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Identity plays a major role in the life of an individual. It makes a person unique or different than others. In different subjects the word identity gives different meaning. It is multidimensional term, in sociology and psychology it the identity of an individual's conception of an individuality in a particular group or nation, it may be national identity or it may be cultural identity. A child can get his identity through his parents and one can get his identity through his personality. In Indian writing in English the identity crisis became of the recurrent theme. As we know India was under the British rule and the Britishers bow their seed in our country. After 1947 when India got freedom from the Britishers many families settle down out of India. The Indian culture, tradition, values and ethics are totally different than other countries. Those people who live out of their country cannot adjust themselves in an alien land. They faced many difficulties and cannot get their identity. Indian writing in English became a platform for those people who are facing such clashes in their life. Among all the authors who raised the diasporic issues, the name of Rohiton Mistry is at the top. He also exhibited the problems of diasporic very honestly. He portrayed his own experience of immigration and feeling of belongingness for his country. The present paper aims to explore the clash in the works of Rohiton Mistry.
Sabina Lucky, Ph.D. Research Scholar, Department of English, Aligarh Muslim University, Aligarh, India.
CHALLENGES OF MULTI-CULTURAL IDENTITY IN THE INDIAN DIASPORA: FROM A LITERARY PERSPEPCTIVE OF ROHINTON MISTRYThis paper attempts to show how Rohinton Mistry, as an important figure among the writers in the Indian Diaspora, has tried to reveal various concerns of diasporic minority in his own homeland India through his English fiction writing. As a Parsi Zoroastrian, Rohinton Mistry was born in Bombay (India), the place he had left in 1975 with his wife for migrating into Toronto (Canada). On being a Parsis in India and then an immigrant in another country, Mistry distinguishes himself in multiple displacements. This is the reason why his novels articulate the pursuit of identity, connection to the original land, and multiculturalism on the Canadian location in diasporas to put questions about the feelings of home and belonging. Even His Identity is hyphenated as Indian-Canadian Parsi, which reflects in all his works containing a recording of the multifaceted tradition of Parsi history. The way he depicts the Parsis culture, their habits, and customs is unique. In charting the lives of Parsis through his fiction, he assumes the role of an ethnographer. Thus, this paper aims to indicate his purpose of fictionalizing the trials and tribulations of an ethnic community and presenting it as comparable counterparts for the West's literary traditions within the multicultural agenda.
Research Guru: Online Journal of Multidisciplinary Subjects (Peer Reviewed)
Diasporic Indian Literature Immigrant and Identity2018 •
Displacement from the motherland, nostalgia, craving for acceptance, and establishment in foreign land are characteristics of a diasporic dilemma. Migration from one place to another, from one land to another is always unpleasant situation and nostalgic. If harassment persists there on the new soil, the immigrant becomes nostalgic and craves for the homeland. Migration may be due to economic necessities, geographical hardships, and socio-political reasons. In the present context, it has become very common for people to settle on the new soil. On account of the issues like homeland, identity and race have become topic for discussion. Literature truly mirrors the change in the society because of immigrant and identity crisis. The Indian women novelists of nineties have depicted the change in migration and mobility. Women writers like Shobha De, Githa Hariharan, Manju Kapur and others have delineated the theme of immigration and identity crises in their novels. Shahi Despandey primarily focuses on the struggle of women to search their identity in the context of Indian Society. Manju Kapur`s „The Immigrant‟ about migration the complications arise in setting on the new soil. The novelist depicts the sense of drift and identity crisis during her stay in Canada.
International Journal of English and Literature
Identity crisis- Indian English fiction of post 1980s2013 •
About the Author Dr. Liza Nanda completed her Ph.D. in 2013. Her area of specialization is South Asian Literary Studies and Indian Writing in English. Her research has been on Muslim writers of the Indian Subcontinent and South Asia.
Scholarly Research Journal for Humanity Science & English Language
ISSUE OF IDENTITY IN THE POSTCOLONIAL WORLD2022 •
This research will explore the issue of identity in postcolonial literature. In the modern world with the increase in immigrant numbers, hybrid nations, and the constitution of countries with different cultural diversities the question of identity came to the surface. The research will present and discuss those theorists' arguments about the issue of identity in the postcolonial world and how they viewed and presented their ideas about constructing identity in former colonized countries and immigrants from these countries who suffered from facing the diasporas and the dilemma of the difficulty to construct their identity. The paper will investigate postcolonial novelists, especially writers in former British colonies such as V.S. Naipaul, Sam Selvon, and Tayeb Salih. As postcolonial theorists considered the issue of identity as one of its essential discussions, novelists also exposed and expressed the conditions of identity crises that emerged in the post-colonial period. The method will undertake to apply postcolonial theories to the works of the above-mentioned novelists.
