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The Wild Dead (The Bannerless Saga) Paperback – 17 July 2018
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"The Wild Dead is a tightly plotted mind-thrill . . . This is the feminist dystopian mystery series you didn't know you needed." -- Meg Elison, Philip K. Dick Award-winning author of The Road to Nowhere series
Mysteries and murder abound in the sequel to the Philip K. Dick Award-winning Bannerless
A century after environmental and economic collapse, the people of the Coast Road have rebuilt their own sort of civilization, striving not to make the mistakes their ancestors did. They strictly ration and manage resources, including the ability to have children. Enid of Haven is an investigator, who with her new partner, Teeg, is called on to mediate a dispute over an old building in a far-flung settlement at the edge of Coast Road territory. The investigators' decision seems straightforward -- and then the body of a young woman turns up in the nearby marshland. Almost more shocking than that, she's not from the Coast Road, but from one of the outsider camps belonging to the nomads and wild folk who live outside the Coast Road communities. Now one of them is dead, and Enid wants to find out who killed her, even as Teeg argues that the murder isn't their problem. In a dystopian future of isolated communities, can our moral sense survive the worst hard times?
"An intriguing mystery made compelling by its post-apocalyptic setting . . . Another great read from Vaughn." -- S. M. Stirling, New York Times best-selling author of The Sky-Blue Wolves and Dies the Fire
A Mariner Original
A John Joseph Adams Book
- Print length272 pages
- LanguageEnglish
- Publication date17 July 2018
- Dimensions13.49 x 1.72 x 20.32 cm
- ISBN-100544947312
- ISBN-13978-0544947313
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Review
"This thrilling postapocalyptic mystery, which demonstrates the author's wide range of style, will please Vaughn's many fans." --Library Journal, starred review "Enid is a capable, honest, relentless seeker of answers, and her investigation is reminiscent of classic hardboiled mysteries. Despite an almost palpable air of claustrophobic foreboding, this tale still manages to convey a sense of hope and optimism." --Publishers Weekly "Structurally, this is a standard police procedural; it's the environment, the carefully constructed future society, that gives it a unique flavor. Beautifully executed." --Booklist --
"This thrilling postapocalyptic mystery, which demonstrates the author's wide range of style, will please Vaughn's many fans." -- Library Journal (starred review)
"Enid is a capable, honest, relentless seeker of answers, and her investigation is reminiscent of classic hardboiled mysteries. Despite an almost palpable air of claustrophobic foreboding, this tale still manages to convey a sense of hope and optimism." -- Publishers Weekly
"Structurally, this is a standard police procedural; it's the environment, the carefully constructed future society, that gives it a unique flavor. Beautifully executed." -- Booklist
"The Wild Dead is a tightly plotted mind-thrill . . . This is the feminist dystopian mystery series you didn't know you needed." -- Meg Elison, Philip K. Dick Award-winning author of The Road to Nowhere series
"An intriguing mystery made compelling by its post-apocalyptic setting . . . Another great read from Vaughn." -- S. M. Stirling, New York Times best-selling author of The Sky-Blue Wolves and Dies the Fire
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Precarious House
Most regions Enid visited, she could find something to love about them, some enticing and beautiful detail about the landscape, the people, the mood of the place. A reason folk would want to stay and scrape out a living in less-than-ideal situations when a dozen other settlements had more resources and less disease, and would gladly welcome extra hands. Even the rainless, baking salt flats at the southernmost end of the Coast Road had isolation to recommend them, for those who wanted to be left alone. And just to show that every place had a reason for existing, the people of Desolata household there exported the salt they collected from the flats on their own trade route.
But here in the Estuary, Enid had to consider for a while what exactly the appeal was. Over the damp marsh where the San Joe River drained, clouds of bugs rose up through a sticky haze, shimmering with heat. Squealing gulls gathered, circling on slender wings, drawn by some rotting treasure. There were no orchards here, no pastures, no rippling fields of grain. Instead, a dozen scraggly goats, stuttering their calls to one another, picked at brush along the last trailing edge of the Coast Road. Presumably, there were fish in the river to eat, along with shellfish and the like this close to the ocean. In checking the settlement's records, Enid had learned that it rarely exceeded quotas'because there wasn't enough to start with. The folk rarely earned banners, either, and had few children. Why would anyone stay in such a place? Perhaps because in the end it was home?.?.?. and sometimes that was enough.
