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Georg Essl
Person information
- affiliation: University of Wisconsin, Milwaukee, USA
- affiliation (former): University of Michigan, Ann Arbor, USA
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2020 – today
- 2023
- [i2]Georg Essl:
Combinatorial Hodge Theory in Simplicial Signal Processing - DAFx2023 Lecture Notes. CoRR abs/2311.03469 (2023) - 2022
- [c68]Georg Essl:
Causal Linear Topological Filters Over A 2-Simplex. ICASSP 2022: 8842-8846 - [i1]Georg Essl:
Topology in Sound Synthesis and Digital Signal Processing - DAFx2022 Lecture Notes. CoRR abs/2211.05821 (2022) - 2021
- [c67]Georg Essl:
Topologizing Sound Synthesis Via Sheaves. DAFx 2021: 260-267 - 2020
- [j10]Georg Essl
:
Topological IIR Filters Over Simplicial Topologies via Sheaves. IEEE Signal Process. Lett. 27: 1215-1219 (2020)
2010 – 2019
- 2019
- [j9]Biqiao Zhang
, Emily Mower Provost
, Georg Essl:
Cross-Corpus Acoustic Emotion Recognition with Multi-Task Learning: Seeking Common Ground While Preserving Differences. IEEE Trans. Affect. Comput. 10(1): 85-99 (2019) - [c66]Biqiao Zhang, Yuqing Kong, Georg Essl, Emily Mower Provost:
f-Similarity Preservation Loss for Soft Labels: A Demonstration on Cross-Corpus Speech Emotion Recognition. AAAI 2019: 5725-5732 - [c65]Georg Essl:
Iterative Phase Functions on the Circle and Their Projections: Connecting Circle Maps, Waveshaping, and Phase Modulation. CMMR 2019: 681-698 - 2018
- [j8]Luca Turchet
, Carlo Fischione
, Georg Essl, Damián Keller
, Mathieu Barthet
:
Internet of Musical Things: Vision and Challenges. IEEE Access 6: 61994-62017 (2018) - [c64]Sang Won Lee, Jungho Bang, Georg Essl:
Live Coding YouTube. CHI Extended Abstracts 2018 - [c63]Ammar Kalo, Georg Essl:
Individual Fabrication of Cymbals using Incremental Robotic Sheet Forming. NIME 2018: 287-292 - 2017
- [c62]Sang Won Lee, Georg Essl:
Live Writing: Gloomy Streets. CHI Extended Abstracts 2017: 1387-1392 - [c61]Georg Essl, Sang Won Lee
:
Mobile Devices as Musical Instruments - State of the Art and Future Prospects. CMMR 2017: 525-539 - [c60]Biqiao Zhang, Georg Essl, Emily Mower Provost
:
Predicting the distribution of emotion perception: capturing inter-rater variability. ICMI 2017: 51-59 - [c59]Sang Won Lee, Jungho Bang, Georg Essl:
Live coding youtube: organizing streaming media for an audiovisual performance. NIME 2017: 261-266 - 2016
- [c58]Earlence Fernandes, Qi Alfred Chen, Justin Paupore, Georg Essl, J. Alex Halderman, Zhuoqing Morley Mao, Atul Prakash
:
Android UI Deception Revisited: Attacks and Defenses. Financial Cryptography 2016: 41-59 - [c57]Biqiao Zhang, Emily Mower Provost
, Georg Essl:
Cross-corpus acoustic emotion recognition from singing and speaking: A multi-task learning approach. ICASSP 2016: 5805-5809 - [c56]Biqiao Zhang, Georg Essl, Emily Mower Provost
:
Automatic recognition of self-reported and perceived emotion: does joint modeling help? ICMI 2016: 217-224 - [c55]Antonio Deusany de Carvalho Junior, Sang Won Lee, Georg Essl:
Understanding Cloud Support for the Audience Participation Concert Performance of Crowd in C[loud]. NIME 2016: 176-181 - [c54]Sang Won Lee, Georg Essl, Mari Martinez:
Live Writing : Writing as a Real-time Audiovisual Performance. NIME 2016: 212-217 - 2015
- [c53]Biqiao Zhang, Emily Mower Provost, Robert Swedberg, Georg Essl:
Predicting Emotion Perception Across Domains: A Study of Singing and Speaking. AAAI 2015: 1328-1335 - [c52]Biqiao Zhang, Georg Essl, Emily Mower Provost
:
Recognizing emotion from singing and speaking using shared models. ACII 2015: 139-145 - [c51]Antonio Deusany de Carvalho Junior, Marcelo Queiroz, Georg Essl:
Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications. ICMC 2015 - [c50]Sang Won Lee, Georg Essl:
Web-based temporal typography for musical expression and performance. NIME 2015: 65-69 - [c49]Qi Yang, Georg Essl:
Representation-plurality in multi-touch mobile visual programming for music. NIME 2015: 369-373 - 2014
- [j7]Qi Yang, Georg Essl:
Evaluating Gesture-Augmented Keyboard Performance. Comput. Music. J. 38(4): 68-79 (2014) - [c48]Alex Migicovsky, Jonah Scheinerman, Georg Essl:
MoveOSC - Smart Watches in Mobile Music Performance. ICMC 2014 - [c47]Sang Won Lee, Georg Essl:
Communication, Control, and State Sharing in Collaborative Live Coding. NIME 2014: 263-268 - [c46]Sang Won Lee, Georg Essl, Zhuoqing Morley Mao:
Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET). NIME 2014: 533-536 - 2013
- [c45]Sven G. Kratz, Michael Rohs, Georg Essl:
Combining acceleration and gyroscope data for motion gesture recognition using classifiers with dimensionality constraints. IUI 2013: 173-178 - [c44]Xin Fan, Georg Essl:
Air Violin: A Body-centric Style Musical Instrument. NIME 2013: 122-123 - [c43]Qi Yang, Georg Essl:
Visual Associations in Augmented Keyboard Performance. NIME 2013: 252-255 - [c42]Sang Won Lee, Georg Essl:
Live Coding The Mobile Music Instrument. NIME 2013: 493-498 - 2012
- [c41]Georg Essl:
Playing with Time: manipulation of Time and rate in a Multi-rate signal Processing Pipeline. ICMC 2012 - [c40]Nate Derbinsky, Georg Essl:
Exploring Reinforcement Learning for Mobile Percussive Collaboration. NIME 2012 - [c39]Qi Yang, Georg Essl:
Augmented Piano Performance using a Depth Camera. NIME 2012 - [e1]Georg Essl, R. Brent Gillespie, Michael Gurevich, Sile O'Modhrain:
12th International Conference on New Interfaces for Musical Expression, NIME 2012, Ann Arbor, Michigan, USA, May 21-23, 2012. nime.org 2012 [contents] - 2011
- [c38]Sven G. Kratz, Tilo Westermann, Michael Rohs, Georg Essl:
CapWidgets: tangile widgets versus multi-touch controls on mobile devices. CHI Extended Abstracts 2011: 1351-1356 - [c37]Georg Essl:
Automated Ad Hoc Networking for Mobile and Hybrid Music Performance. ICMC 2011 - [c36]Jong Wook Kim, Georg Essl:
Concepts and Practical Considerations of Platform-Independent Design of Mobile Music Environments. ICMC 2011 - [c35]Nate Derbinsky, Georg Essl:
Cognitive Architecture in Mobile Music Interactions. NIME 2011: 104-107 - [c34]Patrick O. Keefe, Georg Essl:
The Visual in Mobile Music Performance. NIME 2011: 191-196 - 2010
- [c33]Craig D. Stewart, Michael Rohs, Sven G. Kratz, Georg Essl:
Characteristics of pressure-based input for mobile devices. CHI 2010: 801-810 - [c32]Georg Essl:
Urmus - An Environment For Mobile Instrument Design And Performance. ICMC 2010 - [c31]Georg Essl:
The Mobile Phone Ensemble As Classroom. ICMC 2010 - [c30]Georg Essl:
Ursound - Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine. ICMC 2010 - [c29]Georg Essl, Alexander Müller:
Designing Mobile Musical Instruments and Environments with urMus. NIME 2010: 76-81 - [c28]Georg Essl, Michael Rohs, Sven G. Kratz:
Use the Force (or something) - Pressure and Pressure - Like Input for Mobile Music Performance. NIME 2010: 182-185
2000 – 2009
- 2009
- [j6]Michael Rohs, Robert Schleicher, Johannes Schöning
, Georg Essl, Anja Naumann, Antonio Krüger
:
Impact of item density on the utility of visual context in magic lens interactions. Pers. Ubiquitous Comput. 13(8): 633-646 (2009) - [c27]Ge Wang, Georg Essl, Jeff Smith, Spencer Salazar, Perry R. Cook, Rob Hamilton, Rebecca Fiebrink, Jonathan Berger, David Zhu, Mattias Ljungstrom, Arnaud Berry, Jennifer Wu, Turner Kirk, Elon Berger, Jillian Segal:
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social. ICMC 2009 - [c26]Michael Rohs, Georg Essl, Johannes Schöning
, Anja Naumann, Robert Schleicher, Antonio Krüger
:
Impact of item density on magic lens interactions. Mobile HCI 2009 - [c25]Alexander Müller, Georg Essl:
Utilizing Tactile Feedback to Guide Movements Between Sounds. NIME 2009: 33-34 - [c24]Georg Essl:
SpeedDial: Rapid and On-The-Fly Mapping of Mobile Phone Instruments. NIME 2009: 270-273 - [c23]Nicholas Gillian, Sile O'Modhrain, Georg Essl:
Scratch-Off: A Gesture Based Mobile Music Game with Tactile Feedback. NIME 2009: 308-311 - 2008
- [j5]Michael Rohs, Georg Essl:
Sensing-Based Interaction for Information Navigation on Handheld Displays. Adv. Hum. Comput. Interact. 2008: 450385:1-450385:11 (2008) - [c22]Ge Wang, Georg Essl, Henri Penttinen:
Do Mobile phones Dream of Electric Orchestras? ICMC 2008 - [c21]Georg Essl:
Tinkering with Noise: Wie man neue Musikinstrumente technisch m¨oglich macht. MuC (Workshopband) 2008: 90-93 - [c20]Ananya Misra, Georg Essl, Michael Rohs:
Microphone as Sensor in Mobile Phone Performance. NIME 2008: 185-188 - 2007
- [c19]Michael Rohs, Georg Essl:
CaMus2: collaborative music performance with mobile camera phones. Advances in Computer Entertainment Technology 2007: 190-195 - [c18]Georg Essl, Michael Rohs:
Shamus - a Sensor-Based Integrated Mobile phone Instrument. ICMC 2007 - [c17]Michael Rohs, Johannes Schöning
, Martin Raubal, Georg Essl, Antonio Krüger
:
Map navigation with mobile devices: virtual versus physical movement with and without visual context. ICMI 2007: 146-153 - [c16]Michael Rohs, Georg Essl:
Sensing-based interaction for information navigation on handheld displays. Mobile HCI 2007: 387-394 - [c15]Michael Rohs, Georg Essl:
CaMus 2 - Optical Flow and Collaboration in Camera Phone Music Performance. NIME 2007: 160-163 - 2006
- [c14]Georg Essl, Michael Rohs:
Mobile STK for Symbian OS. ICMC 2006 - [c13]Georg Essl:
Circle Maps as Simple Oscillators for Complex Behavior: I. Basics. ICMC 2006 - [c12]Michael Rohs, Georg Essl:
Which one is better?: information navigation techniques for spatially aware handheld displays. ICMI 2006: 100-107 - [c11]Michael Rohs, Georg Essl, Martin Roth:
CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking. NIME 2006: 31-36 - 2005
- [j4]Georg Essl:
Review of "Computational Line Geometry, by H. Pottmann and J. Wallner", Springer Verlag, 2001. SIGACT News 36(3): 13-17 (2005) - [c10]Georg Essl:
Towards the synthesis of Wavefront Evolution in 2-d. ICMC 2005 - [c9]Georg Essl, M. Sile O'Modhrain:
Scrubber: An Interface for Friction-induced Sounds. NIME 2005: 70-75 - 2004
- [j3]Georg Essl, Stefania Serafin
, Perry R. Cook, Julius O. Smith III:
Theory of Banded Waveguides. Comput. Music. J. 28(1): 37-50 (2004) - [j2]Georg Essl, Stefania Serafin
, Perry R. Cook, Julius O. Smith III:
Musical Applications of Banded Waveguides. Comput. Music. J. 28(1): 51-63 (2004) - [c8]Georg Essl:
Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions. CMMR 2004: 220-231 - [c7]M. Sile O'Modhrain, Georg Essl:
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. NIME 2004: 74-79 - [c6]Georg Essl:
Computation of Wave Fronts on a Disk I: Numerical Experiments. MFCSIT 2004: 25-41 - 2003
- [c5]Diana Young, Georg Essl:
HyperPuja: A Tibetan Singing Bowl Controller. NIME 2003: 9-14 - 2002
- [c4]Georg Essl, Perry R. Cook:
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas. ICMC 2002 - [c3]Ajay Kapur, Georg Essl, Philip Davidson, Perry R. Cook:
The Electronic Tabla Controller. NIME 2002: 77-81 - 2001
- [c2]James F. O'Brien
, Perry R. Cook, Georg Essl:
Synthesizing sounds from physically based motion. SIGGRAPH 2001: 529-536 - 2000
- [j1]Kai Li, Han Chen, Yuqun Chen, Douglas W. Clark, Perry R. Cook, Stefanos N. Damianakis, Georg Essl, Adam Finkelstein, Thomas A. Funkhouser, Timothy C. Housel, Allison W. Klein, Zhiyan Liu, Emil Praun, Rudrajit Samanta, Ben Shedd, Jaswinder Pal Singh, George Tzanetakis, Jiannan Zheng:
Building and Using A Scalable Display Wall System. IEEE Computer Graphics and Applications 20(4): 29-37 (2000)
1990 – 1999
- 1999
- [c1]Georg Essl, Perry R. Cook:
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments. ICMC 1999
Coauthor Index
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