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HORSE DISTURBER

@taraxippos / taraxippos.tumblr.com

Francis. 18+ please
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I think what the "likes<reblogs" for art crowd actually wants (when it's not the "you are literally dooming my imaginary small business" angle, which it is a lot of the time) is like, a sense of real human engagement. I think it's close to universal that artists on here enjoy getting comments and tags because it's engagement beyond site mechanics, and that's at least Part of what's being chased with demands for reblogs, even when it's being demanded in more transactional terms.

And there's a point to THAT imo. As much as I think you should do art for yourself above all else, no one posts art onto social media without hopes of engagement and there's nothing selfish about that. It's a very natural thing to want, and it's very natural to feel a disconnect when you're only interacted with on the terms of site mechanics rather than human communication.

I wouldn't want this to turn into the same sort of "if you like/reblog art without leaving comments you HATE ARTISTS and DEVALUE ART" shit, I think interacting without commentary is 100000% COMPLETELY fine, but taking an extra step is just a nice thing to do sometimes. It injects warmth into a social medium deprived of it. It's worth pausing to think what you like about something, and then sometimes taking that extra bit of time to express it in words.

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maxknightley

the thing about "likes do nothing" is that they actually do: they let me know that someone enjoyed, related to, or sympathized with the things I made

the thing about "reblogs cost nothing," "wouldn't you want to show your appreciation by sharing it with your followers?" and so on is that I don't actually share everything I like with the people around me. do you want me to link every youtube video I watch and make a post every time I eat a good chocolate bar, too?

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taraxippos

Loving the party city ass armor for Christopher Nolan's The Odyssey. I wouldn't have expected it to commit to armor styles from the bronze age period in which the poem is set, or even to be faithful to the early period of classical antiquity in which the poem was first recorded in writing, but the complete disregard for even an approximation of reality in favor of halloween costume caliber design is pretty impressive.

They should be wearing linothorax with their penises and balls visible at certain angles too

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Loving the party city ass armor for Christopher Nolan's The Odyssey. I wouldn't have expected it to commit to armor styles from the bronze age period in which the poem is set, or even to be faithful to the early period of classical antiquity in which the poem was first recorded in writing, but the complete disregard for even an approximation of reality in favor of halloween costume caliber design is pretty impressive.

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like, okay, consent does literally just mean agree. which is what enables this little rhetorical trick. because there's all this cultural emphasis on sexual consent, which is just expressed as consent, a lot of phrases whose intended meanings are "rape is bad" can be taken literally to mean "i should get to agree to everything that happens in my vicinity."

for an example, "i didn't agree to seeing you wear that shirt" is straightforwardly a fucking insane thing for someone to say, but people regularly make use of this trick to make the (functionally identical) statement "i didn't consent to seeing that"

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The funniest thing about the (thankfully broadly panned) absolute nonsense claim that the 'hero's journey' is a grand mythological archetype found worldwide is that it isn't even like, accurate to its most cited examples in the western canon. The story steps themselves as described by Campbell are so broad you can stretch almost anything to fit them and you STILL have to do mental gymnastics to make the Iliad/Odyssey or Beowulf or etc work with it

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taraxippos

World's most reductive description of the already extremely reductive 'trickster deity archetype'

Ok so firstly I take issue with the concept of universal mythic archetypes itself (which this notion draws from). It collapses cultural context from these figures and stories and presents them stripped of most of their nuance and background for simplified categorization and digestion (often by western observers), to their complete disservice. It's one thing to say like 'theft of fire is a very common motif' or 'a lot of gods can be described as solar deities and have comparable and contrastible traits' or etc, it's another to take a wide spectrum of folkloric and religious figures and attempt to shove them in a neat yet highly subjective archetype (whose defining traits will often be so broad as to be borderline meaningless).

But like, okay, we can acknowledge that a lot of folkloric figures can fall under the broad umbrella of "clever but might also/instead be foolish + plays tricks + subverts authority + defies conventions + might or might not be a culture hero + might or might not be a tutelary figure". Labeling them as this alone is a disservice, but we can say it fits as A label.

'God of being a wretched little gremlin that causes problems on purpose' describes pretty damn few of these figures, and where it does it's in a reductive as fuck way. These figures almost always have broader purposes and aspects to their character, and when they're Gods to begin with (itself a subjective label, frankly) they're almost never Just 'gods of playing tricks'. Sometimes they teach about morality and taboo, sometimes they're heroic and upend order for the benefit of humankind, sometimes they upend order for their own good, sometimes they're teachers (directly or via their stories), sometimes they're humorous and clownish, sometimes they're sinister, sometimes they're adversarial, sometimes their mischief is meant to be admirable, or despicable, or both.

It's rarely just 'wretched little asshole', and when it is, it usually has layers beyond this that makes this description inane even in the context of this post just being a silly joke. It's silly in a 'not really getting it to begin with' way.

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