What We Talk About When We Talk About Anne Frank review – charged chat explores Jewish identity
Two couples have a sour reunion in Patrick Marber’s production of Nathan Englander’s play, updated from his 2011 short story to include events after 7 October
Reverberation review – Matthew López’s romcom is rooted in violence and rejection
The New Real review – facts are an illusion in David Edgar’s post-truth political play
Girls Don’t Play Guitars review – Liverbirds musical is just ho-hum
The week in theatre: Juno and the Paycock; The Other Place – review
Dance Umbrella: Mamela Nyamza: Hatched Ensemble; The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele – review
The Fear of 13 review – Adrien Brody lacks space to shine in death row drama
Mamela Nyamza: Hatched Ensemble review – The Dying Swan in fine feather
Filumena review – Felicity Kendal and Matthew Kelly go toe to toe in Naples
Loads more stories and moves focus to first new story.
Hofesh Shechter: ‘The biggest insult I’ve received is that I’m the rockstar of contemporary dance!’
As Theatre of Dreams arrives in London, the celebrated choreographer and composer explains how having his laptop stolen was a blessing in disguise for his new show
Loads more stories and moves focus to first new story.
![Spirited … Jodie Whittaker in The Duchess [of Malfi] at Trafalgar theatre.](https://i.guim.co.uk/img/media/e9f50ffa8ac2277bfa23fd5327088401686b7ebf/0_171_5119_3072/master/5119.jpg?width=700&dpr=2&s=none&crop=none)
