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Jan C. Schacher
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2010 – 2019
- 2019
- [c26]Anne Dubos, Jan C. Schacher:
The Calder Effect: Embodied Knowledge Through Moving Images. MOCO 2019: 11:1-11:8 - [c25]Jan C. Schacher, Lia Wei
:
Gesture-Ink-Sound: Linking Calligraphy Performance with Sound. MOCO 2019: 13:1-13:8 - 2018
- [c24]Jan C. Schacher:
What Quality?: Performing Research on Movement and Computing. MOCO 2018: 1:1-1:9 - [p1]Jan C. Schacher:
Algorithmic Spatialisation. The Oxford Handbook of Algorithmic Music 2018 - 2017
- [c23]Jan C. Schacher, Daniel Bisig:
Haunting Space, Social Interaction in a Large-Scale Media Environment. INTERACT (1) 2017: 242-262 - 2016
- [c22]Jan C. Schacher:
Moving Music: Exploring Movement-to-Sound Relationships. MOCO 2016: 19:1-19:8 - 2015
- [c21]Jan C. Schacher, Patrick Neff
:
Skill Development and Stabilisation of Expertise for Electronic Music Performance. CMMR 2015: 111-131 - [c20]Jan C. Schacher:
Music means movement: musings on methods for movement analysis in music. MOCO 2015: 132-139 - [c19]Jan C. Schacher, Chikashi Miyama, Daniel Bisig:
Gestural electronic music using machine learning as generative device. NIME 2015: 347-350 - 2014
- [j2]Jan C. Schacher, Daniel Bisig, Philippe Kocher:
The Map and the Flock: Emergence in Mapping with Swarm Algorithms. Comput. Music. J. 38(3): 49-63 (2014) - [c18]Jan C. Schacher:
Corporeality, Actions and Perceptions in Gestural Performance of Digital Music. ICMC 2014 - [c17]Jan C. Schacher, Chikashi Miyama, Trond Lossius:
The SpatDIF library - Concepts and Practical Applications in Audio Software. ICMC 2014 - [c16]Jan C. Schacher, Daniel Bisig:
Watch This! Expressive Movement in Electronic Music Performance. MOCO 2014: 106 - 2013
- [j1]Nils Peters
, Trond Lossius, Jan C. Schacher:
The Spatial Sound Description Interchange Format: Principles, Specification, and Examples. Comput. Music. J. 37(1): 11-22 (2013) - [c15]Jan C. Schacher:
Hybrid Musicianship - Teaching Gestural Interaction with Traditional and Digital Instruments. NIME 2013: 55-60 - [c14]Jan C. Schacher:
The Quarterstaff, a Gestural Sensor Instrument. NIME 2013: 535-540 - 2012
- [c13]Sébastien Schiesser, Jan C. Schacher:
Sabre: affordances, realizations and Perspectives. ICMC 2012 - [c12]Sébastien Schiesser, Jan C. Schacher:
SABRe: The Augmented Bass Clarinet. NIME 2012 - 2011
- [c11]Jan C. Schacher, Daniel Bisig, Martin Neukom:
Composing with Swarm Algorithms - Creating interactive audio-visual pieces with flocking behavior. ICMC 2011 - [c10]Daniel Bisig, Jan C. Schacher, Martin Neukom:
Flowspace - A Hybrid Ecosystem. NIME 2011: 260-263 - [c9]Jan C. Schacher, Angela Stoecklin:
Traces - Body, Motion and Sound. NIME 2011: 292-295 - 2010
- [c8]Jan C. Schacher:
Motion To Gesture To Sound: Mapping For Interactive Dance. NIME 2010: 250-254
2000 – 2009
- 2009
- [c7]Dennis Majoe, Irena Kulka, Jan C. Schacher:
Towards an interactive multimedia experience for club music and dance. MoMM 2009: 95-104 - [c6]Jan C. Schacher:
Action and Perception in Interactive Sound Installations: An Ecological Approach. NIME 2009: 286-289 - 2008
- [c5]Martin Neukom, Jan C. Schacher:
Ambisonics Equivalent Panning. ICMC 2008 - [c4]Jan C. Schacher:
Davos Soundscape, a Location Based Interactive Composition. NIME 2008: 168-171 - 2007
- [c3]Jan C. Schacher, Martin Neukom:
Where's the beat? Tools for Dynamic Tempo calculations. ICMC 2007 - [c2]Jan C. Schacher:
Gesture Control of Sounds in 3D Space. NIME 2007: 358-362 - 2006
- [c1]Jan C. Schacher, Philippe Kocher:
Ambisonics Spatialization Tools for Max/MSP. ICMC 2006
Coauthor Index
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