figuring out who each family member had killed and how/why, so in that sense I was kind of disappointed. The main mystery was really more about what happened with the father 30+ years ago which was fine but... eh. I wasn't entirely satisfied.
  • Rating: 4 out of 5 stars
    4/5

    Sep 3, 2024

    I love the way the story is told, very funny and clever as the author breaks the fourth wall and talks directly to the reader. I was expecting some sort of literary family drama, but instead it’s more of a murder mystery. It became a little convoluted about 60% in, but the way it was told kept me interested and engaged. Fantastic on audio. Recommended if you like old-school detective stories that follow format and still surprise you.
  • Rating: 5 out of 5 stars
    5/5

    Sep 3, 2024

    I've read other reviews where people stated it was slow and just didn't grab their attention. There are a lot of characters and the first 100 pages or so are a lot of backstory without moving the current events along. It's important to solving the mystery though, and after that it does pick up. I did figure out the killer, and a couple other key plots, but it wasn't until it was almost revealed and I hadn't figured out all the little details that led to those conclusions, so it was still engaging. I also think that if you are expecting a funny book, you're going to be disappointed.
  • Rating: 4 out of 5 stars
    4/5

    Jan 29, 2025

    A very meta murder mystery, in which our narrator, Ernest "Ern" Cunningham, is a writer of how-to-write guides for aspiring mystery writers. That means that he knows all of the rules, tricks, and tropes of the trade, so when he and his family are caught up in a murder story of their own, Ern can not only tell us the story, but point out all of the ways in which he might (or might not) be sneakily misleading us. He promises to be a "reliable narrator," never to lie to us, and not to withhold any information that proved useful in solving the mystery.

    Ern (and Stevenson) mostly keep those promises in this lively story, which finds the Cunningham family gathering at a ski resort for a family reunion. It's going to be a stressful reunion; the family is gathering as Ern's brother is released from prison, and it was Ern's testimony that put him there.

    When people start dying at the resort -- as a massive snowstorm moves in, of course -- the local bumbling cop naturally assumes that the Cunninghams must be involved. After all, as Ern keeps telling us, everyone in the family has killed someone. (This turns out not to be strictly true, but discovering how and why is a key part of the story.)

    Stevenson's prose is lively, with a wink that never sours into smirk, and a bouncier tone that you might expect in a murder mystery. And it's occasionally unexpectedly lovely and emotional. Take, for instance, this passage about a family member who died young:

    "We never call Jeremy anything but his first name. It's a thing, I've noticed, when someone dies young. Like they haven't lived into the legacy of their surname. Sofia might not think so, that it's not what's in your blood or on your birth certificate that matters, but she still cares which way the names go around the hyphen. It's why you can go from Ernest, as you practice the rigid capital E over and over in bright crayon; to Cunners, on the second-grade football team; to Mr. Cunningham, speaking into the snake's head of a courtroom microphone; to Ernest James Cunningham printed inside a wreath, on a pamphlet handed out in the archway of a church. Because you get your name back when you die -- all of it. I've noticed that too. That's legacy. It's why Jeremy never made it past Jeremy."

    "I'm not saying he's not a Cunningham, because he is, in the truest, deepest sense of the word. But to call him "Jeremy Cunningham," I think, makes him smaller than he is, tethering him to us. As a Cunningham, he is part of those dreams that wake me dry-tongued, gagging. Without our surname to anchor him, he is part of the sky, the wind, the mind."

    I think the wrap-up, which of course gathers everyone in the library for Ern's "I've called you all here..." speech, is overly convoluted, with a few too many scheming characters at the heart of the mystery, but Stevenson lays out the story as clearly as it can be laid out. But on the whole, nicely done, and I look forward to Ern's promised return in Everyone on This Train Is a Suspect.
  • Rating: 5 out of 5 stars
    5/5

    Jun 9, 2024

    brilliant and witty. impulse bought at costco because i had time to kill waiting for my car tires to be rotated and immediately got drawn in.
  • Rating: 5 out of 5 stars
    5/5

    Dec 19, 2024

    What a fun book! Imaginative, lots of dark humor, and lots of fair play. I love the narrator talking to us, giving us clues and hints. I love the twists and turns. Mystery fans, the prologue sets up the book, and adheres to the rules of the murder mystery from the golden age.

    I listened to the audio book and I think that's probably best for this book.
  • Rating: 5 out of 5 stars
    5/5

    Jun 3, 2024

    This is not a family you’d want to claim as your own, but they sure are interesting! Ernie is a writer, and knows what makes a good mystery. In this story, he often breaks the fourth wall to instruct his readers. He is attending a reunion organized by his aunt, and things goes awry from the start. The beginning is a bit confusing as the family members—and their relationships and crimes—are introduced to the readers. And yes, a dead body kicks off the story. Ernie continues to explain clues and crimes to his readers, which is a good thing because subtle clues are dropped along the way, and keeping everything straight takes a bit of concentration. But Ernie’s statement is correct, the seemingly nice people in this family have all killed someone, sort of. The novel is well constructed, humorously written, and over-the-top entertaining.
  • Rating: 5 out of 5 stars
    5/5

    Nov 21, 2024

    Everyone in My Family Has Killed Someone by Benjamin Stevenson, lives up to the description of “A witty twist on classic whodunits” in the style of “Knives Out and Clue meet Agatha Christie”.

