The article explores the representation of human consciousness in fiction in the light of older and more recent investigations in literary criticism, narratology, cognitive science etc. It focuses on the concept of consciousness and its... more
The article explores the representation of human consciousness in fiction in the light of older and more recent investigations in literary criticism, narratology, cognitive science etc. It focuses on the concept of consciousness and its interdisciplinary study, the relationship between consciousness, selfconsciousness, and narrative. In particular, the article studies the stream of consciousness novel, its reception by criticism as well as the critical terminology used to describe the phenomenon. In the light of recent cognitive approaches that underline the role of experientiality the article considers the stream of consciousness novel as a form of dynamic interaction between the subject and the environment; the fine and pathbreaking narrative practices of the modern novel are seen as forms of writing contributing to a kind of narrative ecology. there is also a brief bibliographical reference to the methods and the typologies proposed by classical and postclassical narratology for the analysis of the representation of consciousness in fiction. the article closes analyzing specific passages of modern Greek prose texts in terms of various modalities of discourse (direct, indirect, and free indirect), psychonarration
and thought report and reports on characters’ feelings. In sum, it is concluded that the representation of consciousness in fiction is not a matter of stylistic devices and choices only, but it is deeply informed by the constitutive relation of narrative to consciousness and embodied cognition
and thought report and reports on characters’ feelings. In sum, it is concluded that the representation of consciousness in fiction is not a matter of stylistic devices and choices only, but it is deeply informed by the constitutive relation of narrative to consciousness and embodied cognition
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Στο παρόν άρθρο μελετάται ο πλάγιος λόγος (ΠΛ) ως η στατιστικά επικρατέστερη μορφή αναπαράστασης λόγου σε ειδήσεις δύο ελληνικών εφημερίδων μεγάλης κυκλοφορίας, της «Καθημερινής» («Κ») και «Των Νέων» («Ν»). Στόχος του είναι η διερεύνηση... more
Στο παρόν άρθρο μελετάται ο πλάγιος λόγος (ΠΛ) ως η στατιστικά επικρατέστερη μορφή αναπαράστασης λόγου σε ειδήσεις δύο ελληνικών εφημερίδων μεγάλης κυκλοφορίας, της «Καθημερινής» («Κ») και «Των Νέων» («Ν»). Στόχος του είναι η διερεύνηση γλωσσικών χαρακτηριστικών ...
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Athens Review of Books, 151, Ιούνιος 2023
Κριτική βιβλιοπαρουσίαση της τελευταίας έκδοσης (2023) της Πάπισσας Ιωάννας του Ε.Ροΐδη, σε επιμέλεια, επίμετρο, σχόλια κ.ά. Δ. Δημηρούλη από τις εκδόσεις Gutenberg.
Κριτική βιβλιοπαρουσίαση της τελευταίας έκδοσης (2023) της Πάπισσας Ιωάννας του Ε.Ροΐδη, σε επιμέλεια, επίμετρο, σχόλια κ.ά. Δ. Δημηρούλη από τις εκδόσεις Gutenberg.
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Πάπισσα Ιωάννα
Ροΐδης Εμμανουήλ
διακειμενικότητα
παρομοίωση
παρωδία
Ρομαντισμός
φεμινιστικό μυθιστόρημα
Ροΐδης Εμμανουήλ
διακειμενικότητα
παρομοίωση
παρωδία
Ρομαντισμός
φεμινιστικό μυθιστόρημα
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More recent studies on mildly impaired SWA have emphasized the clinical importance of narrative discourse analysis (Armstrong, 2000; Olness et al., 2002; Doyle et al., 1998; Wright et al., 2005). The measurement of narrative discourse is... more
More recent studies on mildly impaired SWA have emphasized the clinical importance of narrative discourse analysis (Armstrong, 2000; Olness et al., 2002; Doyle et al., 1998; Wright et al., 2005). The measurement of narrative discourse is important for the assessment of SWA, ...
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Abstract. The present study investigates verbal inflection in Greek aphasia. We present results from a sentence completion and a grammaticality judgment task with 7 Greek-speaking aphasics and 7 control participants matched for age and... more
Abstract. The present study investigates verbal inflection in Greek aphasia. We present results from a sentence completion and a grammaticality judgment task with 7 Greek-speaking aphasics and 7 control participants matched for age and education. These results indicate that inflectional morphemes are not all impaired to the same degree in aphasia: agreement inflection is relatively intact, while tense and aspect are more severely impaired. These findings are discussed in light of previous studies on inflectional errors in Greek aphasia and are considered in the context of theoretical approaches to inflectional errors in aphasia.
