About this ebook
A.D. 69. The Roman Empire is up for the taking. Everything will change—especially the lives of two sisters with a very personal stake in the outcome.
Elegant and ambitious, Cornelia embodies the essence of the perfect Roman wife. She lives to one day see her loyal husband as Emperor. Her sister Marcella is more aloof, content to witness history rather than make it. But when a bloody coup turns their world upside-down, both women must maneuver carefully just to stay alive. As Cornelia tries to pick up the pieces of her shattered dreams, Marcella discovers a hidden talent for influencing the most powerful men in Rome. In the end, though, there can only be one Emperor...and one Empress.
Kate Quinn
Kate Quinn is the New York Times and USA Today bestselling author of historical fiction. A native of Southern California, she attended Boston University, where she earned bachelor’s and master’s degrees in classical voice. A lifelong history buff, she has written four novels in the Empress of Rome Saga and two books set in the Italian Renaissance before turning to the 20th century with The Alice Network, The Huntress, The Rose Code, The Diamond Eye, and The Briar Club. The Astral Library is her first foray into magic realism. She and her husband now live in Maryland with their rescue dogs.
Other titles in Daughters of Rome Series (4)
Mistress of Rome Rating: 4 out of 5 stars4/5Daughters of Rome Rating: 4 out of 5 stars4/5Empress of the Seven Hills Rating: 4 out of 5 stars4/5Lady of the Eternal City Rating: 4 out of 5 stars4/5
Read more from Kate Quinn
The Briar Club: A Novel Rating: 4 out of 5 stars4/5The Diamond Eye: A Novel Rating: 4 out of 5 stars4/5The Phoenix Crown: A Novel Rating: 4 out of 5 stars4/5A Day of Fire: A Novel of Pompeii Rating: 4 out of 5 stars4/5The Three Fates Rating: 4 out of 5 stars4/5
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Titles in the series (4)
Mistress of Rome Rating: 4 out of 5 stars4/5Daughters of Rome Rating: 4 out of 5 stars4/5Empress of the Seven Hills Rating: 4 out of 5 stars4/5Lady of the Eternal City Rating: 4 out of 5 stars4/5
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Reviews for Daughters of Rome
120 ratings13 reviews
- Rating: 5 out of 5 stars5/5
Mar 6, 2024
This book should really be read before Mistress of Rome as it tells the back story of a lot of the characters. Absolutely phenomenal though, love the whole series. - Rating: 4 out of 5 stars4/5
May 17, 2019
Another excellent novel by Quinn. This time, we get the story of the four Cornelii women, including Marcella from the first novel. Steeped in the same scandal and violence and Roman escapades, this novel covers the Year of the Four Emperors, where being heir to the throne means nothing and armies mean everything. I really loved watching the four women change, although sometimes I felt frustrated when they had trouble seeing each other change. Each one handled the stressful situations in their own ways, and I actually hurt near the end when their lives were turned so completely upside down that they all suffered in different ways. I really love Quinn's style of writing, so I am off to read the third installment. - Rating: 4 out of 5 stars4/5
Feb 1, 2018
Moved very quickly through the year of the 4 emperors and felt a little contrived in place with some very unlikable characters but it is a good read and there is always a fun little interlude around the corner. - Rating: 5 out of 5 stars5/5
Mar 31, 2016
When I first started reading this, it was a little slow and I couldn't figure out how it was going to tie into the first book, but man was I pleasantly surprised! I think Kate Quinn is officially one of my new favorite authors. - Rating: 4 out of 5 stars4/5
May 4, 2015
Decent story, but I felt that following four women was a bit much. Never got a great chance to really know any of them. Diana was always a bit of a mystery, but maybe that was because I didn't identify with her? Marcella's plots...well I just didn't find them very believable. I also didn't enjoy going back and forth between their stories. I found I wanted to just keep following one or the other of them. I also think this book should be labeled as the first in the series. Going backwards in time from Mistress of Rome felt odd so I'd recommend anyone starting these to read that one first.
After all my complaints, I felt the end was just, if a bit nicely rounded up. - Rating: 3 out of 5 stars3/5
Jan 5, 2014
This book was really not the type of book I normally read. I don't have a great interest in Ancient Rome, really. Nevertheless, I did enjoy it. I do have a few quibbles, though. The dialogue was very modern, which made it easy to read but it sometimes made me wonder. The biggest problem I had was the character of Diana. I could not stand her. She seemed so one-dimensional. Actually, she seemed mentally challenged. I almost put the book down because of her. Once I started skimming over the sections of the book that included her I was much happier. The author is a good storyteller and often I didn't want to put the book down. I would certainly read more books by this author! - Rating: 4 out of 5 stars4/5
Jul 17, 2012
This novel tells the story of the Year of the Four Emperors, seen through the eyes of four women of a patrician family, all named Cornelia but given nicknames here by the author to distinguish between them.
I have to admit that it took me some time to get into this book: I was reminded of a Roman edition of a glossy celebrity magazine at first, giving us all the lowdown on the latest gossip and fashion. The characters come across as shallow and one-dimensional, the style of Quinn's writing irreverent and occasionally flippant. The novel appears well researched, but initially wears its historical detail heavily on its sleeve. The novel starts to really come into its own when a bloody coup sees Otho declare himself emperor; the mob scenes are terrific and terrifying and quite violent. Where Kate Quinn excels in my opinion is the depiction of the political backstabbing and opportunism, the whispering campaigns, and the changing of loyalties in a trice when it most suited, often only implied, and I found the device of Lollia's marriages always reflecting the changing political climate very effective. I was glad to see some satisfactory character progression after a wobbly start, and I really came to care about them, even though I found the love stories just a tad contrived.
