
Luke Gartlan
Luke joined the School of Art History at the University of St Andrews in 2007. He is the editor of the peer-reviewed international quarterly History of Photography, and co-editor, with Ali Behdad, of Photography’s Orientalism: New Essays on Colonial Representation (Getty Research Institute 2013). His research concerns photography and cultural exchange in the nineteenth century, especially with reference to the camera’s role in colonial-era visual culture, histories of travel and exploration, and non-Western responses to photography. He is also engaged in research on Japanese modern visual culture and Japanese-European artistic interactions in the nineteenth century, as well as the visual cultures of the Habsburg Empire.
Luke received his PhD from the University of Melbourne in 2004. He subsequently taught at the University of Sydney and held postdoctoral fellowships at the University of Vienna and Nihon University, Tokyo. He was a Visiting Fellow at the Australian National University in 2010, during which he co-organised an international two-day conference on studio photography in Asia. Luke has also been invited to speak at numerous international research centres, including Nagasaki University, the Getty Research Institute, the Institute of Fine Arts at New York University, the Courtauld Institute of Art, the Power Institute at the University of Sydney, the Australian National University, and the Freer|Sackler Galleries in Washington, DC.
Luke currently offers modules at the University of St Andrews on ‘Orientalism and Visual Culture’, ‘Histories of Photography, 1835-1905’, and, for the MLitt History of Photography course, ‘Imperial Lens: Readings in Nineteenth-Century Asian Photography’ and ‘Issues in Photographic Criticism’.
For further details, see his staff website at:
http://www.st-andrews.ac.uk/arthistory/about/people/?mode=profile&group=staff&user_id=lg321
Address: School of Art History
79 North St
St Andrews, Fife KY16 9AL
Scotland
Luke received his PhD from the University of Melbourne in 2004. He subsequently taught at the University of Sydney and held postdoctoral fellowships at the University of Vienna and Nihon University, Tokyo. He was a Visiting Fellow at the Australian National University in 2010, during which he co-organised an international two-day conference on studio photography in Asia. Luke has also been invited to speak at numerous international research centres, including Nagasaki University, the Getty Research Institute, the Institute of Fine Arts at New York University, the Courtauld Institute of Art, the Power Institute at the University of Sydney, the Australian National University, and the Freer|Sackler Galleries in Washington, DC.
Luke currently offers modules at the University of St Andrews on ‘Orientalism and Visual Culture’, ‘Histories of Photography, 1835-1905’, and, for the MLitt History of Photography course, ‘Imperial Lens: Readings in Nineteenth-Century Asian Photography’ and ‘Issues in Photographic Criticism’.
For further details, see his staff website at:
http://www.st-andrews.ac.uk/arthistory/about/people/?mode=profile&group=staff&user_id=lg321
Address: School of Art History
79 North St
St Andrews, Fife KY16 9AL
Scotland
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Conference Organization by Luke Gartlan
Supported by the Alfried Krupp von Bohlen und Halbach Stiftung, Essen
Rome, Bibliotheca Hertziana, Max Planck Institute for Art History
March 17–21, 2025
Deadline: October 27, 2024
Books by Luke Gartlan
Photography’s Orientalism offers the first in-depth cultural study of the works of European and non-European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
Book Chapters and Articles by Luke Gartlan
Awards by Luke Gartlan
The 2nd Kreiner Award is awarded to Dr. Luke Gartlan of the university of St Andrews and his book entitled A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography (Brill, 2016).
Dr. Luke Gartlan is a Senior Lecturer at the School of Art History, the University of St Andrews. He is the editor of the peer-reviewed international quarterly History of Photography, and co-editor, with Ali Behdad, of Photography's Orientalism: New Essays on Colonial Representation (Getty Research Institute, 2013). His research concerns photography and cultural exchange in the nineteenth century, especially with reference to the camera’s role in colonial-era visual culture, histories of travel and exploration, and non-Western responses to photography.
The Award Ceremony will be held in January 2017.
Supported by the Alfried Krupp von Bohlen und Halbach Stiftung, Essen
Rome, Bibliotheca Hertziana, Max Planck Institute for Art History
March 17–21, 2025
Deadline: October 27, 2024
Photography’s Orientalism offers the first in-depth cultural study of the works of European and non-European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
The 2nd Kreiner Award is awarded to Dr. Luke Gartlan of the university of St Andrews and his book entitled A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography (Brill, 2016).
Dr. Luke Gartlan is a Senior Lecturer at the School of Art History, the University of St Andrews. He is the editor of the peer-reviewed international quarterly History of Photography, and co-editor, with Ali Behdad, of Photography's Orientalism: New Essays on Colonial Representation (Getty Research Institute, 2013). His research concerns photography and cultural exchange in the nineteenth century, especially with reference to the camera’s role in colonial-era visual culture, histories of travel and exploration, and non-Western responses to photography.
The Award Ceremony will be held in January 2017.
This paper argues that this portfolio - irrespective of its compiler's intentions - reveals the role of photography within religious networks of transcultural movement and exchange specific to the globalising Islamic world of the late nineteenth century. It therefore questions the limits of photography's role in orientalist disciplines of knowledge and power by pointing to its still little-known histories of integration within local traditional practices and long-held networks.