The essay starts with a brief introduction on Jewish Canadian writers, and especially on Jewish women poets and novelists, who have only recently found a proper critical attention. On the literary map of Jewish Canadian women writers, the... more
The essay starts with a brief introduction on Jewish Canadian writers, and especially on Jewish women poets and novelists, who have only recently found a proper critical attention. On the literary map of Jewish Canadian women writers, the Shoah occupies a specific space, as in the novel Fugitive Pieces by Anne Michaels, published in 1996. A poet and novelist, the Canadian writer revisits the Shoah through the voice of a male survivor, Jakob Beer, rescued by a geologist, working at the Biskupin site in Poland, who literally adopts him, taking him in incognito to Greece and, after World War II, to Canada. In the second part of the novel the narration switches to Ben, a professor of meteorology in contemporary Toronto. A child of survivors, Ben does not know how to face the violence suffered by his parents until he meets Jakob. Fugitive Pieces is analysed taking into consideration its polyphonic structure, the manifold motives and threads that weave together an intricate pattern, based...
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"Postcolonial to Multicultural" is a wide-ranging collection of primary sources on the cultures of the English-speaking world, from the mid-twentieth century to 2004
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... and let loose the dark forces of witchcraft, that is, liberate and carry out her innermost and wildest desires in order to swallow the writer ... such as, for example, Ellena Rosalba in Ann Radcliffe's The Italian (1796),... more
... and let loose the dark forces of witchcraft, that is, liberate and carry out her innermost and wildest desires in order to swallow the writer ... such as, for example, Ellena Rosalba in Ann Radcliffe's The Italian (1796), but more aptly Victoria di Loredani in Charlotte Dacre's Zofloya, or ...
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... Titre du document / Document title. Due strategie narrative a confronto in " An American Tragedy ". Auteur(s) / Author(s). PALUSCI O. ; Résumé / Abstract. Les stratégies narratives de Dreiser ... Mots-clés français / French... more
... Titre du document / Document title. Due strategie narrative a confronto in " An American Tragedy ". Auteur(s) / Author(s). PALUSCI O. ; Résumé / Abstract. Les stratégies narratives de Dreiser ... Mots-clés français / French Keywords. Roman. ; Stratégie narrative. ; Etats-Unis. ; Siècle 20 ...
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... and her attendants two ladies (Iras and Charmian), three men (Alexas, Diomedes and Seleucus, her treasurer) and the eunuch Mardian representing a more ... to fulfil the purpose of offering her own interpretation of the events... more
... and her attendants two ladies (Iras and Charmian), three men (Alexas, Diomedes and Seleucus, her treasurer) and the eunuch Mardian representing a more ... to fulfil the purpose of offering her own interpretation of the events involving herself, Antony and her coun-try, and of ...
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Il y a un an environ, une nouvelle équipe de rédaction a été nommée à la tête de la Revue internationale d’études canadiennes/International Journal of Canadian Studies. Formée de Melissa Haussman, Oriana Palusci et Miléna Santoro, cette... more
Il y a un an environ, une nouvelle équipe de rédaction a été nommée à la tête de la Revue internationale d’études canadiennes/International Journal of Canadian Studies. Formée de Melissa Haussman, Oriana Palusci et Miléna Santoro, cette équipe prend le relai éditorial d’un rédacteur en chef hautement compétent, Claude Couture, et de ses corédacteurs, Claude Denis et Martin Howard. Nous les remercions de l’excellent travail qu’ils ont accompli.
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About a year ago, a new team of editors was appointed to the International Journal of Canadian Studies/la Revue internationale d’études canadiennes. The new team included Melissa Haussman, Oriana Palusci, and Miléna Santoro. We were... more
About a year ago, a new team of editors was appointed to the International Journal of Canadian Studies/la Revue internationale d’études canadiennes. The new team included Melissa Haussman, Oriana Palusci, and Miléna Santoro. We were handed off the editorial responsibility from the very able editor, Claude Couture, and co-editors Claude Denis and Martin Howard. We thank them for their excellent work.