    From the very beginning of the book, in the Epigraph, the narrator/writer promised to follow the guidelines for the mystery writing style established in the 1930’s by the Detection Club in the Golden Age of Mysteries (Whodunit). The members of the club included noteworthy British mystery authors, such as: Agatha Christie, G. K. Chesterton (Father Brown Series), Dorothy L. Sayers (Lord Peter Wimsey series), Ronald Knox, and others.

    The Oath is: Do you promise that your detectives shall well and truly detect the crimes presented to them using those wits which it may please you to bestow upon them and not placing reliance on nor making use of Divine Revelation, Feminine Intuition, Mumbo Jumbo, Jiggery-Pokery, Coincidence or Act of God?

    Knox took this a step further and documented a detailed list of guidelines, The Knox Commandments, which further defined the best practices for the mystery writer. According to Knox, a detective story "must have as its main interest the unravelling of a mystery; a mystery whose elements are clearly presented to the reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiosity which is gratified at the end."

    The Prologue sets up the story with the narrator/writer, Ernest Cunningham directly addressing the reader to explain the whodunit-style of writing that he intends to use, and in a cryptic way, what to expect from the story, chapter by chapter that will only make sense after reading the book.

    Most of the story takes place at a family reunion at a ski resort where the family is snowed in and isolated from nearby communities. As a classic whodunit, someone is murdered, and there is a limited number of likely suspects. The reader is carried along through the story of trying to determine the murderer as well as find out about all the family members who have killed someone.

    This may sound confusing, but Benjamin Stevenson artfully carries the reader through all of the twists and turns and from the present to the past and fills in the gaps when the past is directly tied to present events.

    I would recommend this book if you are a fan of the whodunit genre and enjoy dark humor. I loved it.
  • Rating: 4 out of 5 stars
    4/5

    Oct 4, 2024

    A clever premise and filled with humor, but this one ended up being a bit too clever for me. The plot was convoluted, needing, as it did, to serve Stevenson's sense of his own cleverness. I might read the sequel at some point, because I feel like if he could just rein himself in a bit, he'd write really fun mysteries.

    3.75 stars
  • Rating: 5 out of 5 stars
    5/5

    Nov 18, 2024

    A great story with non-stop twists and turns, and a large dose of humour. I love the author's conversational style and will definitely read his future novel. entertaining from start to finish.
  • Rating: 4 out of 5 stars
    4/5

    Mar 11, 2024

    All the clues needed are here, some so subtle it’s easy to pass over them, but it all ties together in the end. For me, it’s the style in which it’s all presented that made this book so engaging. I’m not usually a fan of first person and I’ve seen that the fictional author of the book talking to the audience has annoyed some readers, but I loved it. Others call it confusing and say it’s all been done before by better. That can be said for many books, but that doesn’t negate other novels. I wasn’t confused and don’t feel it’s fair to assess a book against another. All I know is I had fun with this. I did, however, set my sights on the suspect(s) before the denouement, but not early enough to spoil the outcome. I may check out other works by the author.
  • Rating: 3 out of 5 stars
    3/5

    Mar 9, 2024

    It's a well written book and a good, if a bit over complicated, plot. I had trouble keeping all the characters (there are a lot of characters) and the various events straight.
  • Rating: 4 out of 5 stars
    4/5

    Mar 7, 2024

    The reveal at the end lost me a bit but I enjoyed the writing style and the characters.
  • Rating: 3 out of 5 stars
    3/5

    Aug 9, 2024

    Ernest Cunningham promises to tell us the truth in "Everyone in My Family Has Killed Someone," a novel by Benjamin Stevenson. In chapter one, Ernie's older brother, Michael, wakes Ernie up in the middle of the night for help in covering up a felony. Michael feels betrayed when Ernie reports Michael's misdeeds to the authorities.

    Next, Stevenson takes us to a bitterly cold mountain retreat where the Cunningham clan is gathered for a reunion. Michael, who is scheduled to be released from prison, is expected to join them. The organizer of the event, Ernie's Aunt Katherine, invites her nephew even though he testified against Michael in court. (Ernie's mother, Audrey, is furious at him for being disloyal.) It turns out to be a good thing that Ernie is there, since his profession is creating how-to guides for mystery writers. When multiple murders occur in the resort during a fierce snowstorm, Ernie gets in touch with his inner Poirot and launches his own investigation.

