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The article studies Lope's use of the central image of his comedia de santo known as El divino africano, its connection to the Pauline image of robing Christ and disrobing paganism, the Aeneid, and Garcilaso's sonnet known as "Oh dulces... more
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      Lope de VegaPauline EpistlesComedia barrocaSt. Paul
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      AeneidRenaissance musicVirtues and VicesAdrian Willaert