If you're interested in this time period, you will find this a worthwhile account of a turbulent time in Rome's history. - Rating: 5 out of 5 stars5/5
Feb 10, 2012
Kate Quinn once again weaves a beautiful and stunning tale of Ancient Rome. The family Cornelii has four beautiful girls, Cornelia Prima, the only one to escape a nickname; Cornelia Secunda, Cornelia's sister who is known as Marcella; Cornelia Tertia, a rich heiress who is cousin to the first two and is known as Lollia and Cornelia Quarta, the horse crazy cousin who is nicknamed Diana. The four girls are close and loving, but each girl is very different. Cornelia is married to Piso, who is soon to be named Emperor Galba's heir. Marcella watches history being made from the sidelines, documenting it all. Lollia's husbands change with the winds in Rome. Diana doesn't love any male that has less than four legs for chariot races. Set in the Year of the Four Emperors, the Cornelii girls struggle to stay true to their family, their loved ones and themselves; all while struggling to stay alive. At the end, there can only be one Emperor, and one woman by his side.
Ancient Rome is one of my favorite time periods. And I LOVED Kate Quinn's first book, Mistress of Rome. At first, I had problems keeping the four Cornelias distinct in my mind. But fear not, it doesn't take very long for each of the girls to develop a personality that is all her own. I probably would have to say that I loved Diana and Marcella the most, but they are very different from each other. Quinn also makes each Emperor ruler of his time period and gives them all distinct personalities. The plot is thickly woven and each of the girls plays her part magnificently, from Marcella's scheming to Diana's indifference.Quinn also adds stunning details from Roman bath house life ( I died over these details) to banquet details. No detail was too small and it paints such a vivid picture one can see the lacquered nails, smell the feast and hear the chariot wheels smash by. Quinn perfectly sets up the sequel, Mistress of Rome, in which life is dominated by Domitian. - Rating: 4 out of 5 stars4/5
Oct 10, 2011
The Year of the Four Emperors is recounted in this novel of the ancient Roman Empire, centered around the role of four cousins in historical events. Cornelia, Marcella, Lollia, and Diana all experience the changes and tumult of the year together and are changed themselves by the course of events. I enjoyed seeing these cousins transform over the course of the novel, although few of the transformations were as gripping as Marcella's, who goes from writing history to making history. An entertaining read, recommended for those interested in Ancient Rome. - Rating: 4 out of 5 stars4/5
Jul 28, 2011
The Feminine Side of Rome
Typically historical fiction set in ancient Rome focuses on senators, military geniuses, mad emperors, and a lot of blood. Daughters of Rome has six emperors (It takes place largely in the year of four emperors—then add in Nero and Titus mentioned in the beginning and ending portions.), chariot races and battle scenes, but much more predominantly it has four women of the patrician family of the Cornelii. These women, who have four profoundly different approaches to living upper class lives, reveal the other side of Rome many people will have heard very little about. The book glides from “frivolities” like brightly colored silk stolas and ancient makeup to the mental requirements that women accept being political pawns in marriages to men they have good cause to hate, to the tawdry state of marriage and family in a society that pretended to value them above all, to a host of other complicated social issues that Quinn weaves in without our ever stumbling over them or thinking “too much history!” And she does this while keeping us turning the pages, wanting to know what the next political machination will be, the next wild sex scene, the next intimate moment between women when their lives are threatened and they have only each other to get them through.
These four women are cousins from an old and respected family, now funded largely by one of the cousin’s ex-slave grandfather who built a vast fortune and then bought his way into a patrician line—and he’s a genuinely likeable character with a good heart among many scoundrels with old pedigrees. The four live through the calamitous events of the year when Rome discovered that societies are forever altered for the worse when the rule of law is overthrown by power hungry men who do not care about the bloody means they use to usurp legitimate rule. Rome was no innocent before this particular year. The “Republic” had long since given up anything but lip service to the old Roman ideals of elections and a free citizenry and had been kissing up to emperors, crazed or good, for some time. But through the transformations of Kate Quinn’s characters and her vivid portrayal of Roman life turned upside down, the author makes a good case that this year-long spasm was different than any that had come before. It’s an apt lesson from history that is worth pondering, especially if you can have so much fun in the process. This may be a well-researched, historically engaging book, but it also has golden boy Thracian lovers, extravagant jewels and feasts, family and political intrigue. Let Quinn build her characters in the opening chapters—some people think the beginning is a bit slow with so many people to put into place—and then hold onto your hat. - Rating: 3 out of 5 stars3/5
May 19, 2011
After thoroughly enjoying Kate Quinn's first novel Mistress of Rome, I couldn't wait to dive into her follow up, Daughters of Rome. Following a new collection of characters, Daughters of Rome promised to continue Quinn's exploration of Ancient Rome and offer new, juicy and intriguing stories of women in the Ancient world.
Daughters of Rome follows the tales of two sisters, each with their own lives, personalities and ambitions. The novel switches between the viewpoints of the two women -Cornelia and Marcella -and explores their lives of intrigue, uncertainty, romance and powerful ambition during the year of four emperors in Rome. With an empire in dissaray, the world never quite seems as solid as it once did. Cornelia seeks to be the perfect Roman wife -and see her husband as emporer, while Marcella wants to be nothing but a simple bystander. Then the terror starts, and the empire is throw into bloody coups where the emperor seems to be constantly changing. Cornelia and Marcella are thrown into a new world where they must learn to survive.