The sunlight here had a bronze cast that she had never seen anywhere else, and the light made the water seem molten, flashing with ripples to the horizon, broken up with stands of marsh grass and the sticks of old dead trees. If you'd lived here forever, the light might seem warm, the air like a favorite blanket on the skin.
That was what she told herself, to try to understand the people here a little better. Because at the moment, her patience was waning.
'Would you look at that," her new partner, Teeg, murmured, clearly amazed. A short, sturdy kid, he shaded his eyes with one hand and gripped a staff with the other. Had a manic way of moving, like he'd rather be running ahead than slowing down enough to be methodical. His shining black hair was tied in a short, sloppy braid at the back of his neck, and his lips always seemed to be pursed, like he was thinking hard. When he wasn't talking. This was his first official case as an investigator. 'they said it needed repairs. I thought they meant a new roof, maybe it had holes in the walls. Does it even count as a house anymore when it looks like this?"
Erik, head of the Semperfi household, looked at the young investigator with dismay.
Erik's request for a mediation had brought Enid and Teeg to the Estuary. Semperfi household had a building that needed repairs, Erik's request had stated. The community refused to help with those repairs, despite all the support Semperfi had provided to other households over the years. Records supported this assertion'semperfi had been the first household in the region, and was an anchor. Normally, a town's committee would mediate this kind of disagreement, but the Estuary didn't have a committee. Didn't need one, the people claimed. They didn't consider themselves a town, but a loose collection of households whose members preferred to rely on themselves and one another. The regional committee at Morada set quotas and awarded banners, and medics came through a couple of times a year to check birth-control implants and general well-being. Place like this didn't need a committee until it did, and so Erik's household had to send for investigators to settle the dispute. Now that Enid and Teeg were here, it became clear to them that the building in question was far past anything resembling salvageable.
The structure, a sprawling, single-story block of a house, was old, a pre-Fall construction. Wood and brick walls sat on a crumbling concrete slab, covered with some kind of plastic siding that was cracked and disintegrating. What strips of it remained were held up with nails, twine, and hope. It might have been blue once, but it had long ago faded to a sickly gray. The siding survived only on the lee side of the house; the windward was built up with wood slats and leather hides'?layers and layers of them'evidently replaced as the next bout of wind tore them off. Likewise, the slanted roof might once have had purpose-made shingles, slate tile or plywood, but the decades hadn't been kind and the surface was now patched with reeds and hides. What was left of the structure still dripped from last week's bad storm.
All that was bad enough, but the land under the house was falling away. Years of storms had eaten at the ground, mudslide after mudslide eroding it until half the house now stood over nothing but air. This last storm had made the problem critical. Huge slabs of concrete lay at the bottom of the slippery hill, the house's foundation lying in crooked, broken pieces, sliding inevitably toward the river. Tree trunks, two-by-fours, scavenged steel rebar, and rusted scaffolding precariously held up what was left. A house partway on stilts'not like the sturdy pylons of the other structures in the area, but thin and haphazard. A breeze would knock it down. Somehow it was all still standing. Clearly, the structure was at a literal tipping point. If it lost any more ground, the whole thing would fall. No amount of stopgap framework supports could possibly keep it stable. And yet, the folk of Semperfi were clearly trying.
Even the overly emotional testimonies of folk from Bonavista and Pine Grove, the first two households up the path up here, couldn't possibly have prepared Enid for how bad the wreck really was. The folk had complained about how awful the house was, that it was a waste of resources'about the worst insult possible. It never should have required investigators to decide this.
'It's a lovely view, anyway," Enid murmured, looking out over the sluggish river and golden, shimmering marshes of the Estuary. A century ago, there'd probably been an entire neighborhood, an entire city, of nice houses just like this one'or just like this one must have been, once upon a time'a grid of streets, sturdy street lamps lighting it all up bright as day at all hours of the night. Signs of that old world littered the marsh, all the way to the horizon. Canted blocks of concrete, broken towers of steel, whole berms of debris washed up on the tide. Some of the households here made their living by scavenging. Lots of that to be had, constantly turned over by waves and storms.
Before the Fall, this neighborhood would have been miles from the ocean. Back then, flooding may not have even come close. But then it had, and the other houses fell away. Semperfi had saved this tiny little scrap of that ancient neighborhood, and there was something poignant about that. They might have had folk living in it, parent to child, ever since the Fall. But there came a point when no amount of effort could save a thing, and surely this structure wouldn't last another storm.
