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1990
N.B. Disponibile nel fascicolo completo della rivista.
CHRONIQUES ITALIENNES, web 35 (1/2018).
“Agustín de Foxá, antitesi cattolica del cristiano Malaparte” nel volume CURZIO MALAPARTE, ESPERIENZA E SCRITTURA, in "Chroniques italiennes", web 35 (1/2018), a cura di Maria Pia De Paulis-Dalembert. [http://www.univ-paris3.fr/chroniques-italiennes-vient-de-paraitre-441558.kjsp?RH=1178827308773].2018 •
Nous nous proposons d’approfondir ici le portrait psychologique et idéologique, dessiné notamment dans Kaputt, du comte Agustín de Foxá, intellectuel espagnol phalangiste, ami de Malaparte et, comme celui-ci, romancier, journaliste, dramaturge et diplomate. Cette étude est, à nos yeux, importante pour comprendre quelques aspects Fondamentaux de l’oeuvre et de la personnalité de l’écrivain de Prato. Par exemple : 1. La valeur et le sens de notions clés de son oeuvre telles que la dichotomie cruauté-pitié. 2. La fonction importante exercée par le catholicisme dogmatique et “rhétorique” de l’écrivain espagnol dans l’itinéraire de Malaparte qui débouche sur son attitude particulière face à la souffrance réelle de l’homme. 3. La caractérisation du christianisme “anarchiste” de Malaparte par rapport au catholicisme “théologique” du comte de Foxá.
2017 •
Scopo del presente studio è esaminare il rapporto tra Curzio Malaparte e la guerra, accertare le modalità in cui essa emerge come grande «personaggio secondario», e nondimeno fatale e sovrastante, nella prosa dello scrittore. A tale scopo, si farà riferimento principalmente alle opere di Malaparte nelle quali la guerra appare come tema fondamentale: La rivolta dei santi maledetti (1921), Il sole è cieco (1941), Il Volga nasce in Europa (1943) e, naturalmente, Kaputt (1944) e La pelle (1944). Il sondaggio su queste opere tenterà di marcare l’evoluzione dell’atteggiamento dello scrittore sulla guerra, il suo significato storicopolitico e il suo valore spirituale di grande sacrificio d’espiazione. ___ The purpose of this study is to analyse the relation between Curzio Malaparte and the war, to verify how it emerges as a great «secondary character», nevertheless fatal and overwhelming, in the prose of the auctor. For that purpose, the consideration will be mainly given to the works of Malaparte in which the war appears to be a fundamental issue: La rivolta dei santi maledetti (1921), Il sole è cieco (1941), Il Volga nasce in Europa (1943) and, of course, Kaputt (1944) and La pelle (1944). The survey on these works will try to mark the evolution of the attitude of the auctor on the war, its historical and political significance, and its spiritual value of great sacrifice for expiation.
Tesi di Laurea Magistrale (A.A. 2014/2015)
I racconti di Curzio MalaparteIl lavoro si propone di analizzare in modo sistematico le raccolte di Curzio Malaparte degli anni Trenta, Sodoma e Gomorra (1931), Fughe in prigione (1936), Sangue (1937) e Donna come me (1940), per mostrare come il racconto costituisca per lo scrittore una forma privilegiata e un vero punto di partenza per la sua produzione successiva. Individuando nella sua prima produzione, nata nel seno della sua collaborazione con il «Corriere della Sera», cinque diverse tipologie di racconto (l'invenzione, l'autobiografia, la storia, il bozzetto e il mito), vi ritroviamo già tutta l'essenza della scrittura visionaria malapartiana, a partire dall'estetica dello choc per arrivare al realismo magico. Attraverso un'attenta analisi dei testi, ricostruiamo con questo lavoro il percorso senza cesure che, a partire dagli anni Trenta, ha condotto lo scrittore fino ai romanzi della maturità: è infatti proprio in questi racconti, che non hanno ancora ottenuto l'attenzione della critica internazionale contemporanea, che Kaputt e La pelle affondano le loro radici.
in: Between, vol. V, n. 10 (2015)
Ripensare la Grande Guerra: ancora a proposito di "Viva Caporetto! La rivolta dei santi maledetti" di Curzio Malaparte. (Rethinking the Great War and Malaparte’s "Viva Caporetto! La rivolta dei santi maledetti").2015 •
The First World War, even on the occasion of its centenary, has always been the subject of reflection regarding the memoirs, diaries, literature and cinema. That event, as repeatedly pointed out, represented a starting point (of the "Short Century") in breaking the timing of modernity, of disillusionment (narrated and renarrated) for that generation, and, at the same time, subject for myths (fascism and the myth of the trenches) or removal and opposition (for next generation, the generation of resistance). First World War has been a social laboratory, for science, mentality and culture (cf., "Il laboratorio della guerra", to quote Gibelli, Fussell, Leed), about literacy innovation, diaries and perception (from Celine to Cendrars, to Musil), with the link between art, technology and war. The purpose of this paper is, taking account of that vast horizon of experiences, to work on a specific case: the hypothesis of the link between war / and possible revoution, as proposed by Curzio Malaparte in his Viva Caporetto! The revolt of the damned saints. Working on the complex and contradictory path of Malaparte (participation to fascism until its criticism and rejection, because of his anarchist vision), and the approaching to the communist party and leftist ideas after the second world war. In any case, I will try to show how discursive devices, values and metaphors work in the text of Malaparte. This text is also interesting for a comparison with other texts and authors: both in terms of thematic organizations, of point of views, in the forms of utterance; as well as organizations narrative, exposing not only the story of the defeat of Caporetto, but, more generally, the "time when men decide to stop fighting" and, perhaps, to transform this moment into something else.
The article analyses the first two Libri delle rime spirituali [Books of Spiritual Poems], printed in Venice in 1550 – one of the most important cases of religious anthology in the Italian XVIth century. Following the summary of the content of these works, the article aims to provide the sources employed to make the books and to analyse the subject. The discovery of two manuscripts containing Antonio Agostino Torti’s works, one of the anthologised authors, can illuminate both his religious and literary background, as well as the heterodox outline of the printed anthology.
2016 •
The First World War, even on the occasion of its centenary, has always been the subject of reflection regarding the memoirs, diaries, literature and cinema. That event, as repeatedly pointed out, represented a starting point (of the "Short Century") in breaking the timing of modernity, of disillusionment (narrated and renarrated) for that generation, and, at the same time, subject for myths (fascism and the myth of the trenches) or removal and opposition (for next generation, the generation of resistance). First World War has been a social laboratory, for science, mentality and culture (cf., "Il laboratorio della guerra", to quote Gibelli, Fussell, Leed), about literacy innovation, diaries and perception (from Celine to Cendrars, to Musil), with the link between art, technology and war. The purpose of this paper is, taking account of that vast horizon of experiences, to work on a specific case: the hypothesis of the link between war / and possible revoution, as p...
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