Daughters of Rome takes on a somewhat different approach than Mistress of Rome. Rather than taking the romance route, Daughters of Rome prefers intrigue and power, as well as rebellion. Usually I would be more at home with these themes, but I found that I just got lost in this story between the two women and the shifting tides. I hate to say it, but I thought Mistress of Rome was better. It just felt more solid, easier to follow and the characters seemed more fleshed out and stronger to me. It almost seemed like Mistress was the product of years of meticulous research and thoughtful writing while Daughters was put together more quickly -and somewhat sloppily.
The tale of Marcella and Cornelia just didn't intrigue me as much as I wanted it to. Their personalities and struggles never fully came alive for me and made it difficult to become fully invested in the story. I'm not sure if it was the writing itself (which was lovely) or the detail/historical accuracy (seemed fairly well researched....), but the characters remained flat.
A decent second effort, but just not as good as Mistress of Rome. - Rating: 1 out of 5 stars1/5
May 9, 2011
I received this book as a GoodReads First Read copy. While the style of writing was interesting, I felt that the characters were poorly developed. Each time I started to relate to one of the four female leads, her actions or thoughts would show a completely contradictory side that made her seem insipid, callous, superficial or downright cruel. While some readers may find enjoyment solely in the period, history, or graphic nature of some of the scenes, in my own preferences, I need to be able to relate to at least one of the characters that I am following in order to truly enjoy a book. At the end, I found myself hating every single one of the titular "daughters of Rome". I appreciate the opportunity to read and review this book, but it was definitely not aimed at me. - Rating: 5 out of 5 stars5/5
May 2, 2011
Disclaimer: I won this book through Goodreads Giveaway.
Excellent story about the Cornelii Family during the Year of Four Emperors in Rome.
The four Cornelia’s; sisters Cornelia Prima, Marcella, and cousins Lollia, and Diana have very different and often conflicting personalities, but have an unwavering bond…or so we think at the beginning of the book. There are many tests and trials that affect all the Cornelia’s.
It’s a great story of love, death, war, friendship, sisterhood and how decisions can make or break relationships…and people.
Book preview
Daughters of Rome - Kate Quinn
PART ONE
GALBA
June A.D. 68–January A.D. 69
All pronounced him worthy of the empire, until he became emperor.
—TACITUS
One
003WE’RE going to a wedding, not a battle. Marcella blinked as her sister came into the bedroom hauling a huge spear.
Or are you planning on killing the bride?"
Don’t tempt me.
Cornelia sighed, looking up the length of the spear. Lollia and her weddings . . . I sent my maid out for just the spearhead, but of course she came back with the whole spear. Put that pen down for once, won’t you, and help me get the shaft off.
Marcella shoved her writing tablet to one side and rose from the desk. She and her sister tussled the spear between them, Cornelia yanking at the head and Marcella twisting the long shaft. It’s not coming,
Marcella complained, just as the blade came loose and sent them tumbling in opposite directions. Marcella banged her elbow against the tiles and swore. Cornelia began a dignified reproof but started to giggle instead. Her stern, serene face cracked for just a moment into a little girl’s, bracketed by those deep dimples she disliked so much. Marcella started to giggle too.
All this trouble,
she said ruefully, just so you can part Lollia’s hair with a dead gladiator’s spearhead and give her a happy marriage. Did it work the first two times?
I have faith.
It didn’t work at my wedding either—
Enough!
Cornelia rose, holding out one elegantly ringed hand. Marcella took it and scrambled up. Aren’t you ready yet? I swore I’d be there early to help Lollia.
I got wrapped up in chronicling Nero’s death,
Marcella shrugged. You know I’m writing up Nero now? It’ll make a short account, but not as short as my history of Caligula.
You and your scribbling!
Cornelia scolded, rummaging through Marcella’s dresses. Here, wear your yellow . . . when did you change bedrooms?
When Tullia decided she preferred my view to her own.
Marcella made a face at the narrow little corner chamber that had recently become hers, tugging her plain wool robe over her head and dropping it on the narrow bed. So our dear new sister-in-law got the nice bedchamber with the window over the garden, and I got the view of the kitchens and the mosaic with the cross-eyed nymphs. No, put that yellow dress back, I want the pale blue—
Pale blue, too plain,
Cornelia disapproved. Don’t you ever want to be noticed?
Who’s going to be looking at me?
Marcella dived into the pale-blue stola, shivering in the November chill that crept into the bedchamber despite the drawn shutters. For that matter, who’s going to be looking at the bride? You’re the one they all want to see—the future Empress of Rome.
Nonsense.
Cornelia looped the silver girdle about Marcella’s waist, but a little smile hovered at her lips.
If it’s such nonsense, then why did you dress the part?
Marcella surveyed her sister: Cornelia Prima, twenty-four to Marcella’s twenty-one; the oldest of the four cousins collectively known as the Cornelias, and the only one of them not to get a nickname. A severely elegant figure in amber-brown silk, a wreath of topaz about her throat and coiled mahogany hair crowning her head like a diadem, her oval face as classic as any statue’s. As somber as any statue’s too, because when Cornelia smiled a dimple appeared on each side of her mouth, deep enough to sink a finger into, and she’d long since decided that dimples weren’t dignified. Smiling, she looked like the sister who had helped Marcella steal sweets from the kitchens when they were little girls. Unsmiling, Cornelia could have been a statue of Juno herself. You look very queenly.
Not queenly enough. Oh, why didn’t I get your height?
Cornelia mourned, looking into the glass. And your figure, and your nose—this little snub of mine just isn’t dignified.
Isn’t Imperial, you mean?
"Don’t say it! You’ll spoil Piso’s luck."
Where is he, anyway?
Marcella reclaimed the mirror, coiling her hair quickly on her neck and reaching for the box of silver pins.
He’ll come later, with the Emperor.
