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Along the Infinite Sea
Along the Infinite Sea
Along the Infinite Sea
Ebook578 pages7 hoursThe Schuyler Sisters Novels

Along the Infinite Sea

Rating: 4 out of 5 stars

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From the New York Times bestselling author of Husbands & Lovers comes another riveting novel of the Schuyler sisters—where the epic story of star-crossed lovers in pre-war Europe collides with a woman on the run in the swinging '60s...

In the autumn of 1966, Pepper Schuyler's problems are in a class of their own. To find a way to take care of herself and the baby she carries—the result of an affair with a married, legendary politician—she fixes up a beautiful and rare vintage Mercedes and sells it at auction. 

But the car's new owner, the glamorous Annabelle Dommerich, has her own secrets: a Nazi husband, a Jewish lover, a flight from Europe, and a love so profound it transcends decades. As the many threads of Annabelle's life before the Second World War stretch out to entangle Pepper in 1960s America, and the father of her unborn baby tracks her down to a remote town in coastal Georgia, the two women must come together to face down the shadows of their complicated pasts.

AN INDIE NEXT AND LIBRARY READS PICK
A KIRKUS REVIEWS BEST BOOK OF THE YEAR
THE BEST OF SKIMMREADS 2016
LanguageEnglish
PublisherPenguin Publishing Group
Release dateNov 3, 2015
ISBN9780698164970
Author

Beatriz Williams

Beatriz Williams is the bestselling author of over a dozen novels, including The Beach at Summerly, Our Woman in Moscow, and The Summer Wives, as well as four other novels cowritten with Lauren Willig and Karen White. A native of Seattle, she graduated from Stanford University and earned an MBA in finance from Columbia University. She lives with her husband and four children near the Connecticut shore, where she divides her time between writing and laundry.

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Reviews for Along the Infinite Sea

Rating: 4.054621781512605 out of 5 stars
4/5

119 ratings11 reviews

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  • Rating: 3 out of 5 stars
    3/5

    Apr 3, 2021

    When Pepper Schuyler restores an old Mercedes, she finds that the buyer is very familiar with the car. Annabelle Dommerich last used the car to escape Nazi Germany with her husband and children. Pepper has her own problems and Annabelle is willing to help her, so off they go to the coast of Florida to hide away in Annabelle's comfortable home.
    The story goes back and forth between Annabelle's life in pre-Nazi France and Germany, and Pepper's current conundrum: she's pregnant with the child of a powerful and married man. Frankly, Pepper's story wasn't very interesting or fleshed out enough to provide a lot of details. It sounds like a Kennedy-esque scandal that was mostly pretty boring, Florian's appearance notwithstanding.
    Annabelle's story is the crux of the book, her lifelong love affair with Stefan and her marriage to Nazi general Johann.
    Ms. Williams does best when writing about the rich and famous in pre-war Paris and the French Riviera. It's all very glamorous and decadent, fun to read about but not memorable.
  • Rating: 5 out of 5 stars
    5/5

    May 18, 2019

    I truly enjoy the Schuyler Sisters novels. This novel focused on Pepper shortly after the ending of Tiny Little Thing. In trying to fix her mistakes and move forward she meets Annabelle, an older woman, with her own secrets.

    Secrets, history, romance, and humor....this novel has it all.
  • Rating: 4 out of 5 stars
    4/5

    Jan 22, 2019

    I enjoyed this book about lovers caught up in the perils of Nazi Germany, as well as a parallel story set in 1960s America. The author weaves the story of two women in two different time periods deftly. It has humor and heartbreak.
  • Rating: 3 out of 5 stars
    3/5

    Jun 18, 2018

     Listened to this book on Audible Audio. It is a genre WW2 that I typically enjoy, especially when there is a present story and a back story. I did enjoy this book, but really felt that something was lacking. The Pepper Schuyler character was just too unbelievable and I didn't care for her at all. I also thought it was somewhat questionable for Stephan to be in and out of Dachau Concentration Camp - even if Rudolf was in the SS. Too many La Ti Da - everything is perfect story and didn't move me in the least which is totally uncharacteristic for me with type of story... Overall - eh... not believable for me
  • Rating: 3 out of 5 stars
    3/5

    Jul 4, 2017

    Certainly not an original story but the author did a nice job of telling it again. I was hoping for a book that was a bit heavier historically and a bit lighter romantically and unfortunately the opposite was the case but it was still a nice read.
  • Rating: 5 out of 5 stars
    5/5

    Apr 25, 2017

    This is book number three about the Schuyler sisters, and the first book I've read. It can be read as a standalone. The book goes back and forth between Annabelle's life in Europe just before World War II and Pepper's life in America in 1966.

    Pepper Schuyler fixes up a rare 1936 Special Roadster Mercedes and sells it at an auction. The mother-to-be is too proud to ask her family for help and the father of her child is a married politician who doesn't want anyone to know about the pregnancy. Pepper believes she can do things on her own and that the large sum of money will take care of her baby.

    Annabelle Dommerich has just bought back the car she used to drive out of Nazi Germany. Having a past that includes a Nazi husband and a Jewish lover, Annabelle is no stranger to having secrets of her own. She takes young Pepper under her wing - she gives her a place to stay and someone to talk to.

    This book was extremely well-written. The characters, the setting - everything came to life. Annabelle's story had a lot of depth and I loved reading about her life. There were definitely a lot of different emotions while reading this!

