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The Red Tent - 20th Anniversary Edition: A Novel
The Red Tent - 20th Anniversary Edition: A Novel
The Red Tent - 20th Anniversary Edition: A Novel
Ebook467 pages7 hours

The Red Tent - 20th Anniversary Edition: A Novel

Rating: 4.5 out of 5 stars

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About this ebook

In this modern classic interpretation of the biblical story of Dinah, Anita Diamant imagines the traditions and turmoils of ancient womanhood--the world of The Red Tent, a New York Times bestseller and the basis of the A&E/Lifetime mini-series.

Twentieth Anniversary Edition


In the Bible, Dinah's life is only hinted at in a brief and violent detour within the more familiar chapters of the Book of Genesis that tell of her father, Jacob, and his twelve sons.

The Red Tent begins with the story of the mothers--Leah, Rachel, Zilpah, and Bilhah--the four wives of Jacob. They love Dinah and give her gifts that sustain her through childhood, a calling to midwifery, and a new home in a foreign land. Dinah's story reaches out from a remarkable period of early history and creates an intimate connection with the past.

Deeply affecting, The Red Tent combines rich storytelling and the valuable achievement of presenting a new view of biblical women's lives.

LanguageEnglish
PublisherMacmillan Publishers
Release dateApr 1, 2010
ISBN9781429903639
Author

Anita Diamant

Anita Diamant is the bestselling author of the novels The Boston Girl, The Red Tent, Good Harbor, The Last Days of Dogtown, and Day After Night, and the collection of essays, Pitching My Tent. An award-winning journalist whose work appeared in The Boston Globe Magazine and Parenting, and many others, she is the author of six nonfiction guides to contemporary Jewish life. She lives in Massachusetts. Visit her website at AnitaDiamant.com.

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Reviews for The Red Tent - 20th Anniversary Edition

Rating: 4.255278310940499 out of 5 stars
4.5/5

521 ratings237 reviews

What our readers think

Readers find this title to be a must-read for anyone interested in learning about the realistic and historic lives of women in biblical times. The book is praised for its insightful and eye-opening portrayal of the often overlooked women in religious texts. The storyline and character structure are highly praised, making it a continuous and enjoyable read. The author's writing is thoughtfully written and imaginative, leaving a lasting impression on readers. Overall, this book is highly recommended for both believers and non-believers.

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  • Rating: 2 out of 5 stars
    2/5

    Dec 7, 2018

    I tried, but couldn't really get into this. Thank goodness for the family tree in the front papers, because I was probably flipping back to it every second page. Readers familiar with the Old Testament probably won't have that problem. By part three I was over it, because I still couldn't remember who was married to who... I skimmed the final chapter and was left with no resonant emotion.

    However, that's I didn't read it for the biblical history. I read it because this is one of the few books whose plots revolve around menstruation and childbirth, which have got short shrift in art considering how much these things have ruled women's lives throughout history. It was interesting to see how a red tent experience might have been for women living in a completely different time and culture.

    I am left with this niggling feeling, however, that the red tent was somewhat glorified in this story as being a place where women could rest and eat sweets and be social, and this sounds divine, so it would be easy enough to walk away wishing for an earlier time... except that the red tents existed in the first place because women all throughout history have been considered dirty/evil/taboo during menstruation, and I doubt there is much glory at all to be had in enforced monthly confinement, precisely because it was enforced. The end of the red tent tradition was for Dinah a tragic loss, but was it? That's a tough one.

  • Rating: 3 out of 5 stars
    3/5

    Dec 7, 2018

    I had no intention of reading this book; but, it had been suggested to me for years. One of the blurbs on the back cover of the book says, " "The Red Tent" is a fine novel." And it is. I enjoyed the read. It covers the life of Dinah who appears in the Book of Genesis. I thought it gave a good take on what life may have been for the average woman in early biblical time.
  • Rating: 4 out of 5 stars
    4/5

    Dec 7, 2018

    The Red Tent is a story of women; more specifically women who visit the Red Tent for 3 days each month during their menustral cycle. Adequately done, this book is quite predictable and a work of fiction. While it may contain Biblical characters, this is not historical fiction, a novel plain and simple.
  • Rating: 5 out of 5 stars
    5/5

    Dec 7, 2018

    5***** and a &#10084What a wonderfully told story! From a relatively small reference in the Bible, Diamant weaves a historical novel that completely captivates. Dinah, sister of Joseph, daughter of Jacob and Leah, tells her tale. The story is brought to life with vivid descriptions of the hardships and pleasures of everyday life, the sorrow and despair following tragedy, the anger and fury of one betrayed, the passion and sweetness of new love, the comfort of a mother's love for her child, the enduring love of friendship among the "family" of women.
  • Rating: 5 out of 5 stars
    5/5

    Dec 7, 2018

    Loosely based on story of Book of Genesis, told through the mouth of Dinah, daughter of Jacob. The red tent is a place where women go for childbirth, menses and illness. And where Dinah learned about life from her 4 mothers. Recorded books version excellent.
  • Rating: 4 out of 5 stars
    4/5

    Dec 7, 2018

    The fictionalized story of Dinah, a briefly mentioned Biblical character in the Book of Genesis; the daughter of Jacob. The book follows her life from before she was even born - beginning at the meeting of her parents - to her death.I have to admit that I didn't really like this book. It seemed to make everything sensual in an oddly portrayed way. I simply wanted to finish the book toward the second half, it felt like the author was simply trying to drag out the story.However, despite not enjoying it, I could not possibly say that this book was poorly written. Anita Diamant is a wonderful writer.The characters, especially of the four sisters, are wonderfully lifelike and interesting. Rich cultural settings and historical detail, written descriptively and eloquently.The first half of this book was much better than the first, because it was focusing mainly on the characters.Not my type of book at all - but I'm not going to even try saying it wasn't epically, brilliantly written.
  • Rating: 4 out of 5 stars
    4/5