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Background: Verbal inflectional errors are among the most prominent characteristics of aphasic nonfluent speech. Several studies have shown that such impairment is selective: subject–verb agreement is relatively intact while tense is... more
Background: Verbal inflectional errors are among the most prominent characteristics of aphasic nonfluent speech. Several studies have shown that such impairment is selective: subject–verb agreement is relatively intact while tense is severely impaired. A number of researchers view the deficit as structural and attribute errors to a breakdown of functional categories and their projections. Agrammatic individuals are thought to produce trees that are intact up to the Tense node and ‘‘pruned’ ’ from this node up. Aims: The present study investigates (a) the relative sensitivity of functional categories related to verbal inflection in Greek aphasia and the systematicity thereof; and (b) the relation between patterns of impairment in production and grammaticality judgements. Method & Procedures: We present results from a sentence completion and a grammaticality judgement task with seven Greek-speaking aphasic individuals and seven control participants matched for age and education. Mater...
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More recent studies on mildly impaired SWA have emphasized the clinical importance of narrative discourse analysis (Armstrong, 2000; Olness et al., 2002; Doyle et al., 1998; Wright et al., 2005). The measurement of narrative discourse is... more
More recent studies on mildly impaired SWA have emphasized the clinical importance of narrative discourse analysis (Armstrong, 2000; Olness et al., 2002; Doyle et al., 1998; Wright et al., 2005). The measurement of narrative discourse is important for the assessment of SWA, ...
We present a study of 13 patients with aphasia, not screened by presumed subtype, showing strong correlations among disparate measures of fluency and measures of receptive and expressive grammatical ability related to verb functional... more
We present a study of 13 patients with aphasia, not screened by presumed subtype, showing strong correlations among disparate measures of fluency and measures of receptive and expressive grammatical ability related to verb functional categories. The ...
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Research Interests:
The present study investigates verbal inflection in Greek aphasia. We present results from a sentence completion and a grammaticality judgment task with 7 Greek-speaking aphasics and 7 control participants matched for age and education.... more
The present study investigates verbal inflection in Greek aphasia. We present results from a sentence completion and a grammaticality judgment task with 7 Greek-speaking aphasics and 7 control participants matched for age and education. These results indicate that inflectional morphemes are not all impaired to the same degree in aphasia: agreement inflection is relatively intact, while tense and aspect are more severely impaired. These findings are discussed in light of previous studies on inflectional errors in Greek aphasia and are considered in the context of theoretical approaches to inflectional errors in aphasia.
Research Interests:
Στο παρόν άρθρο μελετάται ο πλάγιος λόγος (ΠΛ) ως η στατιστικά επικρατέστερη μορφή αναπαράστασης λόγου σε ειδήσεις δύο ελληνικών εφημερίδων μεγάλης κυκλοφορίας, της «Καθημερινής» («Κ») και «Των Νέων» («Ν»). Στόχος του είναι η διερεύνηση... more
Στο παρόν άρθρο μελετάται ο πλάγιος λόγος (ΠΛ) ως η στατιστικά επικρατέστερη μορφή αναπαράστασης λόγου σε ειδήσεις δύο ελληνικών εφημερίδων μεγάλης κυκλοφορίας, της «Καθημερινής» («Κ») και «Των Νέων» («Ν»). Στόχος του είναι η διερεύνηση γλωσσικών χαρακτηριστικών ...
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In this paper, the process of designing an annotated Greek Corpus of Aphasic Discourse (GREECAD) is presented. Given that resources of this kind are quite limited, a major aim of the GREECAD was to provide a set of specifications which... more
In this paper, the process of designing an annotated Greek Corpus of Aphasic Discourse (GREECAD) is presented. Given that resources of this kind are quite limited, a major aim of the GREECAD was to provide a set of specifications which could serve as a methodological basis for the development of other relevant corpora, and, therefore, to contribute to the future research in this area. The GREECAD was developed with the following requirements: a) to include a rather homogeneous sample of Greek as spoken by individuals with aphasia; b) to document speech samples with rich metadata, which include demographic information, as well as detailed information on the patients’ medical record and neuropsychological evaluation; c) to provide annotated speech samples, which encode information at the micro-linguistic (words, POS, grammatical errors, clause types, etc.) and discourse level (narrative structure elements, main events, evaluation devices, etc.). In terms of the design of the GREECAD, ...