    I received a copy of this book through Goodreads First Reads.
  • Rating: 4 out of 5 stars
    4/5

    Nov 1, 2016

    I enjoyed this book and would recommend it, although it would probably be helpful to read some of the author's other books which involve the Schuyler sisters. Two complaints: I realize that people used to smoke a lot more than they do now, but the inordinate emphasis on the characters' smoking habits got to be kind of ridiculous (I made this comment about one of Williams' other books as well); and the gap between where the main story of Annabelle Dommerich ended in 1938 and picked up again in 1966 was summarized in about 3 pages and didn't address a lot of questions that I, and probably many other readers, have about what happened to these people during all of those intervening years - kind of annoying.
  • Rating: 5 out of 5 stars
    5/5

    Sep 13, 2016

    A vintage Mercedes, the new owner of the Mercedes and a pregnant woman in 60's, what do they have in common? Well a lot actually, Pepper Schuyler the pregnant woman, has refurbished a vintage Mercedes and has sold it to Annabelle Dommerich. Upon meeting Pepper, Annabelle takes her under her wing and moves her into her home. A place where Pepper can be away from Washington D.C and all the memories there. Pepper is not even in Annabelle's home for a day when Annabelle seemingly disappears.

    What follows is a very poignant story that travels back and forth between 1966 and the 1930's and through the war and Annabelle's life in particular. She meets the love of her life but that happiness is taken away and Annabelle marries a Nazi. The reader learns about how Annabelle escapes Europe and settles into America. The lives of Pepper and Annabelle tangle to tell a story that will tear at the heartstrings. Is there a happy ever after? Well you will have to read the book to get to the end and find out. I loved this story, written with compassion and a lot of research through the turbulent times when a fanatic is bound and determined to wipe out a whole race of people.

    I enjoyed this story and I know you will too. Not only a great historical fiction but a wonderful love story.
  • Rating: 4 out of 5 stars
    4/5

    Jul 29, 2016

    This is the third book I have read by this author. You can call me a fan. I get lost in the story and the characters. I love when this happens. Although this book felt a little one-sided with the main focus really on Annabelle. When the story would flash back to Pepper, her voice was short and sweet. However it did get strong towards the end. Yet I was not disappointed that the story focused on Annabelle as she really did need to lay the foundation for how she and Pepper were connected. As I was reading this book I was instantly transported back in time. It was like I was Annabelle. Both men in Annabelle's life were good in their own ways. It is not often that you find good men. So glad that Annabelle did. So in other words what I am saying is that I could not choose one over the other. The ending was lovely. I can't wait to read the next book by this author. Along the Infinite Sea is a lovely read.
  • Rating: 4 out of 5 stars
    4/5

    Dec 7, 2015

    Love and intrigue in wartime (WW2) France and Germany carries over to the United States in the 1960s. Some characters are related to ones in other books by Williams, but this is a stand alone. I liked this one much better than The Secret Life of Violet Grant, which is the story of one of the sisters of a main character in this book. Free review copy from publisher.
  • Rating: 5 out of 5 stars
    5/5

    Nov 6, 2015

    A few months ago, I read three of Beatriz Williams' novels revolving around the Schuyler family- One Hundred Summers, The Secret Life of Violet Grant and Tiny Little Thing. All of the Schuyler women are intriguing, but I found myself drawn to Pepper, who had a prominent role in Tiny Little Thing.

    I hoped that the next book would feature Pepper, and lo and behold, we get Pepper's story in Williams' newest novel, Along the Infinite Sea. The novel picks up a little while after Tiny Little Thing, in 1966 Palm Beach, Florida where Pepper is selling the special vintage Mercedes that she, her sister and her sister's lover found in a shed in Cape Cod and restored.

    The buyer is a woman named Annabelle Dommerich who has a connection to that car- she and her husband escaped the Nazis in it in 1938. Annabelle takes the pregnant Pepper under her wing and into her palatial home to hide out from the baby's father, a connected and married US Senator from a prominent family.

    When Annabelle mysteriously disappears, her son Florian and Pepper go looking for her. We get alternating stories, Annabelle's from 1937 and Pepper's from 1966. While I love Pepper and her snappy talk and tough-gal attitude, it's Annabelle's story that truly fascinates.

    When Annabelle is 17-years-old, she falls madly in love with Stefan, a Jewish man, after nursing him back to health after an encounter with the Nazis. They spend a glorious time together, and when Stefan disappears, Annabelle finds herself in trouble.

    She ends up married to Johann, a general in the German government during the rise of the the Nazi party. Annabelle and Stefan cross paths at various times over the next few years, and she is torn between her love and desire for Stefan and her duty to Johann, who took her in and gave her a home and a life.

    There is so much in Along the Infinite Sea to love. There's a little bit of the Sound of Music (Nazis and a daring escape attempt- what a scene!), a little bit of Les Miserables (the Valjean/Javert relationship) and Williams rolls these all into her can't-stop-reading-it novel. The relationship between Annabelle and Pepper is terrifically done, they are such intriguing and strong women.

    Nick Greenwald and Budgie Byrne from One Hundred Summers make a few appearances, which is a lovely touch to readers of the Schuyler women books, and Williams made a pretty cool connection between Annabelle and Pepper and the mysterious car.

    You don't need to have read any of the previous books to understand and appreciate Along the Infinite Sea, it stands alone on its own quite well. But if you are a fan of the Schuyler women, you will fall in love with this one. I highly recommend it.

