- Italy
Riccardo DRUSI
Università Ca' Foscari Venezia, Department of Humanities, Faculty Member
Epicedion for Albiera degli Albizzi (as well as the elegy for Lalage,composed at a young age too) shows Poliziano already firmly trained on classical models, but yet still influenced by traditional cultural factors, subsequently abandoned... more
Epicedion for Albiera degli Albizzi (as well as the elegy for Lalage,composed at a young age too) shows Poliziano already firmly trained on classical models, but yet still influenced by traditional cultural factors, subsequently abandoned because no longer corresponding to the most up-to-date humanistic principles.
A travel diary written in 1536 records a visit to Petrarch’s home in Arquà before its transformation, from the mid-sixteenth century onwards, into a sort of museum, which became an obligatory destination for poetic pilgrimages. The diary,... more
A travel diary written in 1536 records a visit to Petrarch’s home in Arquà before its transformation, from the mid-sixteenth century onwards, into a sort of museum, which became an obligatory destination for poetic pilgrimages. The diary, which is here studied first of all as a precious witness to the state of the building still relatively unchanged from Petrarch’s day, also provides some evidence of previous visits to the building, which must therefore have already for some time become a culturally important destination for scholars and poets. The paper takes this as a starting-point for redefining the chronology of, and the reasons for, this cultural tourism avant la lettre in Arquà.
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2 Dante e la musica-Il sinfonismo Dante e l'Arte è una rivista dell'Institut d'Estudis Medievals attivo all'in-terno dell'Universitat Autònoma de Barcelona (UAB). È stata fondata nel 2014 da Rossend Arqués e Eduard... more
2 Dante e la musica-Il sinfonismo Dante e l'Arte è una rivista dell'Institut d'Estudis Medievals attivo all'in-terno dell'Universitat Autònoma de Barcelona (UAB). È stata fondata nel 2014 da Rossend Arqués e Eduard Vilella perché fosse un punto di riferimento delle iniziative relative agli studi sul rapporto tra Dante e l'arte sia all'interno dell'opera dantesca sia nella sua ricezione. Il suo obiettivo è fungere da mezzo di diffusione delle ricerche originali in questo specifico ambito grazie alla pubblicazione di studi che provengano da tutto il mondo, nella convinzione che l'argomento debba essere affrontato a livello mondiale con lo sguardo rivolto ai rapporti esistenti tra le forme artistiche sviluppatesi nei diversi paesi e l'opera dantesca. La rivista pubblica lavori originali in dossier monografici, articoli di ricerca, note e recensioni di opere pubblicate nel mondo che si sono occupate di questo argomento. L'accettazione degli ar...
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Research Interests: Art and Italian philology
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Pietro Bembo, writing 'Prose della volgar lingua' at the beginning of XVIth Century, faced several traditional Theories about vernacular language useful for Literatur. Having to defeat them before explaining his personal... more
Pietro Bembo, writing 'Prose della volgar lingua' at the beginning of XVIth Century, faced several traditional Theories about vernacular language useful for Literatur. Having to defeat them before explaining his personal Theory, he was obliged to find a strategical way to show his position at the best.
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Pietro Bembo's 'Asolani' have an uncommon realistic degree that appears worthy to be studied as a topic reaction against traditional way to speak about vernacular Language and Literature.
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Due to the interest in the Italian Theater by the Court of Saxony in the mid-18th century, some comedies by Carlo Goldoni were exported from Venice to Dresden and Warsaw. For greater ease of the German and Polish public, the plot of the... more
Due to the interest in the Italian Theater by the Court of Saxony in the mid-18th century, some comedies by Carlo Goldoni were exported from Venice to Dresden and Warsaw. For greater ease of the German and Polish public, the plot of the comedies was summarised in special printed brochures, many of which are now kept at the Landesbibliothek and the Staatsarchiv in Dresden. The leaflet of La Donna di garbo, which is studied here, presents interesting differences compared to the comedy that Goldoni printed since 1750. These differences allow us to partially reconstruct how the comedy was actually represented between the date of its composition, 1742, and the first printed edition controlled by Goldoni.
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Convegno sulla novella dal Decameron al Rinascimento, Venezia, Ca' Foscari 30 settembre - 1 ottobre 2021