    Stevenson is funny at times. Ernie talks directly to the reader, explaining that he will abide by the rules that classic detective authors traditionally held sacred. Furthermore, Ernie is a nebbish, and it is amusing to watch him initially bungle the case and nearly get himself killed—until, at long last, the light dawns and he is ready to bring everyone together for the big reveal. Alas, there are manifold problems with "Everyone in My Family Has Killed Someone." I did not care for Ernie or any of the other colorless characters. The plot is a muddled mess, and even when Ernie tells us whodunit and why, I had only a vague idea what he was talking about. In addition, this book is incredibly slow-moving. I was hoping for a breezy and involving thriller with a touch of humor. Instead, Stevenson awkwardly combines elements of family dysfunction, savagery, misdirection, and boatloads of secrets, all for very little purpose.
  • Rating: 5 out of 5 stars
    5/5

    Jun 14, 2023

    Australian murder mystery that is wonderfully meta in the telling, enjoyably voicey, and a good mystery to boot. This is the most pure fun I've had with a book in a minute.
  • Rating: 3 out of 5 stars
    3/5

    Apr 8, 2024

    This was the second audio book in a row that I listened to where the author felt the need to offer a running commentary to the reader about the writing of the book and the literary devices employed. Just tell the damn story.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5

    Mar 5, 2024

    This was a very interesting and entertaining murder mystery. A bonus was that the detective was also the one writing up the story. Several opportunities were taken to break the fourth wall by describing to the reader the process and rules for writing a Golden Age murder mystery. The author also took time to tell the reader and demonstrate how he was keeping to the rules. This led to an interesting process of trying to work out who the culprit was. Stevenson was very skilled at leaving clues in a very fair way and yet making the reader work to tie the clues together. This was very enjoyable.

    Would I read another book by this author?
    Most definitely. I already have my second one bought and ready to go.

    Would I recommend this book?
    Yes.

    To whom would I recommend it?
    Anyone interested in murder mysteries, especially Golden Age murder mysteries.

    Did the book inspire me to do anything??
    Yes. Enjoy my reading.
  • Rating: 4 out of 5 stars
    4/5

    May 18, 2023

    As others have said, it does have a similar vibe to Knives Out. It's written with a wink and the author breaks the fourth wall to speak to the reader while respecting mystery genre conventions. It's fun to read and the pages fly by. Largely worthy of the hype it's gotten--looking forward to the next release in the series featuring Ern.
  • Rating: 2 out of 5 stars
    2/5

    Dec 11, 2023

    Reads like a bad version of THE SHINING. Cinveluted and ending rather far fetched.
  • Rating: 5 out of 5 stars
    5/5

    Jun 26, 2023

    It's true. Whether they're murderous, accident-prone, or just unlucky, everyone in Ernest's family has killed someone. Some of them have killed more than once. And now they're getting together for a family reunion at a remote ski lodge. What could go wrong? Oh, also there's a duffel bag full of $267,000 in cash floating around, and a serial killer on the loose.

    Ernest attempts to be the most reliable narrator ever (he gives a list of the page numbers where deaths occur, for instance) and still manages to surprise the reader in the end. This is a delightfully funny mystery with plenty of twists and turns, rooted in the traditions of Golden Age British murder mysteries. I would recommend this to anyone who enjoys a good whodunit.

    2 people found this helpful

  • Rating: 5 out of 5 stars
    5/5

    May 2, 2023

    What a fun read! Very imaginative. A "whodunit" with a twist: the narrator writes "how to" books for mystery writers. He often breaks characters to talk directly to the reader. This makes for a quirky, engaging read. Sometimes funny, with a plot that held my attention and pretty good characters. I'd read more by this author.
  • Rating: 3 out of 5 stars
    3/5

    Feb 2, 2024

    Clever and snarky, this uniquely written murder mystery introduces a family of killers who are having a reunion at a mountain top ski resort. The protagonist is the reliable narrator, Ernest (Ern) Cunningham, who will use Ronald Knox's "10 Commandments of Detective Fiction" to address a perplexing and longstanding historical issue within the family. The drama starts when the body of a stranger is found in the snow outside the guest house. Secrets are revealed as a storm isolates the family and chills abound when they realize there are more murders to come.

    I picked this up when I realized that I had the second in the series set to be read and reviewed for the publisher. I like to start at the beginning with the first installment. I really liked the writing style though it took me a moment to get into it and meet all the characters. I did enjoy the interjection of dark humor and the way that Ern talks to the reader throughout. I can't say that I related to or liked any of the family members, but they are definitely all interesting as you get deeper into the book. I probably would have liked this a lot more had I really enjoyed the plot and the complexity of the story. It just didn't interest me that much as it was all about something that had occurred in the far past. I am, however, a fan of original ways to tell a tale so I am looking forward to reading the next book to see how the style is employed in a different setting.
  • Rating: 3 out of 5 stars
    3/5

    Jul 26, 2024

    Of course, the title had a lot to do with the fact that the book ended up in my hands, and upon opening it, I found a very peculiar way of telling a story. It is written in the first person from the perspective of Ernest Cunningham, who speaks directly to the reader to share even his thoughts. This family starts accumulating deaths as if it were the very Poirot, so a gathering to celebrate the return of one of them after three years in prison is not going to be easy at all. It started as a quick, fun, and easy read, but halfway through the work, I felt that it had too many pages; I even found myself thinking about other things while reading some chapters, a clear sign that I wasn't as immersed in the story as I like to be, and two short readings got mixed in. Although it's true that our protagonist has a lot of charm in storytelling, on an investigative level, he doesn't hold a candle to our beloved Belgian detective. It's a read that I'm not going to recommend because it took me a long time to finish, and at times, especially toward the end, it felt a bit chaotic. (Translated from Spanish)

Book preview

Everyone in My Family Has Killed Someone - Benjamin Stevenson

Prologue

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once.