Daath Voyage An International Journal of Interdisciplinary Studies in English (ISSN 2455-7544), Raj Raj Mukhopadhyay
The creation of borderlines demarcating the geographical boundary of the state has always problematized the discourse of nation incorporating the issues and debates of race, class, religion and historical events. It is also significant how it presents the ongoing process of the construction of personal ‘identity’ and the cultural determination of one’s selfhood. In the Indian subcontinent, the case is more interesting and complex as nation building takes place in heterogeneous, even fragmented lingual and cultural societies all over our country. The idea of ‘nation’ in the Subcontinent is much complicated, where the question of ethnicity and other forms of religious and political identities play a key role. My paper entitled “Exploring the Illusive Borderlines: Construction of Identity in the Indian Subcontinent” is a very modest attempt to get a glimpse into how the formation of borderlines by the partition of India delineates the construction of racial, religious and cultural ‘identity’ of an individual. This paper aims at studying few short stories like Intizar Husain’s “An Unwritten Epic”, Saadat Hasan Manto’s “Toba Tek Singh” and films like Srijit Mukherji’s “Rajkahini”, Deepa Mehta’s “Earth”, exploring the inherent complexities that arise while defining one’s identity, which is determined by one’s socio-cultural and religious position. The arbitrary lines that the British had drawn in order to divide the entire nation have resulted in the creation of two distinct and separate identities, which are hostile and inimical to each other. The Partition not only unleashed immense bloodsheds and communal riots, but also brought out the perplexity of the common masses to determine their ‘national’ identity that is predefined by their religion. Husain’s “An Unwritten Epic” portrays the character of Pichwa, who fought for the creation of Pakistan but unfortunately had to become a refugee there, leaving his homeland Qadirpur in India. This intense agony of Pichwa to locate his own native place is similar to Bishan Singh of Manto’s story “Toba Tek Singh”, who although being a Sikh refuses to go to India as his hometown Toba Tek Singh was situated in Pakistan, and eventually dying on the ‘no man’s land’. The brothel in Srijit Mukherji’s film “Rajkahini” is the epitome of a larger nation where the Radcliffe line has passed right through the courtyard. It depicts the complications that emerge while sundering the house into two, blending it with the Partition, demarcated by the illusive borderlines. The construction of identities of the subaltern people who fall on the trope of nation building is also a significant aspect. Deepa Mehta’s “Earth” reflects the transformation of a skeptical and liberal person into a religious fanatic roaming on the streets of Lahore with vengeance in his mind, witnessing the hatred originated by the creation of Pakistan. Considering the aforementioned texts, this study also interrogates the formation of distinct national and religious identities in the Subcontinent, at a time when it was taking root in the context of Partition and beyond. Keywords: Borderlines, Nation, Identity, Partition
This research will explore the issue of identity in postcolonial literature. In the modern world with the increase of immigrant numbers, hybrid nations, and constitution of countries with different cultural diversities the question of identity came to the surface. The research will present discuss those theorists arguments about the issue of identity in postcolonial world and how they viewed and presented their ideas about constructing identity in former colonized countries and immigrants from these countries who suffered from facing the diasporas and the dilemma of the difficulty to construct their identity. The paper will investigates postcolonial novelists especially writers in former British colonies such as V.S.Naipaul, Sam Selvon and Tayeb Salih. As postcolonial theorists considered the issue of identity as one of its essential discussion, novelists also exposed and expressed the conditions of identity crises that emerged in postcolonial period. The method will undertake applying postcolonial theories on works of the above mentioned novelists.
2015 •
Keywords: cultural identity, ambivalence, postcolonialism Since Indian people gained their freedom in 1947, many of them have migrated to other countries. The migration creates an identity crisis. It is because the original culture which is brought from the homeland is very different from the new culture in new environment. The differences of both cultures make an Indian diaspora confused to which cultural identity they practice and maintain. In one hand, an Indian diaspora want to adapt the new culture. On the other hand, an Indian diaspora want to maintain their original culture. In this case an Indian diaspora experience the ambivalence. This research is aimed to reveal Santosh’s ambivalences in One Out Of Many by V.S Naipaul and how he constructs his cultural identity. This research uses qualitative method and employs two concepts, namely ambivalence and cultural identity with postcolonial approach. The result shows some ambivalences within Santosh. Ambivalence happens in aspec...
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