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Numerous studies have shown that language impairments, particularly semantic deficits, are evident in the narrative speech of people with Alzheimer’s disease from the earliest stages of the disease. Here, we present a novel technique for... more
Numerous studies have shown that language impairments, particularly semantic deficits, are evident in the narrative speech of people with Alzheimer’s disease from the earliest stages of the disease. Here, we present a novel technique for capturing those changes, by comparing distributed word representations constructed from healthy controls and Alzheimer’s patients. We investigate examples of words with different representations in the two spaces, and link the semantic and contextual differences to findings from the Alzheimer’s disease literature.
Among the ways of discourse representation, direct quotation is the most explicit form of inclusion of a speech event in a discourse. Many researchers have reached the conclusion that Direct Discourse (DD) is the mode par excellence in... more
Among the ways of discourse representation, direct quotation is the most explicit form of inclusion of a speech event in a discourse. Many researchers have reached the conclusion that Direct Discourse (DD) is the mode par excellence in news reports, and that its function is to ensure faithfulness to an original discourse. This article explores the validity of these claims by comparing the forms and functions of DD in two Greek newspapers, namely I Kathimerini and Ta Nea. Our account relies upon a corpus-based approach to the study of DD forms and a qualitative analysis of a) the speech reporting verbs and b) the functions of DD in the news reports. Statistical information from the corpus provided that the most of the DD forms appeared in very divergent frequencies in the two newspapers. Concerning the functions of DD, we distinguished argumentation, dialogue that sets the scene of a conflict, interview reconstruction, evidence presentation, and legitimization. Moreover, reporting ve...
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abstractPrevious research in Greek aphasia has indicated that functional categories related to verb inflection are differentially impacted, with Aspect most severely affected, Agreement least affected, and Tense occupying an intermediate... more
abstractPrevious research in Greek aphasia has indicated that functional categories related to verb inflection are differentially impacted, with Aspect most severely affected, Agreement least affected, and Tense occupying an intermediate position. However, research materials were not controlled for overall length or position of the verb within the sentence, confounding functional category with processing load. Using balanced materials, here we tested ten persons with aphasia and ten matched control participants on grammaticality judgment and sentence completion in three functional categories (agreement, tense, and aspect) using ten verbs spanning a range of familiarity. Production results indicated no difference in errors of either lexeme or inflectional morpheme selection. In grammaticality judgment acceptance of incorrect sentences was lower for Agreement but this pattern was mirrored in the control group as well. The results provide no basis to support a specific linguistic defic...
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Metaphors of the lower senses in Greek modernist poetry. Poetry can be a rich source of metaphors and, in particular, sensory metaphors. Our paper explores metaphors of sensory experience in the work of three Greek modernist poets: Matsi... more
Metaphors of the lower senses in Greek modernist poetry.
Poetry can be a rich source of metaphors and, in particular, sensory metaphors. Our paper explores metaphors of sensory experience in the work of three Greek modernist poets: Matsi Chatzilazarou (1914-1987), Eleni Vakalo (1921-2001) and Katerina Anghelaki-Rooke (1939- ). Given that the body and its senses play a central role in their poetry, we study the lower senses of touch, smell and taste in three collective editions
of poems (Chatzilazarou, 1989, Vakalo, 1995, Anghelaki-Rooke, 2014). We explore the conceptual metaphors for the lower senses on the basis of their semantic mappings (source/target domain correspondence) while focusing also on their linguistic expression. We argue that of all senses touch is predominant in the data we study whereas smell and taste are mostly related to the experience of feelings or memory.
Poetry can be a rich source of metaphors and, in particular, sensory metaphors. Our paper explores metaphors of sensory experience in the work of three Greek modernist poets: Matsi Chatzilazarou (1914-1987), Eleni Vakalo (1921-2001) and Katerina Anghelaki-Rooke (1939- ). Given that the body and its senses play a central role in their poetry, we study the lower senses of touch, smell and taste in three collective editions
of poems (Chatzilazarou, 1989, Vakalo, 1995, Anghelaki-Rooke, 2014). We explore the conceptual metaphors for the lower senses on the basis of their semantic mappings (source/target domain correspondence) while focusing also on their linguistic expression. We argue that of all senses touch is predominant in the data we study whereas smell and taste are mostly related to the experience of feelings or memory.