    Dec 7, 2018

    There are some authors who write interesting characters, but have a difficult time with the opposite gender. I found Anita Diamant to be one of them. The opening third of the book, and the main character's life with the other women in the tent was wonderfully written. The other two thirds were significantlly less interesting. After the first, the character's life came to center around men and to me, that was the point when it lost my interest. The male characters were simplistic and dull. My recommendation is to read the first third and then pass it on.
  • Rating: 5 out of 5 stars
    5/5

    Dec 7, 2018

    I am not what you would call a fan of "women's fiction," but this may be the most excellent rendering of the genre. Think of great generational epics, Roots and The Thorn Birds come to mind. Now go to the Old Testament and mix well. I spent a fair part of today crying as the tale drew to a close. I will nominate it for my Book Club.
  • Rating: 5 out of 5 stars
    5/5

    Dec 7, 2018

    Devastatingly heartbreaking tale.Dinah is the young daughter of Jacob. She has many aunties and together with her mother they share stories and legends and teach her the ways of womanhood under the red tent where women go once a month. But when she falls in love with a prince of a different house her father and vengeful selfish brothers will have none of it. Murder and devastation befall Dinah more times then we can count. And yet somehow she makes it through it all. Perhaps a little worse for wear and broken hearted but still in one piece. And most importantly, still remembered.I LOVED THIS BOOK!!! Such amazing storytelling. This book brought me to tears numerous times, and at other times I wanted to throw the book across the room. The author writes in a way that is easy to follow but still gives you a taste of the old world and the way it was before time began as we know it. Back when women kept ancient secrets about their bodies and their gods. This book is riveting and I enjoyed it immensely. It speaks of strength and courage beyond reckoning. I would recommend this book to all women everywhere! If you are a woman you need to read this book.
  • Rating: 4 out of 5 stars
    4/5

    May 10, 2017

    I enjoyed it for the most part but I didn't appreciate the portrayal of childbirth as dangerous. If you believe in undisturbed birth, those bits may be a bit cringey for you. The rest I thought was very insightful and eye opening.
  • Rating: 5 out of 5 stars
    5/5

    Aug 17, 2025

    I loved how the author gave voice to the Biblical story of Dinah.
  • Rating: 5 out of 5 stars
    5/5

    Nov 16, 2024

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  • Rating: 5 out of 5 stars
    5/5

    Mar 31, 2023

    Dinah, daughter of Leah by Jacob and sister of Joseph, beloved of Shechem or victim depending on the translation, appears in the Bible as a reason of vengeance for Simeon and Levi and little more. Here in this magnificent book, Anita Diamant imagines her story from birth to death and with it the stories motherhood, sisterhood, and the bonds of womanhood in a patriarchal society. Gorgeous prose creates a deeply drawn world that is easy to sink into. Absolutely stunning.
  • Rating: 4 out of 5 stars
    4/5

    Jul 10, 2020

    The Red Tent is a story of women; more specifically women who visit the Red Tent for 3 days each month during their menustral cycle. Adequately done, this book is quite predictable and a work of fiction. While it may contain Biblical characters, this is not historical fiction, a novel plain and simple.
  • Rating: 5 out of 5 stars
    5/5

    Jul 7, 2020

    Just finished it and I'm currently ordering it online because it's that good. This beautifuly written book recounts the story of Dinah, daughter of Leah, Rachel, Bilhah and Zelpha, wives of Jacob. Told from the perspective of a woman, the biblical tale becomes a poignant story about sisterhood, family and the realm of women. Recommended for both believers and non-believers. The author takes you on a journey to the past where you can smell the scents and hear the sounds of Jacob's camp, of Hamor's castle and of Nakth-re's garden. I can already tell this will be on my top 5 of this year.
  • Rating: 5 out of 5 stars
    5/5

    Jan 12, 2020

    I read this years ago and still remember it vividly. Very well written
  • Rating: 5 out of 5 stars
    5/5

    May 29, 2017

    This author wove a must-read tale documenting the lives of the women merely footnoted in "religious" texts- the consistently overlooked, underrepresented, oftentimes reviled and rebuked leaders of history merely/barely mentioned​ in the Bible and other religious texts. "The Tent" inspired *this* relapsed Catholic to search (albeit, in vain) for actual religious documents that included women during that period of history.

    This is a must read for anyone who wants to learn about the realistic, historic, yet difficult and tedious daily lives survived by all women of the time- going back to the days after "the beginning".

