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2018, Research Guru: Online Journal of Multidisciplinary Subjects (Peer Reviewed)
Displacement from the motherland, nostalgia, craving for acceptance, and establishment in foreign land are characteristics of a diasporic dilemma. Migration from one place to another, from one land to another is always unpleasant situation and nostalgic. If harassment persists there on the new soil, the immigrant becomes nostalgic and craves for the homeland. Migration may be due to economic necessities, geographical hardships, and socio-political reasons. In the present context, it has become very common for people to settle on the new soil. On account of the issues like homeland, identity and race have become topic for discussion. Literature truly mirrors the change in the society because of immigrant and identity crisis. The Indian women novelists of nineties have depicted the change in migration and mobility. Women writers like Shobha De, Githa Hariharan, Manju Kapur and others have delineated the theme of immigration and identity crises in their novels. Shahi Despandey primarily focuses on the struggle of women to search their identity in the context of Indian Society. Manju Kapur`s „The Immigrant‟ about migration the complications arise in setting on the new soil. The novelist depicts the sense of drift and identity crisis during her stay in Canada.
2021
In this era of globalization people of the world and especially people from the third world countries are migrating to the developed countries in search of betterment of life. The various sentiments and feelings of these people and their urge to adjust themselves in the alien land, are often expressed through the voices of the diasporic writers. This paper seeks to show the different immigrant sentiments as expressed through the works of three Indian sub-continental diasporic female writers Uma Parmeswaran, Yasmine Gooneratne and Monika Ali. Indian diasporic female writer, Uma Parmeswaran’s first novel is Mangoes on the Maple Tree. It deals with two Indian immigrant families in Canada and it expresses the various tensions that the families face being minority in the alien society. Sri Lankan diasporic female writer, Yasmin Gooneratne’s novel A Change of Skies deals with a Sri Lankan family that moves to Australia. Here she presents the themes of immigration and adjustment to the new...
AABS Publishing House, Kolkata, 2019
The anthology Immigration and Estrangement in Indian Diaspora Literature: A Critical Study attempts to study diasporic sensibilities in writings of Indian Diaspora writers. The book mainly focuses its study on the sense of displacement and dislocation rising due to immigration from homeland to hostland as found in writings of Indian Diaspora writers. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.
Indian diaspora pertains to Indian migration, their socioeconomic and cultural experiences, experiences of adaptation and assimilation in the host societies. Literature written by these diasporic writers is clearly inspired by their personal experiences. The pain of migration and displacement felt by these writers flows in their narratives too. Novels and stories are the tales of deep anguish, nostalgia and of rootlessness where characters feel more emotionally and mentally tortured than physical fatigue. Predicament of dual identities i.e of their homelands and of nations they migrated to, corrodes their psyche. In a cosmopolitan world one cannot be a cultural and social outsider in a foreign land for long. Sunetra Gupta in her novels like Memories of Rain and A Sin of Colour presents the intercultural relationships. Jhumpa Lahiri's Interpreter of Maladies too pins the Indian migration to US.
Migration has always been a major force in human history. The study of the phenomena of diaspora is a fertile ground to study Indian women fiction from a different perspective. We see that women fiction of India focuses on the loss of cultural roots. We see women character's emotional pain and suffering amidst a plethora of intercultural miscommunication. The representation of culture in often hostile environment as well as the relation with the homeland is key features of the diaspora concept in Indian Milieu. This research paper is a humble attempt to emphasise on how those women define their identities in diasporic background and how they negotiate traditional contracts of identity given their experience of alienation and assimilation within their host culture and communities the home limited ability to play a role in defining themselves against categories that are critical to them. Creation of literature gives a historical connection in the context of contemporary social structure. Indian women fiction in English also embellishes facts and unfolds interesting layers to hold the question of nostalgia, identity and quest for homeland. Diasporic sensibility in Indian women fiction can be seen and exemplified in interaction between gender class ethnicity and most importantly a recreation of identity and a new role of gender. Pendulating between the infatuation of home and land of opportunities-these form a new migrant come across a constant psychic battle: the old world is replete with myth and tradition; the new world is proliferate with an appetite for freedom. Their situation is like Hamlet, to be or not to be, as to whether they should remain in a situation amid old values and tradition with least interaction with the majority or break the shackles and get assimilated with the paraphernalia of new culture. For materialistic goals they are losing their identity and finding only uncertainty. Literature is an honest representation of contemporary society so as the Indian Women novelist also have tried to depict the picture of their experience mixing fact and fiction in the writings. No doubt degree of honesty varies from person to person. Particular forms of loss and yearning articulated in much of diasporic literature relate to the experience of men as men, as
2018
The word, ‘diaspora’ means ‘to disperse’ in its original Greek context. Ashcroft, Griffith’s and Tiffin define it as the voluntary or forcible movement of peoples from their homelands into new regions... Cohen describes diaspora as the communities of peoples living together in one country who acknowledge that the old country – a nation often buried deep in language, religion, custom or folklorealways has some claim on their loyalty and emotions. (K. Rupinder qtd. in CDL).The literature of diaspora refers to the works written by those who live outside their native land. There are various types and kinds of diaspora literatures-African, Australian, Arab diaspora, and so on. Among these, Indian diasporic literature has caught ‘fancy of writers, literati, historians and sociologists. Since, foreign land offers many fold challenges in terms of adaptation and assimilation of various socio-cultural values, this paper, as such is an attempt to theorize some of the common issues reflected in...
A Journal of Composition Theory, 2020
A sense of longing for the 'homeland' or 'root', a strange and an unfamiliar connection to its traditions, religions, and languages define diasporic writing. Chitra Banerjee Divakaruni, a firstgeneration diasporic writer based in the United States, is one of the foremost women writers in this domain. This paper entitled 'Trans-Cultural Conflicts between the First and Second Generation Immigrants in the Works of Chitra Banerjee Divakaruni' focuses on the sense of rootlessness, cultural conflicts and alienation of the protagonists of Divakaruni's novels. She is a perfect translator of the culture of India. Her works portray the experiences and struggles of Indian immigrants in all its shades in the host land, particularly those of women. Insisting upon the fact that diasporic writing is a good means of communication besides being a medium of awareness, Divakaruni highlights her concerns about Cross culture, cultural identity, and the conflicts between the first and second generation migrants in her works.
The role of these second generation Indians is central to the discussion of continually changing sensibilities of diasporic community. These generations suffer from double marginalization - first because of their ethnicity, and secondly due to generational differences. The complexities of their distinctive identity require particular note as they indicate both the challenges posed by the fragile cultural roots and possibilities for successful integration in the host community. Chitra Banerjee Divakaruni’s fiction offers the resolution of this dilemma in the form of the amalgamation of oriental ethics with the occidental ethos. This paper is an attempt to study the evolving life of the various Indo-American characters, their identity crisis and their final transmutation towards a remixed synthesis of its own as explored in her novels. Keywords: Diaspora, identity crisis, Immigrants
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