I’m not trying to be dramatic, but it is the truth, and when I was faced with writing this down, difficult as it is with one hand, I realized that telling the truth was the only way to do it. It sounds obvious, but modern mystery novels forget that sometimes. They’ve become more about the tricks the author can deploy: what’s up their sleeve instead of what’s in their hand. Honesty is what sets apart what we call Golden Age mysteries: the Christies, the Chestertons. I know this because I write books about how to write books. There are rules, is the thing. A bloke named Ronald Knox was part of the gang and wrote down a set once, though he called them his commandments. They’re in the first part of this book in the epigraph that everyone always skips but, trust me, it’s worth going back to. Actually, you should dog-ear it. I won’t bore you with the details here but it boils down to this: the Golden Rule of the Golden Age is play fair.

Of course, this isn’t a novel. All of this happened to me. But I do, after all, wind up with a murder to solve. Several, actually. Though I’m getting ahead of myself.

The point is, I read a lot of crime novels. And I know most of these types of books have what’s known as an unreliable narrator these days, where the person telling you the story is, in fact, lying most of the time. I also know that in recounting these events I may be typecast similarly. So I’ll strive to do the opposite. Call me a reliable narrator. Everything I tell you will be the truth, or, at least, the truth as I knew it to be at the time that I thought I knew it. Hold me to that.

This is all in keeping with Knox’s commandments 8 and 9, for I am both Watson and Detective in this book, where I play both writer and sleuth, and so am obligated to both light upon clues and not conceal my thoughts. In short: play fair.

Actually, I’ll prove it. If you’re just here for the gory details, deaths in this book either happen or are reported to have happened in Chapter 1, Chapter 5, and Chapter 8; there’s a two-fer in Chapter 10, and a hat-trick in Chapter 11. Then there’s a bit of a stretch but it picks up again at the end of Chapter 21, Chapter 25(ish), Chapters 26 and 27, probably two in Chapter 29 (it’s hard to tell), and then one each in Chapters 30 and 40. I promise that’s the truth, unless your Kindle or whatever device you have mucks with the pages. There is only one plot hole you could drive a truck through. I tend to spoil things. There are no sex scenes.

What else?

My name would be useful, I suppose. I’m Ernest Cunningham. It’s a bit old-fashioned, so people call me Ern or Ernie. I should have started with that, but I promised to be reliable, not competent.

Considering what I’ve told you, it is tricky to know where to start. When I say everyone, let’s draw the line for that statement at my branch of the family tree. Although my cousin Amy did bring a prohibited peanut-butter sandwich to a corporate picnic once and her HR rep almost carked it, but I won’t put her on the bingo card.

Look, we’re not a family of psychopaths. Some of us are good, others are bad, and some just unfortunate. Which one am I? I haven’t figured that out yet. Of course, there’s also the little matter of a serial killer known as the Black Tongue who gets mixed up in all this, and $267,000 in cash, but we’ll get to that. I know you’re probably wondering something else right now. I did say everyone. And I promised no tricks.

Have I killed someone? Yes. I have.

Who was it?

Let’s get started.

My Brother

Chapter 1

A single beam of light rotating through the curtains told me my brother had just pulled into my driveway. When I walked outside, the first thing I noticed was that Michael’s left headlight was out. The second was the blood.

The moon had gone, the sun yet to rise, but even in the dark I knew exactly what the dark spots were, flecked on the shattered headlight and smeared alongside a hefty dent in the wheel arch.

I’m not normally a night owl, but Michael had called me half an hour before. It was one of those phone calls that, as you blearily read the time, you know is not to tell you about winning the lottery. I have a few friends who occasionally call me from their Uber home with a roaring tale of a good night out. Michael is not one of them.

That’s a lie, actually. I wouldn’t be friends with people who called after midnight.

I need to see you. Now.

He was breathing heavily. No call ID, from a pay phone. Or a bar. I spent the next half hour shivering, even in a heavy jacket, wiping circles in the condensation on my front window to better see his approach. I’d given up sentry duty and retired to the couch when his headlight flicked the back of my eyelids red.

I heard a growl as he brought the car to a stop, then killed the engine but not the electrics. I opened my eyes, savored the ceiling for a moment, as if I knew that once I stood up my life would change, and went outside. Michael was sitting in the car, head on the wheel. I cut the lonely spotlight in half as I walked in front of the bonnet to knock on the driver’s window. Michael got out of the car. His face was ash gray.

You’re lucky, I said, nodding to his busted headlight. Roos’ll mess you up.

I hit someone.