Erik pleaded the house's case desperately, speaking quickly, as if speed would give his argument more weight. He knew what Enid and Teeg must be thinking. "Yes, it's in poor shape, but?.?.?. there's nothing else like it. It's lasted this long, it'd be a shame to let it go to ruin now. Wouldn't it?' He kept his voice steady, but his eyes shone with anxiety.
He was younger than Enid had expected. The head of a household wasn't necessarily the oldest member, but had typically been around some time, maybe even earned a banner and raised a kid. He didn't seem much older than Enid's own thirty years. Lanky, angular, he had skin the shade of teak and close-shaved brown hair.
Product details
- Publisher : John Joseph Adams Paper (17 July 2018)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 0544947312
- ISBN-13 : 978-0544947313
- Dimensions : 13.49 x 1.72 x 20.32 cm
- Best Sellers Rank: 1,379,306 in Books (See Top 100 in Books)
- 14,085 in Dystopian
- 15,435 in Post-Apocalyptic
- 33,419 in Women Sleuths (Books)
- Customer reviews:
About the author

Carrie Vaughn is the author more than twenty novels and over a hundred short stories. She's best known for her New York Times bestselling series of novels about a werewolf named Kitty who hosts a talk radio advice show for the supernaturally disadvantaged. In 2018, she won the Philip K. Dick Award for Bannerless, a post-apocalyptic murder mystery. She's published over 20 novels and 100 short stories, two of which have been finalists for the Hugo Award. She's a contributor to the Wild Cards series of shared world superhero books edited by George R. R. Martin and a graduate of the Odyssey Fantasy Writing Workshop.
An Air Force brat, she survived her nomadic childhood and managed to put down roots in Boulder, Colorado, where she collects hobbies.
Visit her at www.carrievaughn.com
For writing advice and essays, check out her Patreon: https://www.patreon.com/carrievaughn
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- Reviewed in the United Kingdom on 19 July 2018I adored "Bannerless" when it came out last July so when this popped up I quickly requested an ARC to read and review. "The Wild Dead" is the second in the exciting Bannerless series, I am not surprised that "Bannerless" won the Philip K. Dick award and predict good things for this sequel. I would say that in order to get the best out of this book you really need to have read the series opener. That way you are privy to the characters development and background which always helps in increasing your enjoyment of a story. That said, I do think that this would work as a standalone too.
"The Wild Dead" is well-crafted and plotted to perfection with a pace to it that propels you through to the end in record time. I found this super-difficult to put down as I wanted to know what the conclusion would be. I enjoyed catching up with Enid when she's called to what appears to be a simple property dispute but turns into a murder investigation as the body of a young woman is found. Teeg, Enid's partner, wants to leave well alone but Enid feels she has a duty to investigate and to get to the bottom of the matter. They soon realise that the body belongs to a woman who to them is an outsider and does not belong to their community. Enid is a tenacious and brave main character that I hope to see more of in the next book.
Vaughn's post-apocalyptic/dystopian world is unlike anything i've read before from the science fiction genre. This is such a unique tale - a murder mystery that takes place in a dystopian world where there are no real rules making it a challenging environment in which to live. The most important thing is that it actually works and Vaughn pulls it off easily. A thought-provoking read that will stay with me for a long time, I also appreciate that this book deals with some deeper topics such as feminism and morality so it is not just a throwaway story, it has deeper meaning behind it. Definitely an author to add to my favourites. I look forward to the next book and returning to this original world. A worthy five-star read!
Many thanks to Houghton Mifflin Harcourt/John Joseph Adams/Mariner Books for an ARC. I was not required to post a review and all thoughts and opinions expressed are my own.
- Reviewed in the United Kingdom on 8 January 2019Honestly, I was a little disappointed by this sequel. I'm going to overstate that in this review, so let me make it clear up front that I really enjoyed this book. It's a great murder mystery, with a compelling setting and wonderful characters.
BUT I really loved Bannerless, and in comparison The Wild Dead felt thin and flat. I think the reason for that is probably that this second instalment lacks the alternating timelines of the first. Instead of ranging across the entire Coast Road, jumping from place to place and timeline to timeline, this novel sticks mostly in one place and tells the story in an entirely linear fashion. This was really hammered home by the headings in the book. In the first novel, each chapter heading had a new location and timeline, but in this novel it was just 'Estuary, Estuary, Estuary...'.