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Μέλπω Αξιώτη (1903-1973)
Η ζωή και το έργο της
Ενημερωμένη εργοβιογραφία της Μ.Αξιώτη. Περιλαμβάνεται ως χωριστό κεφάλαιο του Επίμετρου στο: Μέλπω Αξιώτη, Η Κάδμω, φιλολ. επιμέλεια-επίμετρο-σχόλια, Μ.Κακαβούλια
Κέδρος 2015
Η ζωή και το έργο της
Ενημερωμένη εργοβιογραφία της Μ.Αξιώτη. Περιλαμβάνεται ως χωριστό κεφάλαιο του Επίμετρου στο: Μέλπω Αξιώτη, Η Κάδμω, φιλολ. επιμέλεια-επίμετρο-σχόλια, Μ.Κακαβούλια
Κέδρος 2015
Research Interests:
Literature and Dance in the decade of the 1930's in Greece. Mapping the field. The dynamic interaction of literature and dance has only recently drawn the attention of academic scholarship, while dance research has only started to... more
Literature and Dance in the decade of the 1930's in Greece. Mapping the field.
The dynamic interaction of literature and dance has only recently drawn the attention of academic scholarship, while dance research has only started to examine aspects of contemporary dance history in Greece addressing issues of cultural identity and artistic influences. In this contribution, I will try to map the possible relations between literature and dance as they emerged in the inter-war period in Greece.
The relations of literature to dance range from the dancing that appeared frequently across drama, poetry and fiction to the dance schools or works that were influenced by literary sources or the aesthetic ideology of the so called Generation of the Thirties. Focusing on dance as a site of renegotiation of cultural identities and/ or subjectivities within different contexts, we paradigmatically see how Greek authors appropriated dance or choreography as a metaphor for human relations or a model for their writing practices, thus finding new angles in the work of thoroughly familiar authors (K. Politis, G.Theotokas, etc.). Secondly, I will focus on the critical writings (essays, reviews, journals) of poets and prosewriters that found in dance a way of thinking and a way of processing their aesthetic concerns.
The aesthetic ideology of the generation of the Thirties in Greece aimed at the renewal of arts by combining Western influences and Greek traditions. In what particular ways was dance and choreography influenced by this major intellectual and artistic movement of the inter-war period and the discussions about Greekness, modern poetry, mythology and modern art? Any treatment of dance in this period necessarily includes Koula Pratsika (1899-1984) a major dance artist of the '30's and initiator of contemporary dance in Greece. Pratsika related dance to issues of national ideology, womanhood and a way of mind-body development.
Mapping the field of the reciprocal dialogue between the literary arts and dance performances, practices, and theories reveals new sources for the study of the Greek modernist era.
The dynamic interaction of literature and dance has only recently drawn the attention of academic scholarship, while dance research has only started to examine aspects of contemporary dance history in Greece addressing issues of cultural identity and artistic influences. In this contribution, I will try to map the possible relations between literature and dance as they emerged in the inter-war period in Greece.
The relations of literature to dance range from the dancing that appeared frequently across drama, poetry and fiction to the dance schools or works that were influenced by literary sources or the aesthetic ideology of the so called Generation of the Thirties. Focusing on dance as a site of renegotiation of cultural identities and/ or subjectivities within different contexts, we paradigmatically see how Greek authors appropriated dance or choreography as a metaphor for human relations or a model for their writing practices, thus finding new angles in the work of thoroughly familiar authors (K. Politis, G.Theotokas, etc.). Secondly, I will focus on the critical writings (essays, reviews, journals) of poets and prosewriters that found in dance a way of thinking and a way of processing their aesthetic concerns.
The aesthetic ideology of the generation of the Thirties in Greece aimed at the renewal of arts by combining Western influences and Greek traditions. In what particular ways was dance and choreography influenced by this major intellectual and artistic movement of the inter-war period and the discussions about Greekness, modern poetry, mythology and modern art? Any treatment of dance in this period necessarily includes Koula Pratsika (1899-1984) a major dance artist of the '30's and initiator of contemporary dance in Greece. Pratsika related dance to issues of national ideology, womanhood and a way of mind-body development.
