New York Film Festival
Blitz Offers a New Perspective on the World War II Movie
A mix of old-fashioned storytelling and modern sensibility, Steve McQueen’s new film is a worthy epic.
By Richard Lawson
Review
Laura Dern Meets Cute With a Hemsworth in Lonely Planet
A familiar romantic setup benefits greatly from a radiant star.
By Richard Lawson
Review
The Franchise Thinks Scorsese Was Right about Superhero Movies
The new HBO comedy from Veep’s creator lampoons how the Marvel-ous sausage gets made.
By Joy Press
Review
In Season Three, Heartstopper Takes the Plunge
Big decisions are made in the new episodes of Netflix’s hit show, but maybe not enough.
By Richard Lawson
New York Film Festival
Nickel Boys Is a Bold Experiment in Perspective
A lauded novel is artfully adapted in director RaMell Ross’s film.
By Richard Lawson
Movie Guide
The 30 Best Halloween Movies to Scare You Through October
Read on, if you dare, for the best Halloween movies with the biggest scares.
By Tara Ariano and Laura Bradley
Review
Ellen DeGeneres’s New, Possibly Last Netflix Special Asks: Can You Ever Forgive Me?
File the stand-up special For Your Approval under the category of “Sorry/Not Sorry.”
By Joy Press
Critic’s Notebook
Monsters: The Lyle and Erik Menendez Story Has One Great Episode, but Doesn’t Know What to Do With It
The show surrounding that showcase for Cooper Koch’s Erik Menendez is a confused mess.
By Richard Lawson
Review
His Three Daughters Is One of the Best Dramas of the Year
Carrie Coon, Natasha Lyonne, and Elizabeth Olsen are remarkable in Azazel Jacobs’s poignant look at familial grief.
By Richard Lawson
reviews
Agatha All Along Casts a Spell, Eventually
Marvel's WandaVision spinoff doesn't put its best foot forward—but give it a chance, and you may find yourself won over.
By Joshua Rivera
Review
Who Needs Batman When We Have The Penguin?
Colin Farrell is a force to be reckoned with in HBO’s compelling crime series.
By Richard Lawson
Review
American Sports Story Compellingly Tracks the Rise and Fall of Aaron Hernandez
A new anthology series kicks off with football’s second-most famous murder case.
By Richard Lawson
Review
Natasha Rothwell Soars in Her Near-Death Dramedy How to Die Alone
The Hulu show’s “fat, black, fucked-up” heroine makes an airport into her playground and launchpad.
By Joy Press
Toronto Film Festival
Conclave Is a Compelling Papal Thriller That Makes One Major Misstep
Ralph Fiennes oversees the selection of the new pope in a film from the director All Quiet on the Western Front.
By Richard Lawson
Toronto Film Festival
Hugh Grant Is an Unholy Creep in Heretic
A claustrophobic horror movie tackles religion, with a particularly erudite villain.
By Richard Lawson
Toronto Film Festival
A Brutally Good Marianne Jean-Baptiste Powers Mike Leigh’s Hard Truths
The actor and director, who made Secrets & Lies together in 1996, deliver another piercing character study.
By Richard Lawson
Toronto Film Festival
Florence Pugh Shines in the Artful Romantic Drama We Live in Time
A tearjerker with a smart streak provides a sterling star vehicle for one of the great actors of her generation.
By Richard Lawson
Toronto Film Festival
Armageddon, but with Singing: Tilda Swinton and Michael Shannon Face The End
In Joshua Oppenheimer’s sometimes moving musical, a wealthy family spends the post-apocalypse underground.
By Richard Lawson
Venice Film Festival
Did You Like Joker? In Folie à Deux, the Joke’s on You
Todd Phillips’s grim sequel, starring Joaquin Phoenix and Lady Gaga, plays as a middle finger to anyone who sought something meaningful in his saga.
By Richard Lawson
Venice Film Festival
Queer, with Daniel Craig, Is Many Things: Captivating, Alienating, Sorrowful, and Erotic
Director Luca Guadagnino, working from a William S. Burroughs novel, is at his most enigmatic.
By Richard Lawson
Venice Film Festival
Julianne Moore and Tilda Swinton Contemplate Death in The Room Next Door
Pedro Almodóvar’s first English-language feature is a melancholy gem.
By Richard Lawson