Uh-huh. I was half asleep, so only barely registered he’d said someone and not something. I didn’t know what people said in these situations, so I thought agreeing with him was probably a good idea.

A guy. I hit him. He’s in the back.

I was awake now. In the back?

"What the hell do you mean in the back?" I said.

He’s dead.

Is he in the back seat or the boot?

Why’s it matter?

Have you been drinking?

Not much. He hesitated. Maybe. A bit.

Back seat? I took a step and reached out for the door, but Michael put an arm out. I stopped moving, said, We need to take him to the hospital.

He’s dead.

I can’t believe we’re arguing about this. I ran a hand through my hair. Michael, come on. You’re sure?

No hospital. His neck turned like a pipe. Half his skull is inside out.

I’d rather hear it from a doctor. We can call Sof—

Lucy will know, Michael cut me off. His mention of her name, said so desperately, made the subtext clear: Lucy will leave me.

It’ll be all right.

I’ve been drinking.

Just a bit, I reminded him.

Yeah. The pause lingered. Just a bit.

I’m sure the police will under— I started, but we both knew the name Cunningham said aloud in a police station practically shook the walls with the spirits it summoned. The last time either of us had been in a room full of cops was at the funeral, among a sea of blue uniforms. I’d been tall enough to coil myself around my mother’s forearm, but young enough to stay glued there all day. I briefly imagined what Audrey would think of us now, huddled in the freezing morning arguing over someone’s life, but pushed the thought away.

"He’s not dead because I hit him. Someone shot him, then I hit him."

Uh-huh. I tried to sound like I believed him, but there’s a reason my dramatic résumé consisted mostly of nonspeaking roles in school plays: farm animals; murder victims; shrubbery. I went for the door handle again, but Michael kept it blocked.

I just grabbed him. I thought—I don’t know, it was better than leaving him in the street. And then I couldn’t think what to do next, and I wound up here.

I didn’t say anything, just nodded. Family is gravity.

Michael rubbed his hands across his mouth and spoke through them. The steering wheel had left a small red dent on his forehead. It’s not going to matter where we take him, he said at last.

Okay.

We should bury him.

Okay.

Stop saying that.

All right.

I meant stop agreeing with me.

We should take him to the hospital then.

Are you on my side or not? Michael glanced towards the back seat, got back in the car, and turned the engine on. I’ll fix things. Get in.

I already knew I’d get in the car. I don’t really know why. Part of me figured that if I was in the car I could talk some sense into him, I guess. But all I really knew was that my older brother was standing in front of me, telling me it would all be all right, and it doesn’t matter how old you get—five or thirty-five—if your older brother tells you he’s going to fix things, you believe him. Gravity.

Just quickly: I’m actually thirty-eight in this bit, forty-one when we catch up to the present day, but I thought if I shaved a couple of years off it might help my publisher pitch this to a big-name actor.

I got in. There was a Nike sports bag, unzipped, in the footwell of the passenger seat. It was stuffed with cash, not tied together with neat little elastic bands or paper belts like in the movies, but jumbled up, vomiting onto the floor. It felt strange to simply rest my feet on it, because there was so much of it and, assumedly, the man in the back seat had died for it. I didn’t look in the rearview mirror. Okay, I shot a few glances, but I only saw a black lump of a shadow that looked more like a hole in the world than an actual body, and I wussed out every time it threatened to come into focus.

Michael backed out of the drive. A shot glass or something rattled across the dash, fell, and rolled under the seat. There was a faint waft of whiskey. For once, I was glad my brother was into hotboxing, because the weed smoke lingering in the upholstery masked the smell of death. The boot clanged, latch broken, as we bounced over the curb.

A horrible thought shot through me. He had a shattered headlight and a busted trunk: like he’d hit something twice.

Where are we going? I asked.

Huh?

Do you know where you’re going?

Oh. The national park. Forest. Michael looked across at me, but couldn’t hold my gaze, so he threw a furtive look to the back seat, apparently regretted it, and settled on staring forwards. He’d started to shake. I don’t really know. I’ve never buried a body before.

We’d driven for over two hours by the time Michael decided he’d taken enough dirt roads and pulled his rumbling cyclops of a car into a clearing. We’d hopped off a fire trail a few kilometers back and wound our way off road since. The sun was threatening to rise. The ground was covered in glittering, soft snow.

Here’ll do, said Michael. You okay?

I nodded. Or at least I thought I did. I mustn’t have moved at all, because Michael snapped his fingers in front of my face, forcing me to focus. I summoned the weakest nod in human history, as if my vertebrae were rusted shackles. It was enough for Michael.

Don’t get out, he said.

I stared straight ahead. I heard him open the back passenger door and shuffle around, dragging the man—a hole in the world—out of the car. My brain was screaming at me to do something, but my body was a traitor. I couldn’t move.

After a few minutes Michael came back, sweating, dirt on his forehead, and leaned in over the steering wheel. Come help me dig.

