IC – Revista Científica de Información y Comunicación
Revista Científica de Información y Comunicación, IC
ISSN: 1696-2508; E-ISSN: 2173-1071
https://ic-journal.org/
Address: Departamento de Periodismo I, Facultad de Comunicación de la Universidad de Sevilla (España)
ISSN: 1696-2508; E-ISSN: 2173-1071
https://ic-journal.org/
Address: Departamento de Periodismo I, Facultad de Comunicación de la Universidad de Sevilla (España)
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Abstract
Since this work deals with 'modern Spanish culture', it seems crucial to reflect upon the relationships between those three words and the theoretical consequences of how we choose to define 'culture'. I will look first at the changes in the meaning of the word 'culture' in the modern era and then raise some of the theoretical questions that underlie recent scholarship on such topics, including high and low culture, gender and culture, culture and politics, and what we mean by Spanish culture.
Abstract
In the globalized world, the intensive changes caused by the advent of ICTs have led to the appearance of a new meaning of the speed, space and time concept, besides increasing uncertainty. These oblige the national, continental and world community to reflect on the education that the young generations need.
As subjects of a colonial civilizing heritage, the Brazilian elites always tried to represent themselves by means of collective identification models borrowed from Europe, the continent of white civilization. " Whiteness " and the hegemonic anthropological paradigm. While " mixturism " or the virtue of mixture is the strategy that gives occasion for discourses of conciliation of class and phenotypic pattern differences. The fables of " cordial man " , " coexistence " , " pacific character " and " non-racist consciousness " refer to sensitive representations and images of the world stemming from this identity strategy.
Abstract
The main aim of this research is to clarify the changes that the new media have introduced in anthropological research and to test them on this basis. Using experiences and theoretical references as a starting point, these point to the fact that the 'new media' will overcome the distrust and insistent critiques concerning visual anthropology for launching new proposals, such as 'hyper-scenography or the real'. All this is the result of a transcultural and transdisciplinary work keyed to approaching two practices – visual anthropology and hypermedia; and the subject areas of anthropology, communication and semiotics – conducted by the following research groups:
Abstract
Nowadays, for a significant number of thinkers the challenge of conjecturing on community structure takes on the value of a prophecy. Besides being a project of identity and educational links, it adopts the status of a proposal to be generated also by the specific area of communication and is configured from what we define as " generative community ".
Abstract
Computer science applied to music has led to the appearance of new instruments, musical genres and forms of consumption. This widespread regeneration, driven by technological innovation, is without precedent in its history, because, in addition to the changes in forms of production, distribution and reception, it has moulded itself to a new epistemological approach to music.
Abstract
This paper tries to analyze the extent to which information and communication technologies, especially the Internet, are contributing to the transformation of traditional concepts of national identity and the undermining of nation-state sovereignty, as several forums maintain, at a moment of profound changes associated with globalization.
Abstract
Since this work deals with 'modern Spanish culture', it seems crucial to reflect upon the relationships between those three words and the theoretical consequences of how we choose to define 'culture'. I will look first at the changes in the meaning of the word 'culture' in the modern era and then raise some of the theoretical questions that underlie recent scholarship on such topics, including high and low culture, gender and culture, culture and politics, and what we mean by Spanish culture.
Abstract
In the globalized world, the intensive changes caused by the advent of ICTs have led to the appearance of a new meaning of the speed, space and time concept, besides increasing uncertainty. These oblige the national, continental and world community to reflect on the education that the young generations need.
As subjects of a colonial civilizing heritage, the Brazilian elites always tried to represent themselves by means of collective identification models borrowed from Europe, the continent of white civilization. " Whiteness " and the hegemonic anthropological paradigm. While " mixturism " or the virtue of mixture is the strategy that gives occasion for discourses of conciliation of class and phenotypic pattern differences. The fables of " cordial man " , " coexistence " , " pacific character " and " non-racist consciousness " refer to sensitive representations and images of the world stemming from this identity strategy.
Abstract
The main aim of this research is to clarify the changes that the new media have introduced in anthropological research and to test them on this basis. Using experiences and theoretical references as a starting point, these point to the fact that the 'new media' will overcome the distrust and insistent critiques concerning visual anthropology for launching new proposals, such as 'hyper-scenography or the real'. All this is the result of a transcultural and transdisciplinary work keyed to approaching two practices – visual anthropology and hypermedia; and the subject areas of anthropology, communication and semiotics – conducted by the following research groups:
Abstract
Nowadays, for a significant number of thinkers the challenge of conjecturing on community structure takes on the value of a prophecy. Besides being a project of identity and educational links, it adopts the status of a proposal to be generated also by the specific area of communication and is configured from what we define as " generative community ".
Abstract
Computer science applied to music has led to the appearance of new instruments, musical genres and forms of consumption. This widespread regeneration, driven by technological innovation, is without precedent in its history, because, in addition to the changes in forms of production, distribution and reception, it has moulded itself to a new epistemological approach to music.
Abstract
This paper tries to analyze the extent to which information and communication technologies, especially the Internet, are contributing to the transformation of traditional concepts of national identity and the undermining of nation-state sovereignty, as several forums maintain, at a moment of profound changes associated with globalization.
contemporary theories of cultural agency, we interrogate to what extent these products extend the re!ection about media autonomy and citizen participation in times of convergence
to show how this action could be understood as a paradigmatic case of good communicative practices for social change in present-day multilayer communicative scenarios.
hegemonic forms and digital technologies.