: Leo Bersani’s “The Jamesian Lie†has had less of an impact than it deserves. It has often... more : Leo Bersani’s “The Jamesian Lie†has had less of an impact than it deserves. It has often been ignored or misread. For Sharon Cameron, Bersani critiques how consciousness “betrays the social order†in James; in fact, Bersani shows how betrayal is the index of a notion of truth against which his work does battle. In “The Beast in the
CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Jo... more CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Journals Online toolbar (for IE 7 only). What is this? ... Add Cambridge Journals Online as a search option in your browser toolbar. What is this? ... Johan Callens (ed.), American ...
These various inadequacies also pose problems for the central argument of the book. Nathanson sta... more These various inadequacies also pose problems for the central argument of the book. Nathanson states that the phenomenon of the film's popularity" demands an explanation". He claims that the film" transcends the boundaries separating races, classes, sexes, ...
CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Jo... more CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Journals Online toolbar (for IE 7 only). What is this? ... Add Cambridge Journals Online as a search option in your browser toolbar. What is this? ... Mark Shechner, The Conversion of ...
Michael Chabon's novella The Final Solution (2004), which first appeared in the Paris Review in 2... more Michael Chabon's novella The Final Solution (2004), which first appeared in the Paris Review in 2003 with the subtitle A Story of Detection, lends itself to being interpreted as an allegory of man's futile quest for understanding of the Holocaust. 1 In this reading, the detective story that the novella recounts against the background of the Nazi extermination of the Jews illustrates the inaccessibility of the unspeakable horror of the Holocaust to rational inquiry.
Pre-publication, post-peer review version; please cite from Henry James and the supernatural, ed. Anna Despotopoulou and Kimberly C. Reed. London: Palgrave Macmillan, 2011. 149-164. l, Jan 1, 2011
: Leo Bersani’s “The Jamesian Lie†has had less of an impact than it deserves. It has often... more : Leo Bersani’s “The Jamesian Lie†has had less of an impact than it deserves. It has often been ignored or misread. For Sharon Cameron, Bersani critiques how consciousness “betrays the social order†in James; in fact, Bersani shows how betrayal is the index of a notion of truth against which his work does battle. In “The Beast in the
CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Jo... more CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Journals Online toolbar (for IE 7 only). What is this? ... Add Cambridge Journals Online as a search option in your browser toolbar. What is this? ... Johan Callens (ed.), American ...
These various inadequacies also pose problems for the central argument of the book. Nathanson sta... more These various inadequacies also pose problems for the central argument of the book. Nathanson states that the phenomenon of the film's popularity" demands an explanation". He claims that the film" transcends the boundaries separating races, classes, sexes, ...
CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Jo... more CJO Search Widget (Journal of American Studies) What is this? ... Download a branded Cambridge Journals Online toolbar (for IE 7 only). What is this? ... Add Cambridge Journals Online as a search option in your browser toolbar. What is this? ... Mark Shechner, The Conversion of ...
Michael Chabon's novella The Final Solution (2004), which first appeared in the Paris Review in 2... more Michael Chabon's novella The Final Solution (2004), which first appeared in the Paris Review in 2003 with the subtitle A Story of Detection, lends itself to being interpreted as an allegory of man's futile quest for understanding of the Holocaust. 1 In this reading, the detective story that the novella recounts against the background of the Nazi extermination of the Jews illustrates the inaccessibility of the unspeakable horror of the Holocaust to rational inquiry.
Pre-publication, post-peer review version; please cite from Henry James and the supernatural, ed. Anna Despotopoulou and Kimberly C. Reed. London: Palgrave Macmillan, 2011. 149-164. l, Jan 1, 2011
Con la participación de José-Luis Diaz, Peggy Kamuf, Eleonora Cróquer, Dominique Maingueneau, Jér... more Con la participación de José-Luis Diaz, Peggy Kamuf, Eleonora Cróquer, Dominique Maingueneau, Jérôme Meizoz, Ingo Berensmeyer, Gert Buelens, Marysa Demoor, Jean-Marie Schaeffer, Martha Woodmansee y Jean-Claude Bonnet.
¿Qué es un autor? La pregunta que Michel Foucault lanzaba un año después de que Roland Barthes decretara su muerte, ha encontrado múltiples respuestas teóricas que abordan la autoría como una compleja cámara de ecos, en expresión de José-Luis Diaz, donde resuenan cuestiones cruciales acerca de la literatura, el arte o el sujeto. La teoría literaria, la historia de la crítica y de las ideas, la sociología, el análisis del discurso o la deconstrucción, se han volcado en analizar ese supuesto ser de carne y hueso que fabulamos antes o tras, dentro o sobre, de la obra literaria y artística. ¿Cómo y cuándo surge el concepto de autor tal y como hoy lo concebimos? ¿Cómo han cambiado las relaciones entre el autor/a, la obra y el lector/a? ¿Qué atributos se asocian a la noción de artista? ¿De qué modos la autoría se pone en escena en la obra? ¿Y en el campo literario y social? ¿Cómo se deviene autor? Recogiendo textos fundamentales de los Estudios Autoriales de las últimas décadas, esta antología nos invita a repensar los papeles culturales de este ser de papel y de palabras cuyo retrato, sin embargo, no se ha dejado de pintar, de fotografiar, de filmar y, sobre todo, de imaginar.
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¿Qué es un autor? La pregunta que Michel Foucault lanzaba un año después de que Roland Barthes decretara su muerte, ha encontrado múltiples respuestas teóricas que abordan la autoría como una compleja cámara de ecos, en expresión de José-Luis Diaz, donde resuenan cuestiones cruciales acerca de la literatura, el arte o el sujeto. La teoría literaria, la historia de la crítica y de las ideas, la sociología, el análisis del discurso o la deconstrucción, se han volcado en analizar ese supuesto ser de carne y hueso que fabulamos antes o tras, dentro o sobre, de la obra literaria y artística. ¿Cómo y cuándo surge el concepto de autor tal y como hoy lo concebimos? ¿Cómo han cambiado las relaciones entre el autor/a, la obra y el lector/a? ¿Qué atributos se asocian a la noción de artista? ¿De qué modos la autoría se pone en escena en la obra? ¿Y en el campo literario y social? ¿Cómo se deviene autor? Recogiendo textos fundamentales de los Estudios Autoriales de las últimas décadas, esta antología nos invita a repensar los papeles culturales de este ser de papel y de palabras cuyo retrato, sin embargo, no se ha dejado de pintar, de fotografiar, de filmar y, sobre todo, de imaginar.