Mapping the field of the reciprocal dialogue between the literary arts and dance performances, practices, and theories reveals new sources for the study of the Greek modernist era.
Research Interests:
This study examines the crucial role of language and the variety of narrative tech niques employed in mediating reality (news reporting) in both the print and electronic media. It focuses on the process of selection and discourse... more
This study examines the crucial role of language and the variety of narrative tech niques employed in mediating reality (news reporting) in both the print and electronic media. It focuses on the process of selection and discourse transformation that makes up the 'news'. The conclusions reached concern four basic points: 1) the degree of nar-rativization encountered ranges from a linear, cause-effect scheme of chronological account to a complete fictionalized and dramatized account of the events recorded (narrative hegemonism), 2) there is a need to focus on new areas of research and to formulate a new typology that will account for the emerging new hybrid forms of text types in media discourse (infotainment, etc.), 3) the implications of narrativity for the function of objective newsreporting needs to be further explored, and 4) the broader confirmation that the use of specific narrative techniques and narrativization variables changes according to the sociolingiuistic profile and the 'audience design' adopted by each medium. 1. Η είδηση ως αφήγηση Στην παρουσίαση αυτή* θα μας απασχολήσει η σχέση της αφήγησης με το κειμενικό είδος της ειδησιογραφίας. Βασικός στόχος του κειμένου είναι: 1) να εντοπίσουμε ενδεικτικά και με συγκεκριμένα παραδείγματα την ποικιλία των αφηγηματικών τεχνικών που συναντώνται στον ειδησιογραφικό λόγο των μέσων (έντυπων και ηλεκτρονικών), και 2) να εξετάσουμε πώς και κατά πόσον η χρήση αφηγηματικών τρόπων υπαγορεύει ένα συγκεκριμένο πλαί σιο πρόσληψης του ειδησιογραφικού λόγου.** Το παρόν κείμενο αποτελεί επεξεργασμένη μορφή εισήγησης στο Συνέδριο του Μορ φωτικού Ιδρύματος της ΕΣΗΕΑ "Δημοσιογραφία και Γλώσσα" (Αθήνα, 15-16 Απρι λίου 2000). ** Θα ήθελα να ευχαριστήσω και από εδώ την φίλη γλωσσολόγο Μαρία Κακριδή για τις εύστοχες παρατηρήσεις και τη γόνιμη ανταλλαγή απόψεων κατά τη διάρκεια της συγ γραφής αυτού του κειμένου.
Research Interests:
Research Interests:
Περ. Δια-κείμενα (αφιέρωμα Λογοτεχνία και Δημοσιογραφία: Αμφίρροπες Σχέσεις), 2008, 10, 99-110. Το άρθρο αυτό μελετά το φαινόμενο της αμφίδρομης σχέσης δημοσιογραφίας και λογοτεχνίας από την πλευρά της πεζογραφίας Συγκεκριμένα, εστιάζει... more
Περ. Δια-κείμενα (αφιέρωμα Λογοτεχνία και
Δημοσιογραφία: Αμφίρροπες Σχέσεις), 2008, 10, 99-110.