Cornelia’s voice sounded quite casual, but Marcella slanted a brow at her and she blushed. Maybe the announcement will come today . . . ?
Marcella didn’t bother asking what announcement. All Rome knew Emperor Galba needed an heir. And all Rome knew how highly Galba regarded Cornelia’s husband, Lucius Calpurnius Piso Licinianus . . .
The November morning had dawned blue and cold. Breath puffed white on the air as Marcella slipped down from the litter at the outdoor shrine of Juno and went to join the wedding guests already waiting. Cornelia had gone to assist the bride, still toting the spearhead. We’ll see if it works any better this time, Marcella thought as she slipped in with a group of cousins, avoiding her brother and his loathsome new wife. At the shrine stood Lollia’s latest betrothed with his own entourage—Marcella had to admit he wasn’t an appetizing sight. Fifty-seven, bald, wrinkled, and glaring . . . but he was very eminent; consul and adviser to Emperor Galba. All Lollia’s husbands were eminent. The richest heiress in Rome can afford to choose.
Strains of music came fading through the crisp air at last, and the guests rustled. The bridal procession: flute players, slaves tossing flowers into the street . . . Lollia’s proud grandfather, born a slave and now one of the richest men in Rome, a festival wreath perched atop his wig . . . a curly-haired doll of a little girl, Lollia’s daughter from the first of her short marriages, beaming from her great-grandfather’s arms . . . Cornelia, regal as any empress, leading the bride by the hand to her newest husband . . . and the bride herself in her long white tunica: Cornelia Tertia, known to everyone as Lollia. Not the prettiest of the four cousins, most agreed, but Lollia did have a soft chin, a lush mouth that looked almost bruised, and merry painted eyes. Her mass of curls, dutifully parted by Cornelia with a gladiator’s spear to ensure luck for her coming marriage, had this month been dyed a violent red that clashed cheerfully with the flame-colored bridal veil. Lollia’s kohl-rimmed eye gave a wink to Marcella as she passed, and Marcella smothered a snort of laughter.
Cornelia put Lollia’s hand into that of Senator Flaccus Vinius and took her own place in the crowd of wedding guests. Don’t tell me,
Marcella murmured. You gave Lollia your little speech about how when she put the red veil on she was a carefree girl, and when she takes it off she’ll be a married woman with all the attendant duties and responsibilities.
What makes you say that?
Cornelia whispered back as the priest began to intone a homily on the virtues of marriage.
You gave me the same speech at my wedding. You really should get some new material, you know.
Well, I’m her bridal escort. I’m supposed to prepare her for what’s coming.
She’s nineteen, and it’s her third wedding. Believe me, she knows what’s coming.
Ssshh!
Quando tu Gaius, ego Gaia.
Lollia joined hands with her senator at the altar, intoning the ritual words.
At my wedding I was so excited I could hardly stammer the vows,
Cornelia whispered, and Marcella heard the smile in her voice.
At mine I was too busy hoping I’d wake up and find it wasn’t real.
Lollia and Senator Vinius shared the ritual cake, sitting on stools inlaid with gold. Lollia’s rubies winked—cuffs on both wrists, brooches at both shoulders, shoulder-sweeping earrings, and a collar wrapping her throat. Lollia gets such nice presents from her grandfather whenever she gets married,
Marcella mused. All Father gave me was a letter of congratulations sent four months late from Gaul. And he couldn’t remember who I married.
Our father was a great man.
He couldn’t even tell us apart! He barely bothered giving us enough of a dowry to marry on, and he didn’t come home from his precious legions one year in five—
Great men have more important matters to tend to than domestic concerns,
Cornelia sniffed. She had mourned their father very properly when Emperor Nero ordered his suicide, observing all the correct rituals, but Marcella hadn’t seen any point in pretending grief. She hardly knew her father, after all—he’d been too busy crashing around Gaul during her childhood, racking up victories. I suppose all those victories made Nero nervous. It just goes to show that too much success is bad for one’s health. That might make a neat little aphorism on ambition, with a bit of rewording. Just the thing to finish up her account of the life and reign of Emperor Nero . . .
A white bull was led forward onto the steps of the altar, and the priest shoved back his sleeves and cut its throat with a practiced double slash. The bull bellowed, but went down easily before the shrine—a good omen for the marriage. Marcella twitched her pale-blue hem away from a creeping trickle of blood and heard a careless voice at her shoulder.
Am I late?
Yes,
Marcella and her sister said in unison. Diana, of course—late for everything. The bull might be dead on the altar and Lollia fidgeting, but the priest was fussing with the bloodied knife and consecrating it to the goddess of marriage, so Diana slid into place behind them.
I saw the most marvelous race in one of the little circuses! Four Arab stallions and a Greek running for the Whites beat Perseus and the Greens—gods’ wheels, Cornelia, what are you fussing about? Lollia won’t care if I’m late. Can you imagine the Whites beating the Greens? They’ve already sworn the Greek can’t do it in the Circus Maximus, but I think he might. Good hands, a nice sense of timing, driven eight months for the Whites so of course he hardly has any victories because Helios the Sun God couldn’t get many wins driving those mules the Whites call horses—Marcella, what are you rolling your eyes at me for?
Because you’re drowning out the priest and everybody’s shushing you, that’s why.
The wedding was over. The priest finished his prayers, and Senator Vinius offered Lollia his arm. Marcella and her sister fell in behind with the rest of the guests, making a slow procession back toward the house of Lollia’s grandfather. Everyone with a spring in their step now, as they looked forward to the wedding banquet. Lollia’s new husband was already engrossed with a gaggle of balding well-wishers, and Lollia beckoned her cousins up on her other side. Come keep me company! Gods, that was a dull wedding. Is it just me, or do they get more boring every time?