    One of my all-time favorite reads due to the storyline and character structure, continuous readability, and a subject matter so devoid of study, let alone comparison nor competition.
  • Rating: 5 out of 5 stars
    5/5

    Dec 1, 2024

    A classic that everyone should read. Enough said.
  • Rating: 5 out of 5 stars
    5/5

    Sep 14, 2015

    One of my most favorite books of all time.
  • Rating: 2 out of 5 stars
    2/5

    Sep 26, 2015

    g bisa d unduh
  • Rating: 5 out of 5 stars
    5/5

    Aug 31, 2015

    love this book! thoughtfully written. imaginative. I've read it a half dozen times
  • Rating: 3 out of 5 stars
    3/5

    Jul 24, 2015

    this was one of those extremely rare occasions where the movie was actually better then the book.
  • Rating: 5 out of 5 stars
    5/5

    Jul 22, 2015

    awesome book
  • Rating: 4 out of 5 stars
    4/5

    Jul 14, 2015

    The idea of women being together during "that" time of the month was intriguing. That the tradition came to an end was heartbreaking to me. The story was well told and thought provoking.
  • Rating: 2 out of 5 stars
    2/5

    Dec 7, 2018

    First of all, when discussing this book, I think some disclosure on the part of the reviewer is appropriate. In past years, I was a Christian, but don't now practice that faith, nor any other. I think -- I don't KNOW, but I think -- that I can interpret this novel with a degree of impartiality. As for the author, judging from her list of previous works ("Choosing a Jewish Life", "The New Jewish Wedding"), I suppose Diamant must be a Jew? That's hard to believe, though, given that she treats Jewish literature and tradition with all the reverence of a Nazi propagandist. Diamant has a clear agenda when it comes to the book of Genesis, which is to invert that narrative entirely.The most obvious manifestation of the revisionist intent of the author is to reduce almost every important character in the Bible to a cruel caricature, and to elevate many that the Bible treats less charitably. Jacob, when not being ordered around by his wives, is a gutless schemer; among his few redemptive qualities is that he doesn't fuck sheep like Laban. Esau, on the other hand, is a real nice guy, a genuine good fellow who Jacob never needed fear at all. Simon and Levi are bloodthirsty villains, while Hamor and Shechem (here given a prettier name, "Shalem") exist only to love and serve Dinah, and are murdered by Jacob's evil brood for it. Reuben and Bilhah's tryst is the tragedy of star-crossed lovers; Joseph is a simpering, ambitious climber. This revisionist attitude applies not only to the human characters, but also to that all-important One. Diamant doesn't *quite* replace YHWH with the Queen of Heaven, but she tiptoes just as close as she dares to that line. Every woman character in the book whose depiction could be described as "positive" worships a menagerie of goddesses, chief among which is the Queen of Heaven, to which the women offer every sacrifice, to the exclusion of the God of the Bible. Rebecca, Jacob's mother and here a makeup-caked harridan, slaps one of Esau's wives around for her failure to give her daughter the official Queen of Heaven Bat Mitzvah, which involves the pubescent girl being fucked from behind with a frog-faced idol that also happens to serve as a sacred dildo (bet you've never seen THOSE two words put together).Regarding the little role that Diamant actually leaves to the God of Jacob and his fathers, it is reduced and de-emphasized to the extent that to take it one degree further would be to overturn the Torah completely. Dinah makes passing mention of Jacob and Joseph's strange, frightening dreams, but shows little other interest. Jacob mentions the name of God only to screen his ulterior motives, and his prophecy to his sons which concludes Genesis is recast as the soliloquy of a raving, demented curmudgeon. Laying the comparative analysis aside, the book failed to entertain me. Covering the entirety of a long life in 320 pages means glossing over a lot of interesting detail, and every thinly drawn character (which is just about all of them) suffers for it. Dinah herself has no impact whatsoever on her own story, serving the same purpose as a silent protagonist in a role-playing videogame. The sections of the book which do not contain any Biblical characters (other than Dinah) suffer; who cares about a fanfic writer's shitty, uninteresting original characters?All in all, I began with an open mind, but substandard storytelling and the author's annoying, obvious agenda made this a disappointment.

    1 person found this helpful

  • Rating: 1 out of 5 stars
    1/5

    Mar 22, 2024

    1. We might apply an 'artistic license', when we read the author's claim that Laban's wife had died before Jacob arrived. Movies do add certain decorative details, so she might.

    ---

    2. But we already have a serious transgression when the author claims that Laban was upset to meet Jacob, while the Bible tells us the exact opposite.

    Genesis 29:13 "And it happened that when Laban heard the message about Jacob, the son of his sister, he ran to meet him. And he embraced him and kissed him, and brought him to his house."

    Book: "Laban was anything but pleased by the appearance of his Nephew. Not much caused the old man pleasure, and hungry strangers were unwanted surprises. Still, there was nothing to be done, he had to honor the claim of a kinsman, and there was no denying the connection between them. [...] "You are welcome," Laban said, without smiling or returning his nephew's salute."

    ---

    3. And then, only half an hour into the book, and after the author had already assigned a whole array of specific gods to each of the daughters of Laban, Diamant utters heresy of the worst kind.

    "Jacob grew ill, that's what happened. He vomited every morsel. He threw up until he was weak and whimpering. He cried out to E* and to Is**ar and Ma**uk and his blessed mo**er, to save him from his agonies and let him die."

    It could be true that not only Laban worshiped gods, but also Rachel. But Jacob? He had just received a significant promise from THEOS on his way, and he swore his loyalty to Him. There is not the least of a hint that Jacob could have worshiped four (!) other gods.

    Heresy is insufficient to describe this passage, it is blasphemy. Why? Because we speak of Jacob and we know THEOS as the THEOS OF ISRAEL. Jacob is Israel. The author essentially calls THEOS 'the G-d of an idol-worshiper'.

    Avoid and mark this author. Anita Diamant is clearly disqualified to be a Christian or a Jewish author.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5

    Dec 21, 2022

    ***Few spoilers***In 2014 lifetime miniseries of The Red Tent premiered and I deeply enjoyed it. In 2018 I found the book at my local thrift. In 2020 with more time on my hand due to corona I read it.

