Hoa Vo
Georgia State University, Ernest G. Welch School of Art & Design, Faculty Member
- University of Minnesota - Twin Cities, Design, Housing, and Apparel, Graduate Studentadd
- noneedit
- Hoa Vo is an Assistant professor in Interior Design at the Welch School of Art and Design. Her research focuses on ad... moreHoa Vo is an Assistant professor in Interior Design at the Welch School of Art and Design. Her research focuses on adaptive technologies in teaching (AR, VR, digital modeling and fabrication), accessibility, equity, and intersectional collaborations in design, creativity and feedback practices in design, and physical experiences in the built environment. She has published in Academic Exchange Quarterly (AEQ), International Journal of Designs for Learning (IJDL), Design: Thinking and Making at a Community-Engaged University (The College of Design Anniversary Compendium, University of Minnesota), and multiple peer-reviewed conference proceedings. Her teaching and professional experience started in 2011 to current focusing on residential and commercial projects. She is a member of the Interior Design Educators Council (IDEC), the Illuminating Engineering Society (IES), and the Association for Computing Machinery (ACM). Credentials, professional works, and research publications are available on her LinkedIn profile and personal website.edit
- Dr. Abimbola O. Asojoedit
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PurposeIn this study, an interdisciplinary research team at a Midwest US University collaborated with a local county to co-envision interior design strategies for five county buildings: three libraries and two government buildings to... more
PurposeIn this study, an interdisciplinary research team at a Midwest US University collaborated with a local county to co-envision interior design strategies for five county buildings: three libraries and two government buildings to reduce in-person contact in response to the COVID-19 pandemic.Design/methodology/approachThe authors' interdisciplinary team used a community-based participatory design process which focused on creating consensus, while seeking out divergent perspectives among stakeholders to serve the needs of diverse users. The design process involved meetings with stakeholders remotely and analyzing survey results from the target occupants collected by the county.FindingsThe county with a population of 550,321 is the second most populous and diverse county in the state. The authors' collaborative efforts resulted in short-and long-term recommendations for the interior space planning to promote health, safety, and well-being for the county's diverse user g...
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Research Interests: Social Media and Sketch
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This paper discusses how interior design students’ responsiveness to feedback about their design can affect their creative performance. By examining the recorded conversations between critics and students in a third-year interior studio... more
This paper discusses how interior design students’ responsiveness to feedback about their design can affect their creative performance. By examining the recorded conversations between critics and students in a third-year interior studio at a Midwest university and comparing those results to students’ outcomes, the authors aim to gain insight on students’ learning processes. These findings can form a foundation for design educators to advance curriculum, engage students and develop teaching techniques.
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Despite being used extensively in design pedagogies, the practice of feedback in studio classrooms has not received sufficient attention. There are limited theoretical and operational guidelines to help instructors improve students’... more
Despite being used extensively in design pedagogies, the practice of feedback in studio classrooms has not received sufficient attention. There are limited theoretical and operational guidelines to help instructors improve students’ learning outcomes using this educational method. Taking into account the complexity and diversity of feedback, the authors conducted a mixed-method study on this account within the scope of interior design education. As institutional programs connect more with professional environments, instructors are no longer the sole source of feedback in design studios. Invited practitioners offer students the insightful understanding of current trends, manufacture capacities, and market challenges. This type of feedback, together with the ones of instructors, are likely to influence students’ creative performance. Three consecutive lighting design classes from 2015 to 2017 at a Midwest land-grant University became the context for the authors to explore the impact o...
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Understanding how occupants perceive the built environment is a growing interest in sustainability research. This article looks into how design interventions in a workplace renovation project impact occupants’ satisfaction through a... more
Understanding how occupants perceive the built environment is a growing interest in sustainability research. This article looks into how design interventions in a workplace renovation project impact occupants’ satisfaction through a pre-and post-occupancy survey. In two years (from 2016 to 2018), an interdisciplinary research team from the University of Minnesota administered online occupancy surveys at the headquarters of the Cuningham Group, a national renowned design firm in Minnesota. The surveys included 12 indoor environmental quality categories (with 26 criteria on a 7-point Likert scale) that measured how occupants perceived their existing workplace and the renovated environment. Mann–Whitney U tests and Chi-square tests were conducted for 12 indoor environmental quality categories between the pre-and post-surveys. Results showed that occupants’ satisfaction significantly increased with the design interventions in the renovated workplace. Perceived work performance and healt...
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Studio-based education is a creative problemsolving process that evolves through the act of giving and receiving feedback from the design professionals to students. With that practice, design students expand and deepen their repertoire –... more
Studio-based education is a creative problemsolving process that evolves through the act of giving and receiving feedback from the design professionals to students. With that practice, design students expand and deepen their repertoire – an assemblage of visuals, ideas, exemplars, and doings regarding their professions (1). During the constant presentation and revision of proposed solutions, collisions between the novice (students) and professional (instructors/ mentors) repertoires spark critical reflections and new realizations (2). At one end, students recruit available knowledge to build up responses to the design challenge. In another, instructors/ mentors use personal experiences and intuitions to compare, evaluate, describe implicit errors and anticipate possible directions for students’ solutions. Either receiving feedback on an individual or a group basis, students still benefit from exposing to instructors/ mentors’ insightful perspectives to bridge the gaps between their ...
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Millennials and Generation Z make up the new wave of students in design studios. These generations, while being tech-savvy, are undermined in creativity due to risk-aversion and collaboration-avoidance. Design educators need to consider... more
Millennials and Generation Z make up the new wave of students in design studios. These generations, while being tech-savvy, are undermined in creativity due to risk-aversion and collaboration-avoidance. Design educators need to consider these characteristics and create pedagogical approaches that can engage the students in learning creativity. The author proposes a theoretical framework to tackle the challenges Millennials and Generation Z bring to design studios by bridging the literature of design education and educational psychology. Scholars from both fields have highlighted the positive link between students’ interest and their performance in academic and creative tasks. Hence, it is plausible to hypothesize that task interest plays an important role in helping Millennials and Generation Z improve in learning creativity. This paper will discuss prominent studies that support the proposed theoretical framework and suggest pedagogical approaches for design studios with new-wave s...
The effect of feedback as an educational tool to nurture creativity varies via circumstances. My dissertation will propose an authentic-performance-based investigation of effective practices of feedback on creativity in an interior design... more
The effect of feedback as an educational tool to nurture creativity varies via circumstances. My dissertation will propose an authentic-performance-based investigation of effective practices of feedback on creativity in an interior design studio. The primary work found that students with high feedback receptivity outperformed in creativity. The next step is examining the smaller percentage of those with low feedback receptivity but still achieved decent creative outcomes.
This paper discusses how interior design students’ responsiveness to feedback about their design can affect their creative performance. By examining the recorded conversations between critics and students in a third-year interior studio... more
This paper discusses how interior design students’ responsiveness to feedback about their design can affect their creative performance. By examining the recorded conversations between critics and students in a third-year interior studio at a Midwest university and comparing those results to students’ outcomes, the authors aim to gain insight on students’ learning processes. These findings can form a foundation for design educators to advance curriculum, engage students and develop teaching techniques.