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Alumni students of archaeology in Myanmar established the Myanmar Archaeology Association (MAA) in 2013 as an independent non‐governmental organization for the wider public now and for generations in the future. The MAA aims to  promote... more
Alumni students of archaeology in Myanmar established the Myanmar Archaeology Association (MAA) in 2013 as an independent non‐governmental organization for the wider public now and for generations in the future. The MAA aims to  promote heritage awareness with young people and the elderly in the many villages and the cities of Myanmar. We hope to show how archaeological resources are valuable among familiar things like livelihood, and part of our culture and economy. MAA reaches out to beginners and ordinary people, many of whom had not been
able to as devote themselves to a higher formal education. The independent organization of MAA provides all people with public participatory programmes and capacity building activities. We
encourage   archaeological participation among the ordinary people and prepare for the future challenges of preservation of cultural resources through public participation. We are open to all
and hope to contribute to grassroots levels, and all cultural and academic institutions working to safeguard our cultural heritage.
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Our paper profiles fourteen monasteries in the village of Myinkaba, Bagan, a village famous for its temples and lacquerware. We carried out a preliminary survey of the fourteen Myinkaba monasteries as part of the Home-Stay Project... more
Our paper profiles fourteen monasteries in the village of Myinkaba, Bagan, a village famous for its temples and lacquerware. We carried out a preliminary survey of the fourteen Myinkaba monasteries as part of the Home-Stay Project initiated by the Myanmar Archaeology Association in February 2015.The results of our survey demonstrated the strength of village support for the monasteries, with all but one receiving alms from villagers brought to the monastery. It also showed, despite the presence of koyins or novices, a gap between the size of the pagoda compound, its buildings, and the number of monks residing at the monasteries. In relation to the remnants of ancient architecture, we documented wooden architecture, masonry staircases and buildings and inscriptions. A high percentage of the monasteries are located in the vicinity of an ancient gu or temple, and in some cases, the principal monastery festival was linked to that of the ancient structure. In others, however, the main monastery festival was particular to the monastery. Out of the fourteen monasteries
in Myinkaba, all but two participate in an annual contest of Ayoke Thwin in conjunction with the Manuha pagoda festival and Myazedi pagoda festivals in Tawthalin (August- September) and Warkhaung (Wagaung, July-August). Our Myinkaba Monastery study highlights the role of village life and religious support in maintaining Bagan. For the village people of Bagan, the ancient and present tangible culture and the intangible are inseparable.
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People firstly used potteries to keep water and to store surplus food for more than thousand of years. Sun-dried pots, although they are baked up to about 1,150 Celsius, are still porous. So the only way to prevent porosity is to glaze... more
People firstly used potteries to keep water and to store surplus food for more than thousand of years. Sun-dried pots, although they are baked up to about 1,150 Celsius, are still porous. So the only way to prevent porosity is to glaze them. And also glazing is required for preserving fruits or storing oil. Later people tried to decorate monuments and religious edifices with glaze. Glaze has been used in various purposes. It is not certain when making of
glazed work was practiced in Myanmar. It is assumed on the present evidences that glaze started to use abundantly in Bagan period the 10th to 13th century AD. It is found that the glaze plaques and glazed decorative objects in Bagan temples and stupas show the great
workmanship of the then people. Later Martaban jars, the most famous glazed ceramics in the history of Myanmar, have been well known because of worldwide trade during the 14th to 18th century AD. People still use glazed wares and glazed decorative objects and there are some manufacturing sites which still produce glazed domestic wares and other objects in Myanmar. The purpose of using glaze has been changed one period from another. This paper highlights the changing of forms and styles of glazed ceramics and glazed decorative art to interpret the social, economic and cultural life of Myanmar.
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Decorative objects such as glazed terracotta plaques glazed floor tiles and glazed sandstone discs are crucial role in art and architecture of Bagan period. Only 27 monuments out of more than two thousand religious monuments in Bagan are... more
Decorative objects such as glazed terracotta plaques glazed floor tiles and glazed sandstone discs are crucial role in art and architecture of Bagan period. Only 27 monuments out of more than two thousand religious monuments in Bagan are decorated with glazed plaque, fittings and tiles. And 7 kilns that are potential for producing glazed objects decorated at Bagan’s monuments have been in question for industry sites for many years. So it is also a question that when was the earliest use of glaze in Bagan, and why was the green lead glaze used abundantly. While the people of Bagan were familiar with glazed decorative objects, they did not copiously use present the glazing technology as domestic objects on present evidences. This paper states that the surviving structures with glazed decorative objects, and how crucial role of the glazed objects are part of the architectural assemblage of the Bagan period.
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Surāmeraya, to abstain from fermented drink, is one of the five percepts, the basic code conduct practiced by upāsaka and upāsikā (lay followers) of Buddhism. Alcohol consumption had existed long before the tradition of drinking Siy... more
Surāmeraya, to abstain from fermented drink, is one of the five percepts, the basic code conduct practiced by upāsaka and upāsikā (lay followers) of Buddhism. Alcohol consumption had existed long before the tradition of drinking Siy (fermented) and eating meat became a documented social practice in the 13 th century. In some stone inscriptions of the later Bagan period, the celebration of drinking Siy (fermented drink) and eating meat after successfully conducting a meritorious deed, for example, donating land to a monastery was shared by both the donors and the monks. Nowadays drinking alcoholic beverage by a monk is unacceptable from the point of view of the code of conduct for Buddhist monks. Moreover, celebrating with fermented drink or alcohol after the Buddhist meritorious deed is unusual for the layman. This custom was likely influenced by the indigenous practice of worshipping Nat with alcohol and meat. However, the culture of drinking Siy appears to have been prominent in the Bagan period. It is proposed that this was a common occurrence as the name of a person who did not drink and chew betel nuts was exceptionally mentioned in inscriptions. This drinking practice seems to stop when the Buddhist codes of conduct were stronger again in the 16 th century with the king's support, and it was substituted with the eating of pickled tea (la phet).
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The IRAW@Bagan project is aimed at developing an integrated socio-ecological history for residential patterning, agricultural practices and water management at the Classical Burmese (Bama) capital of Bagan, Myanmar (11th to 14th centuries... more
The IRAW@Bagan project is aimed at developing an integrated socio-ecological history for residential patterning, agricultural practices and water management at the Classical Burmese (Bama) capital of Bagan, Myanmar (11th to 14th centuries CE). As part of this long-term research program investigations have been initiated in the Tuyin-Thetso uplands, located 11 km southeast of Bagan’s walled and moated epicenter. This mountainous area figures prominently in the chronicles of early Bagan, given that it was one of five places around the city that a royal white elephant carrying a Buddhist tooth-relic kneeled down, prompting King Anawrahta (10441077 CE) to build a pagoda (i.e., temple) there. Numerous 13th century religious monuments were subsequently built on the Tuyin Range. Recent explorations in these uplands have drawn attention to an additional feature of historical significance, a rock-cut tank located along the eastern edge of the Thetso-Taung ridge. Referred to by local villagers as Nat Yekan (Spirit Lake), this reservoir appears to have been integral not only to the initial collection and subsequent redistribution of water across the Bagan plain via a series of interconnected canals and reservoirs, but also, through its associated iconographic imagery, it may have been intended to symbolically purify this water, enhancing its fertility prior to its flowing into the city’s peri-urban zone. Hydrological modelling, excavations, and both iconographic and epigraphic analysis are used to build a multilayered understanding of Nat Yekan’s economic, political, religious, and ideological significance during Bagan’s Classical era. 

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