    I enjoyed about 90% of the novel and the 10% regarding to negative connotation of people of color, ill treatment of women/men/children because of their family or status. Part one of the novel is about Dinah's family how they came to be and were before "puberty" and the pressure of life, greed, and envy corrupted what was a good life and people. Jacob was good in the beginning but I am not sure if it was the attack or social expectations that hardened the man. I did feel sad for the wives in the way they died none peacefully. Bilhah my favorite and understated character did find love but unfortunately it was her nephew. In that time what we now know as incest was not wrong. Jacob married his cousins and their many children are all kin mixtures. The taking and raping of slaves and concubines was common but it would leave many children motherless or raised without love. That and many other factors clearly showed in their lives. Many women today still honor the red tent practices or moon cycles dealing with love, sex, fertility, menstration, and womenhood. I do wish that in today's society women could find common ground and band together because it is hard enough just to be us.

    In part two Is about dinah's life after becoming a woman, falling in love, and suffering for the tradgey that comes with misunderstandings, deciet, and lies. She lost, gave life, learned to blossom, love, and move on. In the end of her life it didn't end there. I like to believe we all live on in our loved ones our kin pieces of who we are. The beautiful names really breathe life along with the descriptions of the countries and cities throughout the story. Sometimes there were occurences where father's were impregnating a child who started menstrating and Dinah rightly cursed them. That is pedophilia in our world in theirs I guess men turn their cheek and women shiver in disgust.

    Though this book story originated from christianity which i do not practice I enjoyed the tale. Zilipah seemed to me to be asexual in that realm of the spectrum. Joseph could be bisexual or gay.
    Compared to the film they made it seem as if dinah was remembered by her family she did not even let herself be known . Instead only the women passed her tale but still I think they deserve to feel bad and know she lives, healthy, strong, and happy. Not even crazy Jacob got to know this but her success was the best revenge i guess. Her mothers never forgot her. I do hope Leah and Rachel found peace they let a man divide their hearts yet he left one alone and other sufferened unable to move. There was no sensoring that women have desries and needs that can be satisfied by them, man, or woman. Either way life is unexpected.

    Lots of leassons came from this book. Everyone has a story to tell not all have happy endings or beginnings. I hope it helps anyone who is need of a little guidance.
  • Rating: 4 out of 5 stars
    4/5

    Jul 4, 2022

    Slow start...many characters, a bit difficult to keep track, but about 40% in it took off. I like Diamant's idea of exploring Dinah's story. Of course, nobody knows, but it would be nice to think this is it. Interesting interactions between the women when in the Red Tent.
  • Rating: 5 out of 5 stars
    5/5

    Mar 6, 2022

    I have loved it and it has transported me to another time; however, the feelings are the same, regardless of the era, history, or nationality. What unites us is being living women, and that is everything for empathy. It also reminds me of the biblical stories of men told by men; this story is everyday life while the biblical stories were being told. (Translated from Spanish)
  • Rating: 2 out of 5 stars
    2/5

    Jan 16, 2022

    I was probably too young for this when I read it...

Book preview

The Red Tent - 20th Anniversary Edition - Anita Diamant

Prologue

We have been lost to each other for so long.

My name means nothing to you. My memory is dust.

This is not your fault, or mine. The chain connecting mother to daughter was broken and the word passed to the keeping of men, who had no way of knowing. That is why I became a footnote, my story a brief detour between the well-known history of my father, Jacob, and the celebrated chronicle of Joseph, my brother. On those rare occasions when I was remembered, it was as a victim. Near the beginning of your holy book, there is a passage that seems to say I was raped and continues with the bloody tale of how my honor was avenged.

It’s a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah.

No one recalled my skill as a midwife, or the songs I sang, or the bread I baked for my insatiable brothers. Nothing remained except a few mangled details about those weeks in Shechem.

There was far more to tell. Had I been asked to speak of it, I would have begun with the story of the generation that raised me, which is the only place to begin. If you want to understand any woman you must first ask about her mother and then listen carefully. Stories about food show a strong connection. Wistful silences demonstrate unfinished business. The more a daughter knows the details of her mother’s life—without flinching or whining—the stronger the daughter.

Of course, this is more complicated for me because I had four mothers, each of them scolding, teaching, and cherishing something different about me, giving me different gifts, cursing me with different fears. Leah gave me birth and her splendid arrogance. Rachel showed me where to place the midwife’s bricks and how to fix my hair. Zilpah made me think. Bilhah listened. No two of my mothers seasoned her stew the same way. No two of them spoke to my father in the same tone of voice—nor he to them. And you should know that my mothers were sisters as well, Laban’s daughters by different wives, though my grandfather never acknowledged Zilpah and Bilhah; that would have cost him two more dowries, and he was a stingy pig.

Like any sisters who live together and share a husband, my mother and aunties spun a sticky web of loyalties and grudges. They traded secrets like bracelets, and these were handed down to me, the only surviving girl. They told me things I was too young to hear. They held my face between their hands and made me swear to remember.

My mothers were proud to give my father so many sons. Sons were a woman’s pride and her measure. But the birth of one boy after another was not an unalloyed source of joy in the women’s tents. My father boasted about his noisy tribe, and the women loved my brothers, but they longed for daughters, too, and complained among themselves about the maleness of Jacob’s seed.

Daughters eased their mothers’ burdens—helping with the spinning, the grinding of grain, and the endless task of looking after baby boys, who were forever peeing into the corners of the tents, no matter what you told them.

But the other reason women wanted daughters was to keep their memories alive. Sons did not hear their mothers’ stories after weaning. So I was the one. My mother and my mother-aunties told me endless stories about themselves. No matter what their hands were doing—holding babies, cooking, spinning, weaving—they filled my ears.