My limbs unlocked at his bidding. I expected the ground to be cold, to hear the crunch of morning ice, but my foot instead went straight through the white cover, up to my ankle. I looked closely. The ground wasn’t snow coated, it was blanketed in spiderwebs. The webs were strung between high stiff grass, maybe a foot off the ground, crossing over each other in such a thickness and with such a pure white, it looked solid. What I had thought was glittering ice was the twinkle of fine threads in the light. Michael’s footsteps had punched through the net like holes in powder. The webs covered the entire clearing. It was majestic, serene. I tried to ignore the lumpy shape in the middle of the webbed clearing, where Michael’s footprints ended. I followed Michael, and it was like wading through a levitating fog. He led me away from the body, presumably so I wouldn’t have a breakdown.

Michael had a small trowel but he made me use my hands. I don’t know why I agreed to dig. The whole drive, I’d thought that Michael’s fear, that small dose of shakes he’d shown when we’d left, would settle in. There was supposed to be a moment when he would realize what he was up to his neck in and turn the car around. But instead he went the other way. Driving out of the city, into the dawn, he’d become calmer, stoic.

Michael had laid an old towel over most of the body, but I could see a white elbow, sticking out like a fallen branch above the webs.

Don’t look, Michael would say whenever I glanced over.

We kept going for another fifteen minutes in silence until I stopped.

Keep digging, Michael said.

He’s moving.

What?

"He’s moving! Look. Wait."

Sure enough, the webbed surface was twitching. More significant than wind through the clearing. The impression had changed from solid snow to a rippling white ocean. I could almost feel it through the threads, like I was the spider that spun it, the central nerve.

Michael stopped digging and looked up. Go back to the car.

No.

Michael walked over and peeled off the towel. I followed, and saw the body in full for the first time. There was a dark glistening stain above one hip. Someone shot him, then I hit him, Michael had said. I wasn’t sure; I’d only seen gunshots in the movies. The man’s neck had a lump in it as if he’d swallowed a golf ball. He was wearing a black balaclava, but it wasn’t quite the right shape. The fabric was bulbous in the wrong places. When I was a kid, a bully at my school used to put two cricket balls in a sock and swing it at me. That’s what the balaclava looked like. I got the feeling the fabric was the only thing holding his head together. It had three holes, two for the eyes, which were closed, and one for the mouth. There were small red bubbles pooled on his lips, pulsing. The froth of bubbles was growing, spilling onto his chin. I couldn’t see any of his features, but I could tell from his mottled, sun-damaged arms and the engorged veins across the backs of his hands that he was at least twenty years older than Michael.

I knelt, interlocked my hands, and gave a couple of rudimentary compressions. The man’s chest caved in a way I knew it shouldn’t, right down the sternum, and for a moment all I could think of was that his chest was like the bag of money, unzipped down the middle.

You’re hurting him, Michael said, putting his hand under my arm and pulling me up, before guiding me away.

We have to take him to the hospital. I made one last, pleading stand.

He won’t make it.

He might.

He won’t.

We have to try.

I can’t go to the hospital.

Lucy will understand.

No.

You must have sobered up by now.

Maybe.

You didn’t kill him—you said he was shot. Is the money his?

Michael grunted.

He clearly stole it. This makes sense. You’ll be okay.

It’s two hundred and sixty grand.

Reader, you and I already know it’s actually two hundred and sixty-seven grand, but it still struck me that while he hadn’t had time to call an ambulance, he’d had time to roughly count the cash. Otherwise he’d have said two-fifty, a round figure, if he was guessing. He’d also said it like an appeal. I couldn’t tell from his tone if he was offering me any, or if he was just stating a fact that he thought was important to the decision.

Listen, Ern, it’s our money . . . he started to beg. So he was offering.

We can’t just leave him here like this. And then as firmly as I’d ever spoken to him in my life, I won’t.

Michael thought for a minute. Nodded. I’ll go check on him, he said.

He walked over and crouched by the body. He was there a couple of minutes. I was glad I’d come; I still believe it was a good thing to do. An older brother doesn’t listen too easily to his younger brother, but he’d needed me here. And I’d made it okay. The man had been alive the whole time, and we’d get him to the hospital. I couldn’t see much, Michael being tall, but I could see his squatted back and his arms, stretched out towards the man’s head because he knew to cradle the neck in case of a spinal injury. Michael’s thin shoulders moved up and down. CPR, kick-starting the man like a lawnmower. I could see the man’s legs. I noticed one of his shoes was missing. Michael had been there a long time now. Something was wrong. We’re at the end of Chapter 1.

Michael stood and walked back over to me. We can bury him now.

That wasn’t what he was supposed to say. No. No. That was all wrong. I stumbled back and thumped onto my arse. Sticky threads snaked my arms. What happened?

He just stopped breathing.

He just stopped breathing?

He just stopped.

He’s dead?

Yes.

You’re sure?

Yes.

How?

He just stopped breathing. Go wait in the car.

My Stepsister

Chapter 2

We’ll get to my story, I have to tell you about some others first, but I wish I’d killed whoever decided our family reunion should be at a ski resort.