Don't get me wrong: the Estuary was cool, and I really enjoyed going into the wilds in the North, but there just isn't as much intrigue in the settings because (a) this is the second book, so I'm familiar with the set up; and (b) the settings are less varied. I was hoping that the ante would be upped, but instead I felt that it ramped down.
The relationships are still incredibly well observed and written. Enid and Teeg's dynamic was compelling and engrossing, and I loved the direction in which the author took that relationship. In that respect, this novel had a lot of the complexity of the first, but for me that complexity didn't carry over to the plot.
It's really impossible for me not to make comparisons between this and the first book in the series, and The Wild Dead really suffers for that because the plot really just isn't as good. Not only do we not have the interest of the backstory that came into Bannerless, but we also have a murder mystery that (for me) felt too simplistic. I worked out the identity of the victim very early on, and the culprit was pretty obvious too. For those reasons, the ending was unsatisfying for me.
This was still a great book and I really enjoyed it, I just didn't love it like I loved Bannerless. Expectations are often a dangerous thing. Perhaps this would have been a 5* book if I hadn't read Bannerless first, but as it was I just wanted more than it delivered.
I would still definitely read more from this author.
I received a copy of this book from the publisher. This review is voluntary and honest.
Top reviews from other countries
- G.BoneReviewed in the United States on 16 January 2025
5.0 out of 5 stars mystery haven
This book managed to impress me since the author took the whole flashback thing and focused on the present. There wasn't any face of 'Bad Writing' or the impression of it. What was present lay in how an investigator managed to solve a crime in a community that didn't have a committee, which I gathered, was how the Coast Road has in any form of government, apart from fertility issues. As a result, the reach for justice, or how to meter it out to whomever did the mystery, becomes an issue. The community has a Last Home which buttresses a place of nomads. I did like how the investigator had to push to find out who killed the person with her being a 'cop' with no one to reinforce her, apart from her young partner. The question is on justice and how to find it given the politics between different family units and no committee to branch between them. I've come across very few mysteries that does this. How can justice be done if a murder is done when the application of justice in a society is intentionally merciful? I liked the book's approach on this and the use of fertility as a metaphor rather than Plot B, essentially branching out the literary device to make a point. Some of the fertility issues half-heartedly went over my head and seemed more relevant to the female male character, who, I might add, does this completely without arms. I appreciated the middle of the road approach on this mystery.
- SerenaReviewed in the United States on 5 November 2018
4.0 out of 5 stars Truth or Kindness
If you don't know the Bannerless universe with it's short stories and first book about Enid, you'd think that the title leaves the impression of a zombie novel, but it's not, not really.
There's no shambling dead aiming to eat flesh or brains to be found here, but the dead do eat at Enid's memory, her former partner Tomas, Olive's baby that didn't make it and all the hopes and fears Enid has for the about to be born baby she walks away from at her household Serenity to meditate what will happen to another old house, a ruin full of memories for the people that live between sea shore, swamp and forest of Estuary.
It's not really a surprise to read of a dead girl on the shore, mysteriously "wild" to the Coast Road, yet her story is one Enid is determined to unravel from Estuary, despite her newly trained partner Teeg's stubborn reluctance to seek the truth of what happened to her, to a girl named Ella.
I like that Tomas used to call the brown clad truth seeking investigators of Coast Road being about "kindness" for the Greek goddesses of vengeance and justice were called Eumenides, the kindly ones, or the Erinyes.
Enid may not want to be known for solving murders, but she is quite good at it, but even as Ella's murder is solved, life proves it will find a way to go on, birth and death, either by accident or choice.
- Mem MormanReviewed in the United States on 29 July 2018
5.0 out of 5 stars So good!
When I read Bannerless, the first in this series, I thought it was an excellent post apocalypse story with lots of positive aspects and no zombies (yay!). But it looks like Carrie is setting up her investigator character to be the murder expert of the Coast Road. I like what she’s done with the society, the emphasis on cooperation, and the peeks at how people live outside in ‘the wild’. Can’t wait for the next story.
- JW USAReviewed in the United States on 20 May 2020
4.0 out of 5 stars Interesting world
This is strange post apocalyptic world. A mix of murder mystery and self discovery quest. There isn’t a lot of character development more introspection. It was captivating but uncomfortable at times as it reveals the cruel and petty side of humanity.
- Mandarin MacLeodReviewed in the United States on 21 May 2022
5.0 out of 5 stars As good as the first!
I love the whole premise of this series. Carrie keeps you strung along and engaged from the first word.
Looking forward to more!