Το άρθρο αυτό μελετά το φαινόμενο της αμφίδρομης σχέσης
δημοσιογραφίας και λογοτεχνίας από την πλευρά της πεζογραφίας Συγκεκριμένα, εστιάζει στον τρόπο που είδη του δημοσιογραφικού λόγου, όπως το ρεπορτάζ, η είδηση ή η συνέντευξη εισάγονται και ‘φυσικοποιούνται’ στο περιβάλλον της πεζογραφικής μυθοπλασίας. Με
βάση το τρίπτυχο ανάλυσης του αφηγηματικού κειμένου από τον Gerard Genette, αναδεικνύει με συγκεκριμένα παραδείγματα τις υβριδικές μορφές που προκύπτουν από την ανάμειξη λογοτεχνικών και μη λογοτεχνικών ειδών όπως η ιστοριογραφία και το ρεπορτάζ . Με ενδιάμεσους σταθμούς την διακειμενικότητα υπό μορφή εξωκειμενικών πηγών αναφοράς που συναντά κανείς στο έργο του Ε. Ροϊδη (Πάπισσα Ιωάννα, 1866) και της Μ.Αξιώτη (Το Σπίτι μου, 1965), το άρθρο σταματά στα έργα του Θανάση Βαλτινού Στοιχεία για τη δεκαετία του ’60 (1989) και Ημερολόγιο 1836-2011 (2001) και στο μυθιστόρημα του Μισέλ Φάις \Αυτοβιογραφία ενός βιβλίου' (1995). Αναλύεται ο τρόπος που υφαίνεται ένας πολύπλοκος κειμενικός ιστός μέσα από ένα ειδολογικό παιχνίδι που μιμείται το ύφος μιντιακών λόγων. Η χρήση των ντοκουμέντων- εγγράφων από δήθεν ανεπεξέργαστο αμοντάριστο αρχειακό υλικό (γραπτές και προφορικές μαρτυρίες, επιστολική αφήγηση, ρεπορτάζ, μικρές αγγελίες δημόσιες δηλώσεις, επίσημες κυβερνητικές ανακοινώσεις, διαφημίσεις προϊόντων, τα ‘ψιλά’ των
ειδήσεων, οι επιστολές στον εκδότη, ή οι επιστολές στους παραγωγούς ραδιοφωνικών προγραμμάτων, αιτήσεις για μετανάστευση, επιστολές, προσδίδουν πηγαίο ρεαλισμό στις ‘τυχαίες’ ματιές που αφορούν την κρίσιμη δεκαετία (Βαλτινός) ή την ιστορία της επαρχιακής πόλης της Κομοτηνής (Φάις). Το άρθρο κλείνει με ενδεικτική αναφορά σε νεώτερους συγγραφείς.
Δημοσιογραφία: Αμφίρροπες Σχέσεις), 2008, 10, 99-110.
Το άρθρο αυτό μελετά το φαινόμενο της αμφίδρομης σχέσης
δημοσιογραφίας και λογοτεχνίας από την πλευρά της πεζογραφίας Συγκεκριμένα, εστιάζει στον τρόπο που είδη του δημοσιογραφικού λόγου, όπως το ρεπορτάζ, η είδηση ή η συνέντευξη εισάγονται και ‘φυσικοποιούνται’ στο περιβάλλον της πεζογραφικής μυθοπλασίας. Με
βάση το τρίπτυχο ανάλυσης του αφηγηματικού κειμένου από τον Gerard Genette, αναδεικνύει με συγκεκριμένα παραδείγματα τις υβριδικές μορφές που προκύπτουν από την ανάμειξη λογοτεχνικών και μη λογοτεχνικών ειδών όπως η ιστοριογραφία και το ρεπορτάζ . Με ενδιάμεσους σταθμούς την διακειμενικότητα υπό μορφή εξωκειμενικών πηγών αναφοράς που συναντά κανείς στο έργο του Ε. Ροϊδη (Πάπισσα Ιωάννα, 1866) και της Μ.Αξιώτη (Το Σπίτι μου, 1965), το άρθρο σταματά στα έργα του Θανάση Βαλτινού Στοιχεία για τη δεκαετία του ’60 (1989) και Ημερολόγιο 1836-2011 (2001) και στο μυθιστόρημα του Μισέλ Φάις \Αυτοβιογραφία ενός βιβλίου' (1995). Αναλύεται ο τρόπος που υφαίνεται ένας πολύπλοκος κειμενικός ιστός μέσα από ένα ειδολογικό παιχνίδι που μιμείται το ύφος μιντιακών λόγων. Η χρήση των ντοκουμέντων- εγγράφων από δήθεν ανεπεξέργαστο αμοντάριστο αρχειακό υλικό (γραπτές και προφορικές μαρτυρίες, επιστολική αφήγηση, ρεπορτάζ, μικρές αγγελίες δημόσιες δηλώσεις, επίσημες κυβερνητικές ανακοινώσεις, διαφημίσεις προϊόντων, τα ‘ψιλά’ των
ειδήσεων, οι επιστολές στον εκδότη, ή οι επιστολές στους παραγωγούς ραδιοφωνικών προγραμμάτων, αιτήσεις για μετανάστευση, επιστολές, προσδίδουν πηγαίο ρεαλισμό στις ‘τυχαίες’ ματιές που αφορούν την κρίσιμη δεκαετία (Βαλτινός) ή την ιστορία της επαρχιακής πόλης της Κομοτηνής (Φάις). Το άρθρο κλείνει με ενδεικτική αναφορά σε νεώτερους συγγραφείς.
