Julie Borup Jensen
Aalborg University, Department of Culture and Learning, Faculty Member
- Aalborg University, Department of learning and philosopy, Faculty Memberadd
Research Interests:
Research Interests: Psychology and Creativity
Research Interests:
Research Interests: Psychology and Creativity
Research Interests:
Research Interests:
Research Interests:
Among scholars and practitioners interested in creative learning, many assumptions and even stereotypes are nurtured about artists' creativity. The myth of the lone genius, for example, is neither close to artistic practices nor... more
Among scholars and practitioners interested in creative learning, many assumptions and even stereotypes are nurtured about artists' creativity. The myth of the lone genius, for example, is neither close to artistic practices nor beneficial to education. We address the topic of artistic creativity, looking at its relevance to educational settings. Through asking the question: how do artists create, learn and how can education learn from them, we have investigated and described professional artists' creative and learning processes. In this article, we present findings from a qualitative research project that explores these questions as an empirical and theoretical contribution to the field of arts and creativity research from a learning perspective. We found that the interviewed artists experience learning and the creative process as interwoven phenomena and that they develop intentional learning strategies that they use in the effort of creating works of art. One of the strat...
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The article explores and discusses whether we as action researchers are undermining or subverting our own intuitions and intentions, or at least not doing justice to it, when mixing a) learning and exploration through individual and... more
The article explores and discusses whether we as action researchers are undermining or subverting our own intuitions and intentions, or at least not doing justice to it, when mixing a) learning and exploration through individual and collective action and reflection, with b) elements from conventional research methods. The article’s basic question: Can the intentions and results from a) be reduced to and validated fully or partly through b) conventional methods? Can we save the scientific legitimacy of action research by ultimately resorting to conventional methods and theories? What does action research uniquely add in relation to conventional learning, knowledge generation, and change projects? We discuss some challenges raised by questions like these, and suggest ways of handling them. After exploring ways of being “seduced” by conventional methods, we conclude by recommending a gnoseology to replace a one-dimensional epistemology, and by explaining and recommending the procedure ...
Research Interests: Epistemology, Participatory Action Research, Action Research, Dialogue, Terminology, and 12 moreLegitimacy, Dialectic, Collaborative Action Research, Classroom Action Research, Action, Dialectics, Dialogical logic, Action Research Methodology, Immanent Critique, Action (Physics), Educational Action Research, and Collaborative Action Research Methodologies
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This chapter addresses questions about possible theoretical and philosophical perspectives implied in the processual approach to co-production presented in this book. The chapter presents experiential learning perspectives on this matter,... more
This chapter addresses questions about possible theoretical and philosophical perspectives implied in the processual approach to co-production presented in this book. The chapter presents experiential learning perspectives on this matter, and also introduces action research as one research area that seems relevant for co-production as a processual phenomenon. This learning and action-based theoretical perspective is, however, not only an abstraction; it is also very closely related to practice in that its core interest is processes in relations between human beings. The chapter concludes with a brief presentation of reflection as an inseparable part of co-creation processes and points to theoretical and philosophical implications of this.
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The present chapter addresses the topic of educators’ emotions in teaching situations when they experiment with and apply arts-based tools to learning and facilitation. Original data are drawn from a qualitative study that observed and... more
The present chapter addresses the topic of educators’ emotions in teaching situations when they experiment with and apply arts-based tools to learning and facilitation. Original data are drawn from a qualitative study that observed and described an innovative arts-based development project at a Danish University College.