I am normally resolute in declining any invitation that comes with an Excel spreadsheet attached. But overpreparation is a specialty of my aunt Katherine’s, and the email invite for the Cunningham/Garcia Family Reunion, complete with animated pixel snowflake, listed attendance as mandatory. I’m well known in family circles for being ready with an excuse—not that people have really minded my absence for the last three years—be it a sick animal, a busted car, or a time-sensitive manuscript.

Katherine was taking no chances this time. The invitation promised a fun and secluded weekend where all of us could catch up. She’d bolded the words all of us, as well as the word mandatory. Evasive as I am, even I can’t argue with bold type. And while all of us didn’t mean me specifically, I knew who it did mean, and that meant I was going. Besides, in between filling out the spreadsheet with my allergies, shoe size, how I like my steak cooked, and my car license plate, I’d allowed myself the fantasy of a snowcapped village and a weekend filled with crackling fires and log cabins.

Instead, I had cold knees and was an hour late for lunch.

I hadn’t realized the road would be unplowed. It was a clear day with a weak sun breaking up the pack snow just enough to slide the tires of my Honda Civic around, so I’d had to double back and rent chains for an exorbitant price at the bottom of the mountain, and then kneel in muddy slush on the shoulder to wrestle them on, snot forming stalactites out of my nose. I’d still be there if a woman with a snorkel on her Land Rover hadn’t pulled over and given me a mildly judgmental hand. Moving again, I watched the clock creep forward as I alternated between heating the car and using the air-conditioning to defog the windows, but, with the chains on, I couldn’t go above forty. I knew exactly how late I was—thanks to the Excel schedule Katherine had emailed around.

At last I saw the turn, a pyramid of loose rocks with a sign for SKY LODGE MOUNTAIN RETREAT! pointing to my right. I imagined the sign had a comma, so it instead read, SKY LODGE MOUNTAIN, RETREAT!, which I thought was good advice ahead of a Cunningham get-together. I had no one in the car to tell my joke to, but it’s the type of thing Erin would have found funny once, so she laughed in my head and I took credit for it anyway. I’m aware that it’s cute that our names, Ernie and Erin, are practically anagrams. When people used to ask us how we met, we’d say, Alphabetically. I know, it’s sickening.

The truth is much more mundane; we’d bonded over being brought up in single-parent households. When we met, she told me her mother had died of cancer when she was young, and she was raised by her father. I’ll tell you about my father later. But she already knew about him when we met; infamy is easy to google.

At the turnoff was a squat building that looked like a pub, based on the sign that just said BEER! in housepaint. There were stacks of skis leaning against the wall. It was the type of place where you could lick the windows instead of buying a drink and the sous chef was a microwave. I filed it away as a potential refuge. The weekend was a family reunion, after all; I expected it to be a series of meals scheduled around tactical retreats to private rooms. It would pay to have other options.

Oh. Erin’s not dead, by the way. I realize in making an oblique reference to an old flame, it sounds like I’ll reveal later on that she’s been dead the whole time, because that’s what happens in these kinds of books, but that’s not the case. She was driving up the next day. We were even still technically married. Besides, the chapter numbers don’t line up.

Not long after the turn I realized I was no longer climbing, but going downhill, and soon I broke through the trees to find myself on the ridge of a spectacular valley, at the base of which lay Sky Lodge. Advertised as the highest drive-in accommodation in Australia, which, to be fair, is like bragging about being the world’s tallest jockey, it included a nine-hole golf course carved into the mountainside, a lake, brimming with trout, to fish from or row across, whatever fireside comfort and rejuvenation meant, access to the neighboring ski resort (lift pass not included with stay, of course), and even a private helipad. I’m quoting from the brochure, because it had snowed heavily overnight and everything, from the road in front of me, to the now par-400 golf course, to the flattened-out tundra a couple of hundred meters downhill from the guesthouse that I assumed was the lake, lay under the same fresh powder. The valley looked flat, steep, small, and endless at the same time.

I gently rolled down the hill, taking it easy. Pure white has a habit of messing with depth perception, and without the small collection of half-buried buildings at the bottom for reference I might not have even noticed the steepness of the incline until braking would have been futile, locking me into a rapid skid to the bottom: where I would have wound up both very dead and very on time for lunch.

The center of the retreat was a multistory guesthouse, painted bright yellow to stand out from the mountain, with a pillared entryway. It puffed smoke from a brick chimney that braced a side wall like a rod, and it had an advertiser’s dream amount of snow dappled on the roof. Within the five rows of windows, several glowed with soft yellow light, like an advent calendar. The guesthouse was preceded by a gauntlet of a dozen chalets, built in two rows of six, with corrugated iron roofs that reached all the way to the ground, matching the slope of the mountain, allowing floor-to-ceiling windows on the front face, for unimpeded views of the rocky peak. I would be staying in one of these shark’s teeth, but I wasn’t sure which one was number 6, my designation on Katherine’s itinerary, so I rolled through to where several cars were parked to the side of the guesthouse.