Research Interests:
Published book --based on a PhD thesis "Interior monologue and its discursive formation in Melpo Axioti's ‘Δύσκολες Νύχτες’ (1938)." Monograph Series: Miscellanea Byzantina Monacensia, Heft 35. München: Institut für Βyzantinistik und... more
Published book --based on a PhD thesis
"Interior monologue and its discursive formation in Melpo
Axioti's ‘Δύσκολες Νύχτες’ (1938)." Monograph Series: Miscellanea Byzantina Monacensia, Heft 35. München: Institut für Βyzantinistik und Neugriechische Philologie der Universität.ΧΙ, 1992, 386 pp
Chapter 1. Interior Monologue: Criticism and definition
Chapter 2. Dyskoles Nychtes a case of a Memory Monologue text
Chapter 3 The Modes of Memory
Chapter 4 Interior Monologue and the Poetics of Self-Quotation
Chapter 5 Double Discourses. Silencing the Voice
Chapter 6 The Language(s) of Memory
Conclusion Bibliography
"Interior monologue and its discursive formation in Melpo
Axioti's ‘Δύσκολες Νύχτες’ (1938)." Monograph Series: Miscellanea Byzantina Monacensia, Heft 35. München: Institut für Βyzantinistik und Neugriechische Philologie der Universität.ΧΙ, 1992, 386 pp
Chapter 1. Interior Monologue: Criticism and definition
Chapter 2. Dyskoles Nychtes a case of a Memory Monologue text
Chapter 3 The Modes of Memory
Chapter 4 Interior Monologue and the Poetics of Self-Quotation
Chapter 5 Double Discourses. Silencing the Voice
Chapter 6 The Language(s) of Memory
Conclusion Bibliography
Research Interests:
Νέα Εστία 2002, τόμ. 152, ,τχ. 1751, 833-859 Ανάλυση της αφηγηματικής γλώσσας του μυθιστορήματος με επίκεντρο την θεωρία του Μπαχτίν (M.M. Bakhtin) για τα είδη λόγου (Speech genres) και μια επεξεργασμένη τυπολογία ειδών παράθεσης ομιλίας... more
Νέα Εστία 2002, τόμ. 152, ,τχ. 1751, 833-859
Ανάλυση της αφηγηματικής γλώσσας του μυθιστορήματος με επίκεντρο την θεωρία του Μπαχτίν (M.M. Bakhtin) για τα είδη λόγου (Speech genres) και μια επεξεργασμένη τυπολογία ειδών παράθεσης ομιλίας και σκέψης.
Προηγείται η παρουσίαση μεθοδολογικών και ορολογικών ζητημάτων ανάλυσης του λόγου, καθώς και ιστορική αναδρομή στην χρήση του όρου εσωτερικός μονόλογος στην λογοτεχνική κριτική. Αμφισβητείται η κατηγοριοποίηση του λόγου του Κοτζιά ως εσωτερικού μονολόγου, αναγνωρίζεται η διεσταλμένη χρήση μονολογικών πρακτικών και αναδεικνύεται η πολιτική διάσταση στην οικειοποίηση της γλώσσας του
«άλλου» καθώς και η ειρωνική αντιμιμητική χρήση μονολογικών τεχνικών.
Ανάλυση της αφηγηματικής γλώσσας του μυθιστορήματος με επίκεντρο την θεωρία του Μπαχτίν (M.M. Bakhtin) για τα είδη λόγου (Speech genres) και μια επεξεργασμένη τυπολογία ειδών παράθεσης ομιλίας και σκέψης.
Προηγείται η παρουσίαση μεθοδολογικών και ορολογικών ζητημάτων ανάλυσης του λόγου, καθώς και ιστορική αναδρομή στην χρήση του όρου εσωτερικός μονόλογος στην λογοτεχνική κριτική. Αμφισβητείται η κατηγοριοποίηση του λόγου του Κοτζιά ως εσωτερικού μονολόγου, αναγνωρίζεται η διεσταλμένη χρήση μονολογικών πρακτικών και αναδεικνύεται η πολιτική διάσταση στην οικειοποίηση της γλώσσας του
«άλλου» καθώς και η ειρωνική αντιμιμητική χρήση μονολογικών τεχνικών.
