Modeling Virtue in Renaissance Music: Tales from Virgil's "Aeneid"

-- Indus Script inscriptions of Shahitump, Pathani Damb, Lakhani Damb – Many unpublished inscriptions reported by Sheikh Javed Ali Sindhi Field symbols: 'unicorn' + standard. See separate slides detailing maritime dhow and treasure guard dula 'two' rebus: dul 'metal casting' + kolmo 'rice plant' rebus: kolimi 'smithy, forge'; thus, metalcasting smithy aya 'fish' rebus: ayas 'alloymetal' + musa 'lid' rebus: musa 'crucible' + aya 'fish' rebus: ayas 'alloymetal'; thus, alloymetal crucible baṭa 'rimless pot' rebus:bhaṭa 'furnace'+ muka 'ladle' (Tamil)(DEDR 4887) Rebus: mūh 'ingot' (Santali) kolom' three' rebus: kolimi 'smithy, forge' Sign 184 khara 'ass' rebus: khar 'blacksmith' + qoli 'tail' rebus: kol 'working in iron' kuṭila,'curve' rebus: kuṭila, katthīl = bronze (8 parts copper and 2 parts tin)+ karaṇika 'rim of jar' rebus: Pk.

Icheke Journal of the Faculty of Humanities, 2023

Music comprises the lyrics and the melody, rhythm and the beats in which it is set. It conveys a particular mood and the sense of purpose, which it is expected to serve. By these characteristics, it defines itself as belonging to a specified genre. Church music is offered to God as part of the process of worship, which in its simplest term means submission to God-His Will, His desire, His dictates and guidance. In this light, it stands to reason that any music, in its lyrics and its musical setting, used in the worship of God must reflect man's humble realization of his dependence on the almightiness of God Jehovah. Therefore, music used in the worship of God Jehovah must of necessity be music that glorifies the name and overall essence of God while simultaneously edifying the church as the body of Christ. It is in this light that this seminar paper examines the concept of Sacred or Non-Sacred songs in worship. It finds that non-sacred music is emotive and can be distractive from true worship. It is recommended that the church has the duty to determine the quality of the music in use for

Dalam proses belajar mengajar dibutuhkan suatu bahan ajar dan pengembangan bahan pembelajaran yang berguna untuk memudahkan proses mengajar sehingga proses belajar mengajar dapat sesuai dengan tujuan pembelajaran.

Literary and Linguistic Studies of the Caucasus and Caspian , 2022

This paper is based on my fieldnotes taken in June 2022 in Dehnamak, located between Garmsār and Semnān. Dehnamaki was identified as a variety within the Komisenian Sprachbund. The paper presents a sketch grammar of Dehnamaki, characterized by a ternary set of present, past, and perfect stems, as exemplified by xor- (present), xord (past), and xorč- (perfect) for 'eat'. Verb alignment in Dehnamaki follows a nominative-accusative pattern, lacking distinctions between transitive and intransitive verbs. However, the distinct set of past-tense person markers (refer to Table 1), originally oblique pronominal clitics, exhibits a faint residue of Middle West Iranian ergativity. The second part of this paper concerns the typology of Dehnamaki. H. Borjain, “Dehnamaki: a newly found Komisenian Variety,” Pažuhešhā-ye zabāni-adabi-e Qafqāz o Kāspian / Literary and Linguistic Studies of the Caucasus and Caspian 3/2, ser. no. 8, 2022, pp. 61-96.

The Prussian settlements contain archaeological information that can be enriched with data from folk legends about these fortified settlements. In the proposed article, several legends of Sambia (the Kaliningrad peninsula of the Kaliningrad region) are selected, the analysis of which allowed us to draw the following conclusions: In the names of the settlements there are rudiments of the Prussian language, which disappeared from local use in the beginning. 18th century In the array of legends about the Prussian settlements, some of which arose already in the 17th century, there are several types/types of texts. They have both local, Prussian, and external, Germanic origin. Some of the legends of Sambia are an echo of finds made not earlier than the time of the order on the sites of settlements or near them (treasures, individual valuable artifacts, sacrificial stones, etc.). Indirectly, this indicates that the authors of the legends and their narrators reported that the settlements were once the habitats of the local population. All of the above allows us to consider the legends about the Prussian settlements of Sambia as a special, but, nevertheless, interesting and important source of the settlement history of the center of the Prussian tribal area.

2013

Sexuality is a closely guarded and secretive subject in many religions in general and African Traditional religions in particular. Public discussion of sexuality is socially discouraged, especially between adults and youth. As a result, secrecy surrounds the subject of sexuality in African Traditional Religions. However, African Traditional Religions have been overwhelmed by many social changes that prompted us to look again at their position on sexuality. Sexuality can no longer afford the cover of secrecy in the wake of social changes engendered by HIV and AIDS, gender and human rights debates among other things. These factors challenge the deeply rooted and dearly held beliefs and practices regarding sexuality. The Chapter argues that the religio-cultural beliefs and practices regarding sexuality need updating to have relevance to the current life circumstances of the adherents. Using, but not limited to the Shona Traditional Religion, we seek to explore the trends on sexuality i...