I recognized a few of them: my stepfather’s Mercedes SUV, which had a dishonest BABY ON BOARD sign in the back window, because he thought cops pulled him over less frequently with it; Aunt Katherine’s Volvo station wagon, snow-bogged already because she’d driven up a day earlier; Lucy’s [REDACTED CAR TYPE], blending in with the snow, the car so often Instagrammed and gloated about as her business reward. My rescuer’s Land Rover was also there—of course it was; in a book like this it may as well have had the license plate M33T-QT. I recognized it by the large plastic snorkel.

Katherine was steaming across the lot before I’d gotten out of the car, leaning into a slight limp caused by a car accident in her midtwenties. She was the dictionary definition of Baby Sister to my father, the age gap so significant that when my mother pumped out us Cunningham Boys in her thirties, I was closer in age to my aunt than my mother was to her sister-in-law. So, growing up, I remember Katherine as youthful, energetic, and fun. She’d bring us presents and regale us with fantastic stories. I thought she was popular, too, because people would talk about her at family barbecues when she wasn’t there. But age gives perspective, and now I know the difference between being popular and being talked about. Intervention came in the form of a wet road and a bus stop. The accident broke a lot of her bones and crumpled her leg, but it also straightened her out. Now, the only thing you really need to know about Katherine is that her two favorite sentences are What time do you call this? and re: my previous email.

She wore a bright-blue thermal top under a puffy North Face vest, some type of rustling waterproof pants, and hiking boots that looked stiff as stale bread. All pristine and straight off the rack. She looked like she’d walked into an adventure store, pointed at a mannequin, and said, That one. Her husband, Andrew Millot (but we all call him Andy), who had followed her out but kept his distance, was woefully underdressed in jeans and a leather jacket, looking as if he’d spent his time in the same adventure store checking his watch. Without grabbing my bags or my coat, deciding that it was better to be lashed by cold air than Katherine’s tongue, I hurried to intercept her.

We’ve eaten, was all she said, which I think was supposed to be both criticism and punishment.

Katherine, I’m sorry. I had trouble on the mountain past Jindabyne. Fresh snow. I pointed back at the chains on my tires. Luckily someone helped me put these on.

You didn’t check the forecast before you left? She sounded incredulous that anyone would commit such treason to punctuality as to not account for the weather.

I admitted that I hadn’t.

You should have factored that in.

I admitted that I should have.

She ground her jaw. I knew Katherine well enough to know that she just wanted to have her say, so I stayed silent. All right then, she said eventually, then leaned in and planted an icy kiss on my cheek. I have never known how to reciprocate a cheek-to-cheek greeting, but I decided to take her advice and factor in the weather—her stormy demeanor—and settled on a mwah sound in the air beside her face. She pressed a set of keys into my hand and said, Our room wasn’t ready yesterday so you’re in Four now. Everyone’s in the dining room. Good to see you.

She took off back towards the guesthouse before I could make small talk, but Andy waited and walked with me, offering me a casual shoulder lean of hello rather than taking his hands from his pockets to shake my hand. The cold was bracing, but I was committed to socializing now so my jacket had to languish in the car. The wind was cruel; it found every crevasse in my clothes, invaded and patted me down like I owed it money.

Sorry about that, Andy offered. You should go easy on her. That was Andy in a nutshell, wanting both a blokey alliance and to stick up for his wife: the type of guy who says, Yes, honey, at a dinner party but then wobbles his head and goes, "Pfft, women, right?" when she’s in the loo. His nose was red, but it was hard to tell if the cause was alcohol or temperature, and his glasses were slightly fogged up. His short, jet-black goatee sat on his face like it had been taken hostage from a younger man; he was in his early fifties.

I didn’t do a rain dance last night just to piss her off, I said.

I know, mate. It’s just a tricky weekend for everyone. So, you know, you don’t have to make fun of her for trying to make it a little easier. He paused. Not a big deal, hey—don’t let it get in the way of us sinking a few beers this trip.

I didn’t make fun of her. I’m just late. I could see my stepsister, Sofia, having a cigarette on the porch as we approached. She raised her eyebrows as if to say, It’s worse inside.

Andy took a few steps in silence, and though I inwardly begged him not to, drew a breath and said, Yeah, but, and I decided there’s nothing sadder than a man trying to stick up for a woman who can stick up for herself, she put a lot of work into those invites, and you didn’t have to make fun of her spreadsheets.

I didn’t say anything.

Not now. When you sent it back. Under allergies you wrote ‘spreadsheets.’

Oh, I said. Sofia overheard and scoffed, ejecting a plume of smoke out her nose. Erin, who’s not dead, would have liked that one too. Andy didn’t need to say aloud what I’d written under Next of kinIt’s a family reunion, so anyone here, unless Avalanche—for me to feel a right arse. I conceded. I’ll go easy.

Andy smiled, pleased that his husbandly virtues, if not affectionate, were at least box-ticking.

He headed inside, miming a drink as he left to imply that he’d order me one, affirming our laddish allegiance, while I stopped to

Enjoying the preview?
Page 1 of 1