In the ruddy shade of the red tent, the menstrual tent, they ran their fingers through my curls, repeating the escapades of their youths, the sagas of their childbirths. Their stories were like offerings of hope and strength poured out before the Queen of Heaven, only these gifts were not for any god or goddess—but for me.

I can still feel how my mothers loved me. I have cherished their love always. It sustained me. It kept me alive. Even after I left them, and even now, so long after their deaths, I am comforted by their memory.

I carried my mothers’ tales into the next generation, but the stories of my life were forbidden to me, and that silence nearly killed the heart in me. I did not die but lived long enough for other stories to fill up my days and nights. I watched babies open their eyes upon a new world. I found cause for laughter and gratitude. I was loved.

And now you come to me—women with hands and feet as soft as a queen’s, with more cooking pots than you need, so safe in childbed and so free with your tongues. You come hungry for the story that was lost. You crave words to fill the great silence that swallowed me, and my mothers, and my grandmothers before them.

I wish I had more to tell of my grandmothers. It is terrible how much has been forgotten, which is why, I suppose, remembering seems a holy thing.

I am so grateful that you have come. I will pour out everything inside me so you may leave this table satisfied and fortified. Blessings on your eyes. Blessings on your children. Blessings on the ground beneath you. My heart is a ladle of sweet water, brimming over.

Selah.

Part One

My Mothers’ Stories

Chapter One

Their stories began with the day that my father appeared. Rachel came running into camp, knees flying, bellowing like a calf separated from its mother. But before anyone could scold her for acting like a wild boy, she launched into a breathless yarn about a stranger at the well, her words spilling out like water into sand.

A wild man without sandals. Matted hair. Dirty face. He kissed her on the mouth, a cousin, son of their aunt, who had watered sheep and goats for her and told off the ruffians at the well.

What are you babbling? demanded her father, Laban. Who is come to the well? Who attends him? How many bags does he carry?

He is going to marry me, said Rachel matter-of-factly, once she had caught her breath. He says I am for him and that he would marry me tomorrow, if he could. He’s coming to ask you.

Leah scowled at this announcement. Marry you? she said, crossing her arms and throwing back her shoulders. You won’t be marriageable for another year, said the older girl, who, though only a few years older than Rachel, already acted as head woman of her father’s small holdings. The fourteen-year-old mistress of Laban’s house liked to take a haughty, maternal tone with her sister. What’s all this? And how did he come to kiss you? This was a terrible breach of custom—even if he was a cousin and even though Rachel was young enough to be treated as a child.

Rachel stuck out her lower lip in a pout that would have been childlike only a few hours earlier. Something had happened since she opened her eyes that morning, when the most pressing matter on her mind had been to find the place where Leah hid her honey. Leah, that donkey, would never share it with her, but hoarded it for guests, giving tastes to pathetic little Bilhah and no one else.

All Rachel could think of now was the shaggy stranger whose eyes had met hers with a shock of recognition that had rattled her to the bone.

Rachel knew what Leah meant, but the fact that she had not yet begun to bleed meant nothing to her now. And her cheeks burned.

What’s this? said Leah, suddenly amused. She is smitten. Look at her, she said. Have you ever seen the girl blush before?

What did he do to you? asked Laban, growling like a dog who senses an intruder near his herd. He clenched his fists and beetled his brow and turned his full attention to Rachel, the daughter he had never once hit, the daughter whom he rarely looked at full in the face. She had frightened him from her birth—a tearing, violent entry that had killed her mother. When the baby finally emerged, the women were shocked to see that it was such a small one—a girl at that—who had caused so many days of trouble, costing her mother so much blood and finally her life.

Rachel’s presence was powerful as the moon, and just as beautiful. Nobody could deny her beauty. Even as a child who worshiped my own mother’s face, I knew that Leah’s beauty paled before her younger sister’s, a knowledge that always made me feel like a traitor. Still, denying it would have been like denying the sun’s warmth.

Rachel’s beauty was rare and arresting. Her brown hair shaded to bronze, and her skin was golden, honeyed, perfect. In that amber setting, her eyes were surprisingly dark, not merely dark brown but black as polished obsidian or the depth of a well. Although she was small-boned and, even when she was with child, small-breasted, she had muscular hands and a husky voice that seemed to belong to a much larger woman.

I once heard two shepherds arguing over which was Rachel’s best feature, a game I, too, had played. For me, the most wonderful detail of Rachel’s perfection was her cheeks, which were high and tight on her face, like figs. When I was a baby, I used to reach for them, trying to pluck the fruit that appeared when she smiled. When I realized there was no having them, I licked her instead, hoping for a taste. This made my beautiful aunt laugh, from deep in her belly. She loved me better than all her nephews put together—or so she said as she wove my hair into the elaborate braids for which my own mother’s hands lacked patience or time.

It is almost impossible to exaggerate the dimensions of Rachel’s beauty. Even as a baby, she was a jewel upon whatever hip bore her from place to place, an ornament, a rare pleasure—the black-eyed child with golden hair. Her nickname was Tuki, which means sweetness.

All the women shared in Rachel’s care after her mother, Huna, died. Huna was a skilled midwife known for her throaty laugh and much mourned by the women. No one grumbled about tending to Huna’s motherless daughter, and even the men, for whom babies held as little fascination as cooking stones, would stoop to run a callused hand across her remarkable cheek. They would rise, smelling their fingers and shaking their heads.

