Temporality (Music)
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Recent papers in Temporality (Music)
From the Romantic era onwards music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. Through its play of themes and recurrence of events music has the ability... more
O Audio Game Breu é um jogo eletrônico constituído exclusivamente por recursos sonoros produzido pela equipe de desenvolvimento de jogos Team Zeroth. O presente artigo pretende fazer uma análise dos elementos temporais presentes na... more
"Carter's music poses struggles of opposition, for instance in timbre (Double Concerto), space (String Quartet No. 3) or pulse (String Quartet No. 5). His preference for the all-interval tetrachords, 4–Z15 [0, 1, 4, 6] and 4–Z29 [0, 1, 3,... more
Samuel Barber’s 'lyric rhapsody' for soprano and orchestra, 'Knoxville: Summer of 1915' (1947), is one of his most celebrated and complicated pieces. The most ostensibly backward-looking, nostalgic work of this 'conservative',... more
Questa tesi tratta della percezione del tempo nella cultura digitale. Questa verrà colta nella forma dell’atemporalità, intesa come sradicamento dalla storia e perdeita delle relazioni passato-presente-futuro. L'analisi del movimento... more
“Rings,” the first movement of Adès’s violin concerto Concentric Paths, evokes the physical process of planetary motion and it is from this process that multiple time-scales arise: the lower-speed outer-orbits of planetary motion... more
The Quartet in A minor (1827) is one of Mendelssohn's most remarkable works and a historically groundbreaking example of the use of cyclic form. In this work the continual return and transformation of earlier themes creates a complex mode... more
Music and Letters 91/3 (August 2010), 467-471
The historical past played perhaps a more important role in Mendelssohn’s music than in that of any other composer. This article approaches the work traditionally seen as his first major compositional achievement, the Octet in E flat... more
Distraction is frequently blamed for interfering with the ergonomic production of capital, for encouraging substandard performance. Indeed, it is frequently configured as an impediment to time keeping, a thorn in the side of... more
Situated in the field of musico-literary studies, my research investigates sound and musical experience from a phenomenological perspective in Henry Michaux’s work. This phenomenological approach allows a second perspective of the world ;... more
Phänomenologie des inneren Zeitbewusstseins, die von Edmund Husserl verarbeitet wurde, nimmt eine ehrenvolle Stelle in der philosophischen Literatur ein. Sie versucht die grosse Veränderlichkeit der Erlebnisse, die die Umwelt in uns... more
Morris's Arc (1988) for String Quartet flows; it flows with substance, and with purpose. By flowing, I don’t just mean in the trivial sense that all music flows because it is unfolding in time and time flows. Rather I mean that there is... more
Luciano Berio's Sequenza XI stands as a major work in the 20th-century guitar repertoire. Although it has been extensively analysed in previous scholarship, its performance practice has not been addressed. In this paper, I set out to fill... more
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new... more
Die Schwarze Mensuralnotation folgt dem Prinzip einer Relation zwischen Werten, welches eine Bindung zwischen Zeitmaß und Notenwert bedeutet. Eine Notengattung wird innerhalb einer vorliegenden Division gemessen, welche hier das Tempo... more
George Enescu (1881–1955) falls askance customary narratives of twentieth-century music. Belonging to a lost generation situated between the late-Romantic modernism of Strauss and Mahler and the radical modernism of Schoenberg and... more
Este artigo tem por objetivo apresentar uma pequena sequência nas proposições de tempo na música do século XX. A primeira imagem para tratar desta questão é aquela das imagens de tempo entre os gregos, e que vez ou outra retornam no... more
Ogni prodotto drammaturgico presenta molteplici livelli di lettura temporale: l’oggettiva durata dello spettacolo; l’effettivo tempo della fabula; il tempo percepito dallo spettatore; quello percepito dai personaggi dell'opera in base al... more
This chapter examines ensemble dynamics and time consciousness in indeterminate music, using John Cage's Concert for Piano and Orchestra (1957-8) as a case study. Drawing on interviews and observational studies undertaken with the... more
The subtitle of Gérard Pesson’s (born 1958) short piano piece Ambre Nous Resterons (2008), states that it is composed ‘after’ François Couperin’s ‘Les Ombres Errantes’ (1730). But how might we decide if it is an arrangement of it? By way... more
"[N]ot only is music an open-ended category, but so is time. What we call The Temporal is best viewed not as one thing – not one category, or quality, or characteristic, or sensibility, or experience, or 'realm' -- but rather an... more
"Beat induction (BI) is the cognitive skill that allows us to hear a regular pulse in music to which we can then synchronize. In choral performances, individuals should attune and coordinate temporarily and reciprocally their... more
Esta palestra consiste em algumas considerações sobre o processamento do tempo num projeto metodológico de análise da música não tonal a partir do conceito de sonoridade. Neste contexto, o tempo é visto como um momento com início e fim no... more
Ομιλία σχετικά με θέματα ρυθμικής οργάνωσης και διακειμενικότητας σε έργα του Γιώργου Κουμεντάκη.
Abstract in french included in the file.
Abstract in french included in the file.
A partir da segunda metade do século XX, algumas tendências musicais procuraram lidar com o fenômeno da percepção temporal de forma independente dos demais elementos formativos do som, possibilitando a vivência de novas experiências... more
No final do século XII começa a delinear-se, na sociedade urbana ocidental, o processo de transformação da consciência do tempo que opera a transição de uma temporalidade medieval a uma temporalidade moderna. Relacionado à emergência de... more
This chapter seeks to redefine the lyric as it is manifest in Schubert's instrumental music with particular emphasis on the string quartets. While the lyric is often pitted against the dramatic, violent outbursts in Schubert's music, this... more
Foggia - Convegno della Società Italiana di Musicologia 2013, Conservatorio U. Giordano
To this day music is often conceived as having an intimate relation with self-consciousness or the constitution of the self, owing to its temporal nature and apparent downplaying of materiality. Laird Addis is a recent (though not... more
Abstract: The systemic studio about the relationship between temporality and synchrony of the music players has recently started and is explained through the concept known as “entrainment” that develops a complex process of temporal... more