Alain Resnais
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Recent papers in Alain Resnais
Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan... more
The Holocaust is often described as beyond representation. Drawing on interdisciplinary perspectives, this ground-breaking collection of essays by leading international scholars takes the Scrolls of Auschwitz as its starting point. These... more
The real and beyond in Alain Resnais and Federico Fellini: from origins to the years of the dream Thèse dirigée par Didier COUREAU, UGA préparée au sein du Laboratoire UMR 5316 Litt&Arts (Arts & Pratiques du Texte, de l'Image, de l'Ecran... more
In the contemporary political sphere, the need to address the complex interactions between colonial pasts, present day violence, and audio-visual representation has never appeared more urgent. This is particularly true of France’s... more
in Alessia Cervini e Giacomo Tagliani (a cura di), La forma cinematografica del reale. Teorie, pratiche, linguaggi: da Bazin a Netflix, Palermo University Press, pp. 341-350.
Kendi kodunu yazan kod; yaratıcısından bağımsızlığını alan ve kendi seçimlerini yapmaya başlayan bilgisayar; kendi yazılımını yazan yazılım ya da kendi benliğini üreten yapay zekâ…
Grief's emotional progress has a hidden grammar. Its syntax unfolds through aching desire, nostalgia, sadness, physical pain, anger, odd joy, even dullness and banality. It is absolutely singular, isolating a person from others and the... more
This is a review essay of <Jonas Mekas: Again, Again It All Comes Back to Me in Brief Glimpses> (MMCA, Seoul, Nov. 8, 2017- Mar. 4, 2018), arguably the biggest- if not, as I noted in the review, THE first- retrospective of Mekas’s career... more
Oxford Bibliographies
In this paper, I use two films—Les Statues MeurrentAussi (Statues also Die, 1953) directed by Resnais and Marker and Sans Soleil (Sunless, 1983) as representatives of Left Bank cinema to show how they construct experiences of time and... more
Paru en 1974 aux éditions du Chêne, l’album "Repérages" réunit soixante-dix-sept photographies de repérages d’Alain Resnais, sélectionnées parmi des milliers de clichés par son ami et collaborateur, l'écrivain Jorge Semprun. Ce livre... more
Rossellini, Resnais, Pasolini, Ivens, Marker, Antonioni, Malle. C’è stata una stagione – orientativamente tra gli anni Cinquanta e i Settanta – in cui alcuni grandi cineasti europei hanno compiuto viaggi in Asia per realizzare film,... more
O livro de Denilson Lopes desenvolve, em uma perspectiva sócio-histórica e transdisciplinar, a relação entre melancolia e neo-barroco. A melancolia – sensibilidade estética, catastrófica, antiutópica – se define pela aflição diante da... more
aqui começa a viagem de pensar uma genealogia da melancolia a partir do Barroco e pensar um outro neobarroco em romances brasielrios em diálogos com filmes europeus que se distinguem da tradição hispano-americana, propondo uma caminho... more
Doing the same thing over and over again yet expecting different results was Einstein’s definition of madness. But there are films that affect us in a completely different way every time we watch them, and those discussed here,... more
From the back cover: "‘Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time' represents an advanced, sophisticated, extremely well informed and challenging contribution to the rapidly growing area of film-philosophy... more
La littérature française contemporaine porte un vif intérêt au déchiffrement de la guerre sous la paix, à l’histoire des con its sanglants du XXe siècle et de leurs séquelles pour la vie civile. Elle dépasse la vue partielle de... more
Henri Bergson, in Matter and memory, theorizes a universe of images that exist before subject; after almost ninety years, Gilles Deleuze, following Bergson, defines cinema as a non-centered set of movement-images. Through the study of... more
Un breve resumen de lo que significó La Nueva ola francesa en la historia de la realización cinematográfica.
This text on the Deleuzian notions of the actual and the virtual is from my book "Kulturelle Komplexität: Gilles Deleuze und die Kulturtheorie der American Studies" (transcript, 2015).
(E): Along with people like Césaire, Sartre and Howlett, Chris Marker cherished in 1953 the hope that African artefacts would be removed from the museum. In the film Les Statues meurent aussi (‗Statues Also Die‘ 1950-53) Marker as... more
50 years after the birth of the Nouvelle Vague, the inheritance that the contemporary cinema receives from it is inevitable. Figures and visual motifs; stories, themes, faces or common places; aesthetic and language devices. The echoes... more
Complete presentation of the 1996 Oxford University Conference on the relationship between writing and film-making in the work of Alain Robbe-Grillet. Collated and edited by author and film-maker Edouard d’Araille, the colloquium brought... more
Monografia apresentada à Universidade Federal Fluminense como requisito parcial para obtenção do grau em bacharel em Comunicação Social, habilitação Cinema. Orientação: Profa. Dra. Elianne Ivo Barroso RESUMO Analisa-se a representação da... more
In the years 1947 and 1948, Paris, France, experienced a contemporaneous interest in Vincent Van Gogh’s art and the relationship of art and madness. Two major figures of the avant-garde theatrical, written, and filmic arts – Antonin... more
Ce chapitre propose une analyse de Muriel. Le temps d'un retour (Resnais, Cayrol, 1963) centrée sur le discours du film sur la Guerre d'Algérie aux moyens de l'analyse rhétorique du film. Cette méthode permet de souligner que le discours... more
Drawing on Raymond Bellour, Roland Barthes and Gilles Deleuze, amongst others, this essay assesses how experiences of home, abandonment, illness and mourning are sensorially inscribed within Chantal Akerman’s No Home Movie (2015), Michael... more
Complete Translation of Pierre Van Den Heuvel's conference talk 'Texte, Film et Code: Dysnarration et Cohérence' by Edouard d'Araille. A trenchant analysis of ambiguity and play in storytelling through a consideration of literary and film... more
Resumo: A discussão acerca da moral no cinema vai muito além do simples questionamento da trama de um filme, uma vez que a forma do filme também pode estar suscetível a esse debate. A conscientização de que a forma do filme também... more
UNTIMELY AFFECTS examines the role of affect in works by Marker and Resnais whose film and multimedia works respond to events of violence and war, including the Holocaust, Hiroshima, postcolonialism and 9/11. The book contemplates a... more
Le pari de ce livre est de former le regard au montage aussi bien pour l'analyse que pour la création, d'explorer les pratiques et les théories du montage, enfin d'en expérimenter quelques formes. À partir de nombreuses analyses de films... more