Rachel smelled like water. Really! Wherever my aunt walked, there was the scent of fresh water. It was an impossible smell, green and delightful and in those dusty hills the smell of life and wealth. Indeed, for many years Laban’s well was the only reason his family hadn’t starved.

There were hopes, early on, that Rachel would be a water witch, one who could find hidden wells and underground streams. She did not fulfill that hope, but somehow the aroma of sweet water clung to her skin and lodged in her robes. Whenever one of the babies went missing, more often than not the little stinker would be found fast asleep on her blankets, sucking his thumb.

No wonder Jacob was enchanted at the well. The other men had grown accustomed to Rachel’s looks and even to her startling perfume, but to Jacob she must have seemed an apparition. He looked directly into her eyes and was overcome. When he kissed her, Jacob cried out with a voice of a man who lies with his wife. The sound woke Rachel out of her childhood.

There was barely time to hear Rachel describe their meeting before Jacob himself appeared. He walked up to Laban, and Rachel watched her father take his measure.

Laban noticed his empty hands first, but he also saw that the stranger’s tunic and cloak were made of fine stuff, his water skin was well crafted, his knife hilt was carved of polished bone. Jacob stood directly before Laban and, dropping his head, proclaimed himself. Uncle, I am the son of Rebecca, your sister, the daughter of Nahor and Milcah, as you are their son. My mother has sent me to you, my brother has chased me to you, my father has banished me to you. I will tell you the whole story when I am not so dirty and weary. I seek your hospitality, which is famous in the land.

Rachel opened her mouth to speak, but Leah yanked her sister’s arm and shot her a warning glance; not even Rachel’s youth would excuse a girl speaking out when men were addressing one another. Rachel kicked at the ground and thought poisonous thoughts about her sister, the bossy old crow, the cross-eyed goat.

Jacob’s words about Laban’s famous hospitality were a courteous lie, for Laban was anything but pleased by the appearance of this nephew. Not much caused the old man pleasure, and hungry strangers were unwanted surprises. Still, there was nothing to be done; he had to honor the claim of a kinsman, and there was no denying the connection between them. Jacob knew the names and Laban recognized his sister’s face on the man standing before him.

You are welcome, Laban said, without smiling or returning his nephew’s salute. As he turned to walk away, Laban pointed his thumb at Leah, assigning her the task of seeing to this nuisance. My mother nodded and turned to face the first grown man who did not look away when confronted by the sight of her eyes.

Leah’s vision was perfect. According to one of the more ridiculous fables embroidered around my family’s history, she ruined her eyes by crying a river of tears over the prospect of marrying my uncle Esau. If you believe that, you might also be interested in purchasing a magical toad that will make all who look upon you swoon with love.

But my mother’s eyes were not weak, or sick, or rheumy. The truth is, her eyes made others weak and most people looked away rather than face them—one blue as lapis, the other green as Egyptian grass.

When she was born, the midwife cried out that a witch had been brought forth and should be drowned before she could bring a curse on the family. But my grandmother Adah slapped the stupid woman and cursed her tongue. Show me my daughter, said Adah, in a voice so loud and proud even the men outside could hear her. Adah named her beloved last-born Leah, which means mistress, and she wept a prayer that this child would live, for she had buried seven sons and daughters.

There were plenty who remained convinced that the baby was a devil. For some reason, Laban, who was the most superstitious soul you can imagine (spitting and bowing whenever he turned to the left, howling at every lunar eclipse), refused to hear suggestions that Leah be left outside to die in the night air. He swore some mild oath about the femaleness of this child, but apart from that, Laban ignored his daughter and never mentioned her distinction. Then again, the women suspected the old man could not see color at all.

Leah’s eyes never faded in color—as some of the women predicted and hoped—but became brighter in their difference and even more pronounced in their strangeness when her lashes failed to grow. Although she blinked like everyone else, the reflex was nearly invisible, so it seemed that Leah never closed her eyes. Even her most loving glance felt a bit like the stare of a snake, and few could stand to look her straight in the eye. Those who could were rewarded with kisses and laughter and bread wet with honey.

Jacob met Leah’s eyes straight on, and for this she warmed to him instantly. In fact, Leah had already taken note of Jacob on account of his height. She was half a head taller than most of the men she had ever seen, and she dismissed them all because of it. She knew this was not fair. Surely there were good men among those whose heads reached only to her nose. But the thought of lying with anyone whose legs were shorter and weaker than her own disgusted her. Not that anyone had asked for her. She knew they all called her Lizard and Evil-Eye, and worse.

Her distaste for short men had been confirmed by a dream in which a tall man had whispered to her. She couldn’t recall his words, but they had warmed her thighs and woken her. When she saw Jacob, she remembered the dream and her strange eyes widened.

Jacob noticed Leah with favor, too. Although he was still ringing from his encounter with Rachel, he could not ignore the sight of Leah.

She was not only tall but shapely and strong. She was blessed with full, high breasts and muscular calves that showed to good advantage in robes that somehow never stayed closed at the hem. She had forearms like a young man’s, but her walk was that of a woman with promising hips.

Leah had dreamed once of a pomegranate split open to reveal eight red seeds. Zilpah said the dream meant she would have eight healthy children, and my mother knew those words to be true the way she knew how to make bread and beer.

Leah’s scent was no mystery. She smelled of the yeast she handled daily, brewing and baking. She reeked of bread and comfort, and—it seemed to Jacob—of sex. He stared at this giantess, and his mouth watered. As far as I know, he never said a word about her eyes.