It’s marriage, Lollia,
Cornelia sighed. "Your third or not, try to be serious."
I think of it as less of a marriage than a lease agreement.
Lollia lowered her voice so her new husband wouldn’t hear. Senator Vinius gets conditional use of me and my dowry for a period of time not to exceed his usefulness to my grandfather.
Fair enough,
Marcella conceded.
Sorry I’m late.
Diana sauntered up to link her arm with Lollia’s, not sounding at all sorry. Half a dozen charioteer medals clanked around her neck, a sprinkle of freckles gleamed like powdered gold across her nose, and her red silk dress was knotted so carelessly it looked ready to slide right off her shoulders. All the men present were probably hoping it would. I saw the best race!
Oh, don’t go on again,
Marcella groaned. You’re more boring than the whole Senate house put together.
But a beauty, of course, could get away with being boring: Cornelia Quarta, the youngest of the four of them at sixteen and certainly the most lovely, all white-gold hair and blooming skin and cloudy blue-green eyes. But Diana didn’t care a fig for any of the suitors panting on her doorstep. The only thing that made her eyes shine was horses, horses and chariots wheeling around the hairpin turn at the Circus Maximus. As far as she was concerned everything else could go to Hades, including all the men begging to marry her. The spurned suitors were the ones to nickname her Diana: the virgin huntress who scorned all men.
I adore Diana,
Lollia had said many times. "But I don’t understand her. If I were that beautiful, the last thing I’d be was a virgin anything."
Marcella envied Diana too, but not for the beauty or the suitors.
Diana, your hair looks like a bird’s nest,
Cornelia was scolding. And couldn’t you have worn something besides red? You know only the bride wears red at a wedding. A nice blue to bring out those eyes—
Diana bristled. You think I’d wear blue after the way that Blues charioteer fouled us at Lupercalia?
There were four racing factions at the Circus Maximus—the Reds, the Blues, the Greens, and the Whites—but to Marcella’s youngest cousin there was only one, and that was the Reds. She went to the circus every other day, cheering her Reds and cursing all the others like a pleb girl on a festival day. It should never have been allowed, but her father was another odd bird in the family Cornelii, and he let his daughter do as she pleased.
So lucky, Marcella thought enviously, and she doesn’t even realize it.
Enjoy those races while you can, my honey,
Lollia was telling Diana. Galba disapproves of horse races—‘frivolous waste of funds,’ he calls it. If you think festivals and chariot racing won’t be first in line for budget cuts—
Where did you hear that?
Marcella asked over Diana’s groan. I’m usually the one with all the news.
I had myself a Praetorian guard a few months back when Galba was first acclaimed,
Lollia explained, swirling her scarlet bridal veil over her head. There, am I ready for the banquet?
In all ways but modesty.
Cornelia gave a quelling stare as they came forward into the atrium, Marcella laughed, the slaves rushed forward to place festival wreaths on Lollia and her balding husband, and everyone trooped in for the feast.
* * *
CORNELIA couldn’t help a weary little exhalation as the wedding banquet swept into full swing. Lollia’s doting grandfather had put on his usual spectacle: silver dining couches heaped with Indian silk cushions, musicians plucking harps in hidden alcoves, jasmine and roses twining every column of the vast blue-marbled triclinium that overlooked the whole of the Palatine Hill. A golden-haired slave in silver tissue stood at every guest’s elbow, and a stream of servitors scurried in and out with a series of exotic dishes: sow’s udders stuffed with soft milky eggs, flamingo boiled with dates, a roast boar stuffed with a roast sheep that was in turn stuffed with game hens . . .
Such pomp and spectacle, Cornelia thought, and for what? She sipped her wine—ancient, expensive, and in exquisite taste, like everything else in this house. So much expense for a marriage that probably wouldn’t last the year. Well, Lollia’s grandfather was just a freed slave, even if he had managed to get rich and marry into an ancient patrician family. No matter how good his taste was, slave blood showed. Cornelia’s own wedding had been a modest thing by comparison—her father would never have countenanced such expense—but she had at least managed to stay married to the same man for eight years.
Entertainers streamed out between courses: dancers in thin gauzes, poets with hymns to married love, jugglers with gilded balls. An orator in a Greek robe was just preparing a recitation when a sudden blare of trumpets drowned the plucking of harps. Cornelia looked up to see a line of red-and-gold-clad soldiers filing into the triclinium. The Praetorian Guard, personal army and bodyguards of the Pontifex Maximus and ruler of the world. Whispers ran across the throng: The Emperor!
A hunched figure in Imperial purple stumped in. As one, all the guests in the room, from host to bride, rose from their couches.
So that’s him?
Marcella managed to cast her glance upward even when she bowed with the rest of the guests. Oh, good. My first close look.
Sshh!
Cornelia had seen Emperor Galba many times before—he was a distant cousin of her husband’s, after all, and a guest at her table long before he’d taken the purple. A man of seventy-one, hawk-nosed, wrinkled as a tortoise but still sturdy. Emperor for five months now, appointed by the Senate upon Nero’s suicide. The Imperial mouth turned down in a frown as Galba looked around at the wreaths of flowers, the silver dishes, the flagons of wine. Everyone knew the Emperor had frugal tastes. Some might even say cheap,
Marcella murmured whenever the latest money-saving decree passed through the Senate.
Galba made greetings in his barking voice, waving irritably for the guests to resume, and Cornelia rose from her bow and threaded breathlessly through the throng to the only figure in the crowd of Imperial arrivals who mattered. Piso!
My dear.