Book preview

Along the Infinite Sea - Beatriz Williams

Cover for Along the Infinite Sea

ALSO BY BEATRIZ WILLIAMS

Tiny Little Thing

The Secret Life of Violet Grant

A Hundred Summers

Overseas

G. P. PUTNAM’S SONS

Publishers Since 1838

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

Copyright © 2015 by Beatriz Williams

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Library of Congress Cataloging-in-Publication Data

Williams, Beatriz.

Along the infinite sea / Beatriz Williams.

p. cm.

ISBN 978-0-698-16497-0

I. Title.

PS3623.I55643A79 2015 2015007434

813'.6—dc23

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

To those who escaped in time and those who did not and those who risked their lives to help

Contents

Also by Beatriz Williams

Title Page

Copyright

Dedication

Overture

Annabelle

First Movement

Pepper

Annabelle

Pepper

Annabelle

Pepper

Annabelle

Pepper

Annabelle

Second Movement

Annabelle

Pepper

Annabelle

Pepper

Annabelle

Intermezzo

Annabelle

Third Movement

Annabelle

Pepper

Annabelle

Pepper

Fourth Movement

Annabelle

Pepper

Annabelle

Pepper

Annabelle

Pepper

Annabelle

Fifth Movement

Pepper

Annabelle

Coda

Stefan

Historical Note

Acknowledgments

Overture

To see all without looking; to hear all without listening.

CÉSAR RITZ

King of Hoteliers, Hotelier of Kings

Annabelle

PARIS • 1937

All you really need to know about the Paris Ritz is this: by the middle of 1937, Coco Chanel was living in a handsome suite on the third floor, and the bartender—an intuitive mixologist named Frank Meier—had invented the Bloody Mary sixteen summers earlier to cure a Hemingway hangover.

Mind you, when I arrived at Nick Greenwald’s farewell party on that hot July night, I wasn’t altogether aware of this history. I didn’t run with the Ritz crowd. Mosquitoes, my husband called them. And maybe I should have listened to my husband. Maybe no good could come from visiting the bar at the Paris Ritz; maybe you were doomed to commit some frivolous and irresponsible act, maybe you were doomed to hover around dangerously until you had drawn the blood from another human being or else had your own blood drawn instead.

But Johann—my husband—wasn’t around that night. I tiptoed in through the unfashionable Place Vendôme entrance on my brother’s arm instead, since Johann had been recalled to Berlin for an assignment of a few months that had stretched into several. In those days, you couldn’t just flit back and forth between Paris and Berlin, any more than you could flit between heaven and hell; and furthermore, why would you want to? Paris had everything I needed, everything I loved, and Berlin in 1937 was no place for a liberal-minded woman nurturing a young child and an impossible rift in her marriage. I stayed defiantly in France, where you could still attend a party for a man named Greenwald, where anyone could dine where he pleased and shop and bank where he pleased, where you could sleep with anyone who suited you, and it wasn’t a crime.

For the sake of everyone’s good time, I suppose it was just as well that my husband remained in Berlin, since Nick Greenwald and Johann von Kleist weren’t what you’d call bosom friends, for all the obvious reasons. But Nick and I were a different story. Nick and I understood each other: first, because we were both Americans living in Paris, and second, because we shared a little secret together, the kind of secret you could never, ever share with anyone else. Of all my brother’s friends, Nick was the only one who didn’t resent me for marrying a general in the German army. Good old Nick. He knew I’d had my reasons.

The salon was hot, and Nick was in his shirtsleeves, though he still retained his waistcoat and a neat white bow tie, the kind you needed a valet to arrange properly. He turned at the sound of my voice. Annabelle! Here at last.

Not so very late, am I? I said.

We kissed, and he and Charles shook hands. Not that Charles paid the transaction much attention; he was transfixed by the black-haired beauty who lounged at Nick’s side in a shimmering silver-blue dress that matched her eyes. A long cigarette dangled from her fingers. Nick turned to her and placed his hand at the small of her back. Annabelle, Charlie. I don’t think you’ve met Budgie Byrne. An old college friend.

We said enchantée. Miss Byrne took little notice. Her handshake was slender and lacked conviction. She slipped her arm through Nick’s and whispered in his ear, and they shimmered off together to the bar inside a haze of expensive perfume. The back of Miss Byrne’s dress swooped down almost to the point of no return, and her naked skin was like a spill of milk, kept from running over the edge by Nick’s large palm.

Charles covered his cheek with his right hand—the same hand that Miss Byrne had just touched with her limp and slender fingers—and said that bastard always got the best-looking women.

I watched Nick’s back disappear into the crowd, and I was about to tell Charles that he didn’t need to worry, that Nick didn’t really look all that happy with his companion and Charles might want to give the delectably disinterested Miss Byrne another try in an hour, but at that exact instant a voice came over my shoulder, the last voice I expected to hear at the Paris Ritz on this night in the smoldering middle of July.

My God, it said, a little slurry. If it isn’t the baroness herself.

I thought perhaps I was hallucinating, or mistaken. It wouldn’t be the first time. For the past two years, I’d heard this voice everywhere: department stores and elevators and street corners. I’d seen its owner in every possible nook, in every conceivable disguise, only to discover that the supposed encounter was only a false alarm, a collision of deluded molecules inside my own head, and the proximate cause of the leap in my blood proved to be an ordinary citizen after all. Just an everyday fellow who happened to have dark hair or a deep voice or a certain shape to the back of his neck. In the instant of revelation, I never knew whether to be relieved or disappointed. Whether to lament or hallelujah. Either way, the experience wasn’t a pleasant one, at least not in the way we ordinarily experience pleasure, as a benevolent thing that massages the nerves into a sensation of well-being.

Either way, I had committed a kind of adultery of the heart, hadn’t I, and since I couldn’t bear the thought of adultery in any form, I learned to ignore the false alarm when it rang and rang and rang. Like the good wife I was, I learned to maintain my poise during these moments of intense delusion.

So there. Instead of bolting at the slurry word baroness, I took my deluded molecules in hand and said: Surely not.

Instead of spinning like a top, I turned like a figurine on a music box, in such a way that you could almost hear the tinkling Tchaikovsky in my gears.

A man came into view, quite lifelike, quite familiar, tall and just so in his formal blacks and white points, dark hair curling into his forehead the way your lover’s hair does in your wilder dreams. He was holding a lowball glass and a brown Turkish cigarette in his right hand, and he took in everything at a glance: my jewels, my extravagant dress, the exact state of my circulation.

In short, he seemed an awful lot like the genuine article.

There you are, you old bastard, said Charles happily, and sacré bleu, I realized then what I already knew, that the man before me was no delusion. That the Paris Ritz was the kind of place that could conjure up anyone it wanted.

Stefan, I said. What a lovely surprise.

(And the big trouble was, I think I meant it.)

First Movement

Experience is simply the name we give our mistakes.

OSCAR WILDE

Pepper

PALM BEACH • 1966

1.

The Mercedes-Benz poses on the grass like a swirl of vintage black ink, like no other car in the world.

You’d never guess it to look at her, but Miss Pepper Schuyler—that woman right over there, the socialite with the golden antelope legs who’s soaking up the Florida sunshine at the other end of the courtyard—knows every glamorous inch of this 1936 Special Roadster shadowing the grass. You might regard Pepper’s pregnant belly protruding from her green Lilly shift (well, it’s hard to ignore a belly like that, isn’t it?) and the pastel Jack Rogers sandal dangling from her uppermost toe, and you think you have her pegged. Admit it! Lush young woman exudes Palm Beach class: What the hell does she know about cars?

Well, beautiful Pepper doesn’t give a damn what you think about her. She never did. She’s thinking about the car. She slides her gaze along the seductive S-curve of the right side fender, swooping from the top of the tire to the running board below the door, like a woman’s voluptuously naked leg, and her hearts beats a quarter-inch faster.

She remembers what a pain in the pert old derrière it was to repaint that glossy fender. It had been the first week of October, and the warm weather wouldn’t quit. The old shed on Cape Cod stank of paint and grease, a peculiarly acrid reek that had crept right through the protective mask and into her sinuses and taken up residence, until she couldn’t smell anything else, and she thought, What the hell am I doing here? What the hell am I thinking?

Thank God that was all over. Thank God this rare inky-black 1936 Mercedes Special Roadster is now someone else’s problem, someone willing to pay Pepper three hundred thousand dollars for the privilege of keeping its body and chrome intact against the ravages of time.

The deposit has already been paid, into a special account Pepper set up in her own name. (Her own name, her own money: now, that was a glorious feeling, like setting off for Europe on an ocean liner with nothing but open blue seas ahead.) The rest will be delivered today, to the Breakers hotel where Pepper is staying, in a special-delivery envelope. Another delightful little big check made out in Pepper’s name. Taken together, those checks will solve all her problems. She’ll have money for the baby, money to start everything over, money to ignore whoever needs ignoring, money to disappear if she needs to, forever and ever. She’ll depend on no one. She can do whatever the hell she pleases, whatever suits Pepper Schuyler and—by corollary—Pepper Junior. She will toe nobody’s line. She will fear nobody.

So the only question left in Pepper’s mind, the only question that needs resolving, is the niggling Who?

Who the hell is this anonymous buyer—a woman, Pepper’s auction agent said—who has the dough and the desire to lay claim to Pepper’s very special Special Roadster, before it even reaches the public sales ring?

Not that Pepper cares who she is. Pepper just cares who she isn’t. As long as this woman is a disinterested party, a person who has her own reasons for wanting this car, nothing to do with Pepper, nothing to do with the second half of the magic equation inside Pepper’s belly, well, everything’s just peachy keen, isn’t it? Pepper will march off with her three hundred thousand dollars and never give the buyer another thought.

Pepper lifts a tanned arm and checks her watch. It’s a gold Cartier, given to her by her father for her eighteenth birthday, perhaps as a subtle reminder to start arriving the hell on time, now that she was a grown-up. It didn’t work. The party always starts when Pepper gets there, not before, so why should she care if she arrives late or early? Still, the watch has its uses. The watch tells her it’s twenty-seven minutes past twelve o’clock. They should be here any moment: Pepper’s auction agent and the buyer, to inspect the car and complete the formalities. If they’re on time, and why wouldn’t they be? By all accounts, the lady’s as eager to buy as Pepper is to sell.

Pepper tilts her head back and closes her eyes to the white sun. She can’t get enough of it. This baby inside her must have sprung from another religion, one that worshipped the gods in the sky or gained nourishment from sunbeams. Pepper can almost feel the cells dividing in ecstasy as she points herself due upward. She can almost feel the seams strain along her green Lilly shift, the dancing monkeys stretch their arms to fit around the ambitious creature within.

Well, that makes sense, doesn’t it? Like father, like child.

Good afternoon.

Pepper bolts upright. A small and slender woman stands before her, dark-haired, dressed in navy Capri pants and a white shirt, her delicate face hidden by a pair of large dark sunglasses. It’s Audrey Hepburn, or else her well-groomed Florida cousin.

Good afternoon, Pepper says.

The woman holds out her hand. You must be Miss Schuyler. My name is Annabelle Dommerich. I’m the buyer. Please, don’t get up.

Pepper rises anyway and takes the woman’s hand. Mrs. Dommerich stands only a few inches above five feet, and Pepper is a tall girl, but for some reason they seem to meet as equals.

I’m surprised to see you, says Pepper. I had the impression you wanted to remain anonymous.

Mrs. Dommerich shrugs. Oh, that’s just for the newspapers. Actually, I’ve been hugely curious to meet you, Miss Schuyler. You’re even more beautiful than your pictures. And look at you, blooming like a rose! When are you due?

February.

I’ve always envied women like you. When I was pregnant, I looked like a beach ball with feet.

I can’t imagine that.

It was a long time ago. Mrs. Dommerich takes off her sunglasses to reveal a pair of large and chocolaty eyes. The car looks beautiful.

Thank you. I had an expert helping me restore it.

You restored it yourself? Both eyebrows rise, so elegant. I’m impressed.

There was nothing else to do.

Mrs. Dommerich turns to gaze at the car, shielding her brows with one hand. And you found it in the shed on Cape Cod? Just like that, covered with dust? Untouched?

Yes. My sister-in-law’s house. It seemed to have been abandoned there.

Yes, says Mrs. Dommerich. It was.

The grass prickles Pepper’s feet through the gaps in her sandals. Next to her, Mrs. Dommerich stands perfectly still, like she’s posing for a portrait, Woman Transfixed in a Crisp White Shirt. She talks like an American, in easy sentences, but there’s just the slightest mysterious tilt to her accent that suggests something imported, like the Chanel perfume that colors the air next to her skin. Though that skin is remarkably fresh, lit by a kind of iridescent pearl-like substance that most women spent fruitless dollars to achieve, Pepper guesses she must be in her forties, even her late forties. It’s something about her expression and her carriage, something that makes Pepper feel like an ungainly young colt, dressed like a little girl. Even considering that matronly bump that interrupts the youthful line of her figure.

At the opposite end of the courtyard, a pair of sweating men appear, dressed in businesslike wool suits above a pair of perfectly matched potbellies, neat as basketballs. One of them spots the two women and raises his hand in what Pepper’s always called a golf wave.

There they are, says Mrs. Dommerich. She turns back to Pepper and smiles. I do appreciate your taking such trouble to restore her so well. How does she run?

Like a racehorse.

Good. I can almost hear that roar in my ears now. There’s no other sound like it, is there? Not like anything they make today.

I wouldn’t know, really. I’m not what you’d call an enthusiast.

Really? We’ll have to change that, then. I’ll pick you up from your hotel at seven o’clock and we’ll take her for a spin before dinner. She holds out her hand, and Pepper, astonished, can do nothing but shake it. Mrs. Dommerich’s fingers are soft and strong and devoid of rings, except for a single gold band on the telling digit of her left hand, which Pepper has already noticed.

Of course, Pepper mumbles.

Mrs. Dommerich slides her sunglasses back in place and turns away.

Wait just a moment, says Pepper.

Yes?

I’m just curious, Mrs. Dommerich. How do you already know how the engine sounds? Since it’s been locked away in an old shed all these years.

Oh, trust me, Miss Schuyler. I know everything about that car.

There’s something so self-assured about her words, Pepper’s skin begins to itch, and not just the skin that stretches around the baby. The sensation sets off a chain reaction of alarm along the pathways of Pepper’s nerves: the dingling of tiny alarm bells in her ears, the tingling in the tip of her nose.

And just how the hell do you know that, Mrs. Dommerich? If you don’t mind me asking. Why exactly would you pay all that money for this hunk of pretty metal?

Mrs. Dommerich’s face is hidden behind those sunglasses, betraying not an ounce of visible reaction to Pepper’s impertinence. Because, Miss Schuyler, she says softly, twenty-eight years ago, I drove for my life across the German border inside that car, and I left a piece of my heart inside her. And now I think it’s time to bring her home. Don’t you? She turns away again, and as she walks across the grass, she says, over her shoulder, sounding like an elegant half-European mother: Wear a cardigan, Miss Schuyler. It’s supposed to be cooler tonight, and I’d like to put the top down.

2.

At first, Pepper has no intention of obeying the summons of Annabelle Dommerich. The check is waiting for her when she calls at the front desk at the hotel, along with a handwritten telephone message that she discards after a single glance. She has the doorman call her a taxi, and she rides into town to deposit the check in her account. The clerk’s face is expressionless as he hands her the receipt. She withdraws a couple hundred bucks, which she tucks into her pocketbook next to her compact and her cigarettes. When she returns to the hotel, she draws herself a bubble bath and soaks for an hour, sipping from a single glass of congratulatory champagne and staring at the tiny movements disturbing the golden curve of her belly. Thank God she hasn’t got any stretch marks. Coconut oil, that’s what her doctor recommended, and she went out and bought five bottles.

The water turns cool. Pepper lifts her body from the tub and wraps herself in a white towel. She orders a late room-service lunch and stands on the balcony, wrapped in her towel, smoking a cigarette. She considers another glass of champagne but knows she won’t go through with it. The doctor back on Cape Cod, a comely young fellow full of newfangled ideas, said to go easy on the booze. The doctor also said to go easy on the smokes, but you can’t do everything your doctor says, can you? You can’t give up everything, all at once, when you have already given up so much.

And for what? For a baby. His baby, of all things. So stupid, Pepper. You thought you were so clever and brave, you thought you had it all under control, and now look at you. All knocked up and nowhere to go.

The beach is bright yellow and studded with sunbathers before a lazy surf. Pepper reaches to tuck in her towel and lets it fall to the tiled floor of the balcony. No one sees her. She leans against the balcony rail, naked and golden-ripe, until her cigarette burns to a tiny stump in her hand, until the bell rings with her room-service lunch.

After she eats, she sets the tray outside her door and falls into bed. She takes a long nap, over the covers, and when she wakes up she slips into a sleeveless tunic-style cocktail dress, brushes her hair, and touches up her lipstick. Before she heads for the elevator, she takes a cardigan from the drawer and slings it over her bare shoulders.

3.

But the elevator’s stuck in the lobby. That was the trouble with hotels like the Breakers; there was always some Greek tycoon moving in, some sausage king from Chicago, and the whole place ground to a halt to accommodate his wife and kids and help and eighty-eight pieces of luggage. Afterward, he would tell his friends back home that the place wasn’t what it was cracked up to be, and the natives sure were unfriendly.

Pepper taps her foot and checks her watch, but the elevator is having none of it. She heads for the stairs.

On the one hand, you have the luxurious appointments of the Breakers, plush carpets and mirrors designed to show you off to your best advantage. On the other hand, you have the stairwell, like an escape from Alcatraz. Pepper’s spindly shoes rattle on the concrete floors; the bare incandescent bulbs appear at intervals as if to interrogate her. She has just turned the last landing, lobby escape hatch in sight, when a man comes into view, leaning against the door. He’s wearing a seersucker suit—a genuine blue-striped seersucker suit, as if men actually wore them anymore—and his arms are crossed.

For an instant, Pepper thinks of a platinum starlet, sprawled naked on her bedroom floor a few years back. Killed herself, poor bimbo, everyone said, shaking the sorrowful old head. Drugs, of course. A cautionary Hollywood tale.

Nice suit, says Pepper. Are they making a movie out there?

He straightens from the door and shoots his cuffs. Miss Schuyler? Do you have a moment?

I don’t think so. Certainly not for strangers who lurk in stairwells.

I’m afraid I must insist.

I’m afraid you’re in my way. Do you mind stepping aside?

In response, Captain Seersucker stretches his thick candy-stripe arm across the passage and places a hand against the opposite wall.

Well, well, says Pepper. A nice beefy fellow, aren’t you? How much do they hire you out for? Or do you do it just for the love of sport?

I’m just a friend, Miss Schuyler. A friend of a friend who wants to talk to you, that’s all, nice and friendly. So you’re going to have to come with me.

Pepper laughs. You see, that’s the trouble with you musclemen. Not too much in the noggin, is there?

Miss Schuyler—

Call me Pepper, Captain Seersucker. Everyone else does. She holds out her hand, and when he doesn’t take it, she pats his cheek. A big old lug, aren’t you? Tell me, what do you do when the quiz shows come on the TV? Do you just stare all blank at the screen, or do you try to learn something?

Miss Schuyler—

And now you’re getting angry with me. Your face is all pink. Look, I don’t hold it against you. We can’t all be Einstein, can we? The world needs brawn as well as brain. And the girls certainly don’t mind, do they? I mean, what self-respecting woman wants a man hanging around who’s smarter than she is?

Look here—

Now, just look at that jaw of yours, for example. So useful! Like a nice square piece of granite. I’ll bet you could crush gravel with it in your spare time.

He lifts his hand away from the wall and makes to grab her, but Pepper’s been waiting for her chance, and she ducks neatly underneath his arm, pregnancy and all, and brings her knee up into his astonished crotch. He crumples like a tin can, lamenting his injured manhood in loud wails, but Pepper doesn’t waste a second gloating. She throws open the door to the lobby and tells the bellboy to call a doctor, because some poor oaf in a seersucker suit just tripped on his shoelaces and fell down the stairs.

4.

I thought you wouldn’t come, says Mrs. Dommerich, as Pepper slides into the passenger seat of the glamorous Mercedes. Every head is turned toward the pair of them, but the lady doesn’t seem to notice. She’s wearing a wide-necked dress of midnight-blue jacquard, sleeves to the elbows and hem to the knees, extraordinarily elegant.

I wasn’t going to. But then I remembered what a bore it is, sitting around my hotel room, and I came around.

I’m glad you did.

Mrs. Dommerich turns the ignition, and the engine roars with joy. Cars like this, they like to be driven, Pepper’s almost-brother-in-law said, the first time they tried the engine, and at the time Pepper thought he was crazy, talking about a machine as if it were a person. But now she listens to the pitch of the pistons and supposes he was probably right. Caspian usually was, at least when it came to cars.

I guess you know how to drive this thing? Pepper says.

Oh, yes. Mrs. Dommerich puts the car into gear and releases the clutch. The car pops away from the curb like a hunter taking a fence. Pepper notices her own hands are a little shaky, and she places her fingers securely around the doorframe.

Just as the hotel entrance slides out of view, she spots a pair of men loitering near the door, staring as if to bore holes through the side of Pepper’s head. Not locals; they’re dressed all wrong. They’re dressed like the man in the stairwell, like some outsider’s notion of how you dressed in Palm Beach, like someone told them to wear pink madras and canvas deck shoes, and they’d fit right in.

And then they’re gone.

Pepper ties her scarf around her head and says, in a remarkably calm voice, Where are we going?

I thought we’d have dinner in town. Have a nice little chat. I’d like to hear a little more about how you found her. What it was like, bringing her back to life.

Oh, it’s a girl, is it? I never checked.

Ships and automobiles, my dear. God knows why.

You know, says Pepper, drumming her fingers along the edge of the window glass, don’t take this the wrong way, but I can’t help noticing that you two seem to be on awfully familiar terms, for a nice lady and a few scraps of old metal.

I should be, shouldn’t I? I paid an awful lot of money for her.

For which I can’t thank you enough.

Well, I couldn’t let her sit around in some museum. Not after all we’ve been through together. She pats the dashboard affectionately. She belongs with someone who loves her.

Pepper shakes her head. I don’t get it. I don’t see how you could love a car.

Someone loved this car, to put it back together like this.

It wasn’t me. It was Caspian.

Who’s Caspian?

Pepper opens her pocketbook and takes out her compact. We’ll just say he’s a friend of my sister’s, shall we? A very good friend. Anyway, he’s the enthusiast. He couldn’t stand watching me try to put it together myself.

I’m eternally grateful. I suppose he knows a lot about German cars?

It turns out he was an army brat. They lived in Germany when he was young, right after the war, handing out retribution with one hand and Hershey bars with the other.

Mrs. Dommerich swings the heavy Mercedes around a corner, on the edge of a nickel. Pepper realizes that the muscles of her abdomen are clenched, and it’s nothing to do with the baby. But there’s no question that Mrs. Dommerich knows how to drive this car. She drives it the way some people ride horses, as if the gears and the wheels are extensions of her own limbs. She may not be tall, but she sits so straight it doesn’t matter. Her scarf flutters gracefully in the draft. She reaches for her pocketbook, which lies on the seat between them, and takes out a cigarette with one hand. Do you mind lighting me? she asks.

Pepper finds the lighter and brings Mrs. Dommerich’s long, thin Gauloise to life.

Thank you. She blows a stream of smoke into the wind and holds out the pack to Pepper. Help yourself.

Pepper eyes the tempting little array. Her shredded nerves jingle in her ears. Maybe just one. I’m supposed to be cutting back.

I didn’t start until later, Mrs. Dommerich says. When my babies were older. We started going out more, to cocktail parties and things, and the air was so thick I thought I might as well play along. But it never became a habit, thank God. Maybe because I started so late. She takes a long drag. Sometimes it takes me a week to go through a single pack. It’s just for the pure pleasure. It’s like sex, you want to be able to take your time and enjoy it.

Pepper laughs. "That’s a new one on me. I always thought the more, the merrier. Sex and cigarettes."

My husband never understood, either. He smoked like a chimney, one after another, right up until the day he died.

And when was that?

A year and a half ago. She checks the side mirror. Lung cancer.

I’m sorry.

They begin to mount the bridge to the mainland. Mrs. Dommerich seems to be concentrating on the road ahead, to the flashing lights that indicated the deck was going up. She rolls to a stop and drops the cigarette from the edge of the car. When she speaks, her voice has dropped an octave, to a rough-edged husk of itself.

I used to try to make him stop, she says. But he didn’t seem to care.

5.

They eat at a small restaurant off Route 1. The owner recognizes Mrs. Dommerich and kisses both her cheeks. They chatter together in French for a moment, so rapidly and colloquially that Pepper can’t quite follow. Mrs. Dommerich turns and introduces Pepper—my dear friend Miss Schuyler, she calls her—and the man seizes Pepper’s belly in rapture, as if she’s his mistress and he’s the guilty father.

So beautiful! he says.

Isn’t it, though. Pepper removes his hands. Since the beginning of the sixth month, Pepper’s universe has parted into two worlds: people who regard her pregnancy as a kind of tumor, possibly contagious, and those who seem to think it’s public property. Whatever will your wife say when she finds out?

Ah, my wife. He shakes his head. A very jealous woman. She will have my head on the carving platter.

What a shame.

When they are settled at their table, supplied with water and crusty bread and a bottle of quietly expensive Burgundy, Mrs. Dommerich apologizes. The French are obsessed with babies, she says.

I thought they were obsessed with sex.

It’s not such a stretch, is it?

Pepper butters her bread and admits that it isn’t.

The waiter arrives. Mrs. Dommerich orders turtle soup and sweetbreads; Pepper scans the menu and chooses mussels and canard à l’orange. When the waiter sweeps away the menus and melts into the atmosphere, a pause settles, the turning point. Pepper drinks a small sip of wine, folds her hands on the edge of the table, and says, Why did you ask me to dinner, Mrs. Dommerich?

I might as well ask why you agreed to come.

Age before beauty, says Pepper, and Mrs. Dommerich laughs.

That’s it, right there. That’s why I asked you.

Because I’m so abominably rude?

Because you’re so awfully interesting. As I said before, Miss Schuyler. Because I’m curious about you. It’s not every young debutante who finds a vintage Mercedes in a shed at her sister’s house and restores it to its former glory, only to put it up for auction in Palm Beach.

I’m full of surprises.

Yes, you are. She pauses. To be perfectly honest, I wasn’t going to introduce myself at all. I already knew who you were, at least by reputation.

Yes, I’ve got one of those things, haven’t I? I can’t imagine why.

You have. I like to keep current on gossip. A vice of mine. She smiles and sips her wine, marrying vices. The sparky young aide in the new senator’s office, perfectly bred and perfectly beautiful. They were right about that, goodness me.

Pepper shrugs. Her beauty is old news, no longer interesting even to her.

Yes, exactly. Mrs. Dommerich nods. Her hair is cut short, curling around her ears, a stylish frame for the heart-shaped, huge-eyed delicacy of her face. A few silver threads catch the light overhead, and she hasn’t tried to hide them. You caused a real stir, you know, when you started working in the senator’s office last year. I suppose you know that. Not just that you’re a walking fashion plate, but that you were good at your job. You made yourself essential to him. You had hustle. There are beautiful women everywhere, but they don’t generally have hustle. When you’re beautiful, it’s ever so much easier to find a man to hustle for you.

Yes, but then you’re stuck, aren’t you? It’s his rules, not yours.

The skin twitches around Mrs. Dommerich’s wide red mouth.

True. That’s what I thought about you, when I saw you. I saw you were expecting, pretty far along, and all of a sudden I understood why you fixed up my car and sold it to me for a nice, convenient fortune. I understood perfectly.

Oh, you did, did you? Pepper lifts her knife and examines her reflection. A single blue Schuyler eye stares back at her, turned up at the corner like the bow of an especially elegant yacht. Then why the hell were you still curious enough to invite me out?

The waiter arrives solemnly with the soup and the mussels. Mrs. Dommerich waits in a pod of elegant impatience while he sets each dish exactly so, flourishes the pepper, asks if there will be anything else, and is dismissed. She lifts her spoon and smiles.

Because, my dear. I can’t wait to see what you do next.

6.

Pepper lights another cigarette after dinner, while Mrs. Dommerich drives the Mercedes north along the A1A. For air, she says. Pepper doesn’t care much about air, one way or another, but she does care about those two men hanging around the entrance of the hotel before they left. She can handle one overgrown oaf in a stairwell, maybe, but two more was really too much.

So Pepper says okay, she could use some air. Let’s take a little drive somewhere. She draws the smoke pleasantly into her lungs and breathes it out again. Air. To the right, the ocean ripples in and out of view, phosphorescent under a swollen November moon, and as the miles roll under the black wheels Pepper wonders if she’s being kidnapped, and whether she cares. Whether it matters if Mrs. Dommerich acts for herself or for someone else.

He was going to track her down anyway, wasn’t he? Sooner or later, the house always won.

Pepper used to think that she was the house. She has it all: family, beauty, brains, moxie. You think you hold all the cards, and then you realize you don’t. You have one single precious card, and he wants it back.

And suddenly three hundred thousand dollars doesn’t seem like much security, after all. Suddenly there isn’t enough money in the world.

Pepper stubs out the cigarette in the little chrome ashtray. Where are we going, anyway?

Oh, there’s a little headland up ahead, tremendous view of the ocean. I like to park there sometimes and watch the waves roll in.

Sounds like a scream.

You might try it, you know. It’s good for the soul.

I have it on good authority, Mrs. Dommerich—from a number of sources, actually—that I haven’t got one. A soul, I mean.

Mrs. Dommerich laughs. They’re speaking loudly, because of the draft and the immense roar of the engine. She bends around another curve, and then the car begins to slow, as if it already knows where it’s going, as if it’s fate. They pull off the road onto a dirt track, lined by reeds a yard high, and such is the Roadster’s suspension that Pepper doesn’t feel a thing.

I’m usually coming from the north, says Mrs. Dommerich. We have a little house by the coast, near Cocoa Beach. When we first moved here from France, we wanted a quiet place where we could hide away from the world, and then of course the air-conditioning came in, and the world came to us in droves. She laughs. But by then it didn’t seem to matter. The kids loved it here too much, we couldn’t sell up. As long as I could see the Atlantic, I didn’t care.

The reeds part and the ocean opens up before them. Mrs. Dommerich keeps on driving until they reach the dunes, silver and black in the moonlight. Pepper smells the salt tide, the warm rot. The car rolls to a stop, and Mrs. Dommerich cuts the engine. The steady rush of water reaches Pepper’s ears.

Isn’t it marvelous? says Mrs. Dommerich.

It’s beautiful.

Mrs. Dommerich finds her pocketbook and takes out a cigarette. We can share, she says.

I’ve already reached my limit.

If we share, it doesn’t count. Halves don’t count.

Pepper takes the cigarette from her fingers and examines it.

Mrs. Dommerich settles back and stares through the windshield. Do you know what I love most about the ocean? The way the water’s all connected. The bits and pieces have different names, but really it’s all one vast body of salt water, all the way around the earth. It’s as if we’re touching Europe, or Africa, or the Antarctic. If you close your eyes, you can feel it, like it’s right there.

Pepper hands back the cigarette. That’s true. But I don’t like to close my eyes.

You’ve never made an act of faith?

No. I like to rely on myself.

So I see. But you know, sometimes it’s not such a bad thing. An act of faith.

Pepper snatches the cigarette and takes a drag. She blows the smoke back out into the night and says, So what’s your game?

My game?

"Why are you here? Obviously you know a thing or two about me. Did he send you?"

He?

You know who.

Oh. The father of your baby, you mean.

You tell me.

Mrs. Dommerich lifts her hands to the steering wheel and taps her fingers against the lacquer. No. Nobody sent me.

Pepper tips the ash into the sand and hands back the cigarette.

Do you believe me? Mrs. Dommerich asks.

I don’t believe in anything, Mrs. Dommerich. Just myself. And my sisters, too, I guess, but they have their own problems. They don’t need mine on top of it all.

Mrs. Dommerich spreads out her hands to examine her palms. Then let me help instead.

Pepper laughs. "Oh, that’s a good

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