in: A. Scarci / R. Graells i Fabregat / F. Longo (a cura di), Armi votive in Sicilia, Atti del convegno Siracusa-Palazzolo Acreide 12-13 novembre 2021, RGZM-Tagungen 48. Mainz, 2022
open access at: https://doi.org/10.11588/propylaeum.1127
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Past scholarship on Corinthian vase-painting of the Archaic period has long overlooked Akragas, since the body of evidence from the settlement was relatively scanty or not well known. The recent and remarkable investigations around temple D and in the residential area provide an opportunity to bridge this gap. Therefore, this paper deals with Corinthian figured pottery excavated from Akragas at large, that is from the sanctuaries, residential areas and cemeteries. Based on a stylistic and contextual approach, this study offers an updated and comprehensive overview of both published and unpublished Corinthian pottery imported to Akragas. It deals with the following aspects: a) nature and peculiarities of Corinthian imports in the Mediterranean and local contexts; b) their distribution within the city; c) relationship with specific painters and/or workshops; d) the absolute chronology of Corinthian pottery style.
Anno di Edizione: 2020
Edizione: L'ERMA di BRETSCHNEIDER
Collane:
Bibliotheca Archaeologica, 69
ISBN: 9788891319937
Rilegatura: Rilegato
Pagine: 328
Formato: 24 x 28 cm
digital 3D survey constitutes a peculiar archive of images and data set in their contextual environment and related to their analogue cork model. Considering some Pompeian domus, their decorations (frescoes, floorings) and building details, it is possible to make comparisons between their current status and the documentary evidence given by the
cork model and its digital 3D reproduction.
Past scholarship on Corinthian vase-painting of the Archaic period has long overlooked Akragas, since the body of evidence from the settlement was relatively scanty or not well known. The recent and remarkable investigations around temple D and in the residential area provide an opportunity to bridge this gap. Therefore, this paper deals with Corinthian figured pottery excavated from Akragas at large, that is from the sanctuaries, residential areas and cemeteries. Based on a stylistic and contextual approach, this study offers an updated and comprehensive overview of both published and unpublished Corinthian pottery imported to Akragas. It deals with the following aspects: a) nature and peculiarities of Corinthian imports in the Mediterranean and local contexts; b) their distribution within the city; c) relationship with specific painters and/or workshops; d) the absolute chronology of Corinthian pottery style.
Anno di Edizione: 2020
Edizione: L'ERMA di BRETSCHNEIDER
Collane:
Bibliotheca Archaeologica, 69
ISBN: 9788891319937
Rilegatura: Rilegato
Pagine: 328
Formato: 24 x 28 cm
digital 3D survey constitutes a peculiar archive of images and data set in their contextual environment and related to their analogue cork model. Considering some Pompeian domus, their decorations (frescoes, floorings) and building details, it is possible to make comparisons between their current status and the documentary evidence given by the
cork model and its digital 3D reproduction.
International Workshop
27.-28. April 2018
UBC Vancouver
Canada
The Panathenaic prize amphoras were discovered into the so-called “Deinomenid backfill”, an archaeological layer sealed during the Deinomenid tyranny in conjunction with the building of the temple of Athena. As for the Perserschutt on the Athenian Acropolis, the archaeological material from the backfill constitutes the terminus post quem for the building of the surviving temple of Athena.
This paper deals with unpublished black-figure Panathenaic and Panathenaic-shaped amphoras from this archaeological context and sheds new light on the distribution and meaning of Panathenaic amphoras in the West and in the Western Greek sanctuaries.
The investigation focuses on the following aspects: 1) characteristics and chronology of the Panathenaic deposit; 2) attribution of some fragments to Attic workshops and painters; 3) meaning of Panathenaic amphoras within the archaic urban sanctuary of Syracuse and in the wider context of Western Greek sanctuaries; 4) chronology of the temple of Athena.
Oggi, sulla scia della campagna di rilevamento fotografico di Pompei curata dall’ICCD anni or sono, l’intero Plastico di Pompei è stato acquisito mediante fotografia digitale e restituito tridimensionalmente: dall’archivio materico ad un archivio digitale 3D. All’incrocio tra fotografia d’archivio e nuove metodologie, il suo rilievo costituisce un archivio singolare di immagini e informazioni correlate nello spazio e mediate a loro volta dal modello analogico in sughero: un efficace strumento di ricerca, conoscenza e divulgazione nell’era degli open data. Considerando alcune domus pompeiane e le loro decorazioni parietali, è possibile operare con più efficacia un confronto fra il loro stato attuale di conservazione, il corpus fotografico d’archivio in merito a quei contesti e la testimonianza del plastico mediata dal suo modello 3D.