My aunt Zilpah, Laban’s second-born, said that she remembered everything that ever happened to her. She laid claim to memories of her own birth, and even of days in her mother’s womb. She swore she could remember her mother’s death in the red tent, where she sickened within days after Zilpah arrived in the world, feet first. Leah scoffed at these claims, though not to her sister’s face, for Zilpah was the only one who could cause my mother to hold her tongue about anything.

Zilpah’s memory of Jacob’s arrival is nothing like Rachel’s or Leah’s, but then Zilpah had little use for men, whom she described as hairy, crude, and half human. Women needed men to make babies and to move heavy objects, but otherwise she didn’t understand their purpose, much less appreciate their charms. She loved her sons passionately until they grew beards, but after that could barely bring herself to look at them.

When I was old enough to ask what it was like on the day that my father arrived, she said that the presence of El hovered over him, which is why he was worthy of notice. Zilpah told me that El was the god of thunder, high places, and awful sacrifice. El could demand that a father cut off his son—cast him out into the desert, or slaughter him outright. This was a hard, strange god, alien and cold, but, she conceded, a consort powerful enough for the Queen of Heaven, whom she loved in every shape and name.

Zilpah talked about gods and goddesses almost more than she spoke about people. I found this tiresome at times, but she used words in the most wonderful ways, and I loved her stories about Ninhursag, the great mother, and Enlil, the first father. She made up grandiose hymns in which real people met with the deities and together they danced to the sound of flutes and cymbals, singing them in a high, thin voice to the accompaniment of a small clay drum.

From the age of her first blood, Zilpah thought of herself as a kind of priestess, the keeper of the mysteries of the red tent, the daughter of Asherah, the sister-Siduri who counsels women. It was a foolish idea, as only priests served the goddesses of the great city temples, while the priestesses served gods. Besides, Zilpah had none of the oracle’s gifts. She lacked the talent for herbs, and could not prophesy or conjure or read goat entrails. Leah’s eight-seeded pomegranate was the only dream she ever interpreted correctly.

Zilpah was Laban’s daughter by a slave named Mer-Nefat, who had been purchased from an Egyptian trader in the days when Laban still had means. According to Adah, Zilpah’s mother was slender, raven-haired, and so quiet it was easy to forget she had the power of speech, a trait her daughter did not inherit.

Zilpah was only a few months younger than Leah, and after Zilpah’s mother died, Adah gave them suck together. They were playmates as babies, close and loving friends as children, tending the flocks together, gathering berries, making up songs, laughing. Apart from Adah, they needed no one else in the world.

Zilpah was almost as tall as Leah, but thinner and less robust in the chest and legs. Dark-haired and olive-skinned, Leah and Zilpah resembled their father and shared the family nose, not unlike Jacob’s—a regal hawk’s beak that seemed to grow longer when they smiled. Leah and Zilpah both talked with their hands, thumb and forefinger pressed together in emphatic ovals. When the sun made them squint, identical lines appeared around the corners of their eyes.

But where Leah’s hair was curly, Zilpah’s black mane was straight, and she wore it to her waist. It was her best feature, and my aunt hated to cover it. Headdresses caused her head to pound, she said, putting a hand to her cheek with silly drama. Even as a child I was permitted to laugh at her. These headaches were the reason she gave for keeping so much inside the women’s tents. She did not join the rest of us to bask in the springtime sun or find the breeze on a hot night. But when the moon was young-slender and shy, barely making herself known in the sky—Zilpah walked around the camp, swinging her long hair, clapping her hands, offering songs to encourage the moon’s return.

When Jacob arrived, Bilhah was a child of eight, and she remembered nothing of the day. She was probably up in a tree somewhere, sucking on her fingers and counting the clouds, said Leah, repeating the only thing that was remembered of Bilhah’s early years.

Bilhah was the family orphan. The last daughter born of Laban’s seed, she was the child of a slave named Tefnut—a tiny black woman who ran off one night when Bilhah was old enough to know she had been abandoned. She never got over that hurt, said Zilpah with great gentleness, for Zilpah respected pain.

Bilhah was alone among them. It’s not just that she was the youngest and that there were three other sisters to share the work. Bilhah was a sad child and it was easier to leave her alone. She rarely smiled and hardly spoke. Not even my grandmother Adah, who adored little girls and gathered motherless Zilpah to her inner circle and doted upon Rachel, could warm to this strange, lonely bird, who never grew taller than a boy of ten years, and whose skin was the color of dark amber.

Bilhah was not beautiful like Rachel, or capable like Leah, or quick like Zilpah. She was tiny, dark, and silent. Adah was exasperated by her hair, which was springy as moss and refused to obey her hands. Compared to the two other motherless girls, Bilhah was neglected dreadfully.

Left to herself, she climbed trees and seemed to dream. From her perch, she studied the world, the patterns in the sky, the habits of animals and birds. She came to know the flocks as individuals, giving each animal a secret name to match its personality. One evening, she came in from the fields and whispered to Adah that a black dwarf she-goat was ready to give birth to twins. It was nowhere near the season for goats to bear, and that particular animal had been barren for four seasons. Adah shook her head at Bilhah’s nonsense and shooed her away.

The next day, Laban brought news of a strange event in the flocks, with a precise retelling of the little girl’s prediction. Adah turned to the girl and apologized. Bilhah sees clearly, said Adah to the other daughters, who turned to stare at this unseen sister and noticed, for the first time, the kindness in her black eyes.