He smiled down at her: Lucius Calpurnius Piso Licinianus, her husband of eight years. Chosen for her at sixteen, and she had never wanted another. How lovely you look.
Did he say anything?
Cornelia lowered her voice as Galba stood barking orders at his Praetorians, and a troop of dancers in bells and beads undulated in to entertain the guests. The Emperor?
Not yet.
I’m sure it will come soon.
Neither of them elaborated. It rang loud enough unspoken: The day when Galba chooses you as heir.
Who else could the Emperor choose, after all? A man of seventy-one needed an heir, the sooner the better, and who would be more suitable than his distinguished and serious young cousin? Lucius Calpurnius Piso Licinianus, with his distinguished bloodlines and impeccable record of service to the Imperium? Everyone knew it would be Piso.
Certainly no man in Rome would make a handsomer Emperor. Cornelia looked at her husband: tall and lean, his features somber but lightening when he smiled, his eyes that always looked straight at the world where other men looked for shadows. Emperor Nero had once mistrusted that straight gaze and threatened to exile her husband to Capri or even Pandetaria, where few men survived—but Piso had never looked away, and Nero had found a new fancy for his fears.
You look very serious,
Piso smiled.
Cornelia reached up to smooth back a strand of his dark hair. Just thinking of our own wedding day.
Was that such a serious occasion?
His dark eyes twinkled.
Well, I took it seriously.
Cornelia shook her head at Lollia, who was pealing laughter from her dining couch and utterly ignoring her new husband. Piso, do let me introduce you to the new Praetorian Prefect. Be sure to ask about his son’s appointment in the legions; he’s very proud of that—
Cornelia was very proud herself, watching her husband from the corner of her eye as they made their way through the throng. A smile here and a nod there, a wine cup ready in one hand for a toast, the other hand ready to clap the shoulder of a colleague or press the fingers of a new acquaintance. Reserved, courteous, gracious . . . regal . . .
She made the introduction to the new Prefect, smiled, and bowed out as a proper wife should once the conversation turned to politics. Emperor Galba stayed at the banquet only a few moments more, casting another disapproving glare around the lavish room and stumping out as abruptly as he’d arrived. Thank goodness,
Lollia tittered all too audibly as the Praetorians filed after him. "That sour face! Nero may have been crazy but at least he had glamour."
And Lollia may be an idiot, but she’s right,
Marcella murmured in Cornelia’s ear.
She is not. Galba had a very distinguished career.
He’s a sour, cheap old man.
Marcella spoke under cover of the white-bearded orator who had just come out for the second time to launch into sonorous Greek verse. All those money-skimping policies—
Nero emptied out the treasury. We should be glad someone’s trying to refill it.
"Well, it won’t make him popular. That will work in your favor, of course—by the time Galba dies, and at his age that can’t be long, everyone will be cheering your Piso like a god."
Marcella, hush!
It’s truth, Cornelia. And I always speak truth, at least to my sister.
Marcella lifted her goblet. Or should I say, my future Empress?
You should not say.
Empress . . .
Marcella’s knowing smile curled Cornelia’s toes. She never could fool her little sister—though half the time people assumed Marcella was the older: half a hand taller and as statuesque as a temple pillar; a column of cool blue ice topped with leaf-brown hair and a calm carved face. Much more regal-looking than me. Oh, why didn’t I get her nose? You should go talk to Caesonius Frugi, Marcella. He spoke very fondly of your husband, I believe they were tribunes together in the Twelfth. I’m sure you could do something for Lucius there, advance his career—
Lucius can take care of his own career,
Marcella said. I’m having much more fun watching you work the room.
I don’t see why you’re always so dismissive of Lucius. He’s perfectly pleasant.
You aren’t married to him. We weren’t all lucky enough to fall madly in love with the man our father picked for us, you know.
Marcella’s eyes drifted over Cornelia’s shoulder. Dear Fortuna. Is that the ghastly Tullia headed straight for us? Hide me.
You always do that!
Cornelia accused. Ever since we were little! Disappearing to let me face the worst—Tullia, how delightful to see you!
I can’t say the same for you, Cornelia—I understand you’ve had the Emperor to dine last week, and you didn’t invite me! Your own sister-in-law—
Eventually the sun fell, the wine sank in everyone’s goblets, and soon the guests were drifting out for the final procession. Cornelia took her husband’s arm and joined the throng, Lollia and Senator Vinius in the lead, the slaves darting ahead to throw walnuts for fertility and silver coins for prosperity. Cornelia applauded with the rest as Lollia was carried over the threshold of her new home and knelt for the first time to light the fire in her new hearth. Squealing girls lined up for the bridal torch, and Lollia tossed it straight at Diana. Diana poked the business end of the torch at a young tribune begging her for a kiss.
—must come with me,
Lollia was groaning to Marcella and Diana as Cornelia approached. The last of the guests were trailing out of Senator Vinius’s house with tipsy congratulations. It’s sure to be dull as Hades—Cornelia, Vinius is dragging me to dinner at the palace with sour old Galba next week. Tell me you’ll come and glare at me for drinking too much wine—
Of course I’ll come,
Cornelia smiled. Piso and I were already invited. I thought I’d wear my blue—
Not blue,
Diana said at once. I hate blue, and we all have to dress in the same color when we sally out in force.
Why?
Marcella met her sister’s eyes over Diana’s head, and they traded familiar amused glances.
Because we’re like a chariot team,
Diana explained. Cornelia on the inside—slow, but like a rock around the turns. Marcella next, steady on the inner pair. Then Lollia, fast but wild. And on the outside, me. Fastest of anybody.
Why am I the slow one?
Cornelia wondered, and they all started giggling. Vinius frowned.