Research Interests:
Published in Neni Panourgia & George Markus ( Eds) 2008. Ethnographica Moralia. Experiments in Interpretive Anthropology, New York: Fordham University Press, 213-216 Afterword / comment to previous chapters and contributions in the... more
Published in
Neni Panourgia & George Markus ( Eds) 2008. Ethnographica Moralia. Experiments in Interpretive Anthropology, New York: Fordham University Press, 213-216
Afterword / comment to previous chapters and contributions in the edited volume. Main topic : The familiar rationalist distinction between the “eye of the mind” and the “eye of the body” that has established fundamental parallels between the visual and the cognitive domains.
Neni Panourgia & George Markus ( Eds) 2008. Ethnographica Moralia. Experiments in Interpretive Anthropology, New York: Fordham University Press, 213-216
Afterword / comment to previous chapters and contributions in the edited volume. Main topic : The familiar rationalist distinction between the “eye of the mind” and the “eye of the body” that has established fundamental parallels between the visual and the cognitive domains.
Research Interests:
The complex relationship of Greek modernism to its Western counterparts raises important questions in comparative literary history. In particular, what specific forms does literary modernism take, how is the quest for formal innovation... more
The complex relationship of Greek modernism to its Western counterparts raises important questions in comparative literary history. In particular, what specific forms does literary modernism take, how is the quest for formal innovation legitimized within the corpus of a national cultural tradition? The theoretical approach informing the present study of Interior Monologue in Greek prose fiction takes into account one of the paradoxes of Greek modernism compared to its European counterpart: the idea that the idea of " Greekness " is a necessary precondition of the definitions of Greek modernism; however radical the formal or conceptual experimentations of Greek modernists, the quest to recover the 'true' origins of Greekness and or Hellenism remains dominant.
Research Interests:
Seminar presentation (Program of Hellenic Studies, Columbia University, NY, October 2014) ) on the Greek poet and art theorist Eleni Vakalo.
Research Interests:
Radio advertisements use playful imitation as a discourse tactic that creates positive feelings toward the advertised product. A specific discourse imitates another discourse on the basis of two opposing strategies: captation and... more
Radio advertisements use playful imitation as a discourse tactic that creates
positive feelings toward the advertised product. A specific discourse imitates
another discourse on the basis of two opposing strategies: captation and subversion.
In captation, the investor discourse borrows the cultural capital of the
source discourse, a practice corresponding to pastiche, while in subversion,
imitation allows for the subversion of the cultural capital of the source discourse,
a practice linked to parody. Analysis of 347 advertisements transmitted by
private radio stations in Thessaloniki and Athens between the years 2004 and
2007 shows that radio ads imitate not only various genres or texts (as usually
argued in the literature), but also features of the linguistic system and its
varieties. Moreover, it is shown that pastiche and parody have informative or
playful purpose, thus formulating a continuum of four versions of imitation,
ranging from informative pastiche to playful parody.
positive feelings toward the advertised product. A specific discourse imitates
another discourse on the basis of two opposing strategies: captation and subversion.
In captation, the investor discourse borrows the cultural capital of the
source discourse, a practice corresponding to pastiche, while in subversion,
imitation allows for the subversion of the cultural capital of the source discourse,
a practice linked to parody. Analysis of 347 advertisements transmitted by
private radio stations in Thessaloniki and Athens between the years 2004 and
2007 shows that radio ads imitate not only various genres or texts (as usually
argued in the literature), but also features of the linguistic system and its
varieties. Moreover, it is shown that pastiche and parody have informative or
playful purpose, thus formulating a continuum of four versions of imitation,
ranging from informative pastiche to playful parody.
Research Interests:
Research Interests:
Verbal inflectional errors are among the most prominent characteristics of aphasic non-fluent speech. Subject-verb agreement is relatively intact while tense is severely impaired. Some researchers view the deficit as structural and... more
Verbal inflectional errors are among the most prominent characteristics of aphasic non-fluent speech. Subject-verb agreement is relatively intact while tense is severely impaired. Some researchers view the deficit as structural and attribute errors to a breakdown of functional categories and their projections. Agrammatic individuals produce trees that are intact up to the Tense node and'pruned'from this node up. Other researchers