If you took the time to look, you could see right away that Bilhah was good. She was good the way milk is good, the way rain is good. Bilhah watched the skies and the animals, and she watched her family, too. From the dark corners of the tents, she saw Leah hide her mortification when people stared. Bilhah noticed Rachel’s fear of the dark and Zilpah’s insomnia. Bilhah knew that Laban was every bit as mean-spirited as he was stupid.

Bilhah says her first clear memory of Jacob is from the day his first child was born. It was a boy—Reuben—and of course Jacob was delighted. He took his new son in his arms and danced the baby around and around outside the red tent.

He was so gentle with the boy, Bilhah said. "He would not let Adah take Reuben away from him, even when the little one began to wail.

He called his son perfect and a miracle in the world. I stood beside him and together Jacob and I worshiped the baby. We counted his fingers and stroked the soft crown of his head. We delighted in him and in each other’s joy, Bilhah said. That is when I met Jacob, your father.

Jacob arrived late in the afternoon in the week of a full moon, ate a simple meal of barley bread and olives, and fell into an exhausted sleep that lasted through most of the next day. Leah was mortified by the simplicity of the food they had offered him at first, so the next day she set out to produce a feast seen only at the great festivals.

I suffered over that meal like nothing else I had ever cooked, said Leah, telling me the story during dull, hot afternoons while we rocked the narrow-necked jars, straining the water from goat curd.

"The father of my children was in the house, I was sure of it. I could see he was smitten by Rachel, whose beauty I saw as if for the first time. Still, he looked at me without flinching, and so I hoped.

"I slaughtered a kid, an unblemished male, as though it were a sacrifice to the gods. I beat the millet until it was as soft as a cloud. I reached deep into the pouches where I kept my most precious spices and used the last of my dried pomegranate. I pounded, chopped, and scraped in a frenzy, believing that he would understand what I was offering him.

Nobody helped me with the cooking, not that I would have permitted anyone else to touch the lamb or the bread, or even the barley water. I wouldn’t let my own mother pour water into a pot, she said and giggled.

I loved this story and asked to hear it again and again. Leah was always reliable and deliberate, and far too steady to be giddy. And yet as she recounted her first meal for Jacob, she was a foolish, weepy girl.

I was an idiot, she said. "I burned the first bread and burst into tears. I even sacrificed a bit of the next loaf so that Jacob might fancy me. Just as we do when we bake the cakes for the Queen of Heaven on the seventh day, I broke off a piece of dough, kissed it, and offered it to the fire as an offering of hope that the man would claim me.

Don’t ever tell Zilpah about this or I’ll never hear the end of it, said Leah, in a mock-conspiratorial whisper. "And of course, if Laban, your grandfather, had any idea of how much food I put together for a beggar who showed up without so much as a jug of oil as a gift, he would have flogged me. But I gave the old man enough strong beer that he made no comment.

Or maybe he made no mention of my extravagance because he knew he’d be lucky with this kinsman. Maybe he guessed he had discovered a son-in-law who would require little by way of a dowry. It was hard to know what the old man knew or didn’t know. He was like an ox, your grandfather.

Like a post, I said.

Like a cooking stone, said my mother.

Like a goat turd, I said.

My mother shook her finger at me as though I were a naughty child, but then she laughed out loud, for raking Laban over the coals was great sport among his daughters.

I can still recite her menu. Lamb flavored with coriander, marinated in sour goat milk and a pomegranate sauce for dipping. Two kinds of bread: flat barley and raised wheat. Quince compote, and figs stewed with mulberries, fresh dates. Olives, of course. And to drink, a choice of sweet wine, three different beers, and barley water.

Jacob was so exhausted he nearly missed the meal that Leah brought forth with so much passion. Zilpah had a terrible time waking him and finally had to pour water on his neck, which startled him so badly that he swung out with his arms and knocked her to the ground, where she hissed like a cat.

Zilpah was not at all happy about this Jacob. She could see that his presence had changed things between the sisters and would weaken her bond to Leah. He offended her because he was so much more attractive than the other men they saw, foul-mouthed shepherds and the occasional trader who looked at the sisters as though they were a pack of ewes.

Jacob was well spoken and fair of face. And when he met Leah’s gaze, Zilpah understood that their lives would never be the same. She was heartsick and angry and helpless to stop the change, though she tried.

When Jacob finally awoke and came to sit at Laban’s right outside his tent, he ate well. Leah remembered his every bite. He dipped into the lamb stew over and over again, and had three helpings of bread. I saw that he liked sweets, and that he preferred the honeyed brew to the bitter-flavored drink that Laban gulped down. I knew how to please his mouth, I thought. I will know how to please the rest of him.

This line would always get my other mothers shrieking and slapping their thighs, for although she was a practical woman, Leah was also the lewdest of her sisters.

And then, after all that work, after all that eating, what do you think happened? Leah asked, as though I didn’t know the answer as well as I knew the little crescent-shaped scar above the joint on her right thumb.

"Jacob grew ill, that’s what happened. He vomited every morsel. He threw up until he was weak and whimpering. He cried out to El, and Ishtar, and Marduk, and his blessed mother, to save him from his agonies or let him die.

"Zilpah, the brat, she sneaked into his tent to see how he fared and reported back to me, making it sound even worse than it was. She told me that he was whiter than the full moon, that he barked like a dog and spewed up frogs and snakes.

"I was mortified—and terrified, too. What if he died from my cooking? Or, just as bad, what if he recovered and blamed me for his misery?

"When no one else showed any ill effect from the meal, I knew it wasn’t the food. But then, fool that I was, I started worrying that my touch was hateful to him. Or maybe I had done wrong with the bread offering, given not in homage to a god or goddess, but as an attempt at

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