Better go, my loves.
Lollia caught his expression, groaning. And pity me, because the worst part of the day is yet to come.
Don’t be crude,
Cornelia chided.
He smells like sour milk,
Marcella said, and I imagine he’ll last about as long.
Is he a Reds fan?
Diana asked.
Lollia kissed them out the door, and Cornelia took her husband’s arm. She turned to wave her sister and cousin into the dark and saw Diana toss the wedding torch into the gutter.
A very good wedding.
Piso raised a hand, and one of the hovering slaves dashed forward to beckon their litter. An older man will steady Lollia, I’m sure.
He won’t have her long enough to steady her.
The litter approached; Cornelia accepted her husband’s hand in and drew the rose-silk curtains against the garish yellow glow of the streetlamps. Lollia’s grandfather will have her divorced and married to someone else the minute Senator Vinius ceases to be of use.
Piso gave the litter a tap, and it rose swaying on the backs of six Gauls and went trotting into the night. The curtains fluttered, and a wedge of yellow lamplight cut across his aquiline nose and square jaw. Cornelia smiled. Her husband smiled back, moving from one side of the litter to the other to settle his arm about her, and she could feel the litter-bearers hitching below to accommodate the shifted weight.
I went to the temple of Juno today,
Cornelia found herself saying against Piso’s shoulder as the litter jogged into the night.
You did?
Had he tensed?
Yes. I had a sow sacrificed. I think it will do better than a goose.
You know best, my dear.
Eight years of marriage, and he had never uttered one word of reproach for her failure to provide him with children.
Sometimes I wish he would.
So Diana caught the bridal torch,
Cornelia said brightly. She’ll be our next bride.
They’ll have a job forcing that one into a red veil,
Piso laughed. Lollia will be on her fourth husband before they get Diana to her first.
Lollia thinks husbands are like new gowns.
The litter jolted to a halt; Cornelia saw the flickering torches before their front gate and gathered her skirts as Piso stepped down. Just get a new one every season, and throw out the old.
She’s one of the new wives.
Piso gave his arm to hand her out of the litter. There are not so many of the classic sort, my dear.
He smiled. Cornelia squeezed his hand as he lighted her to the courtyard, and they passed under the guttering torches. In most houses the slaves would have all been dozing against the walls, but Cornelia’s slaves were alert and waiting, whisking the cloaks away and bringing drinks of warmed wine. Torchlight flickered on the long line of ancestral busts lining the hall in niches; Piso’s taking one wall, stretching back to Pompey Magnus and Marcus Crassus; Cornelia’s taking the other wall, starting with the first of the Cornelii who had come from the Etruscans. The last of the busts was Piso’s own aquiline face, carved by Diana’s odd sculptor father and presented on their wedding day. He made the mouth too pinched, Cornelia thought.
Lollia is one of the new model of wives,
Piso repeated, putting an arm about her waist now that the slaves had retreated from their bedchamber. I am pleased to have my Cornelia.
Cornelia smiled a little, feebly. So Lollia was a fickle wife, vain and giggly and frivolous. She’d still been rewarded with a child: Little Flavia Domitilla, three years old and pretty as a sunbeam, whom Cornelia had carried upstairs to her bedchamber in the middle of the wedding banquet when she fell fast asleep in the middle of all the excitement.
And her cousin hadn’t even wanted Flavia. I was so careful,
Lollia had complained when she found herself pregnant. How in the name of all gods did this happen? Who even knows if she’s Titus’s or not. I hope she looks like him . . .
Cornelia had had to bite her tongue savagely at that.
Many years ago, another Cornelia of their family had famously been asked why she wore no jewels, and she had gathered her children about her to say that her sons were her jewels.
I’m modest enough about jewels. Cornelia unfastened the wreath of topazes from her throat as she began undressing for bed. So why do I have no sons?
* * *
MARCELLA," her sister-in-law, Tullia, snapped as they entered the house. You really must not daydream at parties. Senator Lentulus’s wife had to address you three times before you noticed her—
Senator Lentulus is very useful to me,
Marcella’s brother, Gaius, interjected, reproving. He supports my proposal about the new aqueduct—
"—and you have duties to your family at functions like this." Tullia shed her palla into the hands of a hovering slave, ordered the lamps lit, and frowned at Gaius for calling for wine, all without interrupting her flow of complaints. "There are a great many important people at such parties, people who could benefit your brother’s career and you owe it to him—Gaius, no more wine!—to advance him at every opportunity. Not to mention your own husband. He may be in Judaea, but you can still work on his behalf. Perhaps host a party in his name. Lollia’s grandfather hosts Piso’s parties often enough in return for a little consideration on trade laws in the Senate—"
In return for which you all look down on him,
Marcella said. How genteel of you.
Now, now—
Gaius began, but he never got to finish a sentence since marrying Tullia.
Don’t be pert, Marcella.
Tullia’s sandals clicked across the mosaics. I have only the family’s best interests at heart.
You’ve only been a member of the family for ten months,
Marcella pointed out. Of course it feels like ten years. Or ten centuries—
She drifted out before her odious sister-in-law could think of an answer.
The Cornelii family home: dim, gracious, considerably improved in the past few years by the flow of money from Lollia’s grandfather. Though most of the family manages to ignore that fact. A beautiful house, its every vase and ornament whispering of gracious years passing and the many Cornelii who had passed serenely through these same halls. Tullia had managed to ruin the gardens by planting rigid clumps of delphiniums in loud primary colors, and she insisted on putting insipid nymph statues everywhere, but it was still a lovely house.
