default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDNIME 2007: New York City, USA
- The Seventh International Conference on New Interfaces for Musical Expression, NIME 2007, New York City, USA, June 6-10, 2007. nime.org 2007
- Randy Jones, W. Andrew Schloss:
Controlling a Physical Model with a 2D Force Matrix. 27-30 - Niels Böttcher, Steven Gelineck, Stefania Serafin
:
PHYSMISM: A Control Interface for Creative Exploration of Physical Models. 31-36 - Katarzyna Chuchacz, Sile O'Modhrain, Roger F. Woods:
Physical Models and Musical Controllers - Designing a Novel Electronic Percussion Instrument. 37-40 - David Wessel, Rimas Avizienis, Adrian Freed, Matthew Wright:
A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures. 41-45 - Angela Chang, Hiroshi Ishii:
Zstretch: A Stretchy Fabric Music Controller. 46-49 - Juno Kim, Greg Schiemer, Terumi Narushima:
Oculog: Playing with Eye Movements. 50-55 - Antonio Camurri, Corrado Canepa, Gualtiero Volpe:
Active Listening to a Virtual Orchestra Through an Expressive Gestural Interface: The Orchestra Explorer. 56-61 - Bo Bell, Jim Kleban, Dan Overholt, Lance Putnam, John Thompson, JoAnn Kuchera-Morin:
The Multimodal Music Stand. 62-65 - Joseph W. Malloch, Marcelo M. Wanderley:
The T-Stick: From Musical Interface to Musical Instrument. 66-69 - Garth Paine, Ian Stevenson, Angela Pearce:
The Thummer Mapping Project (ThuMP). 70-77 - Nicolas D'Alessandro, Thierry Dutoit:
HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented Tablet. 78-81 - Yoshinari Takegawa, Tsutomu Terada:
Mobile Clavier: New Music Keyboard for Flexible Key Transpose. 82-87 - Mikko Ojanen, Jari Suominen, Titti Kallio, Kai Lassfolk:
Design Principles and User Interfaces of Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970's. 88-93 - Thor Magnusson, Enrike H. Mendieta:
The Acoustic, the Digital and the Body: A Survey on Musical Instruments. 94-99 - Michael Zbyszynski, Matthew Wright, Ali Momeni, Daniel Cullen:
Ten Years of Tablet Musical Interfaces at CNMAT. 100-105 - Michael Gurevich, Jeffrey Treviño:
Expression and Its Discontents: Toward an Ecology of Musical Creation. 106-111 - Click Nilson:
Live Coding Practice. 112-117 - Steve Mann:
Natural Interfaces for Musical Expression: Physiphones and a Physics-Based Organology. 118-123 - Frédéric Bevilacqua, Fabrice Guédy, Norbert Schnell, Emmanuel Fléty, Nicolas Leroy:
Wireless Sensor Interface and Gesture-Follower for Music Pedagogy. 124-129 - Roger B. Dannenberg:
New Interfaces for Popular Music Performance. 130-135 - Eric Lee, Urs Enke, Jan O. Borchers, Leo de Jong:
Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times. 136-141 - Nicolas Bouillot:
nJam User Experiments: Enabling Remote Musical Interaction from Milliseconds to Seconds. 142-147 - Niall Moody, Nick Fells, Nicholas Bailey:
Ashitaka: An Audiovisual Instrument. 148-153 - Roberto Aimi:
Percussion Instruments Using Realtime Convolution: Physical Controllers. 154-159 - Michael Rohs, Georg Essl:
CaMus 2 - Optical Flow and Collaboration in Camera Phone Music Performance. 160-163 - Rebecca Fiebrink, Ge Wang, Perry R. Cook:
Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control. 164-167 - Katherine Moriwaki, Jonah Brucker-Cohen:
MIDI Scrapyard Challenge Workshops. 168-172 - Eric Lee, Marius Wolf, Yvonne Jansen, Jan O. Borchers:
REXband: A Multi-User Interactive Exhibit for Exploring Medieval Music. 172-177 - Marije A. J. Baalman, Daniel Moody-Grigsby, Christopher L. Salter:
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance. 178-184 - Joanne Jakovich, Kirsty A. Beilharz:
ParticleTecture: Interactive Granular Soundspaces for Architectural Design. 185-190 - Karmen Franinovic, Yon Visell:
New Musical Interfaces in Context: Sonic Interaction Design in the Urban Setting. 191-196 - Marcelo Gimenes, Eduardo Reck Miranda, Chris A. Johnson:
Musicianship for Robots with Style. 197-202 - David Topper:
Extended Applications of the Wireless Sensor Array (WISEAR). 203-204 - Giuseppe Torre, Mikael Fernström, Brendan O'Flynn, Philip Angove:
Celeritas: Wearable Wireless System. 205-208 - Stephen Sinclair, Marcelo M. Wanderley:
Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems. 209-212 - Justin Donaldson, Ian Knopke, Chris Raphael:
Chroma Palette: Chromatic Maps of Sound As Granular Synthesis Interface. 213-219 - Nick Collins:
Matching Parts: Inner Voice Led Control for Symbolic and Audio Accompaniment. 220-223 - Mark Cartwright, Matt Jones, Hiroko Terasawa:
Rage in Conjunction with the Machine. 224-227 - Gil Weinberg, Scott Driscoll:
The Design of a Robotic Marimba Player - Introducing Pitch into Robotic Musicianship. 228-233 - Andrew Robertson, Mark D. Plumbley:
B-Keeper: A Beat-Tracker for Live Performance. 234-237 - Ajay Kapur, Eric Singer, Manjinder Singh Benning, George Tzanetakis, Trimpin:
Integrating HyperInstruments , Musical Robots & Machine Musicianship for North Indian Classical Music. 238-241 - Arthur Clay, Dennis Majoe:
The Wrist-Conductor. 242-245 - Avrum Hollinger, Christopher John Steele, Virginia B. Penhune, Robert J. Zatorre, Marcelo M. Wanderley:
fMRI-Compatible Electronic Controllers. 246-249 - Yoichi Nagashima:
GHI project and "Cyber Kendang". 250-253 - Shinichiro Toyoda:
Sensillum: An Improvisational Approach to Composition. 254-255 - Leon Gruenbaum:
The Samchillian Tip Tip Tip Cheeepeeeee: A Relativistic Keyboard Instrument. 256-259 - Jason Freeman:
Graph Theory: Interfacing Audiences Into the Compositional Process. 260-263 - Nicolas Villar, Hans Gellersen, Matthew Jervis, Alexander Lang:
The ColorDex DJ System: A New Interface for Live Music Mixing. 264-269 - Luke Dahl, Nathan Whetsell, John Van Stoecker:
The WaveSaw: A Flexible Instrument for Direct Timbral Manipulation. 270-272 - Peter D. Bennett, Nicholas Ward, Sile O'Modhrain, Pedro Rebelo:
DAMPER: A Platform for Effortful Interface Development. 273-276 - Alexandre R. J. François, Elaine Chew, Dennis Thurmond:
Visual Feedback in Performer-Machine Interaction for Musical Improvisation. 277-280 - Cornelius Poepel, Günter Marx:
>hot_strings SIG<. 281-284 - Andrew Cook, Graham Pullin:
Tactophonics: Your Favourite Thing Wants to Sing. 285-288 - Miguel Angel Ortiz Pérez, R. Benjamin Knapp, Michael Alcorn:
Díamair: Composing for Choir and Integral Music Controller. 289-292 - José Fornari, Adolfo Maia, Jônatas Manzolli:
Interactive Spatialization and Sound Design using an Evolutionary System. 293-298 - Anthony J. Hornof, Troy Rogers, Tim Halverson:
EyeMusic: Performing Live Music and Multimedia Compositions with Eye Movements. 299-300 - Turner Kirk, Colby Leider:
The FrankenPipe: A Novel Bagpipe Controller. 301-304 - Antonio Camurri, Paolo Coletta, Giovanna Varni, Simone Ghisio:
Developing Multimodal Interactive Systems with EyesWeb XMI. 305-308 - Matthew D. Hoffman, Perry R. Cook:
Real-Time Feature-Based Synthesis for Live Musical Performance. 309-312 - Mitsuyo Hashida, Noriko Nagata, Haruhiro Katayose:
jPop-E: An Assistant System for Performance Rendering of Ensemble Music. 313-316 - Mihir Sarkar, Barry Vercoe:
Recognition and Prediction in a Network Music Performance System for Indian Percussion. 317-320 - Benjamin Vigoda, David Merrill:
JamiOki-PureJoy: A Game Engine and Instrument for Electronically-Mediated Musical Improvisation. 321-326 - Daniel Gómez, Tjebbe Donner, Andrés Posada:
A Look at the Design and Creation of a Graphically Controlled Digital Musical Instrument. 327-329 - Roy Vanegas:
The MIDI Pick: Trigger Serial Data , Samples, and MIDI from a Guitar Pick. 330-333 - Manjinder Singh Benning, Michael McGuire, Peter F. Driessen:
Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter. 334-337 - Noah H. Keating:
The Lambent Reactive: An Audiovisual Environment for Kinesthetic Playforms. 338-343 - Adam M. Stark, Mark D. Plumbley, Matthew E. P. Davies:
Real-Time Beat-Synchronous Audio Effects. 344-345 - Harris Wulfson, G. Douglas Barrett, Michael Winter:
Automatic Notation Generators. 346-351 - Diana Young, Anagha Deshmane:
Bowstroke Database: A Web-Accessible Archive of Violin Bowing Data. 352-357 - Jan C. Schacher:
Gesture Control of Sounds in 3D Space. 358-362 - Alexandre Torres Porres, Jônatas Manzolli:
Adaptive Tuning Using Theremin as Gestural Controller. 363-366 - William Hsu:
Design Issues in Interaction Modeling for Free Improvisation. 367-370 - Sylvain Le Groux, Jônatas Manzolli, Paul F. M. J. Verschure:
VR-RoBoser: Real-Time Adaptive Sonification of Virtual Environments Based on Avatar Behavior. 371-374 - Hans-Christoph Steiner:
A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max / MSP. 375-378 - Doug Van Nort, Marcelo M. Wanderley:
Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models. 379-383 - André Knörig, Boris Müller, Reto Wettach:
Articulated Paint: Musical Expression for Non-Musicians. 384-385 - Tetsuaki Baba, Taketoshi Ushiama, Kiyoshi Tomimatsu:
Freqtric Drums: A Musical Instrument that Uses Skin Contact as an Interface. 386-387 - Chang-Min Han:
Project Scriabin v.3. 388-389 - Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe:
Expressive Control of Music and Visual Media by Full-Body Movement. 390-391 - Adam R. Tindale:
A Hybrid Method for Extended Percussive Gesture. 392-393 - Paolo Bottoni, Riccardo Caporali, Daniele Capuano, Stefano Faralli, Anna Labella, Mario Pierro:
Use of a Dual-Core DSP in a Low-Cost, Touch-Screen Based Musical Instrument. 394-395 - Junichi Kanebako, James Gibson, Laurent Mignonneau:
Mountain Guitar: a Musical Instrument for Everyone. 396-398 - Marc Sirguy, Emmanuelle Gallin:
Eobody2: A Follow-up to Eobody's Technology. 401-402 - Bernie C. Till, Manjinder Singh Benning, Nigel Livingston:
Wireless Inertial Sensor Package (WISP). 403-404 - Stefan Loewenstein:
"Acoustic Map" - An Interactive Cityportrait. 405-406 - Tomoko Hashida, Takeshi Naemura, Takao Sato:
A System for Improvisational Musical Expression Based on Player ' s Sense of Tempo. 407-408 - Misako Nakamoto, Yasuo Kuhara:
Circle Canon Chorus System Used To Enjoy A Musical Ensemble Singing "Frog Round". 409-410 - Rui Pereira:
Loop-R: Real-Time Video Interface. 411-414 - Jane Rigler, Zachary Seldess:
The Music Cre8tor: an Interactive System for Musical Exploration and Education. 415-416 - Carlos Guedes:
Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance. 417-419 - Steve Bull, Scot Gresham-Lancaster, Kalin Mintchev, Terese Svoboda:
Cellphonia: WET. 420 - Dearraindrop:
Miller. 421 - Sibylle Hauert, Daniel Reichmuth, Volker Böhm:
Instant City, a Music Building Game Table. 422 - Andrew Milmoe:
NIME Performance & Installation: Sonic Pong V3.0. 423 - Betsey Biggs:
The Tipping Point. 424 - Simon Morris:
Musique Concrete: Transforming Space , Sound and the City Through Skateboarding. 425 - Yuta Uozumi, Masato Takahashi, Ryoho Kobayashi:
Bd: A Sound Installation with Swarming Robots. 426 - Stanza:
Sensity. 427 - Adriana Sa:
Thresholds. 428 - Masato Takahashi, Hiroya Tanaka:
bog: Instrumental Aliens. 429 - Julian Oliver, Steven Pickles:
Fijuu2: A Game-Based Audio-Visual Performance and Composition Engine. 430 - Jinsil Seo, Greg J. Corness:
nite_aura: An Audio-Visual Interactive Immersive Installation. 431 - Miguel Álvarez-Fernández, Stefan Kersten, Asia Piascik:
Soundanism. 432 - Alexandre Quessy:
Human Sequencer. 433
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-02-15 00:04 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