But it’s not my house. Not anymore, anyway. Married or not, Marcella had never had a household of her own. I’m hardly in Rome four months of the year,
her husband Lucius Aelius Lamia had shrugged when they first married. Why keep the expense of a household? We’ll just stay with your family for the time being, until I get a proper post in the city.
But somehow, in four years of marriage, the post in the city had not materialized, and Marcella had never left the house where she grew up.
Not that it had mattered, back in the days when her father had still been alive. He’d been too busy marching his legions around Gaul to take an interest in her life, and Gaius had been too busy trying to live up to his example, so Marcella had ordered the household to suit herself. But then Nero had disposed of her father, and the family fortunes had plunged for a while—until Gaius, now paterfamilias of the Cornelii in his own right, had married the rich and well-connected Tullia. And after that . . .
Marcella must conduct herself properly while under our roof,
Gaius’s new wife had been quick to decree in that voice of hers that sounded like a cart grating over flagstones. A young wife with her husband gone so long is a swarm for butterfly boys and rakes. And since that incident a few months ago with Emperor Nero—!
Tullia,
Gaius had given a quick glance at his sister’s face. Perhaps we shouldn’t—
"Gaius, of course we should. It is your duty to guard the reputation of your sisters, and Marcella’s duty to obey you!"
I’m a married woman,
Marcella protested. My only duty is to my husband.
Who isn’t here. So who else should step in for his authority but your brother?
Absolutely no one. That had been the beauty of it, all those days when Lucius was traveling and her father waging wars. No one had been around to object to the hours Marcella spent writing and making notes at her desk. For months at a time, Marcella had managed to forget she had a husband or a father at all . . . but here was Tullia, giving her a beady predator’s stare. "Lucius Aelius Lamia trusted you to our care. And in my house, when you’re eating my food, you’ll follow my rules!"
Your house?
Marcella shot back. Gaius is master here, not you.
Tullia smirked. And if husband and wife speak together as one?
I’ve hardly heard Gaius speak at all since you married, Tullia. Is he even capable of speech anymore?
If it had just been Gaius, Marcella knew she could have beaten down any arguments in ten minutes flat. Paterfamilias or not, legal rights or not, he’s no match for me. But if Gaius was the silk glove, Tullia was definitely the iron fist, and together they had the laws of Rome on their side. Money, duty, tradition: the trifold clamp forcing Marcella into whatever role they chose.
"When Lucius gets back from Judaea, I’m going to make him get a house of his own, she’d told Cornelia wrathfully, just last week.
I’ll nag until I get what I want this time. That stingy stick owes me!"
Try honey instead of vinegar,
her sister advised. Much more effective when it comes to wheedling husbands. If you’d just apply yourself to Lucius a little—set yourself to advancing his career, have a child or two—
You’re the one who wants babies, not me. I’d rather get the pox than get pregnant.
Cornelia dropped the subject then, and so did Marcella. She might tweak her sister about her dimples, her lectures, the particular queenly tone she got when she was angry, but never about children. Not when Cornelia spent more hours praying for a child with every year that passed.
Not me, Marcella thought. But I’ll even promise Lucius a baby, if he’ll just get me my own household.
Well, until he got back to Rome, all she had was her tablinum: cluttered, scattered with pens and ink pots, shelves of scrolls and a bust of Clio, the muse of history, that Diana’s odd sculptor father had astutely given Marcella on her nineteenth birthday. The tablinum might be small and dusty, but it was still all hers.
She banished Tullia’s carping from mind and pulled out the stool, reaching for a tablet. Clio gazed serenely overhead with blank marble eyes as Marcella wrote a fresh heading: Servius Sulpicius Galba, sixth Emperor of Rome. A man of great lineage and long service. A high forehead, indicating intelligence; an upright bearing, indicating discipline. A bark of a voice, better suited to a parade ground than a dinner table. Unyielding eyes—that was good; Rome liked her Emperors unyielding. Tight lips—cheapness; not so good. Emperors might be wicked or even insane, but they had to be generous. Marcella had heard whispers that Galba was even refusing to pay his Praetorians their usual bounty. So he should,
Cornelia had said approvingly when she heard that particular rumor. Galba wants greater discipline in the ranks, higher standards.
Admirable,
Marcella agreed. And the ranks love being disciplined, don’t they?
They did look sullen, the guards I saw at the wedding banquet tonight . . .
Marcella put her pen down, looking at the shelf where a few modest scrolls were immaculately stored. A woman might not be able to influence history, but she could certainly watch it—analyze it—record it. Marcella had already written histories of Rome’s past Emperors, from Augustus the God to Nero the mad. What a descent. Galba could hardly be anything but an improvement on Nero. Nero’s history was the newest on her shelf, still not quite finished—she had just this morning penned his death, with a pleasant sense of impartiality. A historian must never allow personal opinion to color her writings, after all. Cornelia Secunda, known as Marcella, she had enjoyed jotting down in the mental portrait of herself. A profoundly disinterested and impartial observer of history.
Being impartial to Nero had been . . . difficult.
"That incident at the palace. Tullia had accosted Marcella that spring, shortly after it happened.
It must have been terrible, my dear. Do tell me."
Should I?
Everyone needs a listening ear at such times.
Do they?
Marcella,
Tullia snapped, dropping the cozy coyness, don’t be difficult!
You want to hear all the details about Emperor Nero, Tullia? How his breath smells? What pomade he uses on his hair?
I don’t—
I’m sure you’re panting to hear every last sweaty detail, but I’m not going to oblige.
Off Tullia went. "Gaius, you will not believe how your sister spoke to me!"
Well, no use thinking now of Nero with Galba on the throne. An old man, but it seemed certain enough he’d